On the (Rest of the) Net.

Elizabeth Nolan Brown writes in defence of Hugo Schwyzer’s inclusion in feminism. Brilliant; it’s kind of what I wish I had written.

On Katherine Heigl’s failed career and women in Hollywood:

“Much has been said… about how Heigl herself has created the fiasco that has become her career—her alleged difficult behaviour on set, her unpopular public statements about the projects she’s involved in, her perceived irritability—but this has more to do with media gender bias than Heigl herself. For instance, Daniel Craig and Matt Damon have recently taken to making increasingly brash public statements about projects they’ve worked on, their personal politics and views on modern society—and no one has criticized them, questioned their box-office viability or used their gender to explain their remarks. Like Sean Penn, they’re men in an industry dominated by men—and unless they’re saying something overtly racist, they can say just about whatever they like, and in the case of Charlie Sheen, they might even be applauded for it.” [HuffPo]

Rick Morton attempts to dissect the “frothy mixture of lube and fecal matter that is sometimes the byproduct of anal sex” that is Rick Santorum. [MamaMia]

Madonna and black culture. [Steven Stanley]

The latest trend in YouTubing: asking viewers if you’re ugly. [Jezebel]

Rachel Hills on the launch of Sunday Life’s daily website, Daily Life, its viral pet name #DailyWife, and how women’s issues are relegated to the “lifestyle” pages:

“… I’ve wondered why everything pertaining to women is classified under ‘Life and Style’, and I’ve wondered why ‘lifestyle journalism’ is so often boiled down to advertorial for fashion and beauty products (answer: probably because the associated advertising is what pays for writers like me). I’ve wondered if the fact that writing related to gender politics is usually published in ‘Life and Style’ or colour magazine supplements contributes to the perception that… female journalists write pointless ‘pap’.” [Musings of an Inappropriate Woman]

Why atheism is akin to being a pariah in the U.S. [Slate]

And now for the Chris Brown portion of the program…

Russell Simmons is a Brown apologist and compares his assault on Rihanna to the problems of Disney kids. Yeah, except Britney Spears, Lindsay Lohan and Demi Lovato never hurt anyone but themselves. [Global Grind]

Why Brown’s behaviour sucks, this time from a psychological point of view. [Slate]

We failed the young ladies who tweeted they’d let Chris Brown beat them:

“We failed you when Charlie Sheen was allowed and eagerly encouraged to continue to star in movies and have a hit television show that basically printed him money after he shot Kelly Preston ‘accidentally’ and he hit a UCLA student in the head when she wouldn’t have sex with him and he threatened to kill his ex-wife Denise Richards and he held a knife to his ex-wife Brooke Mueller’s throat. We failed you when Roman Polanski received an Oscar even though he committed a crime so terrible he hasn’t been able to return to the United States for more than thirty years. We failed you when Sean Penn fought violently with Madonna and continued a successful, critically acclaimed career and also received an Oscar.

“We fail you every single time a (famous) man treats a woman badly, without legal, professional, or personal consequence.” [The Rumpus]

One of my favourite professional wrestlers, straightedger CM Punk, challenges Brown to fight someone his own size. [Jezebel]

And ANOTHER stand up guy challenges Brown to a fight! [Deadspin]

My Week in Pictures.

This week it was my housemate, Eddie’s, birthday, so it was all about him. Well, actually, my friend Laura is moving back to Perth tomorrow, so really, it was all about her and her myriad of going away thingies.

But the week in pictures consists pretty much of Eddie-related goodness, as Laura’s goodbye dinner at the East Brunswick club last night consisted mostly of her crying and me contemplating my meal. I’m not good with emotions.

The present.

Eddie sure has eclectic tastes! We both share a penchant for Lindsay Lohan (the pics are mediocre at best but I will always love you, Lindsay!), Ryan Reynolds (he’s the bigger fan) and Disney flicks. Hope you liked your presents, Eddie!

It’s Daria!

The birthday boy on the dancefloor.

The Green-themed birthday.

With two of his highest anticipated movies, Green Lantern and The Muppets, being released last year, Eddie ran with his favourite colour as the theme for his 26th birthday. I couldn’t be assed with a costume (me without a costume: who woulda thunk it?! I think I’m getting old…), so I wore a turquoise necklace and wrote “It’s not easy being green on my hand”. Pretty good effort, I think!

Well, it was more of an effort than Callum put in, who decided last minute to rock up after work. The first rule of club going is no singlets and no thongs! Callum disobeyed both rules but, luckily, he was seen cavorting with some hot chicks out the front by the bouncer and was let in with them (ie. us!). Thank you, the Lion Hotel!

The stack.

After the Christmas and New Year break, the mag people are getting back into the swing of things, and so am I. I’m nearly finished with this secondhand bookstore Barbie find, which will make way for Big Porn Inc. I’m chomping at the bit to read this!

Related: [The Early Bird Catches the Worm] Magazine Cover of the Weel: Lindsay Lohan’s Latest Foray into Marilyn Monroe Impersonation.

[The Early Bird Catches the Worm] Top 11 Films of 2011.

[The Early Bird Catches the Worm] Conservative Feminist Melinda Tankard Reist for Sunday Life.

Movies: Top 11 Films of 2011*.

Scream 4. For my money, which I forked out happily, Scream 4 was not only one of the best films of the year (for me, Bridesmaids was number one, followed closely by the fourth installment of the Woodsboro saga), but the best chapter of the franchise.

Bridesmaids. My other favourite movie of the year. While I’m happy that the rest of the world cottoned on to the brilliance of Bridesmaids, my only regret is that it’s not just my little secret.

Black Swan. It was the buzz of the 2011 Oscars for its lesbian scenes, portrayal of mental illness and the controversial partnership between choreographer Benjamin Millipied and star Natalie Portman.

The Lion King 3D. Who could resist the 3D reboot of one of Disney’s best loved animations? It also harkens back to the hand-drawn animation era, being one of the last before computer animated films like Toy Story and Finding Nemo took over.

The Muppets. Probably one of the most anticipated films of the year (in my household, at least!), I was lucky enough to see it in a preview screening early in December. Technically, it’s released in Australia later in January, however it was a Thanksgiving film in the U.S., so I’m sticking by that. A must see for any child at heart.

The Help. The Help really took me by surprise. In August, I saw a preview screening of the film advertised, and it piqued my interest. A few days later, I realised it was based on a book, and before I even had a chance to express interest in reading Kathryn Stockett’s novel, the movie was out in cinemas. I’m glad I didn’t read the book, because the movie was it for me. And for the Academy of Motion Picture Arts & Sciences, apparently!

Breaking Dawn. Breaking Yawn, more like it. While I was sorely disappointed by the first installment of the big screen adaptation of the final book in the Twilight Saga, it was one of the most highly anticipated and grossing films of the year.

X-Men: First Class. I’m not an X-Men fan, so I’m handing it over to my housemate, Eddie, who is:

“For a northern summer blockbuster, it asks a lot of questions about morality of the viewer: should you change or should society change? Is change through force acceptable? Throw in some incredible acting from Michael Fassbender and one of the greatest cameos of all time from Hugh Jackman and you have yourself a very smart popcorn film.”

New Years Eve. In the vein of He’s Just Not That Into You and Valentine’s Day, I’m a sucker for a celebrity-packed movie. While there’s not much of a story, and it’s more of an excuse to perve on the alleged chemistry between Lea Michele and Ashton Kutcher, it’s the perfect mind-numbing holiday movie.

Super 8. As the latest issue of Time magazine (review to come) notes, Super 8 was one of the more hyped movies of the year. While I quite enjoyed it, sadly, Super 8 didn’t live up to its expectations.

Green Lantern. It was the year of green. Kermit’s return in The Muppets, and Ryan Reynolds’ turn as Hal Jordan. Looking back, the film was a bit of a flop in my eyes, but it did set the scene for one of the most talked about hookups of the year: Reynolds and Blake Lively.

What were your top films of 2011?

*Blanket spoiler alert.

Related: [The Early Bird Catches the Worm] Scream 4 Review.

[The Early Bird Catches the Worm] Bridesmaids Review.

[The Early Bird Catches the Worm] The Help Review.

[The Early Bird Catches the Worm] Breaking Dawn: Sex is Bad, Okay? And You Will Be Punished for Having it with a Life-Sucking Vampire Foetus. Sorry, Life-Sucking Vampire BABY!

[The Early Bird Catches the Worm] Super 8 Review.

[The Early Bird Catches the Worm] Green Lantern Review.

On the (Rest of the) Net.

“The Case for Dry Humping: Why Being Prude is a Feminist Statement.” [HuffPo]

Alone time is my siren call. Here, Jezebel’s Social Minefield tells you how to get more “me time” without offended those who want to have “we time” with you.

One woman goes mirror-free for a year. [Jezebel]

Lady Gaga’s run out of people to plagiarise, so she’s turned to herself for inspiration in her latest video for “Yoü & I”. [Fashionista]

Nipple slips from Khloe Kardashian, Nicki Minaj and Kelly Rowland in quick succession: shock, horror! [The Washington Post] (SFW)

Camilla Peffer on Beyonce as the anti-feminist. [Girls Are Made From Pepsi]

The gender politics of Justin Bieber. [FBomb]

Is there a need for women to have their periods?:

“… I do want to raise the question that while we do the work of destigmatising menstruation and teach young girls to be proud and excited about their menarche don’t we also have a responsibility to question its necessity? We tell women they don’t have to have sex to have children, that breast cancer can be beaten, that they can have their tubes tied and then re-connected and their faces lifted and de-wrinkled. We live in a modern world with modern solutions, isn’t it time we started seriously thinking and talking about the need to bleed?” [Feminaust]

Porn star and new mum displays picture of her breastfeeding her newborn daughter in an exhibition challenging the Madonna/whore dichotomy of motherhood, controversy ensues:

“The idea that there is something inherently prurient about a porn star breast-feeding plays right into that classic either-or thinking: Her breasts are erotic in one venue, so they can’t be wholesome in another. It’s a wonder anyone lets her breast-feed at all! On the one hand, it’s surprising to see this attitude coming from a pornographer; on… [yet an]other hand, it’s perfectly appropriate given the way motherhood is fetishised in porn.

“…We don’t like to think of moms as sexual beings—except for in the taboo-busting world of porn (paging Dr. Freud). It’s fitting for a porn star mama, the rare industry ‘MILF’ who is actually a mom, to remind folks that, generally speaking, one has to have sex in order to become a mom.” [Salon]

Anne Hathaway’s new effort, One Day, has a “bleak worldview of co-dependence where men need women to improve them, and women need to improve themselves to deserve men’s notice and achieve their purpose,” with The Film Stage dubbing it “the most toxic romance of the year”.

Also at The Film Stage, a breakdown of Katherine Heigl’s stereotype-reinforcing rom-coms, from the career-making Knocked Up, which she subsequently dissed for being sexist, to the just-as-sexist Killers and Life as We Know It.

Here’s an extended version of Erica Bartle’s debut piece for Sunday Life. While I don’t necessarily agree with her sentiments on faith most of the time, this is a great read. Better than the published piece, dare I say? [Girl with a Satchel]

Taylor Swift VS. feminism. [Autostraddle]

Is it “time for an abortion pride movement”?:

“… Women should not merely have the right to end unwanted pregnancies, they should have the right to be proud of having done so. Surely, there is enough suffering in this world already without adding infants with Tay-Sachs disease and Lesch-Nyhan syndrome to the mix. Women who step up to the ethical plate and have the strength to say, ‘This is the wrong time,’ or ‘This is the wrong fetus,’ should hold their heads high in the streets.” [Opposing Views]

Oh, the hilarity of Photoshop on this Glee/Vogue/Fashion’s Night Out advertisement. [Styleite]

It’s not just women who get the short end of the stick when it comes to Disney films: “Sexism, Strength & Dominance—Masculinity in Disney Films.” [FBomb]

The awesomeness that is Adam Lambert. [Autostraddle]

One from the vault: Buffy’s Willow Rosenberg destroys the world when her lesbian love is killed, calling into question the show’s support of the LGBT community. [Salon]

A mother’s perspective on the dysfunctional Twilight-saga relationship between Edward and Bella. [Persephone Magazine]

The politics of the SlutWalk. [New York Times]

Five of The Simpsons’ best recipes, including 64 slices of American cheese and Vaseline toast! [Warming Glow]

Image via Chubby Wubby Girl, Styleite, Salon.

On the (Rest of the) Net.

 

Mark Zuckerberg gets engaged, racism ensues.

Celebrities: what gives us the right to judge them?

“The disappearing bush is a burning issue”: “Just like the rain forest and the ozone layer, pubic hair has been disappearing on young, fertile, desired and desiring bodies…” Must read.

Flavorwire’s top ten teaching flicks. Long live Mr. Holland’s Opus!

The beauty of “the lesser-watched-sitcom”.

The benefits of being an introvert:

“… Extroverts are more likely than introverts to be hospitalized as a result of an injury, have affairs (men) and change relationships (women). One study of bus drivers even found that accidents are more likely to occur when extroverts are at the wheel… [Introverts are] more likely to wear ponytails and glasses and be the subject of a bet featuring Freddie Prinze Junior as the Popular Guy trying to ask her to prom…”

The infiltration of “like” into every (mostly female) conversation. Like, you know, whatever!

Disney and fat-phobia.

Is rape biologically imperative for men?

Why won’t Bristol Palin acknowledge her sexual assault?:

“[Feminist author and blogger Jessica Valenti ponders the] … impact Bristol’s story will have on the thousands of young women who read her memoir: ‘Not calling it assault—and blaming herself, as she does in the book—sends a dangerous message to young women who may have similar experiences.’ She writes that Bristol’s sense that she had ‘sinned’ and ‘had’ to marry [Levi] Johnston ‘broke [her] heart a bit’. Mine too.

“But I actually wonder if Bristol’s story, with all its heartache and ambiguity, might actually serve as a bit of entry level feminism for her readers. What transpired between Bristol and Levi, after all, was not remotely uncommon, and nor was Bristol’s reaction…”

Rachel Hills on Mad Men.

Lumping penis-Tweeter Anthony Weiner, adulterer and sexual harasser Arnold Schwarzenegger, and alleged rapist Dominique Strauss-Kahn in together: are they just afraid of “being invisible to women”?

Speaking of, ladies, make sure you don’t marry a man other women find attractive. The good-looking ones always stray, if Weiner is anything to go by.

My two criticisms of this theory are 1) um, when did the popular consensus lean toward “Weiner is hot”? and 2) Paul Newman. One of the best-looking men who ever lived, and faithful to his wife til the end.

Furthermore, what about that study that said relationships where the man is better looking than the woman last longer because the women puts in more effort to keep him?

Maybe Voltron was right in telling us not to believe the studies…

The myth of the female praying mantis.

“Can we honestly expect corporations to be bastions of morality and ethical behaviour?”

Victoria’s Secret’s target demographic: real women who want to know how their lingerie will make them feel, or 15-year-old boys?

Julia Gillard and Tim Mathieson’s 60 Minutes interview was a few weeks ago now, but Annabel Crabb’s commentary on the topic of our lack of respect for the Prime Minister is timeless:

“Surely she has earned the right not to endure infantilising questions about whether she really loves her boyfriend. And as for the awful matter of the First Nuptials (a grim sequence concluded the interview, with much chummy speculation from Wooley on who would be the ‘popper’ and ‘poppee’ of the marriage question, and more nervous giggling from the PM)—well, it’s fairly rude to ask, even without a national audience watching.

“Why do people feel they can take such liberties with this prime minister?”

25 things you need to know about Green Lantern before you see it. (Warning: ruthless spoilers ahead).

Strange True Blood bedfellows.

“Scientists VS. Shock Jocks: Who Do You Believe” on the subject of climate change?

Leggings running pants as pants.

Naww, this makes me want a dog even more. Even a blind, mangy, abused one. It’s better to have loved and lost than to never have loved at all. And it’s better for an animal to feel love before loss.

Movies: Blondes Have More Fun—And They’re Magical!—In Tangled.

 

The premise of the latest Disney princess effort—a retelling of the story of Rapunzel—is that the damsel in distress is locked away in her tower so that mean baddies won’t be able to find her and steal her supernatural healing powers.

The clincher is that if she cuts her long hair, it turns brown and loses its magical properties. A blatant favouritism of blondes over brunettes if ever there was one!

Granted, the brunette Disney princess has seen somewhat of a resurgence in recent years, with the first African American princess, Tiana, in The Princess & the Frog, Mulan, Esmeralda of The Hunchback of Notre Dame, Pocahontas, Jasmine from Aladdin, Beauty & the Beast’s Belle, and even the flame haired Little Mermaid. Perhaps the blonde haired heroines (okay, I wouldn’t exactly class Cinderella and Aurora as “heroines” per se, but Rapunzel certainly kicked some but in Tangled) wanted a shot at the multi-dimensional princess crown.

Other than that, I really enjoyed Tangled. I usually find Mandy Moore supremely annoying, her voice especially, but I could barely tell it was her throughout the movie. Chuck’s Zachary Levi was great as the misunderstood Flynn Rider/Eugene Fitzherbert. Unfortunately, I missed the first ten minutes or so due to a delicious brunch and Saturday morning traffic on Chapel Street, however it was fairly easy to pick back-story up at the tear jerking pinnacle.

On the (Rest of the) Net.

 

Mia Freedman on Elle’s “weird, weird choice of cover model” in Miley Cyrus for their August 2009 issue:

“Who’s next? Bindi Irwin for Harper’s Bazaar? Stop it, someone is probably organising that right now as I type. Anyway, so while I was still tut-tutting over the fact that she was ON the magazine, I came to the story inside and nearly lost my lunch. Not only did I find the clothes grotesquely inappropriate (nanna-alert!), I was disturbed by the poses. In one shot, she’s got her vagina thrust up to the camera with her stomach exposed.

“In a couple of others, she’s lying back as if waiting for… well, you know what she’s waiting for.”

Girl with a Satchel on Lara Bingle, Kristy Fraser-Kirk and “sexism in the Australian Media”, while Nicole Richie’s Who wedding cover story (out today) is a “fairytale story” of “redemption”.

Why “we need more vampire slayersjust not more Buffy”:

Buffy made a bold statement in the context of 1990s pop culture: What if this tiny blonde girl, who looks like the victim in every horror movie ever, is actually the monster-killer? What if she’s badder and tougher than everyone else? What if she’s secretly grappling with the weight of the world because she’s the only one who can save us all?

“Whedon often talks about the idea for the original Buffy movie coming from the image of a girl running from a monster, like in every other horror film—but then it turns out she’s actually hunting the monster, and she catches it by surprise. Because she’s not just your typical sacrificial cheerleader.

“That was a radical idea in 1992, and even in 1997. I would be very sad to think it would still be radical in 2012, or whenever this film comes out.”

Questionable scenes in Disney films.

Let’s Drink Tea and Get Laid references last week’s skinny-shaming post in her thoughts on body image, “property” and ownership.

Rachel Hills has some insightful notes on introversion versus extroversion, stemming from The Atlantic’s “Caring for Your Introvert”, which was featured on last week’s “On The (Rest of the) Net”.

Tiger Beatdown on the gender double standards on Glee:

“… Being attacked for being an effeminate man is terrible, and we’ll talk about it and come to a resolution, but being a masculine woman means you should just get used to being everyone’s punching bag.”

Jezebel uncovers “The Surprising Facts About Who’s Hot”, according to scientific studies in David Perrett’s book, In Your Face. So it’s totes, like, factual and shit.

On the (Rest of the) Net.

 

“Christina Aguilera: Always the Second Fiddle.”

I don’t believe in New Years resolutions anymore, namely because I could never realise mine. But I like Rachel Hills’ idea of writing an obituary for the year passed. In this case, her 2008 in review.

HuffPo on the absence of modern technology in modern literature:

“The average fictional character is either so thoroughly disinterested in email, social media, and text messages he never thinks of it, or else hastily mentions electronic communications in the past tense. Sure, characters in fiction may own smart phones, but few have the urge to compulsively play with the device while waiting to meet a friend or catch a flight. This ever-present anachronism has made it so that almost all literary fiction is science fiction, a thought experiment as to what life might be like if we weren’t so absorbed in our iPhones but instead watched and listened to the world around us at a moment’s rest.”

Girl with a Satchel ponders the price of a pretty picture.

“Caring for Your Introvert” is one of the best articles I’ve read all year (and considering it was written in 2003, that’s saying something). Here, an excerpt:

“With their endless appetite for talk and attention, extroverts also dominate social life, so they tend to set expectations. In our extrovertist society, being outgoing is considered normal and therefore desirable, a mark of happiness, confidence, leadership. Extroverts are seen as bighearted, vibrant, warm, empathic. ‘People person’ is a compliment. Introverts are described with words like ‘guarded’, ‘loner’, ‘reserved’, ‘taciturn’, ‘self-contained’, ‘private’—narrow, ungenerous words, words that suggest emotional parsimony and smallness of personality. Female introverts, I suspect, must suffer especially. In certain circles, particularly in the Midwest, a man can still sometimes get away with being what they used to call a strong and silent type; introverted women, lacking that alternative, are even more likely than men to be perceived as timid, withdrawn, haughty.

“The worst of it is that extroverts have no idea of the torment they put us through. Sometimes, as we gasp for air amid the fog of their 98-percent-content-free talk, we wonder if extroverts even bother to listen to themselves. Still, we endure stoically, because the etiquette books—written, no doubt, by extroverts—regard declining to banter as rude and gaps in conversation as awkward. We can only dream that someday, when our condition is more widely understood, when perhaps an Introverts’ Rights movement has blossomed and borne fruit, it will not be impolite to say ‘I’m an introvert. You are a wonderful person and I like you. But now please shush.’”

Furthermore, The Los Angeles Times notes that despite the introverted minority, television doesn’t reflect their existence very well. (Does television reflect anything very well?):

“Watch Seinfeld or Friends or Sex & the City or Community or Men of a Certain Age—the list is endless—and you’ll see people who not only are never ever alone but people whose relationships are basically smooth, painless, uninhibited and deeply, deeply intimate—the kind of friendships we may have had in college but that most of us can only dream about now. How many adults do you know who manage to hang out with their friends every single day for hour after hour?”

On that, Gossip Girl is notorious for misrepresenting reality. While she knows I love her, GG often makes me feel guilty about the clothes I’m not wearing, the sex I’m not having, and the events I’m not going to. Apparently, it’s not true to the books, either.

Check out The Washington City Paper for their musings on masculinity over the past decade, with a special focus on boy bands, metrosexuals, hipsters and guidos, à la Jersey Shore.

Gwyneth Paltrow: You either love her or hate her. I hated her with a passion until I saw her on Glee, in which she came across as carefree, cool and sexy and made her a tiny bit more relatable to the general populus who don’t subscribe to her Goop musings. Mia Freedman writes hilariously on this conundrum, with a focus on a related article from Salon.

Also at MamaMia, “17 Arguments Against Gay MarriageAnd Why They’re Bullocks” is brilliant.

Tangled will be the last fairytale Disney releases in a while.

Can you still be a feminist and dress in a bra top? (Of course you can; stay tuned for more on this next week.) Or espouse archaic notions of heterosexual relations, for that matter?

“The Ongoing, Albeit Amusing, Battle to Save Bristol” on Dancing with the Stars:

“‘This seems like a case of the rich, popular cheerleaders looking like they’ve sucked on a lemon when they learn that the poor girl in school, the one in the home-made clothes and religious family, gets elected Prom Queen.’

“I’ve rarely seen such a clean-cut example of the conservative tendency to say up is down and black is white. Or, more precisely, to bemoan how oppressed white, rich, and highly privileged people are.

“… But Bristol Palin hasn’t really done squat. She is literally famous for having a baby at an inopportune time. And now she continues to get promoted over more talented people than her because she was born into the right family… Bristol Palin is a hero to wingnut America because she’s a great example of rewarding someone for being born into privilege instead of on their merits.

“… I just find it extremely funny that the wingnutteria is backing someone with no talent on a show with no real importance to stick it to liberals who by and large don’t really care, and they’re doing so because they’re intoxicated by privilege and kind of wish they had a monarchy, but they’re pretending that they’re doing it because they want to see the oppressed rise above. I suppose after Dancing with the Stars is done, they should start sticking it to the liberals by defending poor, oppressed Paris Hilton, who is definitely the weird girl with handmade clothes that is picked on by cheerleaders.”

Mel Gibson and the curse of the “Sexiest Man Alive” tag.

On Stieg Larsson and the “disturbing”, “torturous” patriarchy of his Millennium trilogy.

Women are funny, too.

Attack of the Three-Dimensional Disney Character.

So there’s the vanilla damsels in distress of early Disney films, like Snow White, Sleeping Beauty and Cinderella. And there’s the first independent princess, Belle, “who enjoyed reading and learning, and who lived her life according to her standards”.

But there’s a new kind of three dimensional Disney character, in the form of the villain.

Now, The Beast from Beauty & the Beast isn’t exactly new (he’s pushing 20 years old), but seeing the process the Disney animators went through to create him in Dreams Come True: The Art of Disney’s Classic Fairytales (there’s also some featurettes on the DVD, which has been re-released from the vault) reveals just how complex a character he is.

Incorporating features from a buffalo, bear, gorilla, lion, boar and wolf, but with gentle cows ears, ensures The Beast doesn’t come across as completely horrible.

Both in the exhibition and in the curator’s talk I attended, it was mentioned that despite his ugly exterior, the Beast had to have attributes (both physicalthe aforementioned cows ears, and blue eyesand personality-wise) that a beautiful woman of Belle’s integrity, intelligence and courage could fall in love with. (It could be argued that there are some classic abusive relationship markers in Belle and the Beast’s union, but more to come on that next week.)

Elsewhere, in the upcoming Tangled, which is also featured in Dreams Come True, Mother Gothel, Rapunzel’s keeper, is the movie’s villain. However, she and Rapunzel share a more complicated relationship than that of Snow White and the Evil Queen, Cinderella and her evil stepmother, or Aurora and Maleficent (whose appearance was based on Katharine Hepburn, FYI), in that the animators wanted Mother Gothel to be “believable for Rapunzel to love”. God knows I’ve had my fair share of love-hate with my mother, so I think this movie will be quite relatable in that respect.

Can’t wait to see it in January!

Related: You Can Ring My Belle.

Women in Fiction: Are Our Favourite Female Characters Actually Strong, or Stereotypes?

Women in Fiction: My Favourite Fictional Females.

Elsewhere: [Overthinking It] Why Strong Female Characters Are Bad for Women.

[Overthinking It] Why Weak Male Characters Are Bad for Women.

You Can Ring My Belle.

From Disney’s Dreams Come True: The Art of Disney’s Classic Fairytales:

“Arthur Rackham, the famed British illustrator of children’s fairytale books, said that there is no doubt that ‘we should be behaving ourselves very differently if Beauty had never been united to her Beast.’

“In Belle, Disney had its first independent female character, one who enjoyed reading and learning, and who lived her life according to her standards. Longing for substance in her life, she shunned the vacuous Gaston, over whom all the other ladies in town swooned. Belle’s genuine selflessness also distinguished her from the other women in town, including, most particularly, the ladies who pursued Gaston.

“While anyone else would have been overcome with fear, Belle’s devotion to her father gave her the courage to stay alone with the fearsome Beast in his remote castle.

“Her strong will earned the respect and devotion of the Beast.”

While some would say the Beast is the Disney equivalent to an emotionally abusive boyfriend (watch this space), this description of Belle shows that you have to love yourself before someone else will.

Plus, it proves that Belle is the most bitchin’ of the Disney princesses.

Related: Drug of Choice: The Disney Heroine.

Women in Fiction: My Favourite Fictional Females.

Women in Fiction: Are Our Favourite Fictional Females Actually Strong, or Stereotypes?

The Representation of Trees in the World of Walt Disney.