On the (Rest of the) Net.

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I’ve started writing for Paste Wrestling about quotas being the only way World Wrestling Entertainment will diversify, that supporting WWE financially may mean supporting the Trump administrationwhy they need a women’s Royal Rumble match and the inequality that still remains in women’s wrestling.

I also wrote about shine theory in WWE. [Intergender World Champs]

And I attended Donald Trump’s inauguration and the Women’s March in Washington D.C. and wrote about it for SBS Life.

I’m at Writers Bloc musing about the guilt that comes when the work isn’t and the obligatory leaving New York essay. 

How Carrie Fisher became the face of the Women’s March. [Vanity Fair]

Women filmgoers are largely responsible for Passengers flopping. But has Hollywood stopped to realised why we’re sick of rapey storylines and how we express satisfaction with our money? [Bibliodaze]

Beyonce, Kim, Taylor and Trump: how celebrity changed in 2016. [The Ringer]

Patriots Day is the first movie of Trump’s America:

“Such films are perfect vehicles for a Trumpian understanding of the world, one in which there are clear winners and clear losers, where environmental concerns disappear and the virility of the male ego (and, by extension, the American self-image) matters above all else. Where root causes of conflict go unaddressed; where nuance and reading and knowledge are denigrated as the provenance of intellectual sissy fools. These films ‘flatten journalism into a GIF,’ Nicholson argues. ‘They frighten me.'” [Buzzfeed]

Finding solace in the Final Girl as an abuse survivor. [Birth Movies Death]

How My Favorite Murder grants courage to survivors of violence. [Buzzfeed]

Image via Twitter.

My Favourite Articles That I Wrote in 2016.

2016, it’s fair to say, was a pretty shit year for humanity in general. For me personally, though, it was pretty good. I’ve published the most freelance work I ever have, and I’m writing this from New York City, where I’ve been seeing out the apocalypse (the Mayans were wrong: 2016 is the end of their calendar and, thus, the world) for the past two months. Here are some of my favourite things I’ve published this year.

“Beyoncé Makes Us Want to Be Better People” & “The Kardashians Are Better Than You”The Vocal.

Some of the most fun I’ve had writing was for The Vocal and I think these were two of my best pieces. I love writing about controversial issues and controversial women, and these two subjects certainly tick those boxes.

“Kim Kardashian: Our Modern-Day Monroe”, The Big Smoke.

Similarly, what’s more controversial than comparing perhaps the most reviled woman in contemporary culture with the iconic, though equally disdained, Marilyn Monroe?

“In Defence of Eva Marie”Calling Spots.

And in the wrestling world, who is more controversial than Total Divas star Eva Marie? I wrote in defence of her for Calling Spots magazine.

“Whorephobia & Misogyny in Wrestling: Still Real to Me, Dammit”, Harlot.

Short-lived feminist site Harlot let me write about what a travesty it was that woman wrestler Chyna wasn’t inducted into the World Wrestling Entertainment Hall of Fame. She died a month later.

“The State of Women’s Wrestling”SBS Zela.

Writing for SBS’s now-shuttered women’s sports site Zela was one of the defining moments in my career. A writer and editor I’ve long admired (but who I thought didn’t even know I existed!) recommended me to Zela editor Danielle Warby to cover the women’s wrestling renaissance. My favourite piece was an overview of the year in women’s wrestling up to that point in one of my last articles for the site.

“Nia Jax: Not Like Most Girls”, “Smack Talker! Daniel Bryan’s Tiresome Vocal Misogyny” &  “A Woman’s Place Should Be in the White House—And in the Cell”Intergender World Champs.

With Zela and Harlot shutting down, I was without a place to write about women’s wrestling for a time. Then along came Intergender World Champs, for which I’ve written an assortment of things.

“Why Celebrities Prefer Empowerment to Feminism”Daily Life.

I’d long been thinking about “women’s empowerment” and what it even means, and I got to write about it for my first piece for Daily Life, an outlet I’d been trying to crack for years.

“Trading in the Beauty Economy”feminartsy.

I’d been pushing words around in this piece for ages and feminartsy allowed me to publish it.

“The James Deen Allegations: How Porn Sets the Example for Responding to Sexual Assault”Archer.

My first piece for Archer was a look at the rape allegations against James Deen and what mainstream industries can learn from porn’s response to them.

“This is the Most Devastating & Political Season of Orange is the New Black Yet”Junkee.

Getting paid to write about things you enjoy doing is a pretty good gig.

“Women of The People VS. OJ Simpson, The Big Smoke.

Ditto.

“Why An Australian Woman Felt Compelled to Go Door-to-Door Campaigning for Hillary Clinton”Daily Life.

Though not my last published piece for 2016, what better way to cap off a tumultuous year than by writing about volunteering for Hillary Clinton?!

On the (Rest of the) Net.

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The female legacy of Ghostbusters[Kill Your Darlings]

Leslie Jones’ role in the reboot is a win for diversity but also a loss for diversity. [The Toast]

“All of Beyoncé’s career has been leading up to Lemonade, including often overlooked songs such as ‘Black Culture,’ ‘Grown Woman,’ and ‘Creole.’ ‘***Flawless’ and ‘Superpower’ are the preface to ‘Formation,’ ‘Jealous’ the prequel to the mid-sections of Lemonade. ‘Irreplaceable’ stands in the doorway filing its nails somewhere between ‘Don’t Hurt Yourself’ and ‘I Ain’t Sorry.’ ‘Freakum Dress’ is the PG-13 sister of ‘6 Inch.'” [Spark]

Taylor Swift’s feminist evolution. [Billboard]

Margot Robbie’s Vanity Fair cover story has sparked calls to stop getting middle aged men to write lecherous cover stories on famous women:

“Let’s allow women to write about women for a little while. Maybe then we can swap the prevalent illusions of femininity for realistic portraits of women as complex human characters.” [The Walrus]

Playing Pokemon Go as a black man. [Medium]

Women only watch wrestling for the hot guys, right? [Wrestling Sexism]

The rise of cripface on TV. [LA Times]

Why being an ally is no longer enough. [Marie Claire]

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Does Orange is the New Black buy into the “bury your gays” trope?

OITNB, conversely, uses Poussey’s death to illustrate exactly the issue that ‘Bury Your Gays’ seeks to highlight. Big, unchecked organisations can erase marginalised people without a second thought, and the grinding, faceless mechanisms of bureaucracy are capable of cruelties far beyond what any individual could commit. OITNB kills Poussey in order to tell this story.” [Vulture]

Masterchef and other cooking shows leave vegetarians and vegans out in the cold. [Kill Your Darlings]

“A man’s appetite can be hearty, but a woman with an appetite is always voracious: her hunger always overreaches, because it is not supposed to exist. If she wants food, she is a glutton. If she wants sex, she is a slut. If she wants emotional care-taking, she is a high-maintenance bitch or, worse, an ‘attention whore’: an amalgam of sex-hunger and care-hunger, greedy not only to be fucked and paid but, most unforgivably of all, to be noticed.” [Hazlitt]

Images via Buzzfeed, Netflix.

On the (Rest of the) Net.

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I wrote about how Beyoncé makes us want to be better peoplethe feminism of Bad Neighbours 2 and pop culture as a form of self-care. [The Vocal, Bitch Flicks, Feminartsy]

What Kim Kardashian learnt from the O.J. Simpson trial and how she and Nicole Brown Simpson are more alike than we realise. [Can I Live?]

How Me Before You gets disability, assisted suicide and sex wrong. [HuffPo]

Ally Garrett writes about loving her “thunder thighs”. [The Vocal]

The racist history of the pit bull. [Fusion]

This is why women are delaying pregnancy. [ABC]

The rise and fall of Winona Ryder. [Hazlitt]

Would the women of Jane Austen be at home on reality TV? [The Atlantic]

The alluring history of makeup application and YouTube beauty tutorials. [Kill Your Darlings]

Reconciling Zayn Malik’s Muslim heritage. [Matter]

Rocky, Superman, Muhammad Ali and white supremacy. [MTV]

We shouldn’t be asking politicians if they’re feminists: we should be asking if their policies are feminist. [Daily Life]

For more feminist reads, check out the 97th Down Under Feminists Carnival. [Zero at the Bone]

Image via BGR.

On the (Rest of the) Net.

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I wrote in defence of Eva Marie.

From Sir Mix-A-Lot to Taylor Swift to LEMONADE: on the origin of Becky. [Fusion]

bell hooks’ criticisms of LEMONADE and black femininity. [bell hooks institute]

Janet Mock responded smartly. [Facebook]

Feministing hosts a roundtable on the topic. 

And with LEMONADE, Beyonce says “boy, bye” to black respectability. [Fusion]

Women-only train carriages: creating a safe space for women or not doing enough to curb the predatory behaviour of men? [Sheilas]

How Jane the Virgin deals with money. [Think Progress]

George Michael’s “black” musical history. [Slate]

How social media can increase organ donations. [NYTimes]

Why do women love Chris Evans so much? [Buzzfeed]

Ronan Farrow on why the media needs to hold Woody Allen accountable to allegations of child sex abuse against his daughter and Farrow’s sister. [THR]

Chelsea Handler writes in defence of being single. [Motto]

Justin Bieber and the surveillance of celebrities. [MTV]

On the (Rest of the) Net.

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I wrote about competitors to watch on the women’s wrestling scene and Chyna’s untimely death for SBS Zela.

I’m at The Big Smoke writing about the women of American Crime Story: The People VS. OJ Simpson.

Speaking of, pop culture is portraying some of the ’90s most reviled women in a more sympathetic light. [Fusion]

Confirmation largely forgets the contributions of black feminists. [Elle]

This season Unbreakable Kimmy Schmidt is railing against niceness. [The Atlantic]

Celebrating Prince’s unbridled sexiness upon his passing. [NYTimes]

What Prince meant to strippers. [The Cut]

On mourning problematic celebrities. [xoJane]

Why are black erotic thrillers considered guilty pleasures while white ones get Oscar noms? [MTV]

And why do we only see black actors in top roles when their skin colour is altered or faces obscured completely? [Vulture]

Our pop cultural obsession with “girls” in books and film. I also wrote about the phenomenon here. [Bitch Flicks]

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What Beyonce’s LEMONADE and wrestling have in common. [Cageside Seats]

How LEMONADE is reclaiming the black woman’s place in rock music. [Rolling Stone]

The response to “Becky with the good hair” from the song “Sorry” reduces Beyonce to her desirability and undermines LEMONADE. [Daily Life]

Images via The Bleacher Report, Clique.

On the (Rest of the) Net.

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I wrote about World Wrestling Entertainment’s new Women’s Championship and the renaissance of women’s wrestling. [SBS Zela]

In praise of the “ugly cry”. [New Republic]

“She just wants attention”: the insult du jour. [Slate]

What we can learn about clapping-back from Beyonce. [Elle]

The toxic relationship between masculinity and meat hinges on the “factory farm industry that makes billions of dollars insisting that men are the strongest when they have the most muscle, the least amount of feelings, and ingest the most ‘manly’ protein, like bacon, steak, and sausage.” [The Establishment]

Why millennials love music about work (work, work, work, work, work). [The Vocal]

Amber Rose’s MuvaMoji is an alternative—not an answer—to Kim Kardashian’s Kimoji. [Good]

Hillary Clinton said feminism and being pro-life can co-exist. Here’s a reminder of what being pro-life actually means. [Daily Life]

And Jill Filipovic unpacks it in a practical, US-centric sense. [Cosmopolitan]

Melissa Harris-Perry interviews Anita Hill 25 years after testifying that Supreme Court Justice nominee Clarence Thomas sexually harassed her. [Essence]

More feminist goodness at the 95th Down Under Feminists Carnival. [Sacraparental]

Image via WWE.com.