And that is: empowerment! Yay! ’Cause nothing is more empowering than a heteronormative school dance where the women ask the men to be their dates, right?
That’s according to Tina Cohen-Chang, at least, who comes up with the idea for a myriad of reasons: a prelude to the upcoming prom, an excuse to get close to gay crush Blaine, and something for her fellow “Too Young to Be Bitter” club members to get behind in their quest to become, um…, less bitter.
Coach Beiste is all for the dance, because Sadie Hawkins is a metaphor for empowerment, duh, as we’ve already established in the opening paragraph. But it’s not just about socio-sexual empowerment, Beiste says it’s also about gaining the strength to follow your dreams, as she did after her first Sadie Hawkins dance when she decided to follow her passion for football.
Beiste’s overweight and unconventionally unfeminine student counterpart, Lauren Zizes (who, by the way, hasn’t been seen since the end of season two. Way to go with the continuity, Glee writers), is part of the “Too Young to Be Bitter” club, too, and by the end of the episode has the courage to both ask Joe to dance at Sadie Hawkins and apply for a wrestling scholarship at Harvard. This, along with the other members’ success at the dance, apparently calls for the disbanding of the club because everyone’s empowered now.
But the undercurrent flowing through this episode was Blaine and Sam’s sleuthing regarding the Warblers: Sam seems to think the team is using human growth hormones because of their energetic stage presence, a video of Hunter Carrington allegedly ‘roid raging in a coffee shop, the Warblers’ suddenly larger physical appearance, and the testimony of former Warbler, sunshiney Trent.
Apart from being a suspiciously similar plotline to Pitch Perfect, it just goes to show that “Sadie Hawkins” was about completely superficial lipstick feminism and it was the boys who really saved the day.
Images via Ch131.