TV: The Underlying Message in Glee’s “The Rocky Horror Glee Show” Episode.

 

Who would’ve thought that an episode of Glee centring around The Rocky Horror Picture Show could be a catalyst for discussing male body image?

Not me, but that seems to be the underlying message in this week’s episode.

When Mr. Schuester announces to the glee club that they will be performing Rocky Horror after Emma tells him she went to see it with her new beau Carl, Rachel is quick to announce that she and Finn will be playing Janet and Brad. Finn is all for this until he realised he’ll have to perform much of the show in his “tighty-whiteys”. Santana and Brittany comment on this, saying they can’t wait to see Finn’s “hot mess” of a body as a result of eating sloppy joes for lunch everyday, in comparison to Sam’s rippling abs accompanied by gold hot pants in his role as Rocky. (If Cory Monteith had put on weight to give Finn an actual “hot mess” of a body, it might’ve lent his storyline more credibility.)

Finn voices his concerns to Rachel who, in her usual selfish ways, tells him that she doesn’t look like Brittany or Santana, but she’s still stripping down to her underwear, and she loves his body just the way it is.

In the locker-room, Finn broaches the subject again with Sam and Artie. As Sam is donning hot pants, he obviously doesn’t have many body image issues (until later in the episode, when Schuester suggests he play another character as the role is too risqué for a high schooler, which Sam misinterprets as him being too fat to pull off his costume), however Artie blames porn for warping females’ perceptions of male bodies:

“I personally blame the internet. Once internet porn was invented, girls could watch without having to make that embarrassing trip to the video store. Internet porn altered the female brain chemistry, making them more like men, and thus, more concerned with our bodies.”

Sounds an awful lot like Naomi Wolf’s argument about porn and its affect on the male brain chemistry, making them more concern with the female body and what it can do for them.

Elsewhere, at the beginning of the episode when the kids are choosing their roles, everyone thinks it would be fitting to have Kurt play Frank N. Furter, to which Kurt replies:

“There’s no way I’m playing a transvestite in high heels and fishnet wearing lipstick,”

as apparently being the only gay man in the club means automatically defaulting to play the tranny. This is particularly poignant, as there is still a lot of misunderstanding in the mainstream about gay, bi, trans etc. people and what exactly their gender roles entail.

Related: Is There Really a Beauty Myth?

The Underlying Message in Glee’s “Duets” Episode.

The Underlying Message in Glee’s “Grilled Cheesus” Episode.

The Underlying Message in Glee’s “Britney/Brittany” Episode.

Elsewhere: [MamaMia] Male Models: Inside Their Straaaange World.

[Jezebel] Glee: Sexy & Scary In All The Wrong Ways.

[Boob Tube] Glee in Pictures: Rocky Horror Glee Show.

TV: The Underlying Message in Glee’s “Duets” Episode.

 

Following on from last week’s controversial episode, this week’s Glee deals with the students pairing off into couples for “Duets”. All except Kurt, of course, who is unable to find a partner, not only to sing with, but also to be with in the romantic sense.

This theme is timely after the suicide of gay teen Tyler Clementi, who was filmed having sex with another man by his roommate, who was then going to broadcast the footage online, and the subsequent campaigning by Ellen DeGeneres and her fellow celebrities to stop gay bullying, and that life does get better.

Kurt expresses interest in duetting with the new kid, Sam, but Finn warns him against it, as the “ensuing beatings” will force Sam out of glee. Of course, Kurt thinks Finn still has issues with his homosexuality, but Finn retorts that they live in a (homophobic) man’s, man’s, man’s world, and breaks out the “no means no” shtick.

Later on, Burt Hummel, who is out of the hospital after last week’s stint in ICU, reiterates Finn’s sentiments, and Kurt asks, “So a gay guy can’t be friendly to a straight guy without it being predatory… You’re saying I shouldn’t sing with this Sam guy because it might upset a couple [of] homophobes?”

The episode also deals with the other kinds of pairings the glee club members engage in. There’s Brittany and Santana, whose lesbian relationship is taken to new levels this week when they’re shown kissing on screen; the proverbial straights, Rachel and Finn and Sam and Quinn; the (perhaps stereotypical) strong black women, Mercedes and Santana, singing “River Deep, Mountain High”; the “Asians”, Tina and Mike, who are having relationship issues and will attend “Asian couples therapy”; and the sensitive issue of Artie’s disability, how it relates to his sex life, and his deflowering by Brittany in this episode.

Thus, this leaves us with loner Kurt, who has more than enough personality and pizzazz to pull off “‘Le Jazz Hot!’ from Victor/Victoria” and steals the show.

Kurt is a strong enough character that he doesn’t let his peers’ (albeit not is glee club peers) discrimination get to him, and thus he comes across as a teenager who has the courage of his convictions to stay true to himself, a stance which can only serve to encourage and enable other young people struggling with their sexuality to stand up and own it.

Oh, and in a rare show of compassion, Rachel offers to do a duet with Kurt in the final scene, asserting that they’re more alike than they think. Perhaps a straight wife-gay husband relationship to rival Carrie Bradshaw and Stanford Blatch is blooming?

Related: The Underlying Message in Glee’s “Grilled Cheesus” Episode.

Elsewhere: [Jezebel] Everyone’s Duetting It (Except Kurt).

[Jezebel] Why Glee’s Brittany & Santana Are My Queer Icons.