Robin Thicke’s “Paula”: He Still Hates Those “Blurred Lines”.

Robin Thicke, along with Pharrell and T.I., came out with arguably 2013’s most controversial song, “Blurred Lines”, about this time last year.

Now the son of Growing Pains actor Alan Thicke is back with a whole new album about his estranged wife, Paula Patton, entitled simply, Paula.

Thicke was caught with his hand on a female fan’s bottom and allegedly followed this up by cheating on his high-school sweetheart Patton, with whom he’d been involved for 21 years and has a son. The unflappable Patton seemed to take the split in her stride, at least compared to Thicke, who’s taken to social media and radio waves in an attempt to win his former ladylove back.

The fact that his forthcoming album’s tracklist consists entirely of breakup-and-makeup songs is supposed to be romantic, but to the discerning eye, Thicke’s predation that was front and centre in “Blurred Lines” has come to the fore yet again.

Not only does his public begging read as more desperate than romantic, it publicly shames the other party who’s chosen to deal with the dissolution of their marriage in private.

But we all know Thicke’s favourite pastime is to “degrade a woman” and that’s exactly what he’s doing with this ill thought out album. For some perspective, the titular woman filed for divorce from Thicke in February this year, and the album’s first single, “Get Her Back” was released in May, giving Paula a lead-time of three months. And it has only been a year since Thicke’s previous album, Blurred Lines, featuring the rape anthem of the same name, came out.

The actual Marvin Gaye medleys that Thicke has become so well known—and taken to court—for and that make up Paula aren’t the worst in the world, but it’s when listeners pay mind to Thicke’s lyrics that the album really starts to run into trouble. The calypso rhythm of “You’re My Fantasy”, for example, can’t rescue it from this little ditty: “Your legs on my walls/Your body’s on my ceiling”; while Thicke makes reference to the cheating rumours on the Motown-y “Black Tar Cloud”, crooning “I thought everyone was gonna eat the chips/Turns out I’m the only one who double dipped”. (Thanks for that visual.) The mumbly “Forever Love” is luckily accompanied by a lyric video because Thicke’s enunciation is so poor it’s hard to sing along like the 14-year-old sung along in Patton’s ear to Stevie Wonder’s “Jungle Fever” upon their first meeting as teens in early ’90s Los Angeles.

“Get Her Back”, the earwormy lead single is arguably the album’s only redeeming one however its problematic video, featuring scrolling text messages that we’re to believe were sent between Thicke and Patton atop close-up shots of a fake-bloodied and allegedly crying Thicke being groped by masked women who look marginally like Patton before they plunge head-first into cavities of water, references intimate partner violence, like much of the album.

Thicke carried out a thick (so to speak) and fast social media campaign for Paula, including the hashtags #GetHerBack and #AskThicke, which ultimately backfired in a flurry of negative feminist press. Thicke even went so far as to engage in a cross-promotion with 1800-Flowers, for which the “Get Her Back” bouquet will set you back a cool $350—but it comes with a free digital download of Paula, so you’re actually saving money. But it would seem that many music consumers are holding on to their pennies this time around: just 530 fans in the UK and a dismal 54 in Australia forked out for Paula.

Thicke might not be a one-hit wonder (remember his 2002 debut, the equally as rapey as “Blurred Lines”, come to think of it, “When I Get You Alone”?), he proves that perhaps sex was the only thing that sold “Blurred Lines”.

The Hollywood that Thicke grew up in would have us believe that male persistence is the way to a girl’s heart: “the boy keeps trying to get the girl until she says yes,” writes Jessica Valenti for The Guardian. “You need to look no further than the outrageously popular Twilight series—books and movies—to know that the stalker-as-romantic lead looms large in our cultural imagination.” Real life headlines about intimate partner violence suggest that stalking is more deadly than romantic.

Further to that, Alyssa Rosenberg writes over at The Washington Post that “the simple fact of male persistence ought to be enough to bring a woman around to loving him”, while Clem Bastow asserted on Daily Life that Thicke’s quest to “Get Her Back” is “about the feelings of the man in question, not the woman he is searching for or seeking to reconcile with”.

But that’s Thicke’s pattern (pardon the pun); he’s crafting a pop cultural narrative where he’s the ultimate NiceGuy™ and if Patton continues to reject him she’s a cold-hearted bitch. And if Thicke was hoping for a deluge of sales to help him convince Patton to take him back, he’s sorely underestimated the public’s keen nose for desperation.

Elsewhere: [HuffPo] Robin Thicke Cheated on His Wife, Claims Socialite Lana Scolaro.

[HuffPo] Marvin Gaye’s Family & Robin Thicke’s Label Settle in “Blurred Lines” Dispute.

[Time] Robin Thicke’s #AskThicke Hashtag Completely Backfired.

[1800-Flowers] Robin Thicke Flowers & Music Download.

[Vulture] Which Country Hates Robin Thicke the Most?

[The Guardian] Robin Thicke’s Video: Further Evidence That We’re Romancing the Stalker-Esque.

[WaPo] The Real Problem with Robin Thicke’s Creepy Attempts to Win His Wife Back? They’re Boring.

[Daily Life] The False Romance of “Winning Her Back”.

On the (Rest of the) Net.

Sixteen-Candles-drunk-girl

Was Sixteen Candles the blueprint for the Steubenville rape? [Bitch Flicks]

How Hannah Horvath’s eBook would read IRL. [Nerve]

@ModernClueless makes a cameo at the Val party! While you’re following them, head on over and follow me, too. [Twitter]

Can we separate the art from the accused-pedophile, Woody Allen? [The Onion]

Beyonce blogged about gender equality. [Mother Jones]

Sexualising violence against women. [The Guardian]

And while we’re on the topic, check out Yolanda Dominguez’s photo series of real women in model poses. Ridonculous!

Stop calling yourself a feminist if all you’re really interested in talking about is how hard it is out there for the menz. [The Guardian]

Being a woman on the internet. [Pacific Standard]

Navigating teen witchdom. [The Lifted Brow]

Fat on film: Brodie Lancaster muses on how it makes her feel when fat characters are the butt of the joke. [Rookie]

What it’s like to have a partner behind bars. [Vice]

I critique dick pics. [The Hairpin]

What Beyonce and Michelle Obama’s friendship tells us about feminism. [Daily Life]

Image via Bitch Flicks.

On the (Rest of the) Net.

runyon canyon l.a.

You’ll forgive my lack of postings in the past month (and last couple of weeks, especially), Early Birds, as I just got back from a month-long Stateside sojourn. But “On the (Rest of the) Net” is here with a few select articles to tide you over until I get back into the swing of things next week. The last leg of my trip was spent in L.A. where, despite the first couple of rainy days, the beautiful weather (see above, taken from Runyon Canyon) really inspired me to get up earlier, be more active, and put more effort into my writing, which hopefully readers will reap the benefits of. Until then…

Gala Darling realises, despite her radical self-love philosophy, looks-based female game shows are her favourite kind of television.

Motherhood isn’t the most important job in the world. [The Guardian]

Ten classic songs that are actually manplanations. [Flavorwire]

Is feminism cool now that all the young things are clamouring to be in the “club”? [Daily Life]

An horrific account of making a “false” rape allegation. [Free Thought Blogs]

On the (Rest of the) Net.

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Why racial colour-blindness is a crock. [Daily Life]

Speaking of, Julianne Hough’s blackface Halloween costume totes wasn’t racist, says a white girl. [Thought Catalog]

Pregnancy: when your body is public property. [Daily Life]

Open dialogue about rape prevents rape, not tee totalling. [The Guardian]

48 hours in New York, in which I get a mention, you know, ’cause I’m there right now! [Musings of an Inappropriate Woman]

How does Working Girls’ feminism hold up 25 years later? [Jezebel]

Image via ABC News.

On the (Rest of the) Net.

Melissa Fabello makes some good points in her video about not wasting time on in-fighting about who’s a good feminist and who’s not, but you know me; I really think more people should proud to call themselves feminists and that not all supposedly feminist acts are created equal.

Speaking of, it’s no secret I’m Taylor Swift’s number one hater but over at One Week One Band the dissection of all things Swift is truly eye-opening if a bit fawning. I still think she’s a dolt with some seriously detrimental views about gender and sex, but it’s nice to look at her music from a different point of view for a change.

Anthony Weiner’s mistress, Sydney Leathers (what a name!) gives her top sexting advice. And it’s mind-numbingly mundane. [xoJane]

A call to arms for Twitter to do something about their complacency for rape threats and gender-based hatred from a woman who’s been there; the woman who was faced with a torrent of vitriolic abuse from Tyler, the Creator and his fans. [Daily Life]

Rachel Hills on Hugo Scwhyzer’s retirement from the online femisphere. [Musings of an Inappropriate Woman]

Bisexuality on The O.C. [Bitch]

Why are all TV serial killers’ victims women? [The Guardian]

Well, the 12th Doctor Who wasn’t a woman or a person of colour, as has recently been speculated, but is Peter Capaldi’s age progressive in itself? [TheVine]

Then again, maybe not. [Jezebel]

The sexual politics of Grindr. [The Guardian]

On the (Rest of the) Net.

Cory-Monteith

Where does Glee go next after the tragic death of Cory Monteith over the weekend? [Vulture]

Furthermore, Monteith as Finn Hudson embodied the fear of failure and being stuck in a small town with little to no prospects. Drawing on his real-life experiences, perhaps? [The Atlantic]

Got daddy issues? The ultimate TV father/lovers. [Daily Life]

I went to a Lady Gaga variety fundraising night and wrote about it for TheatrePress.

Is news bad for us? It is if it comes from The Daily Mail. [Daily Life]

Homosexuality in hip hop. [The Guardian]

An advertising agency liaising with the Prime Minister’s Office and hip, young media brands, such as TheVine, offered an interview with the PM in exchange for free pro-Labor advertising. [SMH]

Pacific Rim—the latest in a depressingly long line of films—fails the Bechdel test, hard. [Vulture]

The Pixar Theory: why Brave, Toy Story, Monsters Inc. et al are all linked together as part of the same story as opposed to different ones. The mind boggles. [Jon Negroni]

The underlying religious messages in Man of Steel. [EW Pop Watch]

Oh, goody! I’ve always wanted a system to chart how slutty I am. Gives a whole new meaning to the “slut barometre” Alyx Gorman discussed on TheVine a few weeks ago. [Slut Formula]

Why paedophiles Peter Truong and Mark Newton give same-sex parents a bad name. [ABC The Drum]

Image via Mirror.

On the (Rest of the) Net.

Robin Thicke’s “Blurred Lines”: “ironic objectification” or just plain degradation? Apparently, because Thicke and collaborator Pharrell Williams are “happily married”, it makes it okay for them to derive pleasure from degrading women (Thicke’s words). While there are certainly much worse images and acts of misogyny out there, “Blurred Lines” is lyrically and visually blatantly upholding rape culture: “I know you want it, but you’re a good girl…” Does the fact that it was directed by a woman who instructed the basically—and uncomfortably—naked models and the fully clothed male artists in the clip supposedly love women make it a tongue in cheek exercise in pushing boundaries or raise some more problematic issues considering it’s this country’s number one song? What’s the point in even making such a NSFW video if it can’t even be shown on MTV and YouTube (semi-SFW video above)? [Jezebel]

Dear Julia Gillard,
Thank you for being the first female Prime Minister,
Sincerely,
Mia Freedman. [MamaMia]

The rise and rise of feminist parodies. [Daily Life] 

What are the differences between women who receive abortions and those who are denied them and proceed with unwanted pregnancies? [NYTimes]

Screw the “armchair commentators”; you know what your feminism is. [The Guardian]

Julia Gillard urges us to vote for Julia Gillard in spite of the sexist attacks against her (obviously written prior to Wednesday’s ousting). Kind of like that comment about her jackets, Germaine…? [The Hoopla]

Is Miley Cyrus’ latest black culture-inspired gimmick akin to a minstrel show? [Jezebel]

This week in inappropriate fashion spreads: hoarder chic. [Jezebel]

Ranking Stephen King’s 62 books. [Vulture]

On the (Rest of the) Net.

amanda bynes

What Amanda Bynes’ meltdown says about society: we’re all image-obsessed sexists who love a celebrity train wreck. [The Guardian]

Mia Freedman interviewed Naomi Wolf about her Vagina. [MamaMia]

#FBRape and free speech. [Daily Life]

Abercrombie & Fitch < Attractive & Fat. [The Militant Baker]

In defence of much-maligned TV wives. [Slate]

Image via Twitter.

On the (Rest of the) Net.

tom cruise age difference leading women

The age disparities between leading men and their love interests. [Vulture]

I’m on Twitter! Follow me @ScarlettEHarris.

Nice Guys of OKCupid has paved the way for homosexual creeps with Douchebags of Grindr.

Why was Boston “terrorism” but not Sandy Hook, Aurora or Columbine, for example? [The Guardian]

Feminist awakenings. [Daily Life]

Sexism on MasterChef. [Daily Life]

A collection of essays on Spring Breakers. [The New Enquiry]

Shooting victim Gabrielle Giffords on the recent vetoing of background checks for gun buyers by the U.S. Congress. [NYTimes]

The Tribeca Film Festival is honouring one of its female filmmakers with the inaugural Nora Ephron Prize! [Tribeca Film Festival]

If we needed a reminder of the patriarchal corners of the world women have yet to be granted entry into, there’s now a Tumblr dedicated to just that! [Boys Clubs]

How to discuss Tyler Perry without sounding racist. [AV Club]

The symptoms of and treatment for feminist burnout. [Bitch Flicks]

James Deen on gender equality and slut-shaming (NSFW). [James Deen Blog]

Gun control does not mean penis control: guns and masculinity. [Women’s Media Centre]

How much murder and rape is there on TV? [Vulture] 

Image via Vulture.

On the (Rest of the) Net.

In response to the body-snarking of Lady Gaga, she launches a social media campaign exposing her insecurities and encouraging her fans to overcome theirs. [Jezebel]

Until I read this profile by a reporter who spent a day with the Here Comes Honey Boo Boo clan, I thought the show was exploiting a low-socioeconomic family who didn’t know any better. Turns out they’re not as dumb nor famehungry as they are portrayed. [Gawker]

Why we love Law & Order: SVU. [Jezebel]

In defence of being ugly. [MamaMia]

Society’s paranoia about male intimacy. [Daily Life]

Yet another sermon on why hot women can’t be funny. [Jezebel]

Pussy Riot interviewed from jail. [GQ]

He who so sanctimoniously surmised that abortion is bad, even in the case of rape, which is unfortunate but, still, “everything happens for a reason”—Justin Bieber—is the subject of an article about how his mother was a drug-addicted teen who found herself pregnant but decided to have the kid who would turn out to be him and therefore grant a whole generation of tweens such important musical feats as “Baby” and “Eenie Meenie” instead of abort him. [Jezebel]

Kate Middleton’s boobs as public property. [The Guardian]

Uh-oh. Only four months after Vogue debuted its “health initiative” pledge to not “knowingly hire models under the age of 16”, the Chinese and Japanese editions will publish spreads featuring two well-known underage models. [Jezebel]

Why isn’t Mindy Kaling being as well received as her fellow women-in-comedy or male counterparts? [Racialicious, via Jezebel]

The End of Men versus the success of Girls. [The Atlantic]

Image via Jaykhsar.