The Little Mermaid’s Ariel: Greed.
The grass sea is always greener bluer on the other side.
Snow White: Gluttony.
Beauty & the Beast’s Belle: Vanity.
Vanity fair. While Belle “herself is not vain, those around her seem to see nothing but her beauty…”
Lust at first sight for a world that’s not her own.
Sleeping Beauty’s Aurora: Sloth.
Need I say more?
Aladdin’s Jasmine: Anger.
Well, she is feisty!
Peter Pan’s Tinkerbell: Envy.
Green with envy.
[Jezebel] The Seven Deadly Sins of Disney Princesses.
Images via Jezebel, via Flavorwire, via DeviantART.
From “Beastly’s False Fairytale” by Alex Leo on Jezebel:
“Unlike Ariel giving up her voice for love or Sleeping Beauty being woken by Prince Charming, this story has immediate and practical implications for our culture—especially for young girls trying to figure out who they are and what they ‘have to do’ to be accepted. The problem is that while the story sets the goal that the Beast stop judging people based on their looks and learn to see the beauty within, the male lead always ends up with a hot woman. It’s right there in the title! She’s a beauty and he’s a monster and I am confused. If the point is that he truly change and accept that looks are merely skin-deep, then shouldn’t he end up with a less-than-stunning partner?”
[Jezebel] Beastly’s False Fairytale.
The premise of the latest Disney princess effort—a retelling of the story of Rapunzel—is that the damsel in distress is locked away in her tower so that mean baddies won’t be able to find her and steal her supernatural healing powers.
The clincher is that if she cuts her long hair, it turns brown and loses its magical properties. A blatant favouritism of blondes over brunettes if ever there was one!
Granted, the brunette Disney princess has seen somewhat of a resurgence in recent years, with the first African American princess, Tiana, in The Princess & the Frog, Mulan, Esmeralda of The Hunchback of Notre Dame, Pocahontas, Jasmine from Aladdin, Beauty & the Beast’s Belle, and even the flame haired Little Mermaid. Perhaps the blonde haired heroines (okay, I wouldn’t exactly class Cinderella and Aurora as “heroines” per se, but Rapunzel certainly kicked some but in Tangled) wanted a shot at the multi-dimensional princess crown.
Other than that, I really enjoyed Tangled. I usually find Mandy Moore supremely annoying, her voice especially, but I could barely tell it was her throughout the movie. Chuck’s Zachary Levi was great as the misunderstood Flynn Rider/Eugene Fitzherbert. Unfortunately, I missed the first ten minutes or so due to a delicious brunch and Saturday morning traffic on Chapel Street, however it was fairly easy to pick back-story up at the tear jerking pinnacle. (Will definitely be catching it again at ACMI—at a mere $6, who could say no?)
Last weekend, when I attended a curator’s talk on ACMI’s Dreams Come True: The Art of Disney’s Classic Fairytales exhibition, the speaker talked about The Little Mermaid, and how Ariel was crafted to represent the “teenage emotions” of “growing up, maturing” and developing as a human person.
And with the added symbolism of losing her voice, this could be the plotline for an episode of Glee, perhaps? Hmm…
[The Early Bird Catches the Worm] My Week in Review.
[The Early Bird Catches the Worm] You Can Ring My Belle.
[The Early Bird Catches the Worm] Drug of Choice: The Disney Heroine.
[The Early Bird Catches the Worm] Mean Girls 3: The Disney Princess Version.