For long-time readers of this blog (does six months qualify as a long-term blog-reading relationship?), you will be familiar with my fondness for professional wrestler turned author, Mick Foley.
When I first started watching World Wrestling Entertainment (then still WWF) in 2001, Foley had a sporadic recurring role, after resigning as fictional “commissioner” of the company. Little did I know just how affecting he had been to the hardcore wrestling scene.
In a nutshell, Foley started out in the independent wrestling scene, then gradually made his way through the ranks, beginning in squash matches (where a bigger star beats a newcomer or unknown in very little time and with very little effort) in WWE, then World Championship Wrestling (WCW) and finally Extreme Championship Wrestling (ECW), where he made a name—well, technically, three names—for himself.
As an unorthodox professional wrestler, with an out of shape body and not a lot technical mat moves, Foley needed that extra something, which he came up with in the form of his three alter egos: Mankind, Dude Love and Cactus Jack.
Mankind is the one many wrestling fans would be most familiar with, with Foley wearing a Hannibal Lector-esque mask and brandishing a personified sock on his hand, affectionately known as Mr. Socko, which would be used in his Mandible Claw move. Mankind teamed up with The Rock in The Rock n’ Sock Connection in the late ’90s.
Dude Love favours tie-die and espouses the 1960’s hippie frame of mind, and is probably the least well-known of the three.
Finally, Cactus Jack is quintessential “Hardcore Legend”, using thumbtacks and Barbie (a baseball bat encased in barbed wire, oftentimes set on fire), wearing leopard print leggings and a flanny, and is often invoked in matches such as Hell in a Cell and especially his Last Man Standing matches in his feud with Triple H, again in the late ’90s.
After some time in Japan, where a lot of professional wrestlers believe you need to spend time if you wish to be taken seriously as an athlete, Foley debuted in the WWE, where he had some of his most memorable matches, mentioned above.
While my forbidden love for wrestling introduced me to many sub-categories (like my favourite band, Our Lady Peace, American geography, and my obsession an subsequent research articles and blog posts on the Chris Benoit double murder-suicide), none is more dear to my heart than discovering Mick Foley as a memoirist, children’s storybook writer, and novelist.
I own all three of his memoirs, Have a Nice Day: A Tale of Blood & Sweatsocks, Foley is Good: And the Real World is Faker Than Wrestling, and The Hardcore Diaries, as well as his first novel, Tietam Brown (watch this space to see if I can muscle a review out of a friend who’s had my copy on loan for months), which I serendipitously found in a second-hand book store and could barely contain my excitement. Yes, I love rare and obscure authors, okay?!
Foley has recently published his fourth memoir, Countdown to Lockdown: A Hardcore Journal, which I can’t wait to get my grubby little mitts on. In addition, Foley’s much publicised computer illiteracy has been conquered, with the advent of his blog, Countdown to Lockdown, and “Jezebel has cottoned on to the awesomeness that is Mick Foley”, with two feature articles on the Hardcore Legend in the past week.
Foley paved the way for wrestlers with brains to parlay into other areas they could be useful in, with Chris Jericho (memoirist, musician, actor/host, commentator) and Edge (memoirist) springing to mind. And now he is speaking out for sexual assault victims in a category that has traditionally been termed “women’s issues”.
Foley is a truly smart, talented, funny, inspiring and admirable man, and if you like what you’ve read here, I urge you to pick up one of his books (or if reading’s not your thing, YouTube a match of his; but reading probably is your thing if you’re looking at this here blog) and prepare to have your life—or at the very least, your perception of professional wrestling—changed.
Elsewhere: [Countdown to Lockdown] Homepage.