On the (Rest of the) Net.

Muslim women “are spoken for and about constantly in mainstream media but are rarely permitted to speak for themselves, despite this being the very accusation levelled against Islam and Muslim societies.” [Daily Life]

This piece perfectly sums up the problem with Glee: it never allowed itself—or its characters—to grow. [Bitch Flicks]

Gone Girl on film perpetuates the misogyny the book was perhaps crafting a commentary against:

“The Amy of Fincher’s Gone Girl isn’t Cool, or complicated, or sympathetic. She’s the ‘crazy fucking bitch’ that Nick calls her, yet another example for the eternal argument for women’s unhingeability and hysteria.” [Buzzfeed]

“What does it take for an Asian male to get some action on TV?” [Vulture]

The 77th Down Under Feminists Carnival has a bunch of fantastic links from feminist writers in Australia and New Zealand in the past month. For the month prior, check out my curation. [Zero at the Bone]

What if men were told the same things women about their bodies and sex? [The Guardian]

President Obama keeps making sexist comments about his marriage. [Slate]

Michael Corleone. Walter White. The Joker. Amy Dunne? Is Gone Girl‘s sociopathic protagonist just another brilliant antihero? [Lainey Gossip]

California’s new affirmative consent laws will not “redefine most sex as rape”. [Feministing]

“The Price of Black Ambition.” [VQR]

On the (Rest of the) Net.

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How to tell if you’re a woman in a Michal Bay movie. [Vulture]

How does real life women’s prison compare to Orange is the New Black? [Washington City Paper]

Roxane Gay explains what a “bad feminist” is ahead of the release of her book of essays by the same name:

“Women need to realize that femininity and being strong and empowered are not opposites: They go hand in hand. We have to stop viewing strength as something not feminine because I think strength is extraordinarily feminine.” [Elle]
The Sydney Opera House’s Festival of Dangerous Ideas advertised a talk entitled “Honour Killings Are Morally Justified” on Tuesday and cancelled it less than a day later. Honour killings are morally reprehensible, but if you’re going to promote a festival of dangerous ideas, at least own perhaps the most dangerous of them all. [Daily Life]
Where are all the penises on HBO? [Sociological Images]
I recapped Outback Championship Wrestling’s show last week. [Facebook]

On the (Rest of the) Net.

the hills teen vogue

Gender politics and the cautionary tale of not leaning in on The Hills. [Vulture]

The fault in sick-lit. [Kill Your Darlings]

Lupita Nyong’o and the fetishisation of black women’s bodies. [Black Feminists]

Too much Kim, not enough Kendall. [The Style Con]

In praise of Lisa Simpson, Harriet M. Welsch and Scout Finch. [The New Yorker]

ICYMI: Gossip Girl—Hell Hath No Fury Like a Lonely Boy Scorned.

Image via Cosmopolitan.

On the (Rest of the) Net.

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Cleaning is still women’s work. [New Republic]

Is Jennifer Lawrence really as body-positive as she’s made out to be? [Sweaters for Days]

Unpacking the dissolving friendship between Meredith and Cristina on Grey’s Anatomy. [Vulture]

On the (Rest of the) Net.

tyra banks kate moss whiteface
Apparently a woman with a three-year-old child is unfit to lead the Opposition. No mention of the man who’s in contention and his similarly aged child… [MamaMia]
The online abuse directed towards Caroline Criado-Perez—the woman who petitioned to get fellow women onto the UK banknote successfully—won’t silence her. [Week Woman]
Another pearl-clutching entreaty to disregard Miley Cyrus’ VMAs performance as a vulgar plea for attention. That, it may be, but arguing that she conforms to a limited view of female sexuality is incorrect; Miley’s performance was unlike anything we’ve seen in a while: a young woman taking control (within the limits of her male-controlled pop career) of her sexuality and having an unapologetically fun time doing it. And asserting that young women should aspire to Taylor Swift’s shunning of “the standard expectations of women in the music industry” is bullocks; if anyone in the pop industry conforms to what society tells us women are—virginal and sickly sweet when they’re not turning on other women and going crazy about men—it’s ol’ Swifty. [Melinda Tankard Reist]

On the (Rest of the) Net.

Where does Glee go next after the tragic death of Cory Monteith over the weekend? [Vulture]

Furthermore, Monteith as Finn Hudson embodied the fear of failure and being stuck in a small town with little to no prospects. Drawing on his real-life experiences, perhaps? [The Atlantic]

Got daddy issues? The ultimate TV father/lovers. [Daily Life]

I went to a Lady Gaga variety fundraising night and wrote about it for TheatrePress.

Is news bad for us? It is if it comes from The Daily Mail. [Daily Life]

Homosexuality in hip hop. [The Guardian]

An advertising agency liaising with the Prime Minister’s Office and hip, young media brands, such as TheVine, offered an interview with the PM in exchange for free pro-Labor advertising. [SMH]

Pacific Rim—the latest in a depressingly long line of films—fails the Bechdel test, hard. [Vulture]

The Pixar Theory: why Brave, Toy Story, Monsters Inc. et al are all linked together as part of the same story as opposed to different ones. The mind boggles. [Jon Negroni]

The underlying religious messages in Man of Steel. [EW Pop Watch]

Oh, goody! I’ve always wanted a system to chart how slutty I am. Gives a whole new meaning to the “slut barometre” Alyx Gorman discussed on TheVine a few weeks ago. [Slut Formula]

Why paedophiles Peter Truong and Mark Newton give same-sex parents a bad name. [ABC The Drum]

On the (Rest of the) Net.

Robin Thicke’s “Blurred Lines”: “ironic objectification” or just plain degradation? Apparently, because Thicke and collaborator Pharrell Williams are “happily married”, it makes it okay for them to derive pleasure from degrading women (Thicke’s words). While there are certainly much worse images and acts of misogyny out there, “Blurred Lines” is lyrically and visually blatantly upholding rape culture: “I know you want it, but you’re a good girl…” Does the fact that it was directed by a woman who instructed the basically—and uncomfortably—naked models and the fully clothed male artists in the clip supposedly love women make it a tongue in cheek exercise in pushing boundaries or raise some more problematic issues considering it’s this country’s number one song? What’s the point in even making such a NSFW video if it can’t even be shown on MTV and YouTube (semi-SFW video above)? [Jezebel]

Dear Julia Gillard,
Thank you for being the first female Prime Minister,
Sincerely,
Mia Freedman. [MamaMia]

The rise and rise of feminist parodies. [Daily Life] 

What are the differences between women who receive abortions and those who are denied them and proceed with unwanted pregnancies? [NYTimes]

Screw the “armchair commentators”; you know what your feminism is. [The Guardian]

Julia Gillard urges us to vote for Julia Gillard in spite of the sexist attacks against her (obviously written prior to Wednesday’s ousting). Kind of like that comment about her jackets, Germaine…? [The Hoopla]

Is Miley Cyrus’ latest black culture-inspired gimmick akin to a minstrel show? [Jezebel]

This week in inappropriate fashion spreads: hoarder chic. [Jezebel]

Ranking Stephen King’s 62 books. [Vulture]