On the (Rest of the) Net.

I was on my very first panel at the Digital Writers’ Festival, talking about what it means to be a writer online away from Australia.

I wrote about volunteering for Hillary Clinton. [Daily Life]

Supporting Hillary Clinton but keeping in mind Bill’s history of sexual assault accusations. [The Cut]

What if New York City was named for its women? [New Yorker]

The black history of the nameplate necklace. [Fusion]

Two women wrestled for the first time inside Hell in a Cell so sexism in wrestling is over now, right? [Fight Booth]

World Wrestling Entertainment has an ageism problem, but it only affects women, of course. [Wrestling Sexism]

Why WWE needs women’s tag team championships:

“In WWE, women don’t really have the option to be friends. There’s no benefit to a friendship because belts can only be held by an individual, and everyone is competing for the same titles. There’s quite a sad parallel here to the real world. Women often feel that they are in competition with other women for jobs, relationships and resources that seem scarce. Has a new woman starting at your work ever filled you with irrational jealousy, even if she seems perfectly nice? Ever wonder why?” [Intergender World Champs]

In defence of Melania Trump. And if Donald Trump is as dangerous as we believe him to be, then she certainly needs it. [Melville House]

This election has taught us that “expanding roles and opportunities for women cannot usher in full gender equality unless men change.” [NYTimes]

On the (Rest of the) Net.

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The female legacy of Ghostbusters[Kill Your Darlings]

Leslie Jones’ role in the reboot is a win for diversity but also a loss for diversity. [The Toast]

“All of Beyoncé’s career has been leading up to Lemonade, including often overlooked songs such as ‘Black Culture,’ ‘Grown Woman,’ and ‘Creole.’ ‘***Flawless’ and ‘Superpower’ are the preface to ‘Formation,’ ‘Jealous’ the prequel to the mid-sections of Lemonade. ‘Irreplaceable’ stands in the doorway filing its nails somewhere between ‘Don’t Hurt Yourself’ and ‘I Ain’t Sorry.’ ‘Freakum Dress’ is the PG-13 sister of ‘6 Inch.'” [Spark]

Taylor Swift’s feminist evolution. [Billboard]

Margot Robbie’s Vanity Fair cover story has sparked calls to stop getting middle aged men to write lecherous cover stories on famous women:

“Let’s allow women to write about women for a little while. Maybe then we can swap the prevalent illusions of femininity for realistic portraits of women as complex human characters.” [The Walrus]

Playing Pokemon Go as a black man. [Medium]

Women only watch wrestling for the hot guys, right? [Wrestling Sexism]

The rise of cripface on TV. [LA Times]

Why being an ally is no longer enough. [Marie Claire]

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Does Orange is the New Black buy into the “bury your gays” trope?

OITNB, conversely, uses Poussey’s death to illustrate exactly the issue that ‘Bury Your Gays’ seeks to highlight. Big, unchecked organisations can erase marginalised people without a second thought, and the grinding, faceless mechanisms of bureaucracy are capable of cruelties far beyond what any individual could commit. OITNB kills Poussey in order to tell this story.” [Vulture]

Masterchef and other cooking shows leave vegetarians and vegans out in the cold. [Kill Your Darlings]

“A man’s appetite can be hearty, but a woman with an appetite is always voracious: her hunger always overreaches, because it is not supposed to exist. If she wants food, she is a glutton. If she wants sex, she is a slut. If she wants emotional care-taking, she is a high-maintenance bitch or, worse, an ‘attention whore’: an amalgam of sex-hunger and care-hunger, greedy not only to be fucked and paid but, most unforgivably of all, to be noticed.” [Hazlitt]

Images via Buzzfeed, Netflix.