On the (Rest of the) Net.

VICE’s period-themed photoshoot, and the commentary to go along with it. What do you think about it? Gross or taboo-breaking? [VICE, MamaMia]

Do tabloids hate women? [Daily Life]

A black man talks about white Girls. [Jezebel]

Is depicting a woman who’s been successful in the breakfast cereal market eating… erm… cereal on a magazine cover sexist? [BRW]

A tongue-in-cheek look at… well, everything, from a feminist point of view. Everything’s sexist; just give up on feminism already. [Is This Feminist?]

Following on from 60 Minutes’ story on selective reduction of foetuses conceived via IVF, Kass Hall examines the issue. I don’t agree with IVF personally (not because I don’t think it shouldn’t be available because it messes with “God’s intentions” or some anti-science crap, but because I think there are other—or should be more readily available—ways to have a child, and that not being able to or not wanting a child shouldn’t be stigmatised) and I’m pro-choice all the way. Awkward situation all ’round, I think. [MamaMia]

The cupcake is a metaphor for vaginas and the female orgasm. [Jezebel]

So Rihanna had a relationship with Chris Brown and is rumoured to have slept with Ashton Kutcher and Drake. That means she’s a slut, right? Two great pieces deal with the one-sided hypocrisy that is slut-shaming in the R’n’B and hip hop community, not to mention patriarchal culture as a whole, in addition to this equally awesome shoutout from Russell Simmons to Brown, Drake et al., telling them to “Get Off Rihanna’s Dick!”

I just don’t get this “she’s a slut” mentality if a woman expresses her sexuality in the same or similar way to any number of men. A woman’s a slut if she sleeps with someone outside of a committed relationship (or even if she only has sex with someone inside a relationship; if she has sex with a woman; gives the perception that she wants sex and then reneges; is deemed “too sexy”; is raped… Nay, a woman’s a slut no matter what.), but a man is a player, a stud, a lothario.

Here’s something to ponder: if women weren’t “sluts”, men wouldn’t have anything to put their dicks into apart from other men or fleshlights. (Well, there are other things, but we won’t go there!) [Jezebel, Ebony, Global Grind]

If life was a video game, “Straight, White Male” would be the easiest setting. [Jezebel, via Kotaku]

What it’s like to work at an abortion fundraising hotline. [RH Reality Check]

Andrew Clifton writes beautifully about Joe Hockey’s anti-same sex marriage stance, and that progressive types should refrain from vitriol-spewing when a social conservative has an opinion we don’t agree with:

“We (accurately) believe ourselves to be on a higher moral ground for knowing exactly why legislating in favour of same-sex marriage is important, but we should not judge those who disagree with us, we should only try to help them understand as well.” [MamaMia]

Remember in health class when you were given chickens or robotic babies to look after for a few days? Well, now you can have your very own chicken-cross-Tamagotchi in the form of the “Pregnancy Text” campaign, which is aimed at teenagers in an attempt to show them a fraction of what it’s like to raise a baby. Me want one. [Jezebel]

Shonda Rimes’ latest female-based creation, Scandal, also has a black female lead. The best thing about the character is that her race is a non-issue. The same can’t be said for her non-relatability as a person, though. [New Yorker]

Jezebel’s “your boyfriend” thing has always been reserved for Ryan Gosling, but apparently the term now extends to Michael Fassbender. Umm, you do know he’s a wifebeater, right ladies?

Bryce Dallas Howard is the size of a “Village” because she hasn’t lost the weight she gained during her second pregnancy which ended in January. Never mind that her first pregnancy saw her gain 80 pounds and, along with it, postpartum depression. Real nice, TMZ. [Jezebel]

Movie Review: The Help*.

 

Up until I heard about The Help’s release as a movie a month or two ago, I’d managed to miss all the brouhaha surrounding the release of Kathryn Stockett’s 2009 novel of the same name, and therefore didn’t even know it was previously released in book form.

I promptly jumped online to devour the racial criticisms on blogs of the book, and so was expecting a similarly clichéd film.

Much to my delight, the film manages to steer clear of most of these stereotypes, though in some parts, such as Minny miraculously deciding to take her five or six kids and leave her abusive husband, and the standing ovation the local black church gives to Aibileen and Minnie, who defied the social norms of the time and told their stories as undervalued and blatantly discriminated against “help” to Emma Stone’s Skeeter, are pretty unrealistic.

But Jessica Chastain’s Celia Foote, the naïve, Marilyn Monroe-esque housewife outcast from the social scene in Jackson by fellow stay-at-home wife Hilly Holbrook, played wonderfully by Bryce Dallas Howard, stole the show. She showed that not all white people felt disdain towards the black “underclass”, making them use a specially-installed outside bathroom and take separate taxis, which is one of the main driving plotlines of the story.

I can’t talk this film up enough. While it’s not the best movie ever made, it’s one you should see regardless. Also, look out for cameos by Private Practice’s Dell and True Blood’s Lafayette and Sarah Newlin. And make sure to bring the tissue box!

*It has come to my attention that I give away too much in my movie reviews, so the asterisk will now serve as a blanket *spoiler alert* from now on.

Image via YouTube.