On the (Rest of the) Net.

 

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Is there too much crying in women’s wrestling? The very fact of this question being asked about women’s wrestling (never mind the fact that Ric Flair, widely considered to be one of the best wrestlers ever, cries at the drop of a hat) is inherently sexist. If anything, crying further inures fans to the emotion of the match and the storyline, helping to solidify current women’s wrestling, particularly in NXT, WWE’s developmental brand, as some of the best ever. [Forbes]

I asked whether World Wrestling Entertainment can rise above pinkvertising in their effort to Rise Above Cancer. [Cageside Seats]

What to say when someone inevitably dresses in a racist costume this Halloween. A few years ago I dressed as Tiger Lily for a pirate-themed Christmas party (as part of a larger, Peter Pan group costume). At the time, I believed I was within my rights to dress up as a Native American as I have Native American heritage. Now, however, as someone who identifies primarily as and benefits from being white, I don’t think I’d appropriate that culture in the way I did. Sure, my Native heritage is an interesting part of my history, but I’m not part of that culture and haven’t taken the initiative to learn more about it so I shouldn’t benefit from it for the sake of a costume. [Native Appropriations]

Still on that topic, an interview with the CEO of silly, sexy Halloween costumes company, Yandy. [Maxim]

Two years ago, I had “A Very Manhattan Halloween”. I plan on doing the same next year.

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“Halloween is the one night of the year when a girl can dress like a total slut and no other girls can say anything about it”: the hyper-sexualisation and -feminisation of Halloween costumes.

Scream QueensAmerican Horror Story: HotelAmerican Crime Story: Ryan Murphy must be stopped! [Salon]

A year of Beyonce’s silence. [The Fader]

Zoo Weekly has published its final issue. [Mumbrella]

Adam Goodes spoke to Honi Soit in his first interview since retiring from AFL about racism, his future and Indigenous inclusion in the Australian constitution.

Images via Sasha Banks, Total Sorority Move.

On the (Rest of the) Net.

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Could there ever be a same-sex Disney couple? Beauty & the Beast’s Bell and The Hunchback of Notre Dame‘s Esmeralda would make the hottest lesbian power couple EVER. [Mic]  

Can we stop talking about The Muppets having sex because, you know, they’re Muppets? [The Cut]

Netflix has changed its description of Disney’s Pocahontas from its originally sexist and racist write up. [THR, Native Appropriations]

In the wake of Chris Brown’s visa being denied for his Australian tour, it’s important to understand why black male artists are the only violent artists we decry for abusing women. [Noisey]

Planned Parenthood don’t “kill babies”, they save women’s lives. And their vaginas. [Al Jazeera]

The mansplanation of Taylor Swift’s 1989. [New Statesman]

The double edged sword that is Ryan Murphy: he creates roles for minorities in his myriad works but in turn reviles them. [HuffPo]

Do trans women only have value to the cisgender community (so, basically, culture at large) if they’re sufficiently hot? [This Ain’t Living]

ICYMI: How allegations of sexual assault against powerful men by the “wrong kinds of women” go unheard, in regards to Bill Cosby, Hugh Hefner and the publication of Hefner’s former partner and Girls Next Door star Holly Madison’s memoir, Down the Rabbit Hole.

Image via Dopey Beauty.

On the (Rest of the) Net: Galentine’s Day Edition.

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Vintage Valentines Day cards that glorify intimate partner violence. [Sociological Images]

The Stella Prize’s 2014 longlist is out and the Australian Women Writers Challenge has a compilation of reviews of the finalist, including two of mine.

Woody Allen responds to the 20-year-old accusations that he molested his daughter, while Vanity Fair has 10 facts from the case that put the he said, she said in perspective. [NYTimes]

Down syndrome on Ryan Murphy and Brad Fulchuck’s Glee and American Horror Story. [Bitch Flicks]

Marnie’s pretty girl problems. (Also this.) [LA Review of Books]

The Problem with Glee.

 

From Jezebel’s Comment of the Day “The Troubling Dichotomy That is Glee by A Small Turnip/Margaret Hartmann:

Glee is the ultimate pop-cultural hate-fuck for me. It gets so much right, champions the unloved and unlovely, produces some genuinely sublime, can’t-stop-smiling coups de theatre, and is, when all’s said and done, one of the most heart-felt, funny and truly progressive shows on television today. Or ever.

“But FUCK ME if it isn’t also skull-poundingly awful, misogynistic, bi-phobic, atrociously plotted, bloated with its own sense of moral superiority and forever teetering on the edge of eye-clawing insanity. It drives me berzerk that I cannot stop watching it, even as I’m throwing things at the television and screaming ‘What the fuck do you mean “I’m relatively sane, for a girl”?! You’re just fucking with me now, aren’t you Murphy?’

“RM and Glee‘s Powers-That-Be have so far to go to make the show into a consistent, cohesive whole, but they keep falling back into dropped plots and contemptibly lazy characterisation. I keep waiting and waiting for them to pull it together, even for a single episode, and it never quite happens.

“And yet. And yet. I love it. I do. It’s so frustrating to hear Ryan Murphy’s hacky bloviations on his own self-importance, and his overweening sense of creative pomposity…Every time I think I’m out, they just keep pulling me back in. So if you’ll excuse me, I need to go lie down and think about Darren Criss’s dreamy, dreamy eyes for a little while.”

Related: The Underlying Message in Glee’s “Original Song” Episode.

Elsewhere: [Jezebel] Comment of the Day: The Troubling Dichotomy That is Glee.

Images via BoobTube, YouTube, Megavideo.

TV: The Underlying Message in Glee’s “Grilled Cheesus” Episode.

 

I have been quite impressed with Glee’s second season thus far, as evidenced by my last review of the show.

Last night’s episode, which aired two weeks ago in the States, due to Ten’s commitment to the Commonwealth Games, dealt with Kurt’s dad Burt having a heart attack and lapsing into a coma, and how the members of the glee club felt about using religion to comfort Kurt and themselves.

Unlike many of last season’s episodes, “a nuanced discussion of religion prevent[ed] Glee from slipping into After School Special mode,” with creator Ryan Murphy explaining that “every time somebody said something anti-religion, we made sure somebody said something pro[-religion]”.

While I’m not so pro-religion myself, and definitely took Kurt’s side when he said “… the reason I don’t go to church is because most churches don’t think very much of gay people. Or women. Or science,” the show “accomplished a prime-time first: an episode that was… sympathetic to both believers and non-believers” and didn’t risk potentially alienating a subset of its audience.

Surprisingly, though, Sue Sylvester was in agreement with Kurt’s plight, “because she finds signing religious songs on school property inappropriate” and believes that “pushing religion on Kurt is amoral,” needless to say, because of her own experiences being angry with God for her sister’s disability.

While I shared Kurt’s discomfort at having his friends pray for Burt in his hospital room without Kurt’s consent, and Mercedes luring him into God’s house with the promise of wearing a “fabulous hat”, the overall message was that even if you don’t believe in religion (can I get an amen?), you’ve got to believe in something.

And Kurt did realise that he believes in something: he believes in his father. Echoing his beautifuland dare I say, betterrendition of The Beatles’ “I Want To Hold Your Hand”, which harkened back to Burt holding Kurt’s hand at his mother’s funeral, Kurt takes his dad’s hand and, if by some sort of miracle, Burt’s hand twitches.

I suppose I should also mention that all this religion is brought about by Finn seeing Jesus’ likeness in his burnt grilled cheese sandwich, which he believes has magical powers because everything he wishes for comes true. But at this point, I’m so over Rachel and Finn; it’s all about Brittany, bitch!

Related: The Underlying Messages of Glee’s “Britney/Brittany” Episode.

Elsewhere: [Jezebel] Glee: You’ve Got to Have Faith… In Grilled Cheese.

[Jezebel] How Glee Can Save Itself Next Season.

[BoobTube] Glee in Pictures: Grilled Cheesus.