“Cultural Talking Points”—How Does Jackie O’s “Bad Parenting” Relate to Hunting?

 

From “Jackie O, Michael Clarke & the Pillorying of Pretty People” by Erica Bartle on Girl with a Satchel:

“[Michael] Clarke and Jackie O are, whether they like it or not, cultural talking points, as much as gossip ones. Such stories, particularly with glamorous figureheads, can create a healthy discourse at the intersection where the private and public spheres collide…

“The Jackie O story, while no doubt horrifying for O herself, gives us an opportunity to talk about women’s issues: how career women are managing their family lives (or not), employer progressiveness (or lack thereof) with maternity and paternity leave (particularly in male-centric media organisations), the pressure to maintain ‘superwoman’ standards of living, grooming and working even after a baby is introduced into one’s life and the value placed on motherhood…

“To me, both Clarke and Jackie O are culturally symptomatic, rather than the cause. It is very important that we are able to critique the culture—to challenge the status quo—which is a media construct perpetuated repeatedly until it is the norm, while not laying blame on the individual for their behaviours…

I bet Andrew Frank, who wrote yesterday of his disgust at how the Wheeler Centre panel handled his hunting question at “The Sentimental Bloke” discussion, would agree with this statement, particularly the last part in bold. Perhaps panelist Dr. Anne Summers should give it a read…?

I personally don’t agree with hunting but, like panelist Craig Reucassel said the other night, as a meat eater my stance is slightly hypocritical.

And I can certainly see where Andrew is coming from; killing your own food diminishes the carbon footprint of meat production on the environment. As long as the kill is swift and made by a skilled hunter, like Andrew, perhaps hunting isn’t so bad…

But as the meaning I derived from Bartle’s statements asserts, don’t hate the player, hate the game. A viewpoint the sentimental blokes—and Summers—could do well to take up.

Related: “Who the Bloody Hell Are We?”: The Sentimental Bloke at the Wheeler Centre.

Elsewhere: [Girl with a Satchel] Jackie O, Michael Clarke & the Pillorying of Pretty People.

Image via Girl with a Satchel.

Magazines: Vo-Gaga.

Lady Gaga claims to be a misfit; the mother monster of the birth of a new race of misfits, according to “Born This Way”. So why is she on the cover of Vogue?:

“‘I want for people in the universe, my fans and otherwise, to essentially use me as an escape… I am the jester to the kingdom. I am the route out. I am the excuse to explore your identity. To be exactly who you are and to feel unafraid. To not judge yourself, to not hate yourself. Because, as funny as it is that I am on the cover of Vogue—and no one is laughing harder than I am—I was the girl in school who was most likely to walk down the hallway and get called a slut or a bitch or ugly or big nose or nerd or dyke. “Why are you in the chorus?”’ (She’s more Glee than Gary Glitter in some ways.)”

Or , “why did you wear a meat dress?”, for that matter.

“‘Ugh, the meat dress’… she rolls her eyes. ‘People just want to figure it out or explain it. The truth is, the mystery and the magic is my art. That is what I am good at. You are fascinated with precisely the thing that you are trying to analyze and undo.’”

Related: Who’s the Copycat Now, Katy Perry?

Image via Fabulous Buzz.

On the (Rest of the) Net.

 

The difference between truly Mean Girls and the just plain Clueless:

“In the end, Cher’s altruism may be what saves her reign, for unlike Regina, Cher tries to live up to her end of the social contract. If Regina can’t rule, she decides that no one can. She hurts her society by pulling a wiki-leaks and releasing the contents of the Burn Book, thereby causing complete anarchy…

“In essence, the reason Regina was overthrown is the same reason any dictator is eventually overthrown: the monarch breaks the social contract with his or her people and those people have been prepped by cultural illuminati with new ideas about government rule.”

“Fashion’s Fascists.”

And, in the same vein:

“Fashion people everywhere rushed to check their hair before joining the chorus of dismay, almost as if racism and sexism were not the stock-in-trade of their industry. In fact, it is an open secret in high fashion that black and minority ethnic faces… are not welcome.”

When having “a great personality” is code for “fat” and/or “ugly”.

It’s taken me a little while to get around to reading this, but check out Girl with a Satchel’s Erica Bartle in “JC & the Cool Gang”.

“How Rachel Zoe Became Hollywood’s Most Powerful Fashion Player.”

Glee’s Lauren Zizes: badass or fat bitch?

The myth of Bart Simpson’s birthday.

Jihad Cosmo:

“We had been thinking that what Cosmo was really missing was a healthy dose of religious fanaticism and a few passionate exhortations to violence, so we can’t wait to read the article ‘that urges readers to give their lives for the Islamist cause.’”

UK sculptor Jamie McCartney’s “Great Wall of Vagina” (semi-NSFW).

How to be a mermaid.

Elective C-section or vaginal birth?

How to move to New York City, according to Gala Darling.

Images via Overthinking It, The Hollywood Reporter, YouTube.

“Chains & Whips Excite Me…”—The Underlying Message in Music Videos.

 

From L’s comment on “Deconstructing 2011’s Girl Anthems” by Emma Plant on Girl with a Satchel:

“…It’s scary to think that very few people are thinking critically about what song lyrics really say, or how the video can change a meaning of a song. Look at Rihanna tied to the bed in that Eminem video with him singing out lighting the house on fire to watch her burn… this from a young woman who was previously in an abusive relationship.
What is the music we listen to really saying about us and how is it shaping our opinions and values?”

Related: Rihanna’s “S&M”: Is It Really So Much Worse Than Her Other Stuff?

Elsewhere: [Girl with a Satchel] Deconstructing 2011’s Girl Anthems.

Images via YouTube.

Minus Two & a Half Men.

 

Girl with a Satchel featured an excerpt from a Washington Post column about body snarking at the Oscars:

“I would like to note that more space was devoted to photographs of ladies wearing dresses… than for the last two weeks’ coverage of the events in Libya.”

This is also true of the news coverage in Vietnam, where a colleague of mine (whom I mentioned as the friendly workplace Big Issue provider earlier this week) is spending five weeks. In a recent email, he said that the hot topic on the news there is Charlie Sheen, not Libya, Egypt or Japan, which bore the brunt of a 7.3 magnitude earthquake yesterday afternoon.

A story on MamaMia written by publicist Steven Murphy echoes this:

“His weakness for drugs and alcohol is… well documented and he has been fodder for the tabloid press for years.

“But this latest incident is front-page news like no other. But why? Why is this incident haunting our news services day and night?”

The article somewhat-annoyingly glossed over the fact that his drug and alcohol problems are put at the forefront of his negative publicity, when his hatred of women and obvious mental illness are shoved to the back.

Jezebel hasn’t forgotten, however, with a no-bullshit article entitled “Charlie Sheen’s History of Violence Toward Women” published last week. The article also dealt with John Galliano’s disgraceful display of anti-Semitism, and what the news stories don’t tell you:

“Galliano allegedly grabbed gallery curator Geraldine Bloch by the hair and said, ‘Shut your mouth, dirty bitch, I can’t stand your dirty whore voice.’”

I, myself, didn’t even know that happened until I read the article, and I usually take a vested interest in these sorts of things.

On the plus side, Galliano has been fired as head designer of Christian Dior and—finally!—Sheen’s been fired as head douchebag on Two & a Half Men, to be replaced, allegedly, by reformed bad boy and fellow brat pack member, Rob Lowe.

While I couldn’t be happier about the latter (let’s shout it from the rooftops!), Galliano’s reign at Dior produced some of the finest garments the fashion world has seen, and it’s unfortunate it had to come to this.

But I applaud the fashion house for ousting the anti-Semite, and stars like Natalie Portman, who have publicly spoken out against him.

Both men’s firings show that there is a zero tolerance policy against these kinds of abhorrent behaviours, and hopefully other companies, in the entertainment industry and otherwise, will follow suit.

Although Michael Specter of The New Yorker doesn’t think so, writing that:

“the fashion world has a remarkable ability to shrug off the odd deeply flawed human being, as long as he or she can cut a dress like Galliano can or wear one like Kate Moss, who, despite behaviour that sets a disastrous example for millions of girls, including issues with drugs, is forgiven because, well, she is really very pretty.”

I haven’t always been innocent in providing double standards to those I like, think are talented, and should be forgiven for their indiscretions.

Just yesterday, some co-workers and I were talking about Catherine Deveny’s tweets at last year’s Logies. Personally, I didn’t find them to be offensive, and sorely miss her column on the back page of The Saturday Age’s Life & Style (formerly the A2). But, looking back on it, The Age did the right thing by sacking her. At the time, both Deveny and I used the excuse that she’s a comedienne; that’s her job. I guess it takes the disgraces of people you don’t like to understand the repercussions of (the disgraces of) those you do.

Once such repugnant crime committed by professional wrestler Chris Benoit in 2007, when he murdered his wife and son and killed himself, gave me lots to think (and write) about. On the one hand, I felt his legacy as one of the best professional wrestlers ever to grace the squared circle shouldn’t be forgotten, however, Benoit took three lives and sullied the reputation of professional wrestling (okay, there wasn’t much of a reputation left to sully!) and sparked a debate on steroids and drug testing that raged for years; the smoke of which still lingers today.

I’ve written several articles on that story and, with a new frame of mind to cast a different light on the story, I think I may just revisit said articles. (The anniversary of the double-murder suicide is June 24, so watch this space around that time.)

Benoit was obviously seriously mentally ill; the (not-so-) funny thing is, his friends, family and co-workers never picked up on it.

Charlie Sheen, however, has a long history of violence and drug use, and there’s no telling what he’s capable of.

Related: The Big Issue Review, 1-14 March 2011.

The Anatomy of a Douchebag.

Guilty Until Proven Innocent: Charlie Sheen’s Witness.

Why Are Famous Men Forgiven for Their Wrongdoings, While Women Are Vilified for Much Less?

Elsewhere: [MamaMia] Advice to Charlie Sheen from Australia’s Top Publicist.

[Jezebel] Charlie Sheen’s History of Violence Toward Women.

[The New Yorker] John Galliano’s Implosion.

[Girl with a Satchel] Body Snarking is So No Funny But Jacki Weaver is Fab.

Images via NY Daily News, The Gloss, Pop Culture Madness.

Magazine Review: The Big Issue, 1–14 March, 2011.

Did you know that there are approximately 7.5 readers for every copy of The Big Issue sold? Which is great for circulating The Big Issue’s content to different kinds of readers, it sucks for the people selling copies out the front of The Body Shop (where I was first exposed to the magazine in my hometown of Bendigo in country Victoria) or at Parliament train station, where I picked up this week’s copy.

But when I read those stats on Girl with a Satchel a couple of weeks ago, I wasn’t surprised. A colleague of mine usually brings in his copy to the staff lunchroom, which makes the rounds at work. He’s gone overseas for a few weeks, so I decided to be the one to provide the communal Big Issue during that time. I do hope that more people will fork out the fortnightly five bucks it costs to be exposed to some great Australian writing (“compared with $4.70 for your weekly copy of Who) but until then, I can take solace in the fact that I did my bit.

There’s still a week left to get your paws on a copy, and I suggest you do, as there are some great articles in there, a lot of them dealing with the social revolution tool that is Twitter, which features on the cover. And for you us pop-culture junkies, there’s Liz and Shane and their Twitter antics, too:

“Celebrities, meanwhile, have embraced Twitter as an opportunity to prove their Everyman concerns without having to directly engage with, well, every man or woman. Kourtney Kardashian, for example, recently tweeted her two-million followers: ‘Does anyone else get scared that being on their phones too much or sleeping with your phone near u is so bad? Or am I paranoid?’ I wonder how many fruitlessly replied, ‘Omg, I totes have a brain tumour! We should be BFFs!’ (Note to tweenie Tweeters: she couldn’t care less.)” (p. 15).

You’re such a visionary, Kourtney!

On a more serious note, editor Alan Attwood writes of the similarly prophetic Steven Johnson from Time magazine, who wrote ‘How Twitter Will Change the Way We Live’:

“He argued that all those tiny tweets add up ‘to something truly substantive, like a suspension bridge made of pebbles’. He concluded: ‘The weather reports keep announcing that the sky is falling, but here we are—millions of us—sitting around trying to invent new ways to talk to one another.’ And that, surely, can’t be a bad thing” (p. 4).

We’ve read all the articles about Twitter being a valuable tool for social change, particularly in Egypt, and there’s no shortage of that in the feature article, from which the above Kardashian quote is garnered. Worth the $5 cover price for this article alone.

Another article I loved this fortnight was Patrick Witton’s on “Sharing the Load” of the hellish daily commute.

I wrote last week about two friends of mine who spend at least two hours in their car getting to and from work each day, which sounds like my worst nightmare. Sure, I used to travel upwards of four hours to work from my aforementioned hometown, but that was on the train, where I could get valuable reading, sleeping and daydreaming done. Driving to work allows the driver to indulge in (hopefully) only one of those activities. Then again, I don’t have a license, so I have no idea how much daydreaming gridlock allows…

Witton profiles the car-pooling phenomenon in America, where there are designated pick-up and drop-off points, between which complete strangers ride in silence, and drivers take advantage of the express car-pool lanes. Like a bus, but without the mentally disturbed drunk espousing the apocalypse.

There’s also the teenagers in Jakarta, who make a living from hitchhiking along the highways, getting paid to be picked up so solitary drivers can hightail it to work in the express lane.

Fascinating stuff.

Elsewhere: [Girl with a Satchel] The Big Issue Blitzes Readership Survey (But are Aussies Being Tight?)

On the (Rest of the) Net.

In the wake of Angus and Robertson and Borders going into receivership, Satchel Girl Erica Bartle thinks “some things are prettier in print”.

“Letters to Fictional TV Characters”, such as Saved By the Bell’s Jessie Spano:

“You hair, your height, your convictions; everything about you terrified viewers! Maybe it’s because you bear a striking resemblance to the exotic dancer in Showgirls.”

Channing Tatum on the double standards for male and female strippers. (FYI, he used to be one.)

Jezebel asks “What Happened to Olivia Benson’s Sex Life?” by way of The New Gay.

Mia Freedman writes: “I want to be kept up to date about the news from Christchurch without feeling like I’m participating in some voyeuristic type of grief porn.”

Freedman also has a new book out, Mia Culpa: Confessions from the Watercooler of Life. Here she answers questions about it. Can’t wait to get my hands on it! Review pending!

There have been differing views of the St. Kilda Schoolgirl, and this journalist expresses yet another.

It pays to be a Kardashian. $65 million, to be exact.

Googled “murder” lately? Jezebel bets you weren’t expecting to find “abortion” as the second link…

Rape on TV.

Julia Baird on journalist Lara Logan’s sexual assault by 200 men during the  Egyptian revolution:

“The attacks on Logan spread to Twitter, with coded versions of the above sentiments, most implying that it was her fault because women should not go into war zones, and that this is what happens if you are young, hot and surrounded by Muslims*. It’s hard to know where to start—the sexism, racism and lack of simple compassion are all stunning” [bold text mine].

*It’s sickening that this is the viewpoint of so many.

Image via The Next Bar Stool.

Pop Culture Role Models.

 

From “Ita Rap & Tyra Parody Clips (and Girl Culture Stereotypes)” by Erica Bartle on Girl with a Satchel:

“In my teens, I played the R’n’B Boyz II Men/TLC lover, the shopping-mad Clueless girl, the Waves reading surfer girl, the Converse-wearing/Nirvana listening grunge girl (way before ’emo’ became a sub-culture of its own)—experimenting with these identities helped me forge social connections; pop culture informed the dialogue with my friends (we spoke in song lyrics and TV show-isms) and clothing help me fit in.

“Sub-culture identities fulfilled a purpose at the time: giving us something to cling to in the name of social approval. And there are plenty of readily available stereotypes, processed by the pop-culture machine, waiting to capture the attention (and money) of eager participants looking for some way to feel a legitimate part of the world. Lady Gaga’s tribe of Little Monsters being a case in point.

“But do they know, do they realise, that while freeing themselves from the scary terrain of the ‘outcast’, by buying into these social structures with their lingo and uniforms and Facebook groups, that they are actually binding themselves up, beholden to group approval based on one’s ability to play to type? And how many years it takes to strip all that superficiality away—with its various image-friendly accouterments—before you can truly say that you are free from artifice?”

Elsewhere: [Girl with a Satchel] Ita Rap & Tyra Parody Clips (and Girl Culture Stereotypes).

Images via YouTube, The Central Box, Oh the Scandal.

On the (Rest of the) Net.

 

“A Brief History of the Bump Watch.”

And for any preggo Scarlett Women out there, this one’s also for you: “What You NEVER, Not in a Million Years, Expect When You’re Expecting”.

Dodai Stewart discovers the benefits of jeggings.

In the wake of St. Kilda’s most recent sex scandal (Ricky Nixon and the same underage girl who released damaging nude photos of St. Kilda players Nick Riewoldt and Nick Dal Santo in December, for those of you who have been under a rock the last week or so), Hawthorn’s Lance Franklin has released a sexist line of t-shirts.

Also with the St. Kilda Schoolgirl Scandal, Round 2, Mia Freedman writes:

“… I think it’s extremely interesting how she is indeed redressing the power imbalance between a 17-year-old girl and high profile AFL players and managers. She’s using social media and traditional media in ways that have been both surprising and disturbing to watch.”

Freedman shares her views on Justin Bieber’s recent abortion comments, as well. More on this to come next week.

For all the single ladies (put your hands up!), “10 More Reasons You’re Not Married”, which include such gems as “you’re not good enough at fellatio or you’re too good at fellatio,” “you are too fat or too skinny” and “you want children too much and/or not enough”. It seems we can’t (or can) win.

Guest Girl with a Satchel blogger, Georgie Carroll of Frangipani Princess, talks teen magazines. “… My favourite day of the month is still when the newest issues hit the stand”; mine too.

On femme fatales.

Jenna Sauers attends a Fashion Week PETA party and “talks about animals with Tim Gunn”. Interesting stuff.

Are Lady Gaga and Rihanna really original, or “stealing other artists’ work”?

Are you a fan of kangaroo meat? Read this; it might change your mind:

“Like the seal trade, it’s brutal, but it happens away from our view, at night in the bush. According to the law, adult kangaroos should be killed by a single shot to the brain.  But in reality, many are injured in the neck or the body, and flee into the bush where they die slowly and painfully.

“What’s even less known is the terrible fate of joeys, just like the one Ray waded into turbulent flood waters to save: over a million a year are killed each year along with their mothers. How? The hunter stomps on the pouch joey’s head, or bludgeons him or her with a metal pipe.  This is enough to make you think twice about ever putting roo on the menu. The young outside the pouch are shot through the heart or head.”

Images via Romantic Dreaming, Juciytings.

On the (Rest of the) Net.

 

Eight-year-old yellow wunderkind Lisa Simpson has her own book club.

Sarah Ayoub addresses Eddie Maguire’s racist comments in The Sydney Morning Herald.

Paula Joye at Girl with a Satchel on declining mag circulation.

How Hugh Hefner got his groove back at The New York Times.

I never thought there was a “link between autism and vaccinations” until my sister told me the story of how her boyfriend’s brother went from normal, happy and healthy baby to severely disabled after a vaccination. That made me think differently. This article will challenge your beliefs either way.

If “at least 40% of your diet consists of pre-packaged food”, “you don’t sleep enough for proper brain function” and “your boss knows you’re gullible”, you most likely work a 16-hour workday.

On stripping (take two):

“… the brotherly succor would partially exist in the form of shared ambivalence. I would venture to say that this how a majority of men feel about strippers… Do I enjoy strippers? Not really. Do I frequent tithouses often? No. Nor have I any close friends who do… I think men would be willing to renounce strippers if women renounced the Sex and the City franchise. I mean cut all cords. Shit’s gotten out of hand. No reruns. None of the third-wave dime store psychology. A complete effacement out of pop culture. You’re not even allowed hearken back to the simpler days when it meant something to you. Do we have a deal?”

Speaking of Sex & the City, is there a double standard between the second movie and lad flick Get Him to the Greek?

Is it possible to be a feminist and like fashion, too?

“I still get thrilled and impressed by bold, lovely, and often expensive fashion. And I still feel like I’m a person of worth, whether I’m wearing vintage Chanel or ‘vintage’ sweatpants. But I can’t seem to reconcile these two (competing?) impulses; on the one hand, a value in ‘art for art’s sake[’], beauty, style, and other intangibles; on the other, an investment in valuing substance over style, actions over appearances, and real justice over flamboyant showmanship.”

“What Your Favourite Magazine Says About You (Part II).”

Zoë Foster espouses the benefits of the “Better Man, Better Dan” theory.

 

Images via The Lisa Simpson Book Club, The Frisky.