As I have written over the past week or so, there are many ways to interpret Ruby Sparks, whether as a commentary on the indie movie phenomenon of the Manic Pixie Dream Girl or the abusive nature of protagonist Calvin and title character Ruby’s relationship.
But I also picked up on the use of Catcher in the Rye as a sort of metaphor for Calvin’s tortured soul and his equally tortured relationship with Ruby. The intertwining of Calvin’s obsession with the way people perceive his dog, Scotty, and thereby perceive him, is made all the more symbolic in the scene where Calvin comes home late to discover Scotty’s trashed his room, peed in his bed and eaten a copy of J.D. Salinger’s seminal work.
It’s not really until the end of the movie that all the subtle references to the book come together as pieces of the puzzle. For those of you who have read Catcher in the Rye (I would assume everyone has, but those who I’ve spoken to about the movie in the hopes of getting their thoughts on the inclusion of the book as a theme have been unenlightened as to Holden Caulfield’s story), it could be interpreted that none of what Holden describes throughout the novel actually happened, as his mental capacity is questionable. Calvin is akin to a modern day Holden Caulfield, if only in terms of mental health, in that he sees a shrink (though in the creative world, who doesn’t?), has skewed views of what women should be and literally imagines his dream girl into existence.
This calls into question the turn of events depicted in the movie. Did Calvin imagine Ruby and their whole relationship? Did he black out around the time he met her, wrote about her and, reading back over his work, doesn’t remember how he met her, thereby making himself believe that she came to life from his writing? We know his family met and loved Ruby, but could that be a construction of his imagination? Holden concludes Catcher in the Rye in a mental facility; is that were Calvin tells his story from, too?
To further support the notion that something’s not right with Calvin’s account of his relationship with Ruby, his shrink, Dr. Rosenthal, asks him if he’s sure Ruby’s not real…
To employ the Manic Pixie Dream Girl trope here, too, Ruby initially functions as a female version of Calvin to somehow narcissistically improve his existence. That he writes her to be depressed, then euphoric, then back again, and looks at her with pity when she expresses these extreme emotions could be seen as Calvin dealing with his own emotional ups and downs.
I don’t have the answers and there’s a good chance that I’m overthinking Ruby Sparks too much, but from my point of view there are endless realms of possibility the film could be taken in to.
What do you think?
*Blanket spoiler alert for both Ruby Sparks AND The Catcher in the Rye.
Image via The Thousands.