On the (Rest of the) Net.

 

Why the Marilyn meme does more harm than good for body love:

“I would prefer the focus be on health, rather than appearance. The Monroe Meme seems about the furthest thing from healthy. This is a woman who abused alcohol and sleeping pills later in her life, this is a woman who (probably) died due to depression. But, hey, as long as someone thinks she looks good, I guess that’s what matters.” [Shameless Magazine]

I’m a Friday Feminaust!

The media-perpetuated myth of the bad man. Interestingly, substitute the words “bad” and “aggressive” for “weak” and “victim”, and you pretty much have the media-perpetuated myth of the good woman. No one can win in this game. [The Good Men Project]

Why guys cat-call, explained. [Jezebel]

The making of Britney Spears: The Cabaret. [Bryant & Frank’s Blog]

Apparently conservatives are dumber than progressives. For the amount of Facebook arguments I’ve had on the topics of abortion and asylum seekers, this doesn’t surprise me. [HuffPo]

Not all registered sex offenders are dangerous: “Should Teens Be Jailed for Sex Offences?” [The Daily Beast]

The Rodarte sisters look at their favourite Buffy episodes. I feel a marathon coming on… [Rookie]

Does Katherine Heigl have any fans left? After Killers, I’d say I’m hanging by a thread! [The Daily Beast]

Real Housewife Taylor Armstrong’s “violent marriage”. Sad. [Jezebel]

“In Defence of Rescue Dogs.” The don’t need defending in my mind, but apparently they’re seen as dirty rejects by a lot of people. [MamaMia]

2 Broke Girls hasn’t even aired here yet, but prepare yourself for racism galore! [Grantland]

The must-watch new show of the year: Revenge. [Jezebel, Gawker]

The angry, black female trope. [Washington Post]

And even more “angry” women:

“‘God, you really don’t like being a woman, do you?’

“In two short moves we’d leapt from his infidelity to my ostensible gender dysmorphia and/or self-loathing…

“What struck me was that both Rex and the attorney had delivered ill-timed, emotionally charged information, and when I’d expressed proportionate anger or irritation, the blame somehow boomeranged back onto me. I’d been expected to remain amiable… [y]et their reaction was still confusion and rancor when I pointed out their inanity.

“How do we alter the notion that a woman who stands up for herself, her loved ones, or her beliefs is the one who’s causing trouble? By accepting once and for all that legitimate female anger isn’t the hallmark of a bitch, cunt, ballbuster, or drama queen.”

[Nerve, via Jezebel]

The beauty of the corset. [Jezebel]

Images via Rookie, Rhinestone Religion, Jezebel.

Event: This is a Story About a Girl Named Britney… I Mean Lucky! Britney Spears Cabaret Review.

I’ve been busting to see Britney Spears: The Cabaret (formerly known as Britney Spears: ’Tegrity ) since I first read about it God knows where about a year ago, and last Wednesday, I finally saw it.

I was expecting big things from Christie Whelan, whose one woman cabaret (albeit with piano player and somewhat of a therapist/shoulder to cry on for Britney, Mathew Frank) deals with the ups and downs of Britney’s career, with a whole lot of satire and tragicomedy thrown in there.

According to faux-Britney’s Facebook page, the Sydney Morning Herald called it “hilariously sad and sadly hilarious”, which I think sums it up nicely.

The show began with Whelan singing “Circus”, with wild psych-ward Britney eyes. She went over Britney’s early career, using props such as a hula hoop and twirling baton, “learning… that crossing your legs is pretty important during a ballad on a stool” and incorporating the signature Britney “-ayy” (as in, “Oh bab-ay, bab-ayy”).

Most of the show is actually hilariousmy favourite line from the night was from the aforementioned “Lucky”: “If there’s nothing missing in my life, then why do I attack the paparazzi with an umbrella… at night?”but towards the end, in signature cabaret style, Whelan discussed the trials and tribulations of Britney’s later life and it is genuinely saddening. The show ends on this note, which at first left an undesirable taste in my mouth, but I think that was Whelan’s goalwhile Britney Spears is über-spoofable in all her white trash glory, what with dropping her kids while accessorising with Ed Hardy and Daisy Dukes, but underneath it all, she’s a deeply sad and scared girl who’s not yet a woman. And whose Dad controls her money… at night.

[Facebook] Britney Spears: The Cabaret.