On the (Rest of the) Net.

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The red carpet allows women to take up space they wouldn’t normally. [Spook Magazine]

In defence of the Supergirl trailer:

“It’s Supergirl. It’s supposed to be aimed at teenage girls. If you’re not one, and it bothers you that it’s aimed at someone who isn’t you, just think: now you have some understanding of what it’s like to be a teenage girl (or indeed, grown woman) watching another TV show/movie/video game trailer and thinking ‘oh right, another TV show/movie/video game aimed at men.'” [Den of Geek]

A love letter to Betty Draper. [Buzzfeed]

Deconstructing the effort that goes into being Kim Kardashian. [The Atlantic]

Kardashian’s Selfish calls to mind “another struggle of a young girl inventing herself in and out of the spotlight amidst Southern California insanity, hedonism, and wealth, but at the epicenter of the most highly charged racial trial of an era; where the black man won at the same time as her body became deformed, shaped, changed.” [Vulture]

If Anna Kendrick’s not a Cool Girl then what is she? [Buzzfeed]

Since when did giving the least amount of fucks become cool? [HuffPo]

Joss Whedon’s reproductive coercion and forced motherhood. [Bitch Flicks]

Not wanting children doesn’t make you selfish: actually, having kids does. [Catherine Deveny]

ICYMI: My (just!) three problems with Married at First Sight.

Image via Mirror.

On the (Rest of the) Net.

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Five times Madonna sucked the life-force out of young ingenues. [Maxim]

And the sexual politics of that kiss. [Role Reboot]

I wrote about the connection between Crossroads and Grey’s Anatomy. [Bitch Flicks]

Mad Men‘s best literary references. [Vulture]

A bitch is an opinionated woman who’s not especially beautiful while doing it. [Daily Life]

Providing women with safety tips is a moot point because women are attacked everywhere under all circumstances. [Bullshit Blog]

How the way we speak about Hillary Clinton may influence her presidential bid. [Think Progress]

Here are some practical ways to address the epidemic of violence against women in Australia instead of perpetuating the “monster myth”. [Birdee, White Ribbon]

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What the “Eat, Sleep, Rape, Repeat” tshirt can teach us about rape culture at music festivals. [Vice]

Janelle Monae is not for male consumption. [Gradient Lair]

Wishing rape on a rapist further perpetuates rape culture. [Daily Life]

“Men, Stop Being Dicks About Condoms.” [Spook Magazine]

“In Defence of the Selfie.” [Spook Magazine]

Have you ever noticed that ubiquitous rom com scene in which the female protagonist wonders out loud whether she “had sex” with the male love interest while drunk? Honey, if you have to ask, it’s rape. [Shakesville]

How celebrities sharing their abortion stories may change the way we think about and legislate reproductive rights. [Flavorwire]

Images via Watchcloud, Jezebel.

On the (Rest of the) Net.

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I went to see Into the Woods this week and I enjoyed it a lot more than I thought I would having read some things on the interwebs about its race and gender problems.

While it certainly still had those (*spoiler alert* both The Witch and The Baker’s Wife die because they don’t subscribe to typical notions of femininity; The Wolf wears a zoot suit in a dodgy part of the woods) it’s probably the least problematic of all the Oscars bait in cinemas at the moment.

I found the politics of gender very interesting. I was surprised by how on the nose the rapeyness of The Prince was, and I thought Chris Pine played him to perfection. I was taken aback by the pedophilic undertones rife throughout the musical, exhibited by The Wolf and The Baker, amongst others. And for those unfamiliar with the stage version, in it the actor that plays The Prince also plays The Wolf! It gives a whole new meaning to the niceness/charm VS. goodness that reverberates throughout Into the Woods. If you like musicals and/or picking apart the underlying meaning of pop culture, go see it. [The Windowsill]

Why are some of our favourite TV shows given a “free pass” on their problematic content while others are expected to be all things to all people? I love that Sinead Stubbins threw in the gender card: Sex & the City, Girls and even Grey’s Anatomy are often held to a much higher standard than prestige TV’s other (read: male protagonist-based) vehicles. [Junkee]

Not knowing you’re beautiful is exactly what makes you beautiful. [Daily Life]

The history of the Lifetime movie. [WaPo]

Disney’s Agent Carter isn’t feminist: it’s about “Disney owning feminist entertainment, and thereby being able to set the terms for it.” [In These Times]

Just as relevant to the #Tay4Hottest100 controversy as it was when it was published last year, Brodie Lancaster writes about gender-based music elitism. [Rookie]

“Looking ‘Black’ is a Crime”:

“Authorities want to ban hoodies but not guns, sagging pants but not police murdering unarmed Black people, natural hair but not unnatural racist discrimination.” [Dame]

Nicki Minaj sacrificed love for career success on her latest album, The Pinkprint. [One Week One Band]

Looking at Pretty Woman‘s positive portrayal of sex work. [Bitch Flicks]

Why do all on-screen female journalists sleep with their subjects for a story? [NY Magazine]

The inevitability of being called fat for deigning to be a woman in public. [Musings of an Inappropriate Woman]

“The Girls effect” on the Iowa Writers Workshop. [Vulture]

The effect menstruation has on professional sportswomen. [Birdee]

Glee flies in the face of character development, storyline continuity and sensitivity by making Coach Beiste a trans man. Would you expect anything more? [Autostraddle]

On being a fat bride-to-be. [The Guardian]

Image via Tumblr.

On the (Rest of the) Net.

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Anne Helen Peterson dissects the ultimate family Christmas movie, The Family Stone. What’s your ultimate Christmas movie? Mine have always been the Home Alones (I’m partial to the second one, Lost in New York) (whose haven’t?), the Miracle on 34th Street remake with Mara Wilson and the trashy ridiculousness that is Olivia Newton John in A Mom for Christmas. The plot, for those of you unlucky enough to have never heard of it, is this: Jessica is a motherless girl who wants a mum for Christmas. She makes a wish on a department store wishing well for, you guessed it, a mum for Christmas. Next thing Jessica knows, Amy (Newton John) shows up for the holiday season to act as a housekeeper and babysitter for Jessica and her dad. Plot twist: Amy is a department store mannequin come to life. Hijinks ensue. [LA Review of Books]

ICYMI: I wrote about my unmet expectations of The Blogcademy and where I see my career going in 2015.

The dawn of female pleasure-centric sex scenes on TV is upon us. [Vulture]

The Manic Pixie Dream Guys, Dudezels in Distress and Men in Refrigerators of Disney movies. [Bitch Flicks]

This journalist should have written that the Montreal massacre of 25 years ago was an explicit attack on feminists rather than sanitising the crime to make it more palatable to readers. [Ottawa Citizen]

Mindy Lahiri was the most revolutionary character on TV this year and, finally, the female answer to the legendary antihero. [The Guardian]

Getting it right when talking and writing about gender and sexuality diversity. [Junkee]

As tensions between police and unarmed people of colour continue in the U.S., here are the 76 unarmed people of colour who’ve been murdered by police in the past 15 years. [Gawker]

US Cosmopolitan‘s seemingly new found feminist awakening. [Jezebel]

Feminist writers of the Aussie and NZ persuasion, including yours truly, are featured as part of the 79th Down Under Feminists Carnival. [Hoyden About Town]

I went as Beyoncé standing in front of the feminist sign at the MTV VMAs to my work Christmas party. Head on over to my Twitter page to check out photos from the night.

My friend, colleague and important disability advocacy worker Stella Young died on the weekend. Below are some of her pieces I have linked to in the past.

“Destroying the Joint? at Melbourne Writers Festival.”

And in her piece from Destroy the Joint, Stella insists she’d like to just be allowed in the joint! [ABC Ramp Up]

How to speak to and about people with disabilities. [ABC The Drum]

“The Case Against Peter Singer.” [ABC The Drum]

People with disabilities are not here for your inspiration. [ABC Ramp Up]

Peter Dinklage shouldn’t be fetishised at an “unlikely crush”. [ABC Ramp Up]

MamaMia spoke to Stella about the National Disability Insurance Scheme, and she also wrote there about the disability pension myth.

Image via Christmas TV, Eh!

On the (Rest of the) Net.

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Taylor Swift’s performative friendships. [Vulture]

Are you a “man’s woman” or a “woman’s woman”? And what even are they anyway? [The New Inquiry]

Rosemary’s Baby isn’t just about demonic possession: it’s about societal possession of women’s bodies. [Bitch Flicks]

I recapped Outback Championship Wrestling’s final show for the year, Hardcore Halloween featuring international guest Tommy Dreamer.

I also wrote about the importance of female friendships in Wicked’s world of Oz. [Junkee]

And finally, my take on the Cool Girls and Nice Guys of Gone Girl.

Image via Instagram.

On the (Rest of the) Net.

Muslim women “are spoken for and about constantly in mainstream media but are rarely permitted to speak for themselves, despite this being the very accusation levelled against Islam and Muslim societies.” [Daily Life]

This piece perfectly sums up the problem with Glee: it never allowed itself—or its characters—to grow. [Bitch Flicks]

Gone Girl on film perpetuates the misogyny the book was perhaps crafting a commentary against:

“The Amy of Fincher’s Gone Girl isn’t Cool, or complicated, or sympathetic. She’s the ‘crazy fucking bitch’ that Nick calls her, yet another example for the eternal argument for women’s unhingeability and hysteria.” [Buzzfeed]

“What does it take for an Asian male to get some action on TV?” [Vulture]

The 77th Down Under Feminists Carnival has a bunch of fantastic links from feminist writers in Australia and New Zealand in the past month. For the month prior, check out my curation. [Zero at the Bone]

What if men were told the same things women about their bodies and sex? [The Guardian]

President Obama keeps making sexist comments about his marriage. [Slate]

Michael Corleone. Walter White. The Joker. Amy Dunne? Is Gone Girl‘s sociopathic protagonist just another brilliant antihero? [Lainey Gossip]

California’s new affirmative consent laws will not “redefine most sex as rape”. [Feministing]

“The Price of Black Ambition.” [VQR]

On the (Rest of the) Net.

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How to tell if you’re a woman in a Michal Bay movie. [Vulture]

How does real life women’s prison compare to Orange is the New Black? [Washington City Paper]

Roxane Gay explains what a “bad feminist” is ahead of the release of her book of essays by the same name:

“Women need to realize that femininity and being strong and empowered are not opposites: They go hand in hand. We have to stop viewing strength as something not feminine because I think strength is extraordinarily feminine.” [Elle]
The Sydney Opera House’s Festival of Dangerous Ideas advertised a talk entitled “Honour Killings Are Morally Justified” on Tuesday and cancelled it less than a day later. Honour killings are morally reprehensible, but if you’re going to promote a festival of dangerous ideas, at least own perhaps the most dangerous of them all. [Daily Life]
Where are all the penises on HBO? [Sociological Images]
I recapped Outback Championship Wrestling’s show last week. [Facebook]