The systemic secrecies of intimate partner violence. [Right Now]
A tale of two satires: “Literally I Can’t” VS. “Blank Space”. [The Guardian]
Beyoncé, Kim Kardashian and the politics of celebrity labour. [The Baffler]
Separating the man from the art: Bill Cosby edition. [The Toast]
Further to that, this is one of the most level headed takes on the Cosby rape allegations and wonders why people are so quick to believe 16 women have banded together to frame one man over the idea that one man could be guilty of serial rape. [The Atlantic]
New Girl and The Mindy Project’s second wind. [Grantland]
I wrote about sexualised possession on Charmed as part of Bitch Flicks‘ theme week on demon and spirit possession.
And a post from a few years ago on the hyper-sexualisation and -feminisation of Halloween costumes.
Um, can I just copy and paste this whole article by Amanda Marcotte on why Annie Lennox is wrong about Beyoncé and twerking not being feminist? A snippet:
“I reject outright this notion that “feminist” should be an elite category that is only earned through hard work. If we want it to be a successful movement that changes the world, ordinary people need to have a stake in it. You need to feel that just because you’re a nurse or an accountant or yes, a pop star, doesn’t mean that you don’t have a part to play, even if it’s just donating money or talking up feminism on Facebook or voting for feminist candidates. Movements live or die by whether or not they achieve mainstream success, and you can’t get that if you treat feminism like it’s too precious for the masses.” [Pandagon]
For teens, sexting is a way to be “sexual without being sexual”. [The Atlantic]
Image via Bitch Flicks.
What Orange is the New Black‘s Pennsatucky’s dental health says about class. [Bitch]
The history of the sex education film. [Alternet]
Most women have periods at some stage, so why are we so afraid to talk about them? [The Lifted Brow]
There should be a Bechdel test for mothers in kid’s movies: “Show me an animated kids’ movie that has a named mother in it who lives until the credits roll.” And when mothers are present, they act as a sort of Manic Pixie Dream Mum, paving the way for the main characters—and their fathers—to carry out the rest of the narrative. [The Atlantic]
Duke porn star Belle Knox writes about her experience being slut-shamed from within the industry she works. [Jezebel]
Image via Bitch.
I’ve probably linked to this before, but in the week Beyonce secretly releases her musical (and video!) feminist manifesto, unpacking her views on women’s equality—and our views on her—seems particularly pertinent. [Bitch]
But can we really take advice about sticking it to beauty ideals from a woman who chucked a tanty over unflattering SuperBowl photos and curates her Instagram feed to within an inch of its life? [Double X]
In defence of the single girl. [Double X]
On being a “bad feminist”. [The Virginia Quarterly Review]
How can we expect abortion ban exemptions for rape when so many rapes are deemed deserved in the first place? [The Atlantic]
Yet more musings about American Horror Story: Coven and its uncomfortable attitudes about race: is it all about white guilt? [In These Times]
I wanted to cut and paste the whole paragraph on Rihanna’s “Pour It Up”, sexual and creative agency and slut-shaming, but since it’s a lengthy portion of the article, head on over and check the whole thing out for yourself: “‘Slut-Shaming’ Has Been Tossed Around So Much It’s Lost All Meaning”. [Jezebel]
Image via RnB Music Blog.