On the (Rest of the) Net.

I’m at Paste Wrestling writing about the dearth of women’s wrestling merchandise on WWEShop.com, and the stuff that is there is exclusionary to children on the spectrum and women who’ve experienced sexual assault.

I wrote about the censorship of porn when many young people use it as sex education. [Archer]

My latest for SBS Life is about how women’s friendships can dwindle later in life and why that’s okay.

I wrote about why we need diverse podcasts for Feminartsy.

I contributed to Writers Bloc‘s list of feminist books for International Women’s Day and covered the All About Women festival for them.

Crazy Ex-Girlfriend‘s Rebecca Bunch is crazy. “So am I.” [Junkee]

Britney Spears deserves better than her Lifetime movie. [Buzzfeed]

“How Supergirl Became One of the Most LGBTQIA-Friendly Shows on TV.” [Elle]

The Good Fight needs Kalinda Sharma.” [The Ringer]

“No, I Don’t Want To Watch A Rape Survivor Reconcile With Her Rapist.” [Junkee]

Get Out the the horror movie of our time. [Buzzfeed]

And in it, “Allison Williams Knows How to Make ‘Good White People’ Scary”. [Vulture]

Rereading The Handmaid’s Tale in the Trump era. [The Cut]

How will women’s magazines cover Ivanka Trump? [Politico]

Kellyanne Conway is a Cool Girl. [WaPo]

What Donald Trump’s food says about him. [Eater]

How Big Little Lies challenges “Leaning In” and #WomenWhoWork. [Buzzfeed]

Daria Morgendorffer is the heroine we need now. [The Cut]

Intersectionality is not a brand, but it extends to brands. [Daily Life]

World Wrestling Entertainment asserted a year ago that it would start telling LGBTQIA stories. That still hasn’t happened. [Paste Wrestling]

ICYMI: I republished an old freelance article about how Gossip Girl and other flashy shows make me feel bad about myself.

And in case this wasn’t enough for you, there’s more feminist reads at the 105th Down Under Feminists Carnival. [Transcendancing]

Watching Gossip Girl Makes Me Feel Bad About Myself.

gossip girl serena crying

This article was originally published on Birdee on 23rd October, 2013. 

In preparation for an upcoming trip to New York City, I decided to immerse myself in pop culture related to the Big Apple, one morsel of which was Gossip Girl.

I was a fan of the show before it went off the air this time last year, but upon rewatching it, GG just wasn’t the same. Maybe it’s because I binge-watched and therefore didn’t have the distance of weeks between episodes and months between seasons; or just because I’m older, wiser and more in tune with my feminism; but GG ain’t like it used to be. In fact, Serena et al. and the swanky and “scandalous lives of Manhattan’s elite” actually made me feel bad about myself.

Now, I have pretty high self-esteem and positive body image for someone who went through adolescence in the internet age – when porn became ubiquitous, texting and social media reigned supreme and magazine cover girls were increasingly airbrushed to within an inch of their lives – so I can only imagine how it affects other young people.

When the first season premiered in 2007, I was still a teen and finding my place in the world. Initially, I aspired to have Serena’s luscious locks (albeit in brunette) and designer duds and gallivant around the big city. But as the series grew more debauched and increasingly focused on materialism and status, I unknowingly became susceptible to GG making me feel inadequate – it even contributed to the early stages of a quarter life crisis (from which I’m still not sure I’ve recovered)!

The enviable wardrobes and statement jewellery of Blair and Serena, the glamorous New York parties and cunning schemes were juxtaposed against my mundane existence working at Coles and studying in a country town. I’d never have Serena’s gravity-defying breasts or even Georgina’s slightly more attainable eye makeup; forget invitations to hobnob with celebrities at Upper East Side events.

I don’t think the manifestation of these feelings of inadequacy is accidental. We all know the purpose of advertising is to make us feel like we won’t be good enough until we’ve purchased this item, after which all of your worries (and wrinkles!) will be magically erased. GG is a show renowned for its product placement: VitaminWater, Android smart phones, Bing’s search engine, not to mention the legion of celebrities and fashion designers hawking their latest projects.

It goes beyond this, though, with the showrunners punishing certain (female) characters for their transgressions: Jenny was banished from New York for questionably consenting to first-time sex with reprehensible Chuck, who’d tried to date rape her in the first episode. Blair was slut shamed and ostracised for deigning to sleep with someone who wasn’t her boyfriend, is denied love from Chuck for seasons, is equated to a commodity to be traded for a hotel, loses a pregnancy because she can’t chose between two men, and even her own mother questions her sexuality. Serena’s character is dismissed as eye candy and lacks any defining personality traits – apart from being an ‘It girl’ about town. Gossip Girl’s characters and plotline, while dramatic, are not inspiring or empowering.

Sure, it’s just fiction. Often the TV medium is about escapism, and after a hard day at work, school or just a weekend veg-out session, not everyone wants to turn on the TV or open their laptops and be confronted with more intellectualism. Sometimes we just want to lose ourselves in the fantasy.

But it can only be a good thing that some new TV shows have made an effort to better represent the general population and depict women with interests, issues and body types that real people can relate to – think Girls, Orange is the New Black etc.

From now on, I’ll be spending more of my TV time on content that makes me feel good.

Image source unknown.

On the (Rest of the) Net.

ICYMI: Little girls swearing is not the worst thing in the world.

Sex & the City makes me feel bad about my life. (Reminds me of a similar piece I wrote about Gossip Girl.) [It’s Okay for Intellectual Feminists to Like Fashion]

Sex and consent on Scandal‘s underaged-Eiffel-Tower sex tape episode. [Feministing]

Still with Shonda Rhimes’ creations, is How to Get Away With Murder the most progressive show on TV? [Vanity Fair]

On relatability (“To appreciate [art] only to the extent that the work functions as one’s mirror would make for a hopelessly reductive experience.”) VS. likeability (“If you’re reading to find friends, you’re in deep trouble.”) [The New Yorker, Buzzfeed]

Tyra Banks is a feminist. [Mic]

Lena Dunham has tweeted and Instagrammed in support of Tom Meagher’s blog post earlier this year about the rape and murder of his wife Jill Meagher two years ago. [Buzzfeed, White Ribbon]

Wendy Squires wrote on the weekend that Eddie McGuire is leading the charge of male feminists because he built a change room for women runners to have a safe space after exercising at the Royal Botanic Gardens in Melbourne. That’s great, but here are four reasons why McGuire isn’t the feminist Squires thinks he is. They highlight why language is just as important as action. [The Age, Daily Life]

Speaking of language, stop calling sex workers “pr*stitutes” and “wh*res”. [Junkee]

White privilege is alive and well in 2014 if the recent nostalgia for Friends is any indication. [The Globe & Mail]

Anne Helen Petersen on Renee Zellweger’s changing face:

“… Zellweger’s picture personality has been about the striving performance of femininity—and a striving performance that’s rooted, always, in the appearance of twenty- and thirtysomething youth. To see her at the age of 44, amid a long period without acting work, with plastic surgery seems yet the latest attempt, and failure, to conform to the ideals of femininity, the sad second act in the latest Bridget Jones. Only this time, as the book tells us, Mr. Darcy is dead, which means there’s no man to validate her and thus save her from self-punishment.” [Buzzfeed]

On the (Rest of the) Net.

Objectifying disability: Stella Young, she of the soon-to-be defunct ABC Ramp Up website thanks to this week’s budget announcement, talks about disability as inspiration porn.

Makeup made me a feminist. [Vagenda Magazine]

Ladymags that rely on advertising can never be feminist. [The New Inquiry]

I’m featured in the 72nd Down Under Feminist Carnival for my piece on rape on Gossip Girl, originally published on Bitch Flicks. [Blunt Shovels]

On the (Rest of the) Net.

gossip girl rape chuck jenny

I wrote about rape on Gossip Girl. [Bitch Flicks]

Mindy Lahiri is not a Cool Girl. [ThinkProgress]  

Are young adult film franchises fascist? [TheVine]

Miranda Devine thinks Kate Middleton’s chaste princess façade is more feminist than Miley’s “slutty” one, as though either woman has complete control over their images in male-dominated industries. Or monarchies, as it were. [The Daily Telegraph] 

Image via Bitch Flicks.

On the (Rest of the) Net.

Why do you hate porn stars? [The Stranger]

In defence of Kim Kardashian. [Batty Mamzelle]

Meet Terry Richardson’s right-hand-woman and partner in crime. [Vocativ]

At the intersection of being a fat, gay woman. [The King’s Tribune]

Natalie Barr wants you to know she doesn’t hate men, okay? [Daily Telegraph]

I wrote about Gossip GIRLS: Hannah Horvath VS. Dan Humphrey. I also wrote about Dan Humphrey as GG a few weeks ago here. [Junkee]

Birdee published a named first-hand account of a medical abortion. We need more of this in our teen magazines. 

How one Melbourne freelancer changed the course of hip hop history. [Junkee]

Women hiding away to heal from cosmetic surgery (NSFW). [Jezebel]

 

On the (Rest of the) Net.

the hills teen vogue

Gender politics and the cautionary tale of not leaning in on The Hills. [Vulture]

The fault in sick-lit. [Kill Your Darlings]

Lupita Nyong’o and the fetishisation of black women’s bodies. [Black Feminists]

Too much Kim, not enough Kendall. [The Style Con]

In praise of Lisa Simpson, Harriet M. Welsch and Scout Finch. [The New Yorker]

ICYMI: Gossip Girl—Hell Hath No Fury Like a Lonely Boy Scorned.

Image via Cosmopolitan.

TV: Gossip Girl—“Hell Hath No Fury Like a Lonely Boy Scorned”*.

dan humphrey gossip girl

It’s been a year and a half since Dan Humphrey was revealed as the titular character of Gossip Girl, a show that began as a poignant guilty pleasure but that culminated in convoluted trash. I recently went back and rewatched the show’s six seasons in an effort to dissect the clues as to who Gossip Girl was all along.

*

The Stephanie Savage and Josh Schwartz-produced effort based on the book series of the same name by Cecily von Ziegesar debuted just prior to the financial crisis of ’08. Fancying itself a commentary on the decadence and debauchery of “Manhattan’s elite”, the show may be narrated by a Kristen Bell-voiced bitchy blogger behind a computer screen (or, more likely, a smart phone), but it is told through the eyes of Brooklyn social pariah, Dan Humphrey.  In his stop-at-nothing quest to get “inside” the society scene of the Upper East Side, Dan becomes the exact thing he despised. Let me count the ways…

In season one Serena Van der Woodsen is a wide-eyed ingénue back from boarding school who wants to “take a year off… to teach English in South Asia” and Dan is her sensitive but invisible admirer. “Lonely Boy”, he is not so affectionately known as. Season one establishes Dan as the “ultimate insider”, embodying “a likable everyman” whose “pursuit of his dream girl begins his descent into the bowels of hell.” His family often comments on how judgmental Dan can be, and he makes Serena feel like shit in “Roman Holiday” when she eagerly buys him a watch for Christmas, which he asks her to return due to its conspicuity. By the same token, Serena effectively emasculates** Dan when she pays the cheque at a fancy restaurant on their first date and constantly ditches him for someone or something more important, like Blair’s crises or a society shindig.

While it’s been suggested that the writers only started plotting the big reveal of Dan-as-Gossip Girl in the final season when it was evident it would be the shows last, keen-eyed and -eared viewers can unearth some early scenes where Lonely Boy as the undercover chronicler of “the scandalous lives of Manhattan’s elite” seems plain as day. For example, in season two’s “Gone With the Will”, Gossip Girl describes Dan as “brown-bagging it for lunch”, a reference to the receptacle in which he brings his tuna sandwich to school that day. However, as the footage clearly shows, the only people who saw Dan’s brown paper bag were Dan, Serena and Blair. Of course, Serena has her dalliance as Gossip Girl in season five, but combined with the fact that Dan “loses” his phone the very same day that a GG blast*** is sent about Dan and Serena’s shared sibling—about which only Dan, his father Rufus and Serena’s mother Lily know—the evidence mounts in favour of Dan-as-Gossip Girl. Furthermore, in season five, it is revealed that Dan “sent” a video to GG of Blair telling Chuck she still loves him on her wedding day to Louis. What becomes apparent is that he didn’t so much send the video file to Gossip Girl as he uploaded it directly to the site that he is webmaster of, Gossip Girl.

In the season two finale, “The Goodbye Gossip Girl”, when Dan, Serena et al. graduate high school, Gossip Girl has a graduation ceremony of sorts of her own, and crowns Dan “the ultimate insider”, as we come to know him throughout the show’s trajectory. Gossip Girl has always been famed for only writing about high school, specifically Constance Billard and St. Judes, the girls and boys schools the GG cast attend respectively. But, it’s only fitting that if GG is a student at one of those schools that she follows in their footsteps to college, right? Serena, for one, was so happy not to have her digital nemesis tarnish her foray into tertiary education, but no such luck: Gossip Girl now covers college.

As Gossip Girl graduates from high school and into the more grown up university scene, so does Dan, who moves on from Serena to date movie star Olivia Burke, played by Hilary Duff. This is mirrored by GG’s growing penchant for chronicling celebrities and events outside of her previous jurisdiction. This will later be exemplified by Dan’s book, Inside, and his Dominick Dunne-esque society serial in Vanity Fair.

Speaking of, Dan’s fictionalised memoir (which Dunne was also oh-so-fond of) is about his quest to get “inside” “the scandalous lives of Manhattan’s elite” but its publication in “Memoirs of an Invisible Dan” ends up ostracising him from his friendship (I use that term loosely) group. Serena is upset that she’s painted as a vapid socialite to whom everything comes easy, while Nate expresses disdain that Dan sees him as half a person, so much so that his character is amalgamated with Eric’s. While Dan may have offended pretty much everyone close—and not so close—to him, he makes sure to emphasise his own character’s status as “a judgmental dick who can’t even look at himself in the mirror. My character comes off the worst of all of them.”

As Serena find out in season five’s “Raiders of the Lost Art” during her foray into gossip serialising, getting “inside” actually cuts you off from the rest of the world and makes you post hateful things about your friends and family in an effort to stay relevant and get the most hits. Serena, like Dan, becomes drunk with power. After all, “the more readers I have, the more power I have,” he opines in the final seasons’ “Dirty Rotten Scandals”.

By the series’ end, Dan has become just as bad as the conniving and scheming Blair and Chuck and their cohort. As Gossip Girl, Dan is implicated in the car accident that put Chuck in a coma and induced Blair’s miscarriage, Jenny’s banishment from New York and the general unhappiness of his “friends” and family, yet the gang still welcomes Dan back into the fold, and Serena even ends up marrying him! Why are they so quick to forgive him? Because just as Chuck raped Blair and Jenny, prostituted Blair out to his uncle in exchange for real estate and exposed her to intimate partner violence; Blair had an affair with Chuck’s uncle, sabotaged Serena’s college application to Yale and her catwalk debut, and ran Jenny and Georgina, amongst others, out of town; the supposed moral compass of Gossip Girl, Vanessa, and good girl gone bad Jenny help Juliet drug and abduct Serena in one of the series’ best story arcs in season four; Lily framed an innocent man for statutory rape in order to protect Serena’s image and didn’t tell her one true love Rufus about their baby she gave up for adoption way back when; not to mention the myriad transgressions I haven’t listed here, “you and all your other friends would gave done the exact same thing”. They forgave each other for their seemingly weekly betrayals, so what’s one more?

Related: Is Serena Our Generation’s Dominick Dunne?

The Problem with Serena van der Woodsen.

Elsewhere: [Remind Me of The] Gossip Girl, Jenny Humphrey & Rape Culture.

*Blanket spoiler alert.

**I don’t really believe in emasculation, ideologically speaking. If anything, society drums into us that men have to behave a certain way—in Dan’s case, providing for Serena—and when someone or something challenges that, it’s easy to cry “emasculation” without really examining the root of that notion.

***Another term for a Gossip Girl “post” or “status”. Which begs the question: if everyone hates GG so much and wants her taken down, why do they subscribe to her notifications?

Image via Wet Paint.

On the (Rest of the) Net.

 

rihanna-pour-it-up

What do strippers think of Rihanna’s “Pour It Up”? [Daily Life]

I wrote about Gossip Girl and inadequacy. [Birdee Mag]

Unpacking the dual feminism and misogyny of American Horror Story: Coven. [LA Review of Books]

Authenticity and performance on social media. [Jezebel]

I’ve had it up to here with Mia Freedman. And that’s not something I write lightly, as I consider her my idol and I even named my dog after her. But she’s written some doozies this week. First she slut-shamed Kim Kardashian for Instagramming a post-baby body pic and how that impacted her suitability as a mother, and now she’s making sure she warns her daughter that when she is of drinking age, she’d better watch out not to get raped whilst intoxicated. Never mind – god forbid – if her daughter is sexually assaulted prior to this or whilst sober, which is just as likely. Oh, don’t worry, Mia also makes sure to write that she will warn her sons about drunk driving and “having sex” whilst inebriated; notice the absence of “not raping” in this sentence. Because we all know boys hear enough of this and women and girls are the ones who need to modify their behaviour lest they be accused of “asking for it”. [MamaMia]

Maryville rape victim Daisy Coleman writes about her attack. [xoJane]

ICYMI: Misogyny in Stephen King’s Under the Dome.

Image via Billboard.

TV: Smash Finale—“Big Finish”.

After two tumultuous seasons filled with cast and creative overhauls, dwindling ratings and a move to Saturday nights in the U.S. to really put the final nail in the coffin, Smash bid Australian audiences adieu last night on Soho.

I, for one, am sad to see Smash go as, while it certainly wasn’t the best or most cohesive show on TV, I found it immensely enjoyable to watch, partly because I’m a sucker for Marilyn Monroe and a fan of musical theatre, but also because of the melodrama and the sometimes-fantastic casting.

It’s no secret I’ve had my issues with Smash, though, namely Katharine McPhee as Karen Cartwright, whom the writers tried to shove down the audience’s throat, even more so with her star turn in Hit List in season two. Luckily, this freed the part of Marilyn Monroe up for Ivy, who should have been a shoe in for the part from get, what with her curvy frame, platinum blonde locks and knockout Broadway voice.

While there were a few problems with season one, like Julia’s family life (which was reintroduced in the final, leading me to ask, what was the point in retiring Frank and Michael Swift in the first place?), her obsession with scarves, Karen’s possessive boyfriend Dev, and psycho assistant Ellis, Gossip Girl’s Joshua Safran was brought in to replace series creator (and real life Julia Huston) Theresa Rebeck and revamp the show. He did this by dreaming up a rival musical for Bombshell: Hit List.

*

“The only reason Hit List made it to Broadway was because Kyle Bishop died.”

Harsh, Ivy, but true. Kyle was one of the better new characters of season two, but he and his musical could be seen as an allegory for Smash: it was dead in the water so a second musical was introduced in an attempt to revive it.

Several of the themes and songs in Hit List centre around reinvention—“Rewrite This Story”, for example—though I’m not sure how intentional the correlation with Smash’s failure was.

And for an eventual Broadway musical driven by the meta desire to run on Broadway, Hit List has a strange obsession with MTV, fame and the VMAs, of all things. While this wasn’t revealed on the show, it did come out in a very interesting story on Vulture, which begs the question: how did a show (both Smash and Hit List) about Broadway dreams become so muddied by pop?

Safran’s former show’s influence can also be seen in Jimmy, the bad boy who just wants to make good, and Karen’s just the manic pixie (strike that; she’s far too bland to fall into that problematic category) dream girl to help him. What eventuated with Jimmy’s past harks back to Gossip Girl’s season one cliff-hanger: Serena thinks she killed someone on a drug-fuelled bender, but it all works out for the best.

Ivy also experiences a happy ending (pardon the pun) when she finally tells Derek she’s pregnant and he expresses joy at the news despite the fact that his character has been bewildered by parenthood in the past and—of course!—there’s no other option for Ivy than to go ahead with the pregnancy in the wake of her burgeoning career and Tony win. This is network TV, after all.

As for the Tony’s, which rounded out the series (sorry Safran; you didn’t make it to the VMAs like you’d hoped), Kyle took Best Book, but Best Actress, Best Musical and Best Original Score– Music And/Or Lyrics went to Bombshell, proving the Marilyn musical still reigns supreme in the short-lived world of Smash.

Related: The Problem with Smash.

Elsewhere: [The New Yorker] Farewell, Smash.

[Vulture] The Unspoken Full Plot for Smash’s Hit List Musical is Revealed.