There are no words.
There Lena Dunham goes, creating controversy no matter what she does. Actually, it wasn’t so much Dunham’s American Vogue cover that’s polarised feminists the internet over but Jezebel’s bounty for unPhotoshopped images from Dunham’s shoot.
I kind of get where they’re coming from in that Vogue has a sordid history of Photoshopping its subjects to within an inch of their lives, but it’s puzzling as to why Jezebel’s targeting Dunham’s outing in the mag.
Within a couple of hours of putting a $10,000 bounty on the original images from Dunham’s Annie Leibovitz-shot pictorial, Jezebel had acquired them. A quick glance reveals there was not a whole lot of image-altering to be had, and Dunham looks great in both the before and afters, as Jezebel asserted.
Dunham came to Vogue’s defence in a statement to Slate, saying that Vogue is a fantasy and anyone who wants to see what Dunham actually looks like can tune into Girls. Jezebel’s campaign does come across as body-shaming of Dunham, who has surely experienced enough of that since she first got naked when Girls debuted in 2012. Why not offer as much money for the unretouched originals of someone who has clearly been made to look worlds away from their actual selves? (Jezebel has taken Vogue, Vanity Fair and Victoria’s Secret catalogues to task in the past for their extreme airbrushing in a series called “Photoshop of Horrors”.)
As someone in the comment thread of one of the many posts Jezebel has published in defence of their stance insinuated, it’s time to step away from the computer and let sleeping dogs lie. Funnily enough, it was a cat meme that was used to illustrate this point…
As New Girl, The Mindy Project and Parks and Recreation return to air from their winter breaks and Girls premiers its third season in the U.S. on Sunday (fasttracked to Showcase on Monday night in Australia), ELLE celebrates their female stars by giving them each a cover of their TV issue.
New Girl‘s Zooey Deschanel heads up the series of covers, followed by Parks and Rec‘s Amy Poehler, Allison Williams who plays Marnie on Girls, and Mindy Kaling for The Mindy Project. All the covers are stunning, but it’s hard not to be visually jarred by the final cover, that of Kaling’s. Whereas all the other women, whose body types tend to fit into the standard Hollywould mould, get the 3/4 length portrait shot that ELLE is known for, Kaling has a close-up beauty shot à la Adele for Vogue. And black and white to boot! Sure, the image in stunning and Kaling herself tweeted in defence of it, but held up against the other three traditional covers, there does seem to be something amiss. You’ll forgive us, ELLE, if we conclude it’s because of Kaling’s skin colour and body shape.
This edition of Entertainment Weekly came out while I was in the U.S., but with less than three American dollars to my name when I hit LAX on Tuesday night, I was sadly unable to pick up a copy. (I thought a measly $2.50 cheeseburger from Burger King to sustain me was a tad more important.) But I did get to flick through it at my hotel’s gym that morning, and it looks like a corker. Did we expect anything less from American Horror Story, which just keeps getting better with each season?
You’d be hard pressed to beat last year’s Asylum, however the diverse cast, consisting of two women over the age of sixty, several cast members of colour, body diversity and Jamie Brewer, an actress with Down syndrome, and scintillating subject matter make Coven a riot to watch. The fact that Entertainment Weekly chose to put three older women, one of which is a WOC, on their cover make for yet another AHS talking point.
Are you watching American Horror Story: Coven?
Madonna has written a confessional for US Harper’s Bazaar to accompany her Terry Richardson-shot November cover, in which she discusses man repelling, robbery and rape.
Madonna reveals that when she first moved to New York City some thirty years ago, her apartment was robbed numerous times and she was raped at knifepoint on the roof of a building.
These confessions tie into the “truth or dare” tone of her piece, in which she also discusses clawing her way to the top and forcing people out of their boxes. Whatever you think of her, Madonna is an admirable lady to have overcome these obstacles to become the benchmark that all female pop stars measure themselves against today.
Elsewhere: [Harper's Bazaar] Madonna: Truth or Dare?
A positive furor has errupted surrounding the publication of Rolling Stone with alleged Boston bomber Dzhokhar Tsarnaev on the cover.
Tsarnaev has emerged as somewhat of a terrorist-hearthrob among the teen set, with Tumblrs dedicated to “saving” him and fan-fics about his misunderstood bad-boyishness.
I’m not sure how I feel about the cover; Rolling Stone has been known for it’s hard-hitting investigative reporting, and as the Huffington Post points out, the magazine’s 1970 Charles Manson cover—which went on to win the National Magazine Award—drew similar ire at the time. But on the other hand, should we be glorifying an alleged terrorist by placing him, pin-up like, on the cover of a rock magazine?
Elsewhere: [Facebook] Huffington Post.
Image via Metro.
Jack Hunter’s New Yorker appropriation of longtime are-they, aren’t-they couple/roommates, Bert and Ernie, to illustrate the widespread joy at California’s rejection of Proposition 8, a ballot to prevent marriage equality, caused a stir last week. Namely because Bert and Ernie are puppets who’ve never been identified as gay, but also because the cover was not originally intended to appear as a New Yorker image.
Image via New Yorker.