On the (Rest of the) Net.

In praise of Cher’s Twitter account. [The Guardian]

Women who choose not to have children are “just frivolous people who are wasting our lives away until we add to the world’s population.” [Salon]

Further to that, Sofia Vergara is well within her legal and moral rights to destroy the fertilised embryos she created with her ex. [Daily Life]

Should we be showing porn in schools? [Junkee]

I also wrote at Junkee about the end of Glee and, with it, its atrocious treatment of minorities. And storytelling.

Do we only care about the plight of black women when they’re on our TV screens? [For Harriet]

Why are self-proclaimed feminists like Beyonce and Nicki Minaj supporting woman-beater Floyd Mayweather? [Spook Magazine]

I wrote this a couple of Mother’s Days ago: the divide between second- and fourth-wave feminism.

My last “Welcome to Monday” for feminaust is jammed packed with goodness.

ICYMI: “Some Thoughts on Bruce Jenner”.

Grey’s Anatomy‘s top ten deaths.

On the (Rest of the) Net.

how to get away with murder penis dead girls phone

Grey’s Anatomy. Private Practice. Scandal. How to Get Away with Murder. I ask if Shonda Rhimes has a mistress problem. [Junkee]

I wrote about how to make sure your beauty cabinet is full of cruelty free goodies. [TheVine]

What this season’s new crop of diverse shows means for the future of television. [Flavorwire]

Roxane Gay was in Australia and she had lots of smart and funny observations of our culture. [Junkee]

The problem with #choreplay: men are human adults who should know how to do housework and want to live in a clean, somewhat orderly environment, not robots who do chores to get sex from women. [The Guardian]

Further to that, why are we urging women to lean in to unequal labour dynamics? Shouldn’t we be trying to figure out a system of work and wages that benefits more than just white, middle class men? [Buzzfeed]

Leisure time is a feminist issue. I know it certainly is for me. I hate cooking so I make sure I’ve got enough food to last me lunches and dinners on the days I work ’cause the last thing I want to do is come home and spend my spare time preparing food. On the work front, I’m really busy with three jobs (day job, freelancing, Outback Championship Wrestling) and I was recently offered at (paid!) internship but I had to turn it down because I’m already burning the candle at both ends. And that’s the reason I won’t have kids: I don’t want to be an angry, resentful mother like my own mother sometimes was because I don’t have enough time for myself and no one appreciates me. So in a nutshell: I can relate. [Daily Life]

Australia has a dire domestic violence problem. [The Monthly]

Amy Gray gave the International Women’s Day address at the Queen Victoria Women’s Centre in Melbourne. Here‘s the transcript. [Pesky Feminist]

Mia Freedman laments the criticism she receives from the “packs” of “Twitter feminists” every time she says something about women. Did you ever think that’s because the things you say about women are worthy of criticism? [MamaMia, TheVine]

Quinn and Emma are the characters Glee should have written as trans men, not the predictable and oft-shat on Coach Beiste. [Bitch Flicks]

ICYMI: World Wrestling Entertainment will never #GiveDivasaChance as long as they employ and celebrate intimate partner abusers and rapists.

Image via ABC.

On the (Rest of the) Net.


I went to see Into the Woods this week and I enjoyed it a lot more than I thought I would having read some things on the interwebs about its race and gender problems.

While it certainly still had those (*spoiler alert* both The Witch and The Baker’s Wife die because they don’t subscribe to typical notions of femininity; The Wolf wears a zoot suit in a dodgy part of the woods) it’s probably the least problematic of all the Oscars bait in cinemas at the moment.

I found the politics of gender very interesting. I was surprised by how on the nose the rapeyness of The Prince was, and I thought Chris Pine played him to perfection. I was taken aback by the pedophilic undertones rife throughout the musical, exhibited by The Wolf and The Baker, amongst others. And for those unfamiliar with the stage version, in it the actor that plays The Prince also plays The Wolf! It gives a whole new meaning to the niceness/charm VS. goodness that reverberates throughout Into the Woods. If you like musicals and/or picking apart the underlying meaning of pop culture, go see it. [The Windowsill]

Why are some of our favourite TV shows given a “free pass” on their problematic content while others are expected to be all things to all people? I love that Sinead Stubbins threw in the gender card: Sex & the City, Girls and even Grey’s Anatomy are often held to a much higher standard than prestige TV’s other (read: male protagonist-based) vehicles. [Junkee]

Not knowing you’re beautiful is exactly what makes you beautiful. [Daily Life]

The history of the Lifetime movie. [WaPo]

Disney’s Agent Carter isn’t feminist: it’s about “Disney owning feminist entertainment, and thereby being able to set the terms for it.” [In These Times]

Just as relevant to the #Tay4Hottest100 controversy as it was when it was published last year, Brodie Lancaster writes about gender-based music elitism. [Rookie]

“Looking ‘Black’ is a Crime”:

“Authorities want to ban hoodies but not guns, sagging pants but not police murdering unarmed Black people, natural hair but not unnatural racist discrimination.” [Dame]

Nicki Minaj sacrificed love for career success on her latest album, The Pinkprint. [One Week One Band]

Looking at Pretty Woman‘s positive portrayal of sex work. [Bitch Flicks]

Why do all on-screen female journalists sleep with their subjects for a story? [NY Magazine]

The inevitability of being called fat for deigning to be a woman in public. [Musings of an Inappropriate Woman]

“The Girls effect” on the Iowa Writers Workshop. [Vulture]

The effect menstruation has on professional sportswomen. [Birdee]

Glee flies in the face of character development, storyline continuity and sensitivity by making Coach Beiste a trans man. Would you expect anything more? [Autostraddle]

On being a fat bride-to-be. [The Guardian]

Image via Tumblr.

On the (Rest of the) Net.

Muslim women “are spoken for and about constantly in mainstream media but are rarely permitted to speak for themselves, despite this being the very accusation levelled against Islam and Muslim societies.” [Daily Life]

This piece perfectly sums up the problem with Glee: it never allowed itself—or its characters—to grow. [Bitch Flicks]

Gone Girl on film perpetuates the misogyny the book was perhaps crafting a commentary against:

“The Amy of Fincher’s Gone Girl isn’t Cool, or complicated, or sympathetic. She’s the ‘crazy fucking bitch’ that Nick calls her, yet another example for the eternal argument for women’s unhingeability and hysteria.” [Buzzfeed]

“What does it take for an Asian male to get some action on TV?” [Vulture]

The 77th Down Under Feminists Carnival has a bunch of fantastic links from feminist writers in Australia and New Zealand in the past month. For the month prior, check out my curation. [Zero at the Bone]

What if men were told the same things women about their bodies and sex? [The Guardian]

President Obama keeps making sexist comments about his marriage. [Slate]

Michael Corleone. Walter White. The Joker. Amy Dunne? Is Gone Girl‘s sociopathic protagonist just another brilliant antihero? [Lainey Gossip]

California’s new affirmative consent laws will not “redefine most sex as rape”. [Feministing]

“The Price of Black Ambition.” [VQR]

On the (Rest of the) Net: Galentine’s Day Edition.

vintage sexist valentines day card

Vintage Valentines Day cards that glorify intimate partner violence. [Sociological Images]

The Stella Prize’s 2014 longlist is out and the Australian Women Writers Challenge has a compilation of reviews of the finalist, including two of mine.

Woody Allen responds to the 20-year-old accusations that he molested his daughter, while Vanity Fair has 10 facts from the case that put the he said, she said in perspective. [NYTimes]

Down syndrome on Ryan Murphy and Brad Fulchuck’s Glee and American Horror Story. [Bitch Flicks]

Marnie’s pretty girl problems. (Also this.) [LA Review of Books]

On the (Rest of the) Net.

Where does Glee go next after the tragic death of Cory Monteith over the weekend? [Vulture]

Furthermore, Monteith as Finn Hudson embodied the fear of failure and being stuck in a small town with little to no prospects. Drawing on his real-life experiences, perhaps? [The Atlantic]

Got daddy issues? The ultimate TV father/lovers. [Daily Life]

I went to a Lady Gaga variety fundraising night and wrote about it for TheatrePress.

Is news bad for us? It is if it comes from The Daily Mail. [Daily Life]

Homosexuality in hip hop. [The Guardian]

An advertising agency liaising with the Prime Minister’s Office and hip, young media brands, such as TheVine, offered an interview with the PM in exchange for free pro-Labor advertising. [SMH]

Pacific Rim—the latest in a depressingly long line of films—fails the Bechdel test, hard. [Vulture]

The Pixar Theory: why Brave, Toy Story, Monsters Inc. et al are all linked together as part of the same story as opposed to different ones. The mind boggles. [Jon Negroni]

The underlying religious messages in Man of Steel. [EW Pop Watch]

Oh, goody! I’ve always wanted a system to chart how slutty I am. Gives a whole new meaning to the “slut barometre” Alyx Gorman discussed on TheVine a few weeks ago. [Slut Formula]

Why paedophiles Peter Truong and Mark Newton give same-sex parents a bad name. [ABC The Drum]

TV: Glee—Female-on-Male Molestation is, “Like, Every Teenage Boy’s Fantasy.”

glee ryder lynn molested

Apparently the episode in which Ryder and Kitty reveal that they were molested as children was made in partnership with RAINN, the Rape, Abuse & Incest Nation Network, although you wouldn’t think it from Sam and Artie’s reaction to Ryder’s confession.

“Some hot 18-year-old played with your junk? I’d kill for that!”

“Why are you ashamed of this?”

While their responses are typical of many of the attitudes surrounding female-on-male sexual assault, the fact that these were really the only strong reactions—apart from Marley, Tina and Mr. Schue’s meek protestations about it being “not cool”—before the show moved on doesn’t really scream sexual assault awareness.

Artie, Sam et al.’s feedback simply buys into the notion that girls who are sexually assaulted are sluts who wanted it (Kitty’s depiction on the show as a bitchy, sexually promiscuous cheerleader proves this, though in their defence I doubt the writers had this storyline in mind when they created her character) and boys are sexually awakened studs. Had the episode aired a follow-up scene in which Mr. Schue led the class in an after school special-esque speech about the detrimental effects of sexual assault and the accompanying attitudes surrounding it, it would have been schmaltzy and patronising as only Glee can be, but at least it would have taken a crack at dismantling such bias.

Elsewhere: [RAINN] Glee & RAINN Team Up for Episode.

Image via Wikia.