On the (Rest of the) Net.


The Little Mermaid‘s Ursula is the feminist fairy octomother you never knew you wanted. [Bitch Flicks]

I dissect why we insist on calling women “girls”. [TheVine]

Newlyweds, and later The Hills and Keeping Up with the Kardashians, was a pioneer of the “celebrity best friend” trope. [Grantland]

In the wake of my “Wrestling with Obsession” piece for Writers Bloc, they interviewed me for their newsletter. Sign up here.

How the capitalism of Fifty Shades of Grey reinforces the ties that bind women to abusive relationships. [Buzzfeed]

Clementine Ford thinks the word “slut” is too far gone to be worth reclaiming. [Daily Life]

“The Radical Queerness of Kate McKinnon’s Justin Bieber.” [The Atlantic]

So a character on Girls had an abortion and was super relaxed about it. [Jezebel]

Cripface Oscar bait reigned supreme at this years’ Academy Awards. [Disability Intersections]

And here‘s everything else that was wrong with the Oscars. [Bitch Flicks]

Lesbian representation in women’s magazines. [The Conversation]

Meet the Feminist Fucker: a guy who sees feminists as the ultimate conquest. [Spook Magazine]

ICYMI: When you realise all your passions are no longer cutting it.

Image via Disney.com.

On the (Rest of the) Net.

from parts unknown fight like a girl

I interviewed From Parts Unknown: Fight Like a Girl‘s director/producer Daniel Armstrong ahead of the movie’s seven-years-in-the-making premiere last weekend. [Outback Championship Wrestling]

I also did a little write up on OCW’s newest tag team, the Loose Bastards!

And just to top off my week of wrestling writing, I’m talking about choice on Total Divas. [Bitch Flicks]

Do home invasion movies help women work through our fears of real-life in-home violence? [Bitch]

Further to that, what about Law & Order: Special Victims Unit and sexual assault survivors? [The Hairpin]

When is the right time to carry a pregnancy to term? And when is the right time to abort? [Talking Points Memo]

Bill Cosby’s infuriating arrogance allows him to get away with everything. [Role Reboot]

Is it time for Girls to separate Hannah Horvath from Lena Dunham? [Junkee]

Rappers rule Instagram (and they also post the most drug- and alcohol-related content). [Addiction-Treatment]

Feminism won the Golden Globes. [Cosmopolitan]

But diversity lost in the Oscars nominations. [Daily Life]

Further to that, Tina Fey and Amy Poehler’s Cosby–rape joke got it right because it skewered the (alleged) rapist and rape culture, not the victim. [Feministe]

The class politics of Gilmore Girls. [The Baffler]

Sex workers don’t need to be rescued. [Vice]

Taylor Swift’s Girlfriend Collection. [Buzzfeed]

An interview with Caitlin Stasey about her new body-positive website, Herself. com. [Daily Life]

Filmme Fatales interviewed Beyond Clueless director Charlie Lyne before they present the doco at the Rooftop Cinema on 27th January.

Janet Mock on self-care. [The Hairpin]

Nicki Minaj, Taylor Swift and Sia’s latest chart-topping albums are trading in sadness. [The Village Voice]

The story of V: abbreviating “very”. [The Atlantic]

Image via Strongman Pictures.

On the (Rest of the) Net.

Barbie Sports Illustrated

Barbie is #unapologetic about her Sports Illustrated swimsuit photo shoot. [Barbie Collector]

On behalf of child molestation survivors, Cate Blanchett, don’t accept the Best Actress Oscar. [Thought Catalog]

Modernising the Bechdel Test. [Daily Life]

Fractured friendships on Girls. [Musings of an Inappropriate Woman]

From lady to ladette: media portrayals of female drunkeness. [Sociological Images]

On the (Rest of the) Net.

philaphedia story

From Katharine Hepburn to Katherine Heigl: the decline of the rom-com. [The Atlantic]

In defence of “cunt”. [Jezebel]

Monica Lewinsky gets a shot at redeeming herself (in physicality only) by becoming a (rumoured) contestant on cosmetic surgery-makeover show, Celebrity Swan. [Daily Life]

Seth MacFarlane’s misogynistic Oscar hosting gig. [Vulture]

Is it anti-feminist to disagree with Julia Gillard’s policies? [Daily Life]

Hilary Mantel’s “Kate Middleton’s-a-machine-made-baby-making-mannequin” speech published on the London Review of Books’ website is so much more, in which Mantel uses famous royal women such as Anne Boleyn, Marie Antoinette and Princess Diana to illustrate a larger public obsession with royal women and their bodies:

“… [A] royal lady is a royal vagina. Along with the reverence and awe accorded to royal persons goes the conviction that the body of the monarch is public property. We are ready at any moment to rip away the veil of respect, and treat royal persons in an inhuman way, making them not more than us but less than us, not really human at all.”

Actresses, weight and the Oscars. [The Cut]

Making feminist porn. [Jezebel]

How to get dating results. This sounds like a really good idea. I think I’m going to adopt it myself and I encourage all other singletons to, too. I know from experience, the confidence boost you get from interacting with one potential suitor pays dividends when it comes to dipping your toes in the rest of the dating pool after a long, dry spell…  [Jezebel]

Food as luxury. [Jezebel]

It’s hard out there for a lady journo. [Said to Lady Journos]

Image via Brookfield Film Society.

TV: The Underlying Message in Glee’s “Naked” Episode.

glee men of mckinley calendar ryder

glee men of mckinley calendar jake

glee men of mckinley calendar artie

Male body image was the word(s) in Tuesday night’s (excuse the one-day-lateness of this post, as I was all ready to settle down in front of the TV last night to watch “Naked” on Channel Ten, only to discover that Glee has now been demoted to Eleven on Tuesday nights) episode, in which Tina (she’s just a wealth of ideas when it comes to Blaine) suggests New Directions raise money for regionals by producing a “Men of McKinley” calendar.

Being the only non-able bodied man in the group, Artie is understandably perturbed, and defensively asks why the women of McKinley High aren’t being objectified in the calendar, also. Kitty rejoins:

“Girls are the ones that buy stuff. It’s a consumer-driven economy. Those Twilight books are poop on paper and we’ve turned them into a billion dollar industry.”

Yes, ’cause women aren’t capable of deciphering what’s drivel and what’s not. They’re also only capable of being objectified or the objectifiers, never the subjects.

Kitty makes a fair point, though, that hot, shirtless men are more likely to make more money for the club’s regionals fund that sexy schoolgirls. And, let’s face it, we get enough of that already.

None of the Glee men stray from the socially acceptable norm of what’s attractive, so that just leaves wheelchair-bound Artie to take on the body image issues that aren’t exclusively the realm of women, he tells Finn.

Wait a minute: wasn’t there an episode this time two years ago in which Finn was the one with the body hang-ups and Artie espoused words of wisdom for navigating the female gaze as a high school boy? While Finn might have grown up since then and Artie’s still in a wheelchair, it’s just another example of the lack of continuity and explanation in Glee.

At the other end of the spectrum, we have teenage Adonis, Sam, turning into an egomaniac when he receives an überlow SAT score and thinks he has to rely on his looks alone to get by in life.

Meanwhile in New York City, Rachel accepts a role in a student film in which she’ll have to be topless. She decides to do the nude scene, much to the chagrin of Kurt, who says Rachel’ll never be taken seriously as an actress. Supportive boyfriend, Brody, retorts that all the serious actresses have done nude scenes. Nudity=Oscar, as I’m sure Seth MacFarlane would concur

Related: The Underlying Message in Glee’s “Sadie Hawkins” Episode.

The Underlying Message in Glee’s “Rocky Horror Glee Show” Episode.

Elsewhere: Two of the Boob Showings Referenced in Seth MacFarlane’s “We Saw Your Boobs” Song Occurred During Rape Scenes.

Images via Ch131.

Angelina Jolie’s Right Leg & What it Tells Us About Youth & Beauty.


One of my sleazeball colleagues asked me who I thought was the best dressed at the Oscars, pretty much as an excuse to fill me in on his “hot for teacher” J.Lo feelings. Inevitably, the subject of Angelina Jolie and her right leg came up. Some coworkers who joined in the conversation were sure she knew what she was doing. I wagered that if she did, she was probably making a tongue-in-cheek statement about her standing as a sex object. Perhaps that’s just how she felt comfortable (after all, all we heard was how comfortable the black velvet Atelier Versace dress was), or knew she was rocking it and wanted to show off.

Whatever Jolie’s reasoning, apparently she’s “too old” to be showing off her legs like that, according to abovementioned coworker. “It’s not like she’s 16,” he said. No, because if she was sixteen it would be highly inappropriate. “36 is just too old” to be wearing a dress like that. Not only are there some deep-seated pedophilic tendencies coming to light here, but it just reiterates society’s predilection for youth and its sexism. We’ve all heard about that study that says women don’t feel comfortable wearing a miniskirt over the age of 35. Paging Jolie…

Personally, I think my legs are my worst feature, but many women love their legs. They’re one of the only body parts that don’t sag too much with age, and can be bared when tuck shop lady arms and age spots apparently set in. My grandma will be 90 this year and she still maintains her legs are her best feature. Obviously I didn’t inherit varicose veins from her!

And 35 being too old to flash some leg, even if you are one of the world’s sexiest women, is bullocks, indeed!

I think Jolie looked bangin’, if a little staged, and should continue to rock the flesh-baring gowns til the cows come home. You go, girl!

Elsewhere: [MamaMia] 47 is Too Old to be Wearing a Bikini. Oh Bullocks.

Image via The Telegraph.

On the (Rest of the) Net.


How a uni student wearing a modest floral dress, tights and a cardi inspired a fellow (male) student to give her a note detailing all the reasons her outfit was slutty and distracting. [Footage Not Found]

Why Bridesmaids should win an Oscar. [Daily Life]

Some snarky ways your Personhood-holding feotus can have their constitutional rights granted. [Jezebel]

A timeline of Chris Brown’s heinousness. [BuzzFeed]

Rachel Hills is a Friday feminaust. [Feminaust]

Why is it okay for gay men to bag women when we would never accept the same behaviour from a straight man? Is it because we don’t see gay men as “real men”? [Daily Life]

Nicki Minaj has got the same sized hands as Marilyn Monroe? [The Grio]

My year as a rom-com watcher. [Jezebel]

Hugo Schwyzer responds to Bettina Arndt’s assertion that women who dress provocatively and then complain about attention from the “wrong” type of men are teases:

“The calculus of entitlement works like this: if women don’t want to turn men on, they need to cover up. If they don’t cover up, they’ll turn men on. If they turn men on, women are obligated to do something to assuage that lust. Having turned them on, if women don’t give men what they want, then women are cruel teases who have no right to complain if men lash out in justified rage at being denied what they’ve been taught is rightfully theirs.” [Jezebel]

Image via Footage Not Found.