The Problem with Glee.


From Jezebel’s Comment of the Day “The Troubling Dichotomy That is Glee by A Small Turnip/Margaret Hartmann:

Glee is the ultimate pop-cultural hate-fuck for me. It gets so much right, champions the unloved and unlovely, produces some genuinely sublime, can’t-stop-smiling coups de theatre, and is, when all’s said and done, one of the most heart-felt, funny and truly progressive shows on television today. Or ever.

“But FUCK ME if it isn’t also skull-poundingly awful, misogynistic, bi-phobic, atrociously plotted, bloated with its own sense of moral superiority and forever teetering on the edge of eye-clawing insanity. It drives me berzerk that I cannot stop watching it, even as I’m throwing things at the television and screaming ‘What the fuck do you mean “I’m relatively sane, for a girl”?! You’re just fucking with me now, aren’t you Murphy?’

“RM and Glee‘s Powers-That-Be have so far to go to make the show into a consistent, cohesive whole, but they keep falling back into dropped plots and contemptibly lazy characterisation. I keep waiting and waiting for them to pull it together, even for a single episode, and it never quite happens.

“And yet. And yet. I love it. I do. It’s so frustrating to hear Ryan Murphy’s hacky bloviations on his own self-importance, and his overweening sense of creative pomposity…Every time I think I’m out, they just keep pulling me back in. So if you’ll excuse me, I need to go lie down and think about Darren Criss’s dreamy, dreamy eyes for a little while.”

Related: The Underlying Message in Glee’s “Original Song” Episode.

Elsewhere: [Jezebel] Comment of the Day: The Troubling Dichotomy That is Glee.

Images via BoobTube, YouTube, Megavideo.

2 thoughts on “The Problem with Glee.

  1. Pingback: TV: Rachel Berry as Feminist. « The Early Bird Catches the Worm

  2. Pingback: 12 Posts of Christmas: In Defence of Rachel Berry as Feminist. « The Early Bird Catches the Worm

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