On the (Rest of the) Net.

chyna women's championship

I wrote about competitors to watch on the women’s wrestling scene and Chyna’s untimely death for SBS Zela.

I’m at The Big Smoke writing about the women of American Crime Story: The People VS. OJ Simpson.

Speaking of, pop culture is portraying some of the ’90s most reviled women in a more sympathetic light. [Fusion]

Confirmation largely forgets the contributions of black feminists. [Elle]

This season Unbreakable Kimmy Schmidt is railing against niceness. [The Atlantic]

Celebrating Prince’s unbridled sexiness upon his passing. [NYTimes]

What Prince meant to strippers. [The Cut]

On mourning problematic celebrities. [xoJane]

Why are black erotic thrillers considered guilty pleasures while white ones get Oscar noms? [MTV]

And why do we only see black actors in top roles when their skin colour is altered or faces obscured completely? [Vulture]

Our pop cultural obsession with “girls” in books and film. I also wrote about the phenomenon here. [Bitch Flicks]

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What Beyonce’s LEMONADE and wrestling have in common. [Cageside Seats]

How LEMONADE is reclaiming the black woman’s place in rock music. [Rolling Stone]

The response to “Becky with the good hair” from the song “Sorry” reduces Beyonce to her desirability and undermines LEMONADE. [Daily Life]

Images via The Bleacher Report, Clique.

On the (Rest of the) Net.

kim kardashian instagram

In my first piece for The Vocal, I explain why the Kardashians are better than you.

The Grammys hates black women. [Kevin Allred]

Is Deadpool pansexual? [Fusion] 

Women in Zika-affected countries are writing Women on Web for abortion pills. [WaPo]

How do we talk about David Bowie’s statutory rape of Lori Maddox? [Jezebel]

Shonda Rhimes’ shows are depicting abortion in groundbreaking ways. [RH Reality Check]

Kanye West is a modern-day Martin Luther King… but also a black Donald Trump. [Vulture]

How we teach girls to be scared and why we should stop. [NYTimes]

The media is turning Kesha’s rape and legal battle into a celebrity feud between Taylor Swift and Demi Lovato. [Bust]

And enough with all the feminist in-fighting: we should be asking men to speak up about Kesha. [Junkee]

And now for the Hillary Clinton portion of the program…

Let’s not pretend that Clinton being elected as the first woman president wouldn’t be a big fucking deal. [The Establishment]

How treatment of women in the workplace and treatment of Clinton on the campaign trail intersect. [NYTimes]

Representations of Clinton in pop culture. [Broadly]

ICYMI: In the wake of Gloria Steinem’s comments about young women not voting for Hillary Clinton because we’re more interested in who boys are voting for than radical activism, I just had to write in defence of millennials.

Image via Instagram.

On the (Rest of the) Net.

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I wrote about Taylor Swift, mean girls and #squadgoals. [Junkee]

The rise of feminist outrage journalism. [Jezebel]

Justin Bieber’s musical reinvention is the epitome of #sorrynotsorry. [Brooklyn Magazine]

2015 was a shitty year for women in some respects, but it was also one in which our creative and cultural efforts began to be recognised. [Matter]

It was also the year in which we finally started to believe women. [Vulture]

And, with Bill Cosby’s arrest this week on sexual assault charges against Andrea Constand in 2004, this article I wrote in September is never more relevant.

“Forget Ryan Murphy, Making a Murderer is an actual American horror story.” [Observer]

Hey, Netflix, where’s all your African American-produced content? [Madame Noire]

On white debt and white guilt. [NYTimes]

Image via Junkee.

On the (Rest of the) Net.

manolo blahnik mary jane sex and the city

High heels help to differentiate women from the relative equality they’ve achieved with men. [Attn:]

Gay male misogyny: “To assert you love dick doesn’t mean you have to feign disgust at women and their bodies.” [Broadly]

“Why Writers Run.” [The Atlantic]

America is fascinated by the amateur but hate their jobs. [NYTimes]

Women reject men’s unwanted advances with the boyfriend excuse because men’s property is more respected than women’s wishes. [Daily Life]

Tweeting about TV during #ParisAttacks. [Fusion]

NBC’s interview with Charlie Sheen about his HIV-positive status was unethical. [ABC The Drum]

And before you go blaming his frequent sex with porn stars for his status, adult performers are one of the most tested populations on the planet and can’t perform if they have a positive test. [Vocativ]

In entertainment, the American dream is Latino. [Vulture]

Rebecca Shaw—aka Brocklesnitchis Woman Against Feminism. [Ravishly]

Image via Vulture.

On the (Rest of the) Net.

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It’s a film and TV theory kind of week!

I wrote about how Keeping Up with the KardashiansI Am Cait and Total Divas are changing the face of reality TV. [Junkee]

Unrequited female desire shouldn’t be portrayed as a mental illness, as it is on My Crazy Ex Girlfriend. [Bitch Flicks]

Reading The Little Mermaid—the newest adaptation of which has just cast Chloe Grace Moretz in the title role—from a trans perspective. [Feministing]

Black representation on Daria. [Vulture]

Queering Freaky Friday. [Feminartsy]

With SupergirlJessica Jones and Daredevil, has TV finally solved its superhero problem? [Studio 360]

Emotional labour as women’s work. [The Guardian]

When all your friends are having children but you’re not sure if you want them. [The Interrobang]

“You will look at me when I’m sexting you, do you understand me?” [The Cut]

Lest We Forget: the service animals of war. [The Big Issue]

“Grey Hair on the Kids.” [Mediander]

Instagram as the newest blogging platform. [NYMag]

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I have a story on how the tag team New Day are challenging gender and racial stereotypes in professional wrestling in Calling Spots magazine.

I moved all my articles from TheVine over to this here blog so check them out:

Channel 7’s bad boys.

“The rise of the hunk” in Magic Mike.

“Wonder Why They Call U Bitch.” And while you’re at it, I wrote about similar themes in Straight Outta Compton and Tupac Shakur’s lyrics here.

How to reconcile feminism and progressive values with wrestling fandom.

Masters of Sex may be titled after a man, but it’s all about the women on the show.

What happens when your heroes let you down?

“Why Do We Insist On Calling Women Girls?”

How to create a cruelty-free beauty cabinet.

Image via Junkee, Elow Mojo.

On the (Rest of the) Net.

The return of the teen girl movie. [Daily Life]

What Go Set a Watchman can teach us about contemporary racism. [WaPo]

But Atticus Finch’s racism isn’t a new thing. [New Republic]

The rise of porn gifs (NSFW). [Fusion]

Taylor Swift may have “Bad Blood” with some (most recently Nicki Minaj), but her “feminist selfies” with Karlie Kloss, Lena Dunham et al. shows what it’s like to be close to her. [LA Review of Books]

Speaking of Swift inserting herself into Minaj’s beef with the MTV VMAs for her groundbreaking videos being overlooked in this years’ nominations, it isn’t the first time Swift has both played the white, innocent victim and been at the centre of VMA controversy. [The Guardian, Kevin Allred]

The cultural appropriation of Keeping Up with the Kardashians, and how we perpetuate it by watching it. [The Cut]

Is Lady Gaga normal now? [Vulture]

Let’s clear up that Planned Parenthood selling aborted foetuses nonsense. [xoJane]

The hacking of cheating website Ashley Madison isn’t morally any better than The Fappening. [Daily Life]

In the wake of Good Weekend cancelling an article on Caitlin Stasey because she wouldn’t pose nude for them, she’s taken to Jezebel to tell her side of the story in more than 140 characters.

We need to stop devaluing women’s sports. [New Republic]

Serena Williams is the seminal athlete. [The Nation]

When painful sex continues long after the first time. [Medium]

What it’s like to be an extra on Magic Mike XXL. [Cosmopolitan]

“Pony”, “Closer” and the significance of the strip club soundtrack. [Pitchfork]

How The Bachelorette is changing the way reality TV deals with sex. [Vulture]

Clementine Ford is writing a book! [Facebook]

On the (Rest of the) Net.

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“To be Rihanna… To be a black woman and genius, is to be perpetually owed.” [Pitchfork]

Why we find the sexualised violence of #BBHMM so disturbing. [HuffPo Women]

The Supreme Court of the United States’ landmark decision to legalise marriage equality nation wide is great, but the freedom to marry should also mean the freedom not to marry. [The Cut]

The Kim Kardashian sex tape flag at Kanye West’s Glastonbury set shows women’s sexualities aren’t their own. [The Guardian]

Has Kim changed… or just the way we think about her? [Daily Life]

Orange is the New Black and a defence of rape scenes:

“My hope is that going forward we can have a Pennsatucky Test for rape scenes much like the Bechdel Test. Is the victim’s point-of-view shown? Does the scene have a purpose for existing for character, rather than plot, advancement? Is the emotional aftermath explored? As long as sexual assault continues to be a scourge of our society, TV shows ought to mine the subject; it’s important we keep the conversation going. Just take care of your characters. Don’t rape ’em and leave ’em. They deserve to have their trauma acknowledged. They deserve to have their stories told.” [Vulture]

“The Personal Politics of Public Bathrooms.” [The Cut]

Grief in the time of social media. [Kill Your Darlings]

Why does TV suck at understanding the internet? [Junkee]

To celebrate U.S. series UnREAL‘s renewal and debut on Australian screens on Stan, read about how the show flips the reality TV script and how it’s pushing the boundaries of female masturbation. [Vulture, TV Tonight, The New Yorker, HuffPo Women]

Mums with guns. [Jezebel]

Magic Mike XXL was released this week and I wrote about the original here. [TheVine]

The latest Down Under Feminists Carnival has much more Aussie and Kiwi feminist goodness to keep you satisfied. [A Bee of a Certain Age]

Image via Pop Sugar.