On the (Rest of the) Net.

MariNaomi Erica Jong Roxane Gay

Roxane Gay and Erica Jong discuss feminism, illustrating its generational, cultural and racial divides. [The Guardian]

Speaking of illustration, MariNaomi did just that for their talk! [Electric Literature]

Why aren’t we talking about Kesha’s rape case? [Bitch Magazine]

What it’s like to be harassed outside an abortion clinic. [Junkee]

Separating the man from the art: Tyler, the Creator edition. [Jezebel]

What Olivia Benson’s status as favourite female TV character tells us about viewers. [WaPo]

Miley Cyrus’ MTA VMAs hosting gig made her come off “as more of a cool mom than a youth culture avatar”. [The Verge]

“The 13 Best Pop Songs About Women Masturbating.” [Pitchfork]

Matt McGorry’s feminist journey. [Cosmopolitan]

We need to stop romanticising colonialism. [Daily Life]

Why is The Bachelorette so white? [The Guardian]

What women as consumers of true crime can tell us about being potential victims of it. [Hazlitt]

And can we forgive the men who victimise them after they’ve publicly apologised? [The Guardian]

Long hair and its ties to femininity. [Spook Magazine]

More links can be found in the latest installment of the Down Under Feminists Carnival. [Transcendancing]

Image via Electric Literature.

We All Have Naked Bodies. Jennifer Lawrence is No Different.

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Do you ever wonder whether you’ve been a positive influence on someone who’s no longer in your life? Well, if I influenced the particular ex-friend I have in mind—the one responsible for the above Facebook status and the shitshow that followed—in any way it has surely dissipated as she took great joy in victim-blaming and slut-shaming the myriad female celebrities who fell victim to the mass nude photo hack earlier this week.

While the leaking of 101 female celebrities’ private photos from their iCloud accounts—many of them long deleted—is a “flagrant violation of privacy” as perhaps the most-high profile victim Jennifer Lawrence’s PR team put it, it is also a crime. Many a think piece has been written in the days following about how looking at Lawrence, Kate Upton, Alison Brie, Adriana Grande et al’s personal photographs makes us complicit in said crime, much like viewing child pornography is a continued violation of the abused minors. I do not deny this but, apart from Buzzfeed writer Anne Helen Peterson’s take on the “scandal” as compared to the nonconsensual publication of Marilyn Monroe’s “Golden Dreams” nudes in the ’50s, I have seen nary a word written about how the naked body is not, in fact, scandalous.

If many of the comments on the above Facebook thread are to be believed, people—nay, women, because let’s be honest, the only men targeted in this mass hack are those who happen to sneak into a shot with their female partners, as Roxane Gay points out—who take photos of themselves in various stages of undress are idiots, especially if they’re famous, because it’s only a matter of time before they’re leaked for the world to see. Never mind the fact that we all have bodies underneath our clothes and that some people like to take photos of said bodies. To return to Peterson:

“The only way to prevent a market for these type of photos is to stop treating them, and the ‘secrets’ they reveal, as revelatory or scandalous. They don’t tell you anything new about Lawrence. They don’t make you think differently about her. You know why? Because sexuality isn’t, and shouldn’t be, a dirty secret. In her public appearances and interviews, Lawrence has never attempted to make it so. And just because it’s private doesn’t mean it’s dirty…”

This isn’t the first time photos of nude, female celebrities have been leaked, though. In the past few years similar photos of Scarlett Johansson, Blake Lively, Miley Cyrus and Mila Kunis have made their way into the public domain, but it’s hard to remember there being an outrage on such a level. I tend toward the fact that these hackers specifically targeted seemingly as many female celebrities as they possibly could in an egregious example of misogyny. But it could also be because Lawrence is “Our Jen”; “Cool Girl Jen”, and her almost mythical status in fangirl (and –guy) world makes us super protective of her. Those other women—Cyrus, Johansson, and even those that specifically market their sexuality as part of their brand (that’s not to say Cyrus and, indeed Johansson, don’t)—kind of deserved it, didn’t they?

From Kate Leaver in her article “Jennifer Lawrence is Not an Idiot” on MamaMia:

“This is not like that time Kim Kardashian (or, more accurately, her mother/manager Kris Jenner) ‘leaked’ a sex tape in a brazen grab at fame. This is not a staged accident, like when Nicki Minaj’s top serendipitously fell open on stage at the VMAs. This is not a seedy publicity stunt from a desperate celebrity.”

And so what if it was? Lawrence et al presumably had a certain amount of agency in creating these photos in the first place. Their agency and privacy was taken away by some hackers with too much time and misogyny on their hands. Let’s not feed into that by further denying it to women who do traffic in the commodification of their bodies for a profit, whether explicitly or implicitly. Only then can we start to accept the naked body as something that everyone has and not something that can be “leaked” and used to shame women into submission.

Elsewhere: [Buzzfeed] Those Jennifer Lawrence Pictures Aren’t Scandalous.

[The Guardian] The Great Naked Celebrity Photo Leak of 2014 is Just the Beginning.

[Buzzfeed] Jennifer Lawrence & the History of Cool Girls.

[MamaMia] Jennifer Lawrence is Not an Idiot.

Images via Facebook.

Katy Perry & Cultural Ignorance.

Katy Perry is pretty well known for her cultural insensitivity. When she’s not spurting whipped cream from her breasts in a Teenage Dream, she’s appropriating Asian, black and Middle Eastern culture, and the video for her latest single, “This is How We Do”, is no exception.

In a candy coloured world so similar to much of Perry’s other work, “This is How We Do” features cornrows, baby hair, bleached eyebrows, watermelons, “Japanese-y” manicures, “big hoops, maroon lips” and “throw[ing] up peace signs and cock[ing] her neck in a bubblegum version of chucking the deuces”, as Jezebel puts it, all of which are not necessarily positively associated with the abovementioned races in one way or another.

When asked in a recent Rolling Stone cover story about her penchant for cultural appropriation, Perry feigned indignation at being left behind in a political correct era. She responded thusly:

“I guess I’ll just stick to baseball and hot dogs, and that’s it… I know that’s a quote that’s gonna come to fuck me in the ass, but can’t you appreciate a culture? I guess, like, everybody has to stay in their lane? I don’t know.”

Perry hasn’t managed to “stay in her own lane” when it comes to her Prismatic world tour. For her performance of “I Kissed a Girl” she surrounds herself with big-bootied, big-lipped and dark-haired mummies in what looks like a half-assed homage to Lily Allen’s “Hard Out Here” or Miley Cyrus. Perry says, “As far as the mummy thing, I based it on plastic surgery… Look at someone like Kim Kardashian or Ice-T’s wife, Coco. Those girls aren’t African-American. But it’s actually a representation of our culture wanting to be plastic, and that’s why there’s bandages and it’s mummies. I thought that would really correlate well together… It came from an honest place. If there was any inkling of anything bad, then it wouldn’t be there, because I’m very sensitive to people.”

Because if something comes from an honest place, it can’t possibly be racist, right? (Not to mention the fact that whether or not the white privileged lady thinks something she did wasn’t offensive is irrelevant.)

Recently I pointed out on a friend’s Facebook comment thread that an exchange about Khloe Kardashian and her ex-husband, Lamar Odom, could be construed as racist. There was some back and forth about how that wasn’t the intention, but in the end the defence was very Perry-esque in nature. Cultural ignorance shouldn’t be an excuse for cultural insensitivity.

To use an example I heard spewed from the mouth of a colleague, just because you personally think Indigenous footballer Adam Goodes looks like a monkey, doesn’t mean the young fan who called him this at a game was right in doing so. Sometimes the harmful trajectory of terminology—that black people were compared to monkeys and thought of as less than human throughout history—is more important than freedom of expression.

As Supreme Court Justice Ruth Bader Ginsburg said in a recent interview with Katie Couric (which you can watch here), “You can exercise your right to free speech until it is affecting other people”.

While Perry’s at her cultural appropriation game, maybe she can take a page out of Notorious RBG’s book…?

Related: Whipped Cream Feminism—The Underlying Message in Katy Perry’s “California Gurls” Video.

Is Gwen Stefani Racist?

Elsewhere: [Jezebel] Katy Perry Almost Managed to Make an Inoffensive Video.

[Rolling Stone]The Unbreakable Katy Perry: Inside Rolling Stone’s New Issue.

[Jezebel] Why Do Katy Perry’s Dancers Have Fake Butts and Big Earrings?

[Jezebel] Yikes: Clothing Company Pairs Black Child’s Face with Monkey Body.

[Yahoo!] Katie Couric Interviews Ruth Bader Ginsburg.

[Notorious RBG] Homepage.

On the (Rest of the) Net.

ICYMI: Navigating popular culture as a feminist.

The freezing, hungry reality of NHL “ice girls”. [Mother Jones]

What it’s like to work at Playgirl. [Medium]

Orange is the New Black‘s second season dropped on Netflix last weekend, and Sady Doyle explains that it’s not just a “knitting circle” show for women:

“I mean, there is a knitting circle. But they have an alarming tendency to shiv people.” [In These Times] 

What a difference 40 years makes: Seventeen magazine then and now. [Shameless Magazine]

Is Miley Cyrus proving that sex doesn’t sell anymore?

“The old adage that sex sells meant a lot when you literally had to buy into an artist or performer. You couldn’t read Madonna’s Sex book without purchasing it, or watch Deep Throat without going to the cinema. True, music videos have always been free at the point of access, but they once acted as adverts for a purchasable product; now people can watch ‘Wrecking Ball’ as many times as they want, with no interest in the Miley album itself. They can tweet about what she means for feminism till they’re blue in the face, but with no real interest in the end project, there’s no guarantee that all publicity is good publicity.”

I would argue that Miley’s selling a different kind of sex than your Britneys and even Madonnas once did; she’s portraying a crazier, more aggressive and perhaps more authentic sexuality than we’ve seen amongst female pop stars in quite awhile, barring Rihanna and her IDGAF attitude. [Vice]

Slenderman shows that “adolescent intensity, obsession, fantasy, derangement, illness and yes, sometimes violence, are not the exclusive domain of boys.” [The New Republic]

And if you’re after even more linkage, check out The Conversationalist‘s hosting of the 73rd Down Under Feminist Carnival, featuring links from yours truly and many other feminist musings.

On the (Rest of the) Net.

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I wrote about rape on Gossip Girl. [Bitch Flicks]

Mindy Lahiri is not a Cool Girl. [ThinkProgress]  

Are young adult film franchises fascist? [TheVine]

Miranda Devine thinks Kate Middleton’s chaste princess façade is more feminist than Miley’s “slutty” one, as though either woman has complete control over their images in male-dominated industries. Or monarchies, as it were. [The Daily Telegraph] 

Image via Bitch Flicks.

On the (Rest of the) Net.

The “coward’s punch” is far more rampant than violence against women, or so the current furore surrounding male street violence would have you believe. [Daily Life] 

Move over Beyonce, 2013 was Miley’s year. [Village Voice]

If porn stars could speak in schools, this is what they’d say. [New Statesman]

Yet another attempt to unpack the consumption of art created by abusers. [Bitch Flicks]

How Aussie Girls relate to their Lena Dunham-created counterparts. One of the best think pieces I’ve read about the show. [Kill Your Darlings]

Why we shouldn’t joke about incest in the wake of Lifetime’s Flowers in the Attic remake. [Here There Be Dragons]

Speaking of Flowers, is it anti-reading? [The New Yorker]

What if we spent as much mental energy worrying about homeless women as we did celebrities? [Jezebel]

2013: A Bad Year for Women.

Not to discount Wendy Davis’ reproductive rights filibuster in Texas, abortion drug RU486 being added to the Pharmaceutical Benefits Scheme and feminism trending worldwide thanks to Beyone, Miley et al. clamoring to claim the movement for themselves, 2013 was a very bad year for women. But what year isn’t, really?

On Valentine’s Day in South Africa, Paralympian Oscar Pistorius shot his girlfriend Reeva Steenkamp dead, claiming he thought she was an intruder. Abusive relationship whispers abounded, but all the media could talk about was that Steenkamp was a hot, blonde model, and many news stories didn’t even bother to mention her name.

While Melbourne woman (by way of Ireland) Jill Meagher was brutally raped and murdered in 2012, the trial of her killer, Adrian Bayley, dominated the Aussie news this year. It was revealed that Meagher was the latest in a long line of rapes and abductions spanning a twenty-year period due to the failure of the parole system. Bayley was sentenced in June to 35 years in prison.

Many of Bayley’s rapes were targeted at St. Kilda sex workers, which brings us to the murder of Tracy Connelly in her van on 21st July which made news in the wake of Bayley’s sentencing. Melbourne writer Wendy Squires furthered Connelly’s story by writing about the woman she never knew by name, but with whom she became friendly as she passed her in her neighbourhood most days.

In the mid-year political uprising in Egypt, up to 43 women were sexually assaulted in Tahrir Square, but they’re just collateral damage when the larger issue of political freedom is at stake, am I right? And while the brutal Dehli gang rape and bashing of an Indian student and her male friend which resulted in the student’s death from internal injuries happened late last year, 2013 has been rife with other sexual assaults. (It’s important to note that these are just the rapes that have been publicised and picked up by the Western media. Countless rapes have been and are continuing to be committed that we just don’t hear about.) Most recently, a 15-year-old Indian girl committed suicide after being gang raped six months ago.

The U.S. has seen a spate of woman-hating crimes come to light this year, too. In May, Amanda Berry, Michelle Knight, Gina DeJesus and Berry’s six-year-old daughter were rescued from a house in Cleveland, Ohio after being held captive by Ariel Castro for up to ten years. At trial in August, Castro was sentenced to life in prison plus and addition 1,000 years. One month later, Castro was found dead in his cell.

The football town of Steubenville, also in Ohio, made worldwide headlines for the rape and kidnapping of an unconscious teen by members of the town’s high school football team. The teenaged victim, whose identity is protected, was transported from party to party whilst she was unconscious (resulting in later-dropped kidnapping charges, in addition to rape and child pornography charges), had photos taken of her and shared on social media, and had her case picked up by vigilante hacking group, Anonymous, which forced the authorities to take the case seriously. The teenaged perpetrators, Ma’lik Richmond and Trent Mays, were given the minimum sentences of one and two years, respectively, in juvenile detention while investigations have been launched into the role school officials played in covering up the case.

In another -Ville—Maryville, Missouri—two teenaged girls were raped by boys on their school’s football team… Sound familiar? One of the victims was left passed out on her porch in minus temperatures, has attempted suicide and allegedly had her house burned down as a threat. The case was dropped due to “insufficient evidence” but has recently been reopened as a result of public pressure.

Back at home, the deaths of two young girls and the abuse they suffered their whole lives at the hands of their parents were in the news. Kiesha Weippeart’s mother, Kristi Abrahams, was sentenced to up to 22-and-a-half years in prison in July for the murder of her daughter in 2010. Her partner, Robert Smith, was sentenced to a minimum of 12 years for being an accessory to the crime. It’s no excuse for the brutal murder of a six-year-old, but this Good Weekend article is a harrowing account of the cycle of abuse in the Abrahams family that Kiesha was a victim of. Also making headlines was the sentencing for the murder of toddler Tanilla Warrick-Deaves. Donna Deaves had earlier in the year been sentenced to 12 years in prison for doing nothing to save her daughter from the fatal beating inflicted on Tanilla by her partner, Warren Ross. Ross was found guilty of Tanilla’s murder on 5th December.

But probably the two take away moments of misogyny in 2013 are Robin Thicke, who has been named sexist of the year, for his rape anthem, “Blurred Lines”, and its accompanying god awful video, and the ousting of Julia Gillard from the prime ministership. Now, before all the MRAs get up me for deigning to insinuate that a poor leader shouldn’t stay in that role because she’s a woman, I’m not talking about just her ousting. It was everything leading up to that: the “Ditch the Witch” and “Bob Brown’s Bitch” placards; the sexist menu in which Gillard’s body parts were likened to meat; Alan Jones’ comments; the questions about her partner’s sexuality; the misogyny speech… Hell, Anne Summers didn’t write a book about it for nothing! I don’t necessarily agree with all of her sentiments, and she did make some bad decisions in parliament, but when we look back at Gillard’s time as the first female Prime Minister of Australia, there has been at least one positive development to come out of it: Gillard is now a feminist hero!

What have been some of the worst moments for women in 2013 that I haven’t included here? I would love to get your thoughts in the comments.

Related: The Misogyny Factor by Anne Summers Review.

Anne Summers in Conversation with Julia Gillard.

Elsewhere: [The Age] An Innocent Woman Slain. Where’s the Public Outcry?

[Sydney Morning Herald] Duty of Care: What Happened to Kiesha?

[The Guardian] Robin Thicke Named Sexist of the Year.

On the (Rest of the) Net.

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Stop pigeonholing young women:

“The way Miley Cyrus has been allowed to dominate months of necessary discussion about young women and what they do, about sex and celebrity and the pounding synthetic intersection of the two which is pop music is the ultimate example of our guilty, horny fascination with young girls’ sexual self-exploitation. We have discussed Miley Cyrus as a cipher for precarious womanhood everywhere to the extent that she has functionally become one.

“The ongoing Miley conversation is concern-fapping made flesh. Miley is not the only very young woman doing bold, original or shocking things in public right now, but she’s the one who gets to sum up all girls everywhere. Miley, not Lorde. Miley, not Daisy Coleman. Miley, not Malala Yousafsai. Miley, not Chelsea Manning.

“Of course, young trans women and women of colour, however heroic, could never be everygirl. That’s why Rihanna only gets to be a ‘bad influence’ on girls, but Miley somehow is all girls. She is the way we want to imagine all girls – slender young white innocence forever being corrupted, allowing us to stroke out another horrified concerngasm.” [New Statesman]

And while you’re at it, stop mansplaining the rap game. [Vice]

The evolution of masturbation. [TheVine]

Stephen Milne’s former teammates are closing ranks around him in a bid to discredit raise money for his defence against rape claims. [Daily Life]

Fat is a feminist—and animal rights—issue: PETA’s at it again, shaming women who are over the Plan B emergency contraceptive weight limit into becoming vegan. [Mother Jones]

Peeta Mellark is a Movie Girlfriend. [Monkey See]

WTF does Frida Kahlo need to be “pretty”? [Lip Mag]

Image via High Snobriety.

Event: A Very Manhattan Halloween.

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orange is the new black costume

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We found Wally (or Waldo, as they are wont to call him over here).

ursula the little mermaid costume

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Pets on parade.

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Feminists in arms. (Norma Jean did work in the factories during World War II, after all, just like Rosie!)

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On Wednesdays we wear pink.

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Unfortunately you can’t see The Birds, but this is Tippi Hedren.

In New York City’s Greenwich Village Halloween Parade I was surprised to be the only Marilyn Monroe in attendance that I could see. There were some arguably culturally insensitive costumes (a Tonto and a plethora of “sexy” Native Americans), a Banksy, some political statements (anti-fracking, anti-spying) and a kick-ass version of Orange is the New Black, complete with whiteface, marching in one of New York City’s most revered institutions.

Revelers dressed as jellyfish with umbrellas ruled the night and came prepared for the rain that was forecast and appeared on schedule as the parade began around 7pm. 60,000 people were expected to show up to walk and, seeing as last years festivities were interrupted by superstorm Sandy, 2013’s Halloween was a long awaited one. New Yorkers have a knack for rising above adversity and Thursday night was no exception.

While the parade is certainly an event that adults relish the opportunity to participate in, being a non-alcohol and -drug-fuelled event there were plenty of children and pets dressed up and ready to march up 6th Avenue, between Spring and 16th Streets, where the parade ended. A few blocks away (thought that didn’t stop my party from getting lost in transit!) was the official parade after party at Webster Hall, transformed into Webster Hell for the festivities. Thousand-dollar prizes were given to the best dressed, which included a white Little Wayne, Regina George, several Rosie the Riveters (the best one I saw came replete with the posters’ yellow background festooned to her in cardboard, which we didn’t manage to catch on camera) and many a Robin Thicke and Miley Cyrus. A virgin was sacrificed on an occult alter at midnight, which we unfortunately missed on one of the many floors of partying. Tickets to the after party don’t come cheap, though, starting at $40 and increasing as the event draws closer (I paid $75 for my ticket, while those who opted to buy on the door were looking at $100 a pop!). Webster Hall undoubtedly pulled in an exorbitant amount of cash in ticket and bar sales, but the actual parade relied on $50,000 of KickStarter donations to get up and running again this year, as they were uninsured for the effects of Sandy.

Halloween is certainly gaining traction in Australia, increasingly among adults as much as trick-or-treating children, but America goes all out. Part of the reason I’m in New York City at this time of year is specifically to attend the 40th anniversary of the parade and the after party, assembling my costume months in advance and carting it halfway across the world, while the friend I’m staying in the city with and I traipsed through the Upper East and West Side’s thrift stores in search of the finishing touches for her costume (a silent film star).

Halloween here is not for the faint-hearted; many residents and businesses adorn their facades in all manner of holiday paraphernalia, soccer mums ferry their kids to and from school in costume, and over $7 billion is spent on costumes, candy and general Halloween merriment. No matter how you feel about it, All Hallows Eve is an exercise in Americana that doesn’t look to be going anywhere any time soon, especially not in the heart of New York City.

Elsewhere: [DNAinfo.com New York] Village Halloween Parade Needs $50K to Recover from Hurricane Sandy.

Images via April Bonnick.

Magazines: Covers Worth Talking About.

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The first cover listed here to grab my attention was Hillary Clinton for New York magazine, but then Miley came along and blew that out of the (pool) water as she is wont to do.

The accompanying interview for her Rolling Stone cover was done in the days following her much-talked-about MTV VMAs performance, which is discussed at length inside. And rest assured, there are lots of scantily clad shots to compliment her tongue-thrusting on the cover.

Next comes Chris Brown for Jet, a cover which doesn’t necessarily grab the eye as the others do, but it’s what Brown says inside, a snippet of which is captured on the cover, that’s noteworthy. He who is a perpetuator of violence himself identifies with Trayvon Martin, the teen who was shot dead a year and a half ago in Florida in an alleged self-defence. His killer, neighbourhood watchman George ZImmerman, was acquitted of his murder in July this year, and was involved in an apparent domestic violence incident with his estranged wife earlier this month. His wife later refused to press charges.

Now, I’m not saying that Brown can’t identify with a fellow young black man who has been victimised, but equating murder with justified criticism for intimate partner violence and a lack of remorse for said violence is a bit rich.

Finally, in the wake of the mall massacre in Nairobi which, it is believed, had a woman at the helm of the terrorist operation, Pakistan’s Newsweek has a cover story on the rise of female terrorist. I think alternative cover art would have conveyed their message just as well as explosive-tampons…

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Images via The Hollywood GossipVanity FairNY Daily NewsYahoo! Finance.