On the (Rest of the) Net.

The return of the teen girl movie. [Daily Life]

What Go Set a Watchman can teach us about contemporary racism. [WaPo]

But Atticus Finch’s racism isn’t a new thing. [New Republic]

The rise of porn gifs (NSFW). [Fusion]

Taylor Swift may have “Bad Blood” with some (most recently Nicki Minaj), but her “feminist selfies” with Karlie Kloss, Lena Dunham et al. shows what it’s like to be close to her. [LA Review of Books]

Speaking of Swift inserting herself into Minaj’s beef with the MTV VMAs for her groundbreaking videos being overlooked in this years’ nominations, it isn’t the first time Swift has both played the white, innocent victim and been at the centre of VMA controversy. [The Guardian, Kevin Allred]

The cultural appropriation of Keeping Up with the Kardashians, and how we perpetuate it by watching it. [The Cut]

Is Lady Gaga normal now? [Vulture]

Let’s clear up that Planned Parenthood selling aborted foetuses nonsense. [xoJane]

The hacking of cheating website Ashley Madison isn’t morally any better than The Fappening. [Daily Life]

In the wake of Good Weekend cancelling an article on Caitlin Stasey because she wouldn’t pose nude for them, she’s taken to Jezebel to tell her side of the story in more than 140 characters.

We need to stop devaluing women’s sports. [New Republic]

Serena Williams is the seminal athlete. [The Nation]

When painful sex continues long after the first time. [Medium]

What it’s like to be an extra on Magic Mike XXL. [Cosmopolitan]

“Pony”, “Closer” and the significance of the strip club soundtrack. [Pitchfork]

How The Bachelorette is changing the way reality TV deals with sex. [Vulture]

Clementine Ford is writing a book! [Facebook]

On the (Rest of the) Net.

Charmed kitchen spells

I wrote about the power of work/life balance in Charmed. [Bitch Flicks]

Yet another piece in defence of Sex & the City. [Daily Life]

What happens when feminism becomes trendy. [Jezebel]

The unsexy reality of centrefolds: behind the scenes of Playboy (NSFW). [Beautiful Decay]

Elite feminism. [The Nation]

On-screen abortion is portrayed as more dangerous than it actually is. [Bitch]

“Interview with a Pregnant Porn Star.” (SFW) [The Hairpin]

Image via Bitch Flicks.

On the (Rest of the) Net.

orange is the new black books

The slave narrative of Orange is the New Black. [The Nation]

Still with Orange is the New Black, literature on the show. [Bitch Magazine]

SlutWalk Melbourne is next weekend, and last year’s speaker, Emily Maguire, talks about why she supports the movement. [SlutWalk Melbourne]

I reviewed Patricia Cornelius’ Savages for TheatrePress. Head on over and check it out, and then get to fortyfive downstairs quick smart!

50 not-so-obvious feminist pop cultural items. [Flavorwire]

Why do we treat the male contraceptive pill differently to the female pill? [Aeon Magazine]

Tony Abbott’s sexism is more than just a “gaffe”. [AusVotes2013]

Mark Ruffalo is pro-choice. [Stop Patriarchy]

What the Harriet Tubman “sex tape” means for black feminism. [Ms. Magazine]

Are politicians the new Ryan Gosling? [Daily Life]

And in the wake of last week’s “sex appeal”-gate, Cleo rates Canberra’s sexiest and unsexiest men. A step towards equality or should everyone just shut the eff up about it? [MamaMia]

Fuck “strong female characters”. [New Statesman]

Image via Books of Orange is the New Black.

On the (Rest of the) Net.

In one of HuffPo’s articles of the year, Jessica Valenti discusses likeability versus success. [The Nation]

The lesson to take away from the radio station prank turned suicide catalyst: it gets better. [MamaMia]

Maya Newell, the girl who asked what effect changing the marriage act would have on the children of same-sex partners on this year’s final episode of Q&A, talks about what it’s like growing up with two mums. [Daily Life]

Australia’s most influential female voices and feminist moments of 2012. [Daily Life]

It must be the week for it: Clem Ford on cultural appropriation. [TheVine]

Mia Freedman interviews Caitlin Moran. [MamaMia]

On the (Rest of the) Net.

 

Check out my second article for TheVine, about the male body objectification trend. More to come here next week.

Still with the sexualisation of male bodies, who knew there was so much to unpack when it comes to Magic Mike? Can I get a redo on the above article? [The Atlantic Wire]

And lastly, nudity in rom-coms. [Daily Life]

Why is a reality TV star worth a reported $3.5 million seeking funding on Indiegogo to put on a fashion show at New York Fashion Week? On the one hand, use your own fucking money. On the other, it is “the first-ever fan-supported fashion show”. Social experiment or effortless money-grab? [Jezebel]

Mitt Romney is a mansplainer! A Mittsplainer, if you will. [GQ]

Why Fifty Shades of Grey is a badly-written, misogynistic piece of shit that encourages women to stay in an emotionally abusive relationship. [Good Reads]

Cosmo’s international editions: feminist or not? [NYTimes]

Channel 9 aired an expose on girls dressing skimpily for nights out on the town. Ita Buttrose said dressing this way makes people assume you’re a “tart”, and men don’t take tarts home to mummy. Charlotte Dawson said girls need to be careful about “the consequences of dressing up like this could be”. Shitstorm ensues. [MamaMia]

Why girls don’t need to develop their self-esteem, they need to recognise that beauty is a tool of the patriarchy to beat women into submission. [The Nation]

Image via IMDb.

On the (Rest of the) Net.

 

“A Guide to Eating Food Off the Floor.”

Feminist Themes’ regular “Wait… What?” column features The View co-host, Elisabeth Hasselbeck, and her take on the pro-choice versus pro-life debate.

In The Atlantic’s thought provoking piece on “The End of White America?”, Hua Hsu “discuss[es] Obama, football, hip-hop, and the elusive notion of a ‘post-racial’ society.”

Pandagon responds to Susan Faludi’s piece on third-wave feminism (which I haven’t read yet, but expect it to be included in an upcoming On the [Rest of the] Net), in which “she puts out evidence that younger feminists are sometimes unfair and ungrateful to older feminists, and that older feminists are sometimes so afraid of younger women that they go out of their way to exclude them… complaining that younger women don’t care.” Furthermore:

“… she reinforces a jumble of often conflicting stereotypes on younger feminists to discredit us: that we’re obsessed with navel-gazing over activism, that our obsession with technology comes at the expense of actual work, that we don’t know our history and don’t care about systemic issues, that we’re materialist[ic] and unwilling to challenge sexual exploitation for fear of pissing off men, that we’re so busy cultivating our graduate degrees writing about Lady Gaga… that we can’t be bothered to worry about real world issues.”

I do agree with some of this summary of Faludi’s piece, but Lady Gaga’s meat dress drew attention to vegetarianism, animal welfare and gay rights. They’re, like, real world issues, aren’t they?

Liz Greene delivers some particularly poignant points on parental relationships and “the family triangle” in “The Eternal Triangle”.

Buffy is “The Third Wave’s Final Girl”.

Jezebel reasons “Why Glee Still Needs to Work on Diversity”, while Brittany and Santana are “Queer Idols”:

“It wasn’t even until halfway through Glee’s first season that the first hint of queerness was even mentioned… Maybe you’d call it bisexual, maybe you’d call it heteroflexible, maybe you’d call it bicurious: whatever they are, it’s definitely a bit queer… Brittany is, if you will, an equal opportunity slut: one who’s willing to make out with whatever hotness crosses her path, regardless of gender… And among fellow fans of the show, my designation of Brittany and Santana as queer icons has met with some derision: their relationship is played for laughs, I’ve been told. They’re just straight girls making out for male attention… [But]… with the exception of their joint date with Finn, Brittany and Santana have hardly been shown using their relationship to win over boys… For me, Brittany and Santana represent a new mode of queer figure… : fluidly sexual, comfortable with same sex contacts, and more interested in finding happiness than finding the right label. They may not fit into the rigid structures of traditional sexual identities, but they’re comfortable enough with themselves not to care.”

More Jezebel: They’ve really been getting on the “slut-shaming bandwagon”, especially with their endorsement of Easy A. Now, they give their take on the “Ancient Slut-Shaming” of Cleopatra, as well as the “sexual double standards” on Jersey Shore. About the latter, they say:

“… The slut-shaming of Angelina… revealed their thoughts on sexual double standards. (The ‘thoughts’ being that sexual double standards exist, and that’s just the way it is.)… Pauly said about Angelina: ‘She brought all these random people home. She’s a girl. You don’t do that. That’s a guy thing. Guy’s do that, no girls.’… Shouldn’t Pauly and The Situation be grateful for sluts? If there were no sluts then they would never be able to have sex. Do they think for one minute that they would even want to live in a world in which all girls acted the way they’re ‘supposed’ to?”

“Who Stole Feminism?”, asks The Nation. Sarah Palin, Christine O’Donnell and all those right-wing extremists, that’s who!

“Sarah Palin opposes abortion and comprehensive sex education. While mayor of Wasilla she made sexual assault victims pay for their own rape kits. She also calls herself a feminist. Delaware GOP Senate nominee Christine O’Donnell has said that allowing women to attend military academies ‘cripples the readiness of our defence’ and that wives should ‘graciously submit’ to their husbandsbut her website touts her ‘commitment to the women’s movement. Pundits who once mocked women’s rights activists as ugly bra burners are abuzz over the ‘new conservative feminism’, and the Tea Party is lauding itself as a women’s movement.

The right once disparaged feminism as man-hating and baby-killing, but now ‘feminist’ is the must-have label for women on the right.”

“Geeks Versus Hipsters” is the equivalent of the passionate versus the apathetic, respectively, according to Gizmodo. And from the hipsters I’ve come into contact with, I’m inclined to agree.

Can Newsanchor Barbie be both hot and a feminist?

Jessica Rudd (yes, Kevin’s daughter) discusses the differences between chick-lit and (the nonexistent) dick-lit in a guest post on MamaMia.

Beneath the “campy sensationalism” of True Blood lies “the weird, seemingly reactionary politics” of “the right’s worst nightmare about post-gay-liberation America come to life.”