On the (Rest of the) Net.

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Rachel Hill’s book The Sex Myth, released on Wednesday, is excerpted here. [Sydney Morning Herald]

And I interviewed Rachel on the book. (An extended version to come.) [Junkee]

I also wrote about how I Am Cait might be the turning point in reality TV. [Spook Magazine]

35 of the 46 women who have accused Bill Cosby of drugging and/or sexually assaulting them have been photographed for and told their stories to New York magazine. [The Cut]

How that story came about and how they recovered from the DDoS hack. [Mashable]

What happens to mass murderer groupies when their subjects are convicted? [Slate]

In the wake of last week’s Twitter hubbub, Taylor “Swift isn’t here to help women—she’s here to make bank.” [Gawker]

Is there room for the Legends Football League in the recent revolution of women’s sports? [Grantland]

A history of World Wrestling Entertainment’s racism. [The Atlantic]

Orange is the New Black fails its Asian characters. [Hyphen Magazine]

On the “racebending” of Hermione Granger. [HuffPo, Buzzfeed]

ICYMI: My thoughts on Hulk Hogan and racism in wrestling.

Image via Musings of an Inappropriate Woman.

Hulk Hogan & Racism in Wrestling.

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Over the weekend an eight-year-old recording of your childhood hero Hulk Hogan using racist epithets directed towards a black man his daughter was allegedly dating at the time surfaced. World Wrestling Entertainment was quick to sever ties with Hogan, terminating his contract (yes, he still worked there!) and deleting his presence from their website.

While this by no means rids WWE, and the wrestling world at large, of their inherent racism, they should be commended for taking such drastic measures against arguably their most famous star at a time when famous men are still protected despite their wrongdoings.

A few years ago, I wrote about the challenge of rectifying my feminism with my wrestling fandom:

“[W]restling is one of the most obviously racist modes of mainstream entertainment. Let me count just some of the racial stereotypes throughout wrestling history that come to mind: The Iron Sheik was pitted against such all-American opponents as Hulk Hogan and Sgt. Slaughter during the height of the Iranian hostage crisis and the Gulf War; the Mexicools’ ring entrance comprised the use of a ride-on lawnmower, insinuating that people of Mexican descent make excellent yard workers; African American wrestler Charles Wright went from one black trope—a witch doctor named Papa Shango—to another—The Godfather, a pimp who came to the ring followed by his ‘Ho Train'; the Boogeyman was another witch-doctor-esque character played by another African American wrestler, Marty Wright (of no relation to Charles Wright); Native American wrestler Tatanka got around in traditional Native garb, such as headdresses and warpaint and carried a tomahawk; Kofi Kingston is from the Republic of Ghana, but somehow a Jamaican gimmick for his character made more sense; we all know people of African American descent are probably criminals, so why not bring two black wrestlers together in a tag team and call them Cryme Tyme?; Jim Harris played the wild ‘Ugandan giant’ Kamala, while the late Edie Fatu had a similar, albeit Samoan, gimmick as Umaga; and Mohamad Ali Vaez, of Iranian heritage, plays up the Islamaphobia angle for his character.

documentary called Wrestling for Rotary chronicles an independent wrestling gig for charity in country Victoria in 2011, where Vaez talks about the internal struggle he faces in ‘perpetrating stereotypes that my family suffers because of [racism].’

But, at the end of the day,’I’ve suffered inherent racism in the United States, so you know what? I’m gonna make money off of it.'”

I think my sentiments still stand.

Related: World Wrestling Entertainment Will Never #GiveDivasaChance As Long As It Prioritises Bad Men.

Why Are Famous Men Forgiven for Their Wrongdoings, While Women Are Vilified for Much Less?

Elsewhere: [TheVine] Can a Feminist Love Pro Wrestling?

[Radar Online] Hulk’s N Word Racist Racist Rants Caught on Tape—Foul, Disgusting Tirade Leaks.

[The Guardian] Hulk Hogan Fired by WWE After Racist Recordings Emerge.

[Grantland] A (Very) Concise History of Racism in Wrestling, 1980–Present.

Image via Lipstick Alley.

On the (Rest of the) Net.

The return of the teen girl movie. [Daily Life]

What Go Set a Watchman can teach us about contemporary racism. [WaPo]

But Atticus Finch’s racism isn’t a new thing. [New Republic]

The rise of porn gifs (NSFW). [Fusion]

Taylor Swift may have “Bad Blood” with some (most recently Nicki Minaj), but her “feminist selfies” with Karlie Kloss, Lena Dunham et al. shows what it’s like to be close to her. [LA Review of Books]

Speaking of Swift inserting herself into Minaj’s beef with the MTV VMAs for her groundbreaking videos being overlooked in this years’ nominations, it isn’t the first time Swift has both played the white, innocent victim and been at the centre of VMA controversy. [The Guardian, Kevin Allred]

The cultural appropriation of Keeping Up with the Kardashians, and how we perpetuate it by watching it. [The Cut]

Is Lady Gaga normal now? [Vulture]

Let’s clear up that Planned Parenthood selling aborted foetuses nonsense. [xoJane]

The hacking of cheating website Ashley Madison isn’t morally any better than The Fappening. [Daily Life]

In the wake of Good Weekend cancelling an article on Caitlin Stasey because she wouldn’t pose nude for them, she’s taken to Jezebel to tell her side of the story in more than 140 characters.

We need to stop devaluing women’s sports. [New Republic]

Serena Williams is the seminal athlete. [The Nation]

When painful sex continues long after the first time. [Medium]

What it’s like to be an extra on Magic Mike XXL. [Cosmopolitan]

“Pony”, “Closer” and the significance of the strip club soundtrack. [Pitchfork]

How The Bachelorette is changing the way reality TV deals with sex. [Vulture]

Clementine Ford is writing a book! [Facebook]

On the (Rest of the) Net.

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“Can We Just, Like, Get Over the Way Women Talk?” [The Cut]

Why women shouldn’t change their names in the internet age. [Cosmopolitan]

After Jackie: What’s changed since “A Rape on Campus”? [Media Matters]

Matt McGorry is the poster boy for how to be a male feminist. [HuffPo Women]

How to deal with the green eyed monster that’s eating you up inside. [Musings of an Inappropriate Woman]

What happens when two men create a podcast about Gilmore Girls? Gilmore Guys. [NYTimes]

Why we shouldn’t judge Go Set a Watchman so harshly. [The Guardian]

Image via I Love Wildfox.

On the (Rest of the) Net.

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“To be Rihanna… To be a black woman and genius, is to be perpetually owed.” [Pitchfork]

Why we find the sexualised violence of #BBHMM so disturbing. [HuffPo Women]

The Supreme Court of the United States’ landmark decision to legalise marriage equality nation wide is great, but the freedom to marry should also mean the freedom not to marry. [The Cut]

The Kim Kardashian sex tape flag at Kanye West’s Glastonbury set shows women’s sexualities aren’t their own. [The Guardian]

Has Kim changed… or just the way we think about her? [Daily Life]

Orange is the New Black and a defence of rape scenes:

“My hope is that going forward we can have a Pennsatucky Test for rape scenes much like the Bechdel Test. Is the victim’s point-of-view shown? Does the scene have a purpose for existing for character, rather than plot, advancement? Is the emotional aftermath explored? As long as sexual assault continues to be a scourge of our society, TV shows ought to mine the subject; it’s important we keep the conversation going. Just take care of your characters. Don’t rape ’em and leave ’em. They deserve to have their trauma acknowledged. They deserve to have their stories told.” [Vulture]

“The Personal Politics of Public Bathrooms.” [The Cut]

Grief in the time of social media. [Kill Your Darlings]

Why does TV suck at understanding the internet? [Junkee]

To celebrate U.S. series UnREAL‘s renewal and debut on Australian screens on Stan, read about how the show flips the reality TV script and how it’s pushing the boundaries of female masturbation. [Vulture, TV Tonight, The New Yorker, HuffPo Women]

Mums with guns. [Jezebel]

Magic Mike XXL was released this week and I wrote about the original here. [TheVine]

The latest Down Under Feminists Carnival has much more Aussie and Kiwi feminist goodness to keep you satisfied. [A Bee of a Certain Age]

Image via Pop Sugar.

On the (Rest of the) Net.

“Barack Obama is not the first president to say ‘n*igger’—he’s merely the first one not to utter it as a slur.” [Talking Points Memo]

Why white women need to stand up against racism. [New Republic]

It’s time for equal-opportunity nudity on TV. [Spook Magazine]

Further to that, why do the breasts of Game of Thrones all look the same? [Fusion]

Accessing Disneyland with a disability. [New Mobility]

On the (Rest of the) Net.

Britney Spears and Iggy Azalea’s “Pretty Girls”‘ emphasis on looks dates the song. [Pitchfork]

The reemergence of talking about abortion. [WaPo]

Jurassic World didn’t have to be “overtly feminist”, just “overtly not sexist”. [Vulture]

The return of the teen movie. [The Dissolve]

Just when you thought Mad Max: Fury Road couldn’t be milked (pardon the pun) for any further feminist viewpoints, someone writes a breast milk article. [Bitch Flicks]

The rise and rise of In Touch magazine. [Buzzfeed]

ICYMI: “The Perception of Power in Orange is the New Black.