On the (Rest of the) Net.

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“To be Rihanna… To be a black woman and genius, is to be perpetually owed.” [Pitchfork]

Why we find the sexualised violence of #BBHMM so disturbing. [HuffPo Women]

The Supreme Court of the United States’ landmark decision to legalise marriage equality nation wide is great, but the freedom to marry should also mean the freedom not to marry. [The Cut]

The Kim Kardashian sex tape flag at Kanye West’s Glastonbury set shows women’s sexualities aren’t their own. [The Guardian]

Has Kim changed… or just the way we think about her? [Daily Life]

Orange is the New Black and a defence of rape scenes:

“My hope is that going forward we can have a Pennsatucky Test for rape scenes much like the Bechdel Test. Is the victim’s point-of-view shown? Does the scene have a purpose for existing for character, rather than plot, advancement? Is the emotional aftermath explored? As long as sexual assault continues to be a scourge of our society, TV shows ought to mine the subject; it’s important we keep the conversation going. Just take care of your characters. Don’t rape ’em and leave ’em. They deserve to have their trauma acknowledged. They deserve to have their stories told.” [Vulture]

“The Personal Politics of Public Bathrooms.” [The Cut]

Grief in the time of social media. [Kill Your Darlings]

Why does TV suck at understanding the internet? [Junkee]

To celebrate U.S. series UnREAL‘s renewal and debut on Australian screens on Stan, read about how the show flips the reality TV script and how it’s pushing the boundaries of female masturbation. [Vulture, TV Tonight, The New Yorker, HuffPo Women]

Mums with guns. [Jezebel]

Magic Mike XXL was released this week and I wrote about the original here. [TheVine]

The latest Down Under Feminists Carnival has much more Aussie and Kiwi feminist goodness to keep you satisfied. [A Bee of a Certain Age]

Image via Pop Sugar.

The Perception of Power in Orange is the New Black.

orange is the new black season 3 piper

*This piece contains spoilers for the third season of Orange is the New Black.

In the lead up to last Friday’s debut of Orange is the New Black’s third season, promos littered the internet about how the show would deal heavily with faith and motherhood this time around.

The motherhood motif bookends the season, with the inaugural episode opening with a Mother’s Day fete at Litchfield while the requisite flashbacks deal primarily with each prisoner’s relationship to motherhood, whether as a parent or a daughter.

But one of the less obvious but just as imperative themes of season three is power and the perception of it.

Power manifests itself in many guises this season but takes root in several main storylines.

Piper, using the money in her commissary account (a privilege her upper middle class pre-prison lifestyle affords her in itself), buys out all the noodle flavouring packets the prisoners have taken to seasoning Litchfield’s new, inedible menu with as an incentive to the other inmates to give her their used underwear to sell in her prison panty business.

Of course, she supplies the underwear that she steals from the new prison “sweatshop” which has Piper, new inmate Stella (played by Ruby Rose), et al. earning $1 an hour sewing “$90 bras” for lingerie company Whispers. And when Stella betrays her by stealing her profits two days before her release, Piper exercises her dominance over her new lover by planting contraband in Stella’s cell and it’s off to max(imum security) she goes.

Piper had originally pointed the finger at Flaca who’d been agitating for “fair pay for skanky panties” in a parallel storyline to the power plays prison manager Joe Caputo has to make as Litchfield becomes privatised. The guards turn to him as they attempt to unionise in the face of pay cuts and lost benefits, however rumblings of Caputo’s internal struggle to be a good guy versus being paid his dues that we saw last season (when Officer Bennett confessed his relationship and subsequent pregnancy with Dayanara Diaz and Caputo told him to sweep it under the rug) reveal themselves and he throws the guards under the bus.

orange is the new black season 3 norma

Religion presents as a powerful currency inside as mute Norma is held up as a deity to the meth head laundry crew, Soso and even Poussey. Being the one lorded over in an abusive, polygamous relationship in her backstory, we see Norma relish her newfound religious power.

Meanwhile, Cindy leads her friends in their quest for Kosher meals. While the others are claiming Kosher ’cause it tastes good, Cindy actually has a religious revelation of sorts, and becomes a Jew by season’s end.

orange is the new black season three pennsatucky rape coates donuts

Perhaps one of the more harrowing exhibits of power and just how little female prisoners have is in Tiffany “Pennsatucky” Doggett’s trajectory. Her backstory paints a depressing picture of trading sex for soft drink and after her sensitive and sexually giving high school boyfriend leaves town, she’s raped by a former paramour who didn’t like that she cut off his supply of sex.

Food acts as a snare in Doggett’s relationship with a new guard who also works at a donut shop. During their errand runs off prison grounds, they stop to feed their uneaten donuts to ducks in an uncomfortable violation of prisoner-guard relations. While nothing funny happens for a few more episodes, and it’s unclear whether the guard had designs on assaulting Doggett from the beginning, it reinforces that even if a prisoner is willing, the imbalance of power between guards and inmates is too great for there to be a clear choice. (This is echoed in Daya’s pregnancy.)

Other, arguably less obvious manifestations of power can be seen in the ignorance and violence that further marginalises the already marginalised as rumours about Sophia’s transition circulate; Taystee’s newfound role as the “mumma” of her friendship group; Red’s return to the kitchen; Angie’s escape and, later, the entire prison population’s Litchfield Redemption.

Despite the fun, sisterly environment Orange is the New Black can sometimes portray Litchfield to be, women in prison—and, by extension, women in the outside world—have a lot less power than this article might suggest. In back to back episodes that look at perception, Flaca says of her counterfeit LSD business that “people will believe what you tell them” while Chang is told by a business associate that it’s not whether the exotic animal parts they’re smuggling “work, but whether you think they work.” Even Norma seems incredulous to her apparent religious powers, with her fellow inmates perceiving her hugs when she sees them as their “morning blessing”. Cindy might not have chosen Judaism had she continued her frivolous pre-prison lifestyle, but freedom of religion is a small exertion of power she can express in incarceration.

These seemingly small grabs at power, or the perception of it, is crucial in an environment where lives may depend on it. And in Litchfield, it’s all the women have.

Related: Physical & Mental Health on Orange is the New Black.

Orange is the New Black‘s Morello’s Fractured Relationship with Romance.

Elsewhere: [Vulture] Orange is the New Black Season Three Will Be Lighter, Focused on Faith & Motherhood.

Images via Screenrants, She Knows, IMDB.

On the (Rest of the) Net.

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What Orange is the New Black‘s Pennsatucky’s dental health says about class. [Bitch]

The history of the sex education film. [Alternet]

Most women have periods at some stage, so why are we so afraid to talk about them? [The Lifted Brow]

There should be a Bechdel test for mothers in kid’s movies: “Show me an animated kids’ movie that has a named mother in it who lives until the credits roll.” And when mothers are present, they act as a sort of Manic Pixie Dream Mum, paving the way for the main characters—and their fathers—to carry out the rest of the narrative. [The Atlantic]

Duke porn star Belle Knox writes about her experience being slut-shamed from within the industry she works. [Jezebel]

Image via Bitch.