On the (Rest of the) Net.

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The female legacy of Ghostbusters[Kill Your Darlings]

Leslie Jones’ role in the reboot is a win for diversity but also a loss for diversity. [The Toast]

“All of Beyoncé’s career has been leading up to Lemonade, including often overlooked songs such as ‘Black Culture,’ ‘Grown Woman,’ and ‘Creole.’ ‘***Flawless’ and ‘Superpower’ are the preface to ‘Formation,’ ‘Jealous’ the prequel to the mid-sections of Lemonade. ‘Irreplaceable’ stands in the doorway filing its nails somewhere between ‘Don’t Hurt Yourself’ and ‘I Ain’t Sorry.’ ‘Freakum Dress’ is the PG-13 sister of ‘6 Inch.'” [Spark]

Taylor Swift’s feminist evolution. [Billboard]

Margot Robbie’s Vanity Fair cover story has sparked calls to stop getting middle aged men to write lecherous cover stories on famous women:

“Let’s allow women to write about women for a little while. Maybe then we can swap the prevalent illusions of femininity for realistic portraits of women as complex human characters.” [The Walrus]

Playing Pokemon Go as a black man. [Medium]

Women only watch wrestling for the hot guys, right? [Wrestling Sexism]

The rise of cripface on TV. [LA Times]

Why being an ally is no longer enough. [Marie Claire]

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Does Orange is the New Black buy into the “bury your gays” trope?

OITNB, conversely, uses Poussey’s death to illustrate exactly the issue that ‘Bury Your Gays’ seeks to highlight. Big, unchecked organisations can erase marginalised people without a second thought, and the grinding, faceless mechanisms of bureaucracy are capable of cruelties far beyond what any individual could commit. OITNB kills Poussey in order to tell this story.” [Vulture]

Masterchef and other cooking shows leave vegetarians and vegans out in the cold. [Kill Your Darlings]

“A man’s appetite can be hearty, but a woman with an appetite is always voracious: her hunger always overreaches, because it is not supposed to exist. If she wants food, she is a glutton. If she wants sex, she is a slut. If she wants emotional care-taking, she is a high-maintenance bitch or, worse, an ‘attention whore’: an amalgam of sex-hunger and care-hunger, greedy not only to be fucked and paid but, most unforgivably of all, to be noticed.” [Hazlitt]

Images via Buzzfeed, Netflix.

On the (Rest of the) Net.

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Should Blake Lively delete her Instagram account after her “L.A. face with an Oakland booty” faux pas? [MTV]

Internalised misogynoir results in the killing of black girls by other black girls:

“Why are black girls killing each other – or at least trying to? At what point does the dehumanisation of people who look, talk and walk like you become so internalised that you don’t think twice about trying to beat them into a bloody pulp…?” [Media Diversified]

I spoke to Neha Kale about embracing solitude and the single life. [SBSLife]

How Blac Chyna beat The Kardashians at their own game and all they can do is watch. [Buzzfeed]

Single women are simultaneously “trying too hard” and “not trying hard enough”. [The Cut]

Actually, real men do hit women. [Meanjin]

The LEMONADE Syllabus. [Candice Benbow]

Facebook wouldn’t publicise Cherchez la Femme’s body positive event featuring an image of plus-size model Tess Holliday out of concerns for fat-shaming, an act of fat-shaming in itself. [Daily Life]

All the ways women are deemed “ugly” an unacceptable, but Donald Trump specifically. [The Cut]

Image via Instagram.

On the (Rest of the) Net.

eva marie art

I wrote in defence of Eva Marie.

From Sir Mix-A-Lot to Taylor Swift to LEMONADE: on the origin of Becky. [Fusion]

bell hooks’ criticisms of LEMONADE and black femininity. [bell hooks institute]

Janet Mock responded smartly. [Facebook]

Feministing hosts a roundtable on the topic. 

And with LEMONADE, Beyonce says “boy, bye” to black respectability. [Fusion]

Women-only train carriages: creating a safe space for women or not doing enough to curb the predatory behaviour of men? [Sheilas]

How Jane the Virgin deals with money. [Think Progress]

George Michael’s “black” musical history. [Slate]

How social media can increase organ donations. [NYTimes]

Why do women love Chris Evans so much? [Buzzfeed]

Ronan Farrow on why the media needs to hold Woody Allen accountable to allegations of child sex abuse against his daughter and Farrow’s sister. [THR]

Chelsea Handler writes in defence of being single. [Motto]

Justin Bieber and the surveillance of celebrities. [MTV]

On the (Rest of the) Net.

chyna women's championship

I wrote about competitors to watch on the women’s wrestling scene and Chyna’s untimely death for SBS Zela.

I’m at The Big Smoke writing about the women of American Crime Story: The People VS. OJ Simpson.

Speaking of, pop culture is portraying some of the ’90s most reviled women in a more sympathetic light. [Fusion]

Confirmation largely forgets the contributions of black feminists. [Elle]

This season Unbreakable Kimmy Schmidt is railing against niceness. [The Atlantic]

Celebrating Prince’s unbridled sexiness upon his passing. [NYTimes]

What Prince meant to strippers. [The Cut]

On mourning problematic celebrities. [xoJane]

Why are black erotic thrillers considered guilty pleasures while white ones get Oscar noms? [MTV]

And why do we only see black actors in top roles when their skin colour is altered or faces obscured completely? [Vulture]

Our pop cultural obsession with “girls” in books and film. I also wrote about the phenomenon here. [Bitch Flicks]

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What Beyonce’s LEMONADE and wrestling have in common. [Cageside Seats]

How LEMONADE is reclaiming the black woman’s place in rock music. [Rolling Stone]

The response to “Becky with the good hair” from the song “Sorry” reduces Beyonce to her desirability and undermines LEMONADE. [Daily Life]

Images via The Bleacher Report, Clique.