Wrestling with Obsession.

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This post originally appeared on Writers Bloc as part of their February series on obsession. Republished with permission.

Many women who watch wrestling are introduced to it by fathers, brothers and other male family members.

My initiation to the sport(’s entertainment) came at 13 when a high school friend invited me over one night after school to watch VHS tapes of World Wrestling Entertainment (then World Wrestling Federation) her neighbour had made for her, and I thought, “Why not?” As I continued to receive the tapes from her weeks after the episodes had aired I realised Foxtel could sate my increasing appetite for in-ring action merely a day after the WWE’s flagship shows, Raw and SmackDown!, played in the US. As my friend’s interest in wrestling waned and mine continued to grow, I soon became known as my class’s biggest wrestling fan.

At first, my parents would try to wean me off the product, convinced it was a phase along with the nu/rap metal of Linkin Park and Limp Bizkit I had started to blast in my bedroom with the door slammed shut (it was 2001, okay?). My mum made me change the channel when anything involving “foreign objects” (chairs, ring bells, sledgehammers etc) and intergender matches (women wrestling men) came on but those stipulations soon fell by the wayside like a formal dress from the shoulders of a Diva in an evening gown match. Hey, no one ever accused pro wrestling of being a bastion of gender equality. (On the other hand, the most recent live wrestling event I attended combined the two aspects of wrestling my parents feared the most: hardcore and women, with local women’s wrestler Vixsin coming away bloodied from being battered with barbed wire and thumbtacks, proving that women can wrestle just as hard as men.)

A year later my parents submitted to being dragged to Melbourne from country Victoria for the WWE’s first Australian tour in 20 years, 2002’s Global Warning. It was at that tour’s fan convention that I met my first wrestlers—Brock Lesnar (the current WWE World Heavyweight Champion), Randy Orton (boy, do I have a story to tell about that one!), and Batista, who wrestling laypeople might also know as Drax from Guardians of the Galaxy.

I would go on to meet many more, waste copious amounts of money on now-useless VHS tapes to record every episode of Raw and SmackDown! for about six years, and become a walking contradiction of wrestling fandom meets feminism, which I’ve written more about here.

When I moved to Melbourne five years ago, I couldn’t afford cable TV as a single girl trying to make it in the big wide world, so I fell out of touch with the machinations of the wrestling one. It wasn’t until I reconnected with a family friend at a wedding in 2013 that wrestling became a part of my life again.

I was first introduced to this friend years before when my 92-year-old grandmother was in hospital convalescing after a hip injury and we bonded over wrestling. He brought along his new baby and his American wife, who happened to be the cousin of a guy named Nick Nemeth better known to wrestling fans as former World Heavyweight Champion Dolph Ziggler.

At the wedding, my friend informed me that he was bringing out a slew of my favourite wrestlers that week for a mockumentary he was making and asked if I wanted to be a part of it. While as a young girl I entertained notions of movie stardom, I was reluctant to appear on camera. In the end, I figured it was an opportunity too good to pass up.

That’s how I became involved with my friend’s other brainchild, Outback Championship Wrestling, Australia’s premiere sports entertainment company based in Melbourne and airing its second season locally on Channel 31 from March. Again, being on camera is still not something I’m comfortable with, but somehow I agreed to be the host of the show.

As a teenager obsessed with wrestling I dreamed of working in the WWE. Not as a wrestler, or even an on-screen personality—though I wouldn’t mind Renee Young’s job—but in more of a backstage capacity. Writing storylines, perhaps, or as a reporter for their website or magazines. Fast-forward to 13 years later and it’s still inconceivable to me that I actually get to do these things as a part of OCW.

When most people find out about my dirty little (not-so-)secret, they find it hard to wrap their head around the apparent contradiction of a stereotypically feminine woman and a feminist (not to mention the cognitive dissonance of that pairing if popular opinion is any indication) having a passion for wrestling. Then they ask me why I love it. Is it the violence? The “body guys“? The soap operatics? Disappointingly, I myself can’t even pinpoint the source of this obsession. It may be about holding on to coming-of-age nostalgia. Or a love of the game I imagine fans of other sports have (wrestling is the only “competition” in which I indulge). It could be an utter ’Mania only paralleled by Star Wars and Doctor Who cosplayers.

They also ask me if I know wrestling is “fake” which is like asking a Breaking Bad fan whether Walter White’s just a character.

Being a part of the inner workings of Outback Championship Wrestling is probably similar to working on any other scripted production. A good analogy is that wrestling is like theatre with fighting. It also gives me a newfound respect for the men and women who put their bodies on the line every week in a capacity that’s anything but fake.

Related: My Weekend with Wrestlers.

Elsewhere: [TheVine] Can a Feminist Love Pro Wrestling?

My Weekend with Wrestlers.

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The last thing I expected when I attended a cousin’s wedding a few weeks ago was to reconnect with a family friend/fellow wrestling fan and be swept up in a two-week whirlwind of wrestling mania.

But that’s what happened to me and I’ve been reeling ever since.

A bit of background: I’ve been a die hard wrestling fan for twelve years, and even though I can’t afford/my landlord won’t let me have cable television to watch weekly episodes of WWE Raw, SmackDown!, Main Event and NXT, I try to stay abreast of what’s happening in the world of professional wrestling, and I never miss a WrestleMania. (For the uninitiated, WrestleMania is a yearly wrestling spectacular that brings the biggest stars [The Rock, Hulk Hogan, John Cena, The Undertaker, etc.] together in some of the most memorable moments [Hogan lifting the over-500 pound Andre the Giant in a scoop slam at WrestleMania III, The Undertaker’s undefeated streak, Edge spearing Jeff Hardy from 20 feet above the ring at WrestleMania X-Seven, the Money in the Bank ladder matches] in wrestling history.) One of my grandma’s close friends, Zoran—a huge wrestling fan and promoter who is married to the cousin of a WWE Superstar—and I have been introduced once or twice before and bonded over our mutual interest, but that was really the extent of our relationship.

So when we ran into each other at the aforementioned wedding, you can bet wrestling was on the conversational agenda. My answer when asked if I was still into it was, “Hell yeah, I just met Mick Foley last week!” Zoran revealed he was actually the photographer for Foley’s show, and that they went out to dinner prior. If only that wedding had’ve been the week before…

Zoran also told me that as of the following week he was working on a film project with a bunch of former WWE stars: Nick “Eugene” Dinsmore, Orlando Jordan, Gene Snitsky, “The Masterpiece” Chris Masters, Carlito and Rob Conway, as well as Ohio Valley Wrestling star, Mohamad Ali Vaez, and that I should come out for dinner with them later that week. He didn’t have to ask me twice.

In the days leading up to the dinner, I contracted a stomach bug. Great! After a few days off work, I mustered up enough physical strength to trek to Prahan for dinner to sip lemonade while everyone else indulged in a three-course meal. There I spoke a little with Nick, Orlando, Rob and some non-wrestling company including Zoran’s lovely wife Carrie, but mainly kept quiet as I pondered Zoran’s previous offer to be involved in the film as a wrestling valet. Or, a piece of eye candy that escorts wrestlers to the ring, for those not in the know.

As soon as I was dropped home by Zoran and Nick and stepped in my front door I decided to do it. After all, it’s not every day you can say you spent the evening at dinner with some of the world’s most famous wrestlers, let alone engage in a working relationship with them!

At a barbeque a few days later, I got to know some of the wrestlers a bit better, namely Rob and Ali, met some more people involved in the film, and was privy to bits and pieces of the film’s storyline. It was there that my feminist tendencies were revealed in conversation (something I’m still trying to reconcile with my wrestling fandom: watch this space), and were continuously brought up throughout the rest of my time with them. While many people tend to tune out when the topic of gender equality comes up, I think most of the wrestlers really got a kick out of being around a feminist; something I don’t imagine happens very often.

It was also at the barbeque that Zoran invited me to go up to my hometown, Bendigo, for the filming and some club-hopping with the group the following weekend.

It’d been years since I’d experienced the insular nightlife of Bendigo, and I was feeling some trepidation about it. But, again, when else am I ever going to hang out with wrestlers I grew up watching in the town I grew up in? Worlds collide…

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So, on a Friday night after work, I took the train up, dumped my stuff at my mum’s house, and headed out to meet the group. We hit up a couple of relatively dead bars before ending up on the top floor of Huha, where people over 21 and music with words and a decipherable beat go to die. I gravitated towards Zoran, Carrie, their friend Merrin and the two guys who were filming the late-night shenanigans, Corey and Sam, as they seemed to have a similar attitude as me to the atmosphere of the club.

It wasn’t a total loss, though; I got a free drink, saw a childhood friend, got to wear an outfit I’d been wanting to debut for months, and had a D&M about U.S. politics, feminism and Tupac with Chris, who I had yet to really get to know.

Me and a couple of others eventually convinced the group to gravitate downstairs where they were actually playing good music. By that point we’d lost Zoran, Ali, Corey and Sam and their cameras, and Nick.  I had a dance to a few songs, but by about 2:30am with no end in sight for the rest of the revelers, I called it a night and went home.

The next day, after barely any sleep from ruminating about the surreality of the previous night, I caught a ride with Corey to the location of that day’s filming, a property out whoop-whoop. We stood around in the sun for a few hours while production managers, investors, the film crew and hired help set up for that night’s scene, until it was time to go and pick up the wrestlers and their food.

The rest of the day was kind of a blur, as I became increasingly anxious about my cameo appearance in the project. What started out as a simple valet job that required next to no acting transformed into my character (check me out, I have a character!) needing a reason to suddenly appear on the scene as a valet. At one point the idea of me physically interfering in Chris and Carlito’s match and getting spanked for my efforts (see how troublingly sexist wrestling can be?) was brought up, but was scrapped due to my inexperience in and around the ring and the likelihood that I could get hurt.

We shot a few takes of my eventual cameo in the hot early evening sun and it was over in less than twenty minutes, so I worked myself up over nothing. What I really should have been focusing on, though, was navigating my through the ring ropes in heels, which I’ve never done before. Hell, I’ve never even been in a wrestling ring, period.

Nick, Gene, Chris and Carlito (who I ended up escorting as a tag team) were super helpful and advised me of what I needed to do and when. I did experience some “displacement” (Chris and Carlito’s take on anxiety, from what I could understand of their sophomoric antics) in the lead up, but I’d like to think that dissipated once I clambered into the back of a ute (our mode of transportation to the ring in the middle of a dusty paddock), struggled my way between the bottom and middle ropes (according to wrestling “etiquette”, that’s the way women have to get into the ring, even if they’re too tall and wearing too high a pair of heels, with the exception of Stacy Keibler) and self-consciously cheered for my team on the outside of the ring. Only time—and the footage—will tell, I guess…

After the match we could relax, so I sat outside on the patio and chatted to Chris, Carlito, Ali and Gene, whom I probably connected with the most out of all the guys, and I got a foot massage (you can find a photo of the aftermath of said massage on Gene’s Twitter…) and a Masterlock as part of my initiation (see video above). When the filming had finished and everyone was covered in all manner of wrestling-in-a-paddock by-products (sweat, baby oil or “physique enhancer”, dirt) and in need of some serious “isolation” (another Chris ’n’ Carlito coined term for relaxation), we all went outside to take some photos in the ring to commemorate what is sure to be one of the most memorable nights of my life: the night I became a wrestling valet.

Stay tuned for more wrestling shenanigans as I attempt to unpack the culture of masculinity in the sport (entertainment) and how a feminist can really call herself a wrestling fan.

Elsewhere: [YouTube] SnitskyTV.

Images via Facebook.