On the (Rest of the) Net.

Don’t take your anger and befuddlement on Matthew Newton out on his parents, says Mia Freedman. [MamaMia]

Where are all the older women and people of colour in movies? [Jezebel]

Funny or Die finally gave R&B crooner Brian McKnight’s “How Your Pussy Works” (“I bet you didn’t know that it could squirt!” is a sample line) a chance, even making a hilarious sock puppet video to go with!

Obama amps up his reelection campaign with his “Life of Julia” website, a project that highlights his pro-women stance and shows what a woman can expect over her lifetime with an Obama administration. [Barack Obama]

Still with American politics, how can we convince Hillary Clinton to run for President? [Jezebel]

And, still with Hillary Clinton, what her make-up-free and glasses-clad face tells us about beauty. [Jezebel]

Stella Young on the National Disability Insurance Scheme. [MamaMia]

What exactly constitutes “losing your virginity”? [Daily Life]

It’s not just Arab men who hate women. [The Age]

Where are all the manic pixie dream guys? [Jezebel]

My Week in Pictures.

The Wonders of Ancient Mesopotamia.

The Wonders of Ancient Mesopotamia opened at the Melbourne Museum last Friday, and I found it much more impressive than their past exhibitions, Titanic and Tutankhamun. Very spacious and a lot more intimate than previous years, and the lighting on some of the carved stone reliefs was magnificent, harkening back to the time of A Day in Pompeii, which I felt was much more content-focussed than some of the Museum’s other exhibitions.

For old time’s never was’ sake?

Normally whenever I see so called “women’s literature” or “chick lit”, I run a mile. In this case, I stayed long enough to take a pink and stereotypical portrait.

Back to Booktown.

Last weekend, it was that time again: Clunes Booktown time. I travelled cross-country (train from Melbourne to Bendigo, car from Bendigo to Clunes, shuttle bus from Clunes to Ballarat and another train from Ballarat to Melbourne. Phew!) to spend the day in Clunes’ freezing weather for an abundance of books. I picked up most of my haul within the first hour, and had to cart it around for the rest of the day. One of the garage/book sales out of someone’s front yard had a “book trolley” for hire; I think I’ll take them up on their offer for next year! My companion, Hannah, walked around empty handed for most of the day, until she picked up four great books on our trek back to the car.

For myself I got a book of essays by Gloria Steinem (including her famous Playboy club exposé. Eep!) and the incredibly rare first edition of Bret Easton Ellis’ The Informers and the Harvard Lampoon’s Twilight spoof, Nightlight. As gifts, I got my housemate a much-coveted (though unbeknownst to me til after the fact; I just thought the cover looked cool!) Kevin Smith-penned edition of Spider Man and Black Cat (with feminist themes: bonus!) and The Hours for my mum.

Break time.

Mia shares some water with her new friend. What a nifty little invention!

The dog park.

Mia’s fully vaccinated now, so that means I can start taking her to grassy areas.

At her post-adoption training session, I expressed concern at her aggression on the lead and interacting with other dogs. The trainer suggested taking her to a dog park during a quiet time (Tuesday before lunch, in this case) to get her used to socialising with other dogs. While her playtime was a bit more aggressive than I would have liked, Mia ended up making friends with a little poodle-shih tzu cross named Ovi. Ovi’s owner, Misty, is new to Australia from the U.S., so we’ve made plans for the dogs to catch up for a play date. I secretly think Misty was in search of some human playmates, too.

The stack.

Some quality articles in The Age on Saturday: a testimonial on why Prince still matters (he’d better, ’cause I just forked out a pretty penny for tickets to his concert next week), and an investigation into Nick D’Arcy and that assault incident. I liked this quote from the piece: “I think that as role models, we should be held to a higher standard than the average person,” spoken by Kieren Perkins. Here here.

The senior’s movie.

Rita Hayworth’s Gilda is supposed to be the embodiment of the femme fatale, so when the movie was screening (and still is, this Saturday and Sunday at 11am, and Monday at 1:30pm) at ACMI for $11 (cheaper for seniors!), I had to get on it. I didn’t enjoy it as much as I thought I would, and found it sexist as all hell, Hayworth is a dream to look at!

Related: Tutankhamun & the Golden Age of the Pharaohs at Melbourne Museum.

Clunes Back to Booktown.

My Week in Pictures 26th April 2012.

Cherchez la Femme Fatale, Take 2.

Mesopotamia image via Museum Victoria.

On the (Rest of the) Net.

 

“Red Dress, Blue Dress.” What your clothing colour choices say about you. [Final Fashion]

Are you your social group’s/family’s/work place’s “feminist friend”? [Feminaust]

The politics of the facial (yes, that kind of facial). [Jezebel]

The Girl with the Dragon Tattoo, rape scenes and crossing the line:

“… Our ratings system in this country is so broken that a film that contains a sustained, brutal rape sequence featuring full-frontal female nudity can breeze right through with an R-rating, but if you include a sequence in which two people engage in spirited, consensual sex and we see anything that resembles reality, you are automatically flirting with an NC-17 or going out unrated.  We have created a code of film language in which the single most destructive act of sexual violence is perfect acceptable to depict in the most graphic, clinical detail, but actual love-making has been all but banished from mainstream film.  There’s no ‘almost’ about it; it is disturbing on a philosophical level to realise how backwards the system is right now, and I think one of the reasons many filmmakers will include a rape scene is so they can get some nudity into their movie, and the context doesn’t matter to them.” [HitFix]

Ahh, the inevitable responses you’ll get and the people who’ll give them to you when discussing sexism on the interwebs. [Caphe Sua Da]

Bald Barbie: join the campaign here. [Jezebel, Facebook]

Being called a feminist is a compliment. [Crunk Feminist Collective]

Best “Shit So and So’s Say” video yet!

On language and HIStory. [Feminaust]

My second article on The Good Men Project. Check it out.

Sydney VS. Melbourne? I’m a Melbourne girl all the way, baby. Which do you prefer? [The Age]

Benjamin Law on gay stereotypes. [MamaMia]

And a heartwarming story about how Glee’s Kurt and Blaine are just like this little six-year-old. [And This Is My Blog…]

Maggie Gyllenhaal sticks up for reproductive rights. [Glamour]

An Open Letter to the Transphobic Girl Scout.” [Jezebel]

The mystery of the clitoris, revealed (SFW). [io9]

Cynthia Nixon: gay, straight or bi? Is being gay a choice or is it biology? Who cares? [Slate]

Images via Hits USA, Facebook, The Good Men Project.

On the (Rest of the) Net.

 

Check me out on The Good Men Project!

On sex work by a sex worker. [The Age]

“Have you lost weight?” is not a compliment. One of my close male friends has recently lost a lot of weight, and the resounding comment that seems to follow him wherever he goes is, “You look so hot now that you’ve lost weight,” or something to that effect. Firstly, what did he look like before? Hideous? Unlovable? Gross? And secondly, is he worthy of affection and admiration now because he’s not fat anymore? Just. Plain. Wrong. [Broadist]

Rick Santorum, the Iowa caucus and what the 2012 Republican landscape could very well look like. Hint: not good. [The Punch]

And some more on Santorum’s scary reproductive rights views. [Jezebel]

AND, a rundown of what the Iowa caucus actually entails, anyway. [Jezebel]

How my heart warms: a child with Down Syndrome is modeling for Target in the U.S.! [Jezebel]

Mia Freedman on Deborah Hutton’s nude posing for The Australian Women’s Weekly. [MamaMia]

Sometimes it’s okay to be a quitter. [Gala Darling]

Camilla Peffer on street harassment. [Girls Are Made From Pepsi]

How to really talk to girls about beauty. [Jezebel]

Images via The Good Men Project, MamaMia.

12 Posts of Christmas: Paper Dwarves, Digital Giants.

In the spirit Christmas, I’ve decided to revisit some of my favourite posts of the year in the twelve days leading up to December 25th. 

This one was written after Paper Giants aired on ABC in April, comparing the heyday of magazines with the impact of the digital world. You can read the original post here.

A few weeks ago, in response to ABC’s Paper Giants: The Birth of CleoMia Freedman wrote on MamaMia about her thoughts on the state of the (mag) nation and if magazines are still relevant and the amount of influence they wield in 2011:

“… Not that much excitement goes on in magazines anymore… [It’s a struggle to] get them [those who work on a magazine] to try and think about something that hasn’t been done before, something that will start a conversation and boost sales.”

Freedman compares pay TV’s Park Street, a The Devil Wears Prada-esque reality show about ACP’s head offices, featuring the editors of DollyCleoCosmoMadison and Shop Til You Drop, which received dismal ratings and poor audience response, to the critical success and brilliant take on Cleo in her influential heyday of Paper Giants. She says, “Gemma Crisp [editor of Cleo] explained the editorial process that a story undergoes from conception to publication. It takes a minimum of three months… When was the last time you waited three months for something? Life doesn’t happen in increments of months anymore. It happens in moments, in text messages, in Tweets. It’s fast and it’s relentless and if it takes you three months (or even three weeks) to get from thought to print then that’s just too long to retain the attention of your audience.”

When she puts it like that, Freedman makes me long for a simpler time, when I hung on the every word magazines published, as opposed to reading hundreds of articles a week, mostly on blogs, but also in magazines, in an attempt to stay on top of my blogging game.

Erica Bartle, creator of Girl with a Satchel and a former mag girl herself, says Freedman’s “blog-cum-website” “deals in what everyone’s talking about TODAY. It feeds off the 24-hour news cycle. And Mia’s own profile. And her opinion… It’s like a current affairs program for women online.” And now with MamaMia launching on SkyNews, Freedman’s brand is literally a current affairs program.

Not all blogs can operate this way. MamaMia has a team of bloggers, editors and techs who keep the site running smoothly which thus, as Bartle said, allows it to operate on a 24-hour news cycle.

Personally, I have a part-time paid job I go to four times a week, this means I only get to blog two or three days a week, and with so much info to process and a maximum of 15 posts per week to churn out in a small amount of time, this means The Early Bird Catches the Worm is not always the early bird.

But even for those who blog fulltime, like Bartle, it’s not always about what’s happening right NOW as it is about maintaining the blog’s integrity.“I personally operate on a different plane, because my beliefs very much inform my work. For that, I’m willing to sacrifice certain economic constraints,” she says.

Still in the blogging world, you have someone like Gala Darling, who is very much a self-made businesswoman as a result of her über-successful blog of the same name. She’s gone from strength to strength over the past few years; something she could never have done had she been a magazine editor (bar the select few, like Anna Wintour, Anna Dello Russo and yes, Freedman).

But, essentially, MamaMia has the advantage of possessing “a figurehead with credibility whose background is in traditional media. She has the gut instinct of an editor. Online you need news nous as well as technological nous and business nous.”

Another editor who has these qualities in spades is former Cleo and Girlfriend editor, Sarah Oakes, whom Bartle worked under at Girlfriend. Bartle says she invoked an atmosphere of ghosts of magazines past, creating “camaraderie, creativity and positivity, which I think she achieved. She gave you more work if she thought you could be stretched; gave you a talking to if you had crossed a line; gave you a pat on the back for a job well done.” Very Ita-like, wouldn’t you say?

Oakes is now editor of The Age Sydney Morning Herald’s Sunday Life supplement, a title which has improved markedly since she took over. (I have also blogged here about how I think both Girlfriend and Cleo became better titles under her leadership.)

In fact, newspaper inserts are giving the glossies on the newsstand a run for their money, as they “are getting exclusives and have strong writing and design teams, as well as columnists and styling/shoots. These free weekly titles, because of the mastheads they reside within, have enviable readerships and access to celebrities. They are also respectable, well executed and FREE,” Bartle notes.

But at the end of the day, are magazines relevant?

Freedman writes:

“The internet has not only sucked up their readers, it has also gobbled up their purpose: to be a way women form tribes and communicate. Now there’s YouPorn and any other number of sites for titillation, Google for questions about sex, and any number of websites or free newspaper magazines if you’re looking for other types of content or a magazine-style experience. Women don’t want to be spoken TO anymore. They want to be part of the conversation, something which the internet allows, in fact depends on… the internet has taken the sting out of the raunch-factor for mags like Cosmo and Cleo.”

Yes, as Freedman says, there are much raunchier locales to get what would have been included in a sealed section only a few years ago. There’s also Perez Hilton, TMZ and even shows like Entertainment Tonight and E! News that monopolise celebrity content, while the fashion blogs are more of a go-to for what kids are wearing these days.

Sure, Vogue’s always going to be a premiere source for high fashion shoots from photographers the likes of Annie Leibovitz, Patrick Demarchelier and David LaChapelle, but magazines “seem to exist on a strangely distant planet where all the people look like plastic and the sole pursuit is ‘perfection’. Except that perfection doesn’t really exist,” says Freedman.

When sites like JezebelCover Girl Culture and, yes, MamaMia and Girl with a Satchel are debunking photoshop myths and striving for more realistic representations of women in the media, magazines are doing this movement any favours. (Except maybe Brigitte.)

And when you can get most of a magazine’s content online anyway (I passed on a near-$20 copy of US Harper’s Bazaar in favour of accessing interviews with Kim Kardashian and Hillary Clinton on their website), are they really worth it?

Bartle doesn’t think so. “No, but they need to be distinctive from what we can get online or elsewhere if we are going to part with $5-$10 to purchase one. Premium magazines, which I have no qualms spending extra on, include The Gentlewoman and O The Oprah Magazine, because they cater to my tastes, sensibility and need for a good read on a Saturday afternoon with a cup of tea.”

I agree with Bartle’s sentiments.

While online is great for content from individuals not curated and/or watered down by magazines editors to fit the mold of their magazine, holding a truly great glossy in your hands, like the appeal of a physical book, while at the hairdressers, a café or tucked up in bed, means magazines will always hold a place in our hearts.

Right next to the Kindle and Google Reader.

Related: Paper Dwarves, Digital Giants.

Paper Giants: The Birth of Cleo Review.

Everything They Touch Turns To Gold.

Evolution of the Bookshop at The Wheeler Centre.

Elsewhere: [MamaMia] Paper Giants VS. Park Street: Why Magazines Are Not What They Used to Be.

[MamaMia] MamaMia Gets a TV Show.

[Girl with a Satchel] Homepage.

[Girl with a Satchel] Mid-Week Media Musings.

[Gala Darling] Homepage.

On the (Rest of the) Net.

 

“If Male Superheroes Posed Like Wonder Woman.” [The Bleeding Cool, via Jezebel]

“An Open Letter to Fred Nile”, member of the Christian Democratic Party, who said the baby being expected by Federal Finance Minister Penny Wong and her partner, Sophie Allouache, has “human rights” and should not be brought up in a home with two mummies. [MamaMia]

The anti-child-model argument. And it’s a good one. [The Guardian]

The navel-gazing of the Gen Y writer. [Harvest Magazine]

Latoya Peterson “On Being Feminism’s ‘Ms. Nigga’”. [Racialicious]

The old Hollywood deception that was Rock Hudson. [The Hairpin]

The case for spoilers. I’ve been guilty of giving away the ending of movies and TV shows, saying things like “Oh yeah, and then it grows back” about Jessica’s broken hymen in her first sexual encounter—as a human or vampire—with Hoyt on True Blood, when I asked a friend which episode they were up to. Oh, you haven’t seen it? Whoops! [Jezebel]

The (Real Life) Help. [Jezebel]

And if The Help, the DSK case and Arnold Schwarzenegger’s love child have taught us anything, it’s that domestic workers are treated like shit. But hope may be on the horizon… [The Houston Chronicle]

As per Beyonce’s suggestion, a new word for feminism: equalism. Though one suggestion seems to have been submitted by Voltron… [Jezebel]

Where have all the good men gone? Not posting on Twitter thread #reasonstobeatyourgirlfriend and not being all “Post Gender Normative”, that’s for sure! [Tiger Beatdown, McSweeney’s]

Reproductive rights, consent and organ/egg donation. [Feministe]

Feminism and superheroes conference in Melbourne? So wish I was there! [The Age]

Six myths about terrorists. [MamaMia]

It’s (not) all about popular(ity) at Girl with a Satchel.

Rachel Hills on motivation and the fear of failure. And success! [Musings of an Inappropriate Woman]

Classism on True Blood. [Tiger Beatdown]

Caroline Da Costa on why we need RU486 (the “abortion drug”). [MamaMia]

A step in the right direction to welcoming asylum seekers to Australia. [MamaMia]

Still with asylum seekers, along similar lines as my post this week. [The Punch]

Larry David as “feminist hero”? [Jezebel]

“Revolution” is what we call riots we like:

“… Guilt ridden white first-world bloggers… love protests in Syria and Iran and elsewhere because they can cast those people, members of an alien culture, race, and religion, as the perfect representations of resistance while totally stripping them of the actual thorny reality of political rage. Theocratic preferences are stripped away; violent behaviour… is ignored; the re-instantiation of sexist Islamic doctrine within the structures of protest movements are conveniently elided. This is the way of all patronising attitudes from the overclass towards resistance: in order to preserve its romanticized view, it has to occlude the particular grievances and goals that make the protest meaningful in the first place….” [L’Hôte]

In the wake of the death of a toddler attacked by a pitbull, The Punch’s Anthony Sharwood decrees “pitbulls should all be killed. Every last one. It really is as simple as that.” Hmm, not sure I agree…

Do zoos have a place in 2011? [The Punch]

This profile on 2012 Republican presidential frontrunner Michele Bachmann makes me want to pray to the God she so staunchly believes in that there’s still a little bit of sense and belief in President Obama left in the U.S. [The New Yorker]

Image via Jezebel.

Magazines: Paper Dwarves, Digital Giants?

 

A few weeks ago, in response to ABC’s Paper Giants: The Birth of Cleo, Mia Freedman wrote on MamaMia about her thoughts on the state of the (mag) nation and if magazines are still relevant and the amount of influence they wield in 2011:

“… Not that much excitement goes on in magazines anymore… [It’s a struggle to] get them [those who work on a magazine] to try and think about something that hasn’t been done before, something that will start a conversation and boost sales.”

Freedman compares pay TV’s Park Street, a The Devil Wears Prada-esque reality show about ACP’s head offices, featuring the editors of Dolly, Cleo, Cosmo, Madison and Shop Til You Drop, which received dismal ratings and poor audience response, to the critical success and brilliant take on Cleo in her influential heyday of Paper Giants. She says, “Gemma Crisp [editor of Cleo] explained the editorial process that a story undergoes from conception to publication. It takes a minimum of three months… When was the last time you waited three months for something? Life doesn’t happen in increments of months anymore. It happens in moments, in text messages, in Tweets. It’s fast and it’s relentless and if it takes you three months (or even three weeks) to get from thought to print then that’s just too long to retain the attention of your audience.”

When she puts it like that, Freedman makes me long for a simpler time, when I hung on the every word magazines published, as opposed to reading hundreds of articles a week, mostly on blogs, but also in magazines, in an attempt to stay on top of my blogging game.

Erica Bartle, creator of Girl with a Satchel and a former mag girl herself, says Freedman’s “blog-cum-website” “deals in what everyone’s talking about TODAY. It feeds off the 24-hour news cycle. And Mia’s own profile. And her opinion… It’s like a current affairs program for women online.” And now with MamaMia launching on SkyNews, Freedman’s brand is literally a current affairs program.

Not all blogs can operate this way. MamaMia has a team of bloggers, editors and techs who keep the site running smoothly which thus, as Bartle said, allows it to operate on a 24-hour news cycle.

Personally, I have a part-time paid job I go to four times a week, this means I only get to blog two or three days a week, and with so much info to process and a maximum of 15 posts per week to churn out in a small amount of time, this means The Early Bird Catches the Worm is not always the early bird.

But even for those who blog fulltime, like Bartle, it’s not always about what’s happening right NOW as it is about maintaining the blog’s integrity.“I personally operate on a different plane, because my beliefs very much inform my work. For that, I’m willing to sacrifice certain economic constraints,” she says.

Still in the blogging world, you have someone like Gala Darling, who is very much a self-made businesswoman as a result of her über-successful blog of the same name. She’s gone from strength to strength over the past few years; something she could never have done had she been a magazine editor (bar the select few, like Anna Wintour, Anna Dello Russo and yes, Freedman).

But, essentially, MamaMia has the advantage of possessing “a figurehead with credibility whose background is in traditional media. She has the gut instinct of an editor. Online you need news nous as well as technological nous and business nous.”

Another editor who has these qualities in spades is former Cleo and Girlfriend editor, Sarah Oakes, whom Bartle worked under at Girlfriend. Bartle says she invoked an atmosphere of ghosts of magazines past, creating “camaraderie, creativity and positivity, which I think she achieved. She gave you more work if she thought you could be stretched; gave you a talking to if you had crossed a line; gave you a pat on the back for a job well done.” Very Ita-like, wouldn’t you say?

Oakes is now editor of The Age & Sydney Morning Herald’s Sunday Life supplement, a title which has improved markedly since she took over. (I have also blogged here about how I think both Girlfriend and Cleo became better titles under her leadership.)

In fact, newspaper inserts are giving the glossies on the newsstand a run for their money, as they “are getting exclusives and have strong writing and design teams, as well as columnists and styling/shoots. These free weekly titles, because of the mastheads they reside within, have enviable readerships and access to celebrities. They are also respectable, well executed and FREE,” Bartle notes.

But at the end of the day, are magazines relevant?

Freedman writes:

“The internet has not only sucked up their readers, it has also gobbled up their purpose: to be a way women form tribes and communicate. Now there’s YouPorn and any other number of sites for titillation, Google for questions about sex, and any number of websites or free newspaper magazines if you’re looking for other types of content or a magazine-style experience. Women don’t want to be spoken TO anymore. They want to be part of the conversation, something which the internet allows, in fact depends on… the internet has taken the sting out of the raunch-factor for mags like Cosmo and Cleo.”

Yes, as Freedman says, there are much raunchier locales to get what would have been included in a sealed section only a few years ago. There’s also Perez Hilton, TMZ and even shows like Entertainment Tonight and E! News that monopolise celebrity content, while the fashion blogs are more of a go-to for what kids are wearing these days.

Sure, Vogue’s always going to be a premiere source for high fashion shoots from photographers the likes of Annie Leibovitz, Patrick Demarchelier and David LaChapelle, but magazines “seem to exist on a strangely distant planet where all the people look like plastic and the sole pursuit is ‘perfection’. Except that perfection doesn’t really exist,” says Freedman.

When sites like Jezebel, Cover Girl Culture and, yes, MamaMia and Girl with a Satchel are debunking photoshop myths and striving for more realistic representations of women in the media, magazines are doing this movement any favours. (Except maybe Brigitte.)

And when you can get most of a magazine’s content online anyway (I passed on a near-$20 copy of US Harper’s Bazaar in favour of accessing interviews with Kim Kardashian and Hillary Clinton on their website), are they really worth it?

Bartle doesn’t think so. “No, but they need to be distinctive from what we can get online or elsewhere if we are going to part with $5-$10 to purchase one. Premium magazines, which I have no qualms spending extra on, include The Gentlewoman and O The Oprah Magazine, because they cater to my tastes, sensibility and need for a good read on a Saturday afternoon with a cup of tea.”

I agree with Bartle’s sentiments.

While online is great for content from individuals not curated and/or watered down by magazines editors to fit the mold of their magazine, holding a truly great glossy in your hands, like the appeal of a physical book, while at the hairdressers, a café or tucked up in bed, means magazines will always hold a place in our hearts.

Right next to the Kindle and Google Reader.

Related: Paper Giants: The Birth of Cleo Review.

Everything They Touch Turns To Gold.

The Evolution of the Bookshop at The Wheeler Centre.

Elsewhere: [MamaMia] Paper Giants VS. Park Street: Why Magazines Are Not What They Used to Be.

[MamaMia] MamaMia Gets a TV Show.

[Girl with a Satchel] Homepage.

[Girl with a Satchel] Mid-Week Media Musings.

[Gala Darling] Homepage.

Images via ABC, MamaMia, Teacup.