On the (Rest of the) Net.

The star of that Hollaback! New York City catcalling video, Shoshanna Roberts, speaks. [NYTimes]

What if there was a Bechdel test for movies featuring Native American people? [Mic]

How TV is getting smarter about sex. [WaPo]

A harrowing report on rape in college fraternity houses prompts the question: should frats be banned? [Rolling Stone, Gawker]

FCKH8 is back with their “potty mouthed princesses”, this time proselyting on domestic violence. [Junkee]

Is Mockingjay‘s message getting muddled by the (real and fictional) media? After all,

“We like Katniss, so we want to believe she’s important. But she isn’t a politician. She’s not a military strategist. She’s not a revolutionary thinker. She’s a survivor, and can handle a weapon, but that’s true of most soldiers. The only real value Katniss Everdeen has to the revolution is the fact that people like seeing her on television. She’s a weapon of mass sympathy; if she believes in this war, people at home will join it. And then they will die.”

And in wider, actual society:

“Taylor Swift… recently opined that ‘so many girls out there say “I’m not a feminist” because they think it means something angry or disgruntled or complaining. They picture like rioting and picketing, it is not that at all.’ Actually, it is that—rioting, picketing, and complaining, the synonym for all of these being ‘protesting,’ are pretty darn essential—but hey, who am I to stand in the way of mass appeal?” [In These Times]

Does rap have an immaturity problem? If so, Eminem’s its poster boy. [Grantland]

On the (Rest of the) Net.

orange is the new black pennsatuckey teeth

What Orange is the New Black‘s Pennsatucky’s dental health says about class. [Bitch]

The history of the sex education film. [Alternet]

Most women have periods at some stage, so why are we so afraid to talk about them? [The Lifted Brow]

There should be a Bechdel test for mothers in kid’s movies: “Show me an animated kids’ movie that has a named mother in it who lives until the credits roll.” And when mothers are present, they act as a sort of Manic Pixie Dream Mum, paving the way for the main characters—and their fathers—to carry out the rest of the narrative. [The Atlantic]

Duke porn star Belle Knox writes about her experience being slut-shamed from within the industry she works. [Jezebel]

Image via Bitch.

On the (Rest of the) Net.

Barbie Sports Illustrated

Barbie is #unapologetic about her Sports Illustrated swimsuit photo shoot. [Barbie Collector]

On behalf of child molestation survivors, Cate Blanchett, don’t accept the Best Actress Oscar. [Thought Catalog]

Modernising the Bechdel Test. [Daily Life]

Fractured friendships on Girls. [Musings of an Inappropriate Woman]

From lady to ladette: media portrayals of female drunkeness. [Sociological Images]

On the (Rest of the) Net.

hard out here lily allen has a baggy pussy balloons

Lily Allen just released the feminist anthem of the year, with accompanying satirical video to boot! [Jezebel]

Though there are some important discussions that need to be had around the racism and objectification of the video. Is accessorising with scantily clad black women in the name of parody still using black culture as a commodity? [Birdee]

Most critiques of the song and video point to yes, just one reason being that it perpetuates the racism of white artists critiquing hip hop and rap music. I would’ve loved to see a black artist come out with this song and video, as it can be interpreted as Allen condemning black music culture without checking her privilege. I also think the themes of the video get a bit muddled: what genre is she trying to critique (“Blurred Lines”, Miley’s rachetism, the rap game…?) or is it the music industry in general? [The Trillest Villain]

Lily’s not the first female pop star to attempt to satirise the genre. [ThinkProgress]

Joss Whedon mansplains feminism. [Daily Life, Jezebel]

Let’s all move to Iceland! [Daily Life]

Intimate partner violence perpetrators in the National Hockey League. [Bitch Magazine]

Some of television’s most historically conservative channels are now the gayest. [Daily Beast]

Lip Mag‘s following in the footsteps of Rookie and Jezebel and releasing their own yearbook. Get 25% off when you preorder.

“The Problem with Sweden’s Feminist Film Rating.” [Daily Life]

You know you’re a feminist on the internet when… [Buzzfeed]

The misogyny of the left. [New Statesman]

ICYMI: I spent Halloween in New York City!

Image via Junkee.

On the (Rest of the) Net.

Where does Glee go next after the tragic death of Cory Monteith over the weekend? [Vulture]

Furthermore, Monteith as Finn Hudson embodied the fear of failure and being stuck in a small town with little to no prospects. Drawing on his real-life experiences, perhaps? [The Atlantic]

Got daddy issues? The ultimate TV father/lovers. [Daily Life]

I went to a Lady Gaga variety fundraising night and wrote about it for TheatrePress.

Is news bad for us? It is if it comes from The Daily Mail. [Daily Life]

Homosexuality in hip hop. [The Guardian]

An advertising agency liaising with the Prime Minister’s Office and hip, young media brands, such as TheVine, offered an interview with the PM in exchange for free pro-Labor advertising. [SMH]

Pacific Rim—the latest in a depressingly long line of films—fails the Bechdel test, hard. [Vulture]

The Pixar Theory: why Brave, Toy Story, Monsters Inc. et al are all linked together as part of the same story as opposed to different ones. The mind boggles. [Jon Negroni]

The underlying religious messages in Man of Steel. [EW Pop Watch]

Oh, goody! I’ve always wanted a system to chart how slutty I am. Gives a whole new meaning to the “slut barometre” Alyx Gorman discussed on TheVine a few weeks ago. [Slut Formula]

Why paedophiles Peter Truong and Mark Newton give same-sex parents a bad name. [ABC The Drum]

Event: Melbourne Writers’ Festival—A Long Long Way to Go: Why We Still Need Feminism.

We’re in a post-feminist era. Feminism is dead. Has feminism failed?

From the arguments presented by Sophie Cunningham in her Melbourne Writers’ Festival address, titled after the line in Helen Reddy’s “I Am Woman” (and the title of a book I thought Cunningham mentioned she’d had/is having published, but upon further inspection, this doesn’t seem to be the case), these post-feminism assertions are null and void.

While Cunningham stated at the beginning, after her introduction by Monica Dux, that she’d be focusing purely on feminism as it relates to Western women, but to keep the big picture in mind, I was disappointed that she kept her key points to the lack of women (or recognition of women) in writing, music, film and the arts in general.

Having said that, though, she made some pertinent points: that in 2009 and 2011, the Miles Franklin Award shortlists were all male; that for a woman in Australia to be paid the same as a man in the same job, she would have to have a PhD to his Bachelor degree; that a 25-year-old woman will earn $1.5 million over the next 40 years, whereas a male will earn $2.4 million (to which Dr. Anne Summers responded, “There’s a $1 million penalty for being a woman in Australia today.”); it’s safer to be a soldier in one of the most dangerous countries in the world, the Democratic Republic of Congo, than to be a woman; women do two thirds of the world’s work for 10% of the pay; that when literary submissions are read blind, the inclusion/choosing of women increases sevenfold. (This is epitomised in The Big Issue’s latest fiction edition, in which six competition pieces were read without names attached, and five [possibly six; it isn’t clear if Nic Low, whose piece Slick appears in the anthology, is male or female] are from women writers.)

To really illustrate the “invisible woman” syndrome in the “writing culture crisis”, and amongst many other industries, Cunningham used an anecdote about a female reporter who attended a Liberal rally organised by Tony Abbott and was taunted by the crowd for daring to question Malcolm Turnbull (I think; don’t quote me on this)*. To escape the abuse that threatened to get physical, she disappeared into the crowd, becoming “invisible”. If only Lara Logan, whom Cunningham spoke about, was able to do this in Tahrir Square.

Cunningham brought up the notion that in terms of women’s equality and feminism, our society is regressing somewhat. This is a contention I agree with. Therefore the “invisibility” of women has become “normalised”.

Aimless Panther writes on Feminaust:

“Yay, Aussie women now make up 12% of board members! Wait… seriously, is 12% something to CELEBRATE?!?!”

My sentiments exactly.

In film, Cunningham talked about the Bechdel test and how the feminist movie of the year, Bridesmaids, makes the cut, whereas Cowboys & Aliens doesn’t. Not to toot my own horn (okay, I’ll toot away!), but has Cunningham been reading The Scarlett Woman?!

She also mentions Pixar’s first film featuring a female protagonist, 2012’s Brave, about a strong, assertive and “brave” (duh!)—hence “ugly”—redhead. My, how far we’ve come!

Where Cunningham saw a sort of “bottleneck” in modern feminism, where white, privileged feminists like myself don’t understand the problems facing feminists of colour, feminists with sexual orientation other than straight, feminists with gender other than cis, and feminists with disabilities, she praised the “grassroots” feminism sprouting in the young feminist community, epitomised by SlutWalk. (SlutWalk has been criticised by non-white, non-middle-class feminists for excluding them. Cunningham defended the protest, but by only speaking about issues that affect the feminists SlutWalk caters to, perhaps she could be seen as contributing to this bottleneck?)

She longs for a fourth wave feminism, and finished the talk with this. Some would say we are in/entering a fourth wave, where sexual liberation and reproductive rights still reign supreme, but there is more of a focus on the needs of different types of feminists, as mentioned above, and “serious”, Third-World feminism, where some view the movement is most needed.

Those who are instigating these grassroots movements; this fourth wave; these feminist blogs; are arguably the 25-year-olds who “don’t get feminism”, as Cunningham asserted. While I don’t wish to demonise her for questioning my, and my peers’, motivations and understanding of the movement we so lovingly work towards, I was thoroughly offended by this comment. If Cunningham, and an elderly audience member who spoke up during question time by reiterating that young people don’t “get” what “real” feminism is all about, took a look around the function room at BMW Edge at Federation Square, they would have realised that the majority of people in attendance were under or around 25. Some of them were men, which signifies that yes, while we do still have “a long long way to go”, there are people on our side.

Furthermore, I remember last year there was a bit of tension in the ranks between second- and third-wave feminists, which has also contributed to the bottleneck Cunningham speaks of.

I think we, as feminists, need to be careful about who we call a “real feminist”. Is she the man-hating “HLL (Hairy Legged Lesbian)” stereotype? The woman who shuns all pain-killers to have a natural, home birth, and shames all those who don’t? The “expert”? The grassroots SlutWalk organisers? According to Cunningham, perhaps it’s not the young, beautiful women who “don’t understand” the real issues of concern for feminism because, well, they’re 25 and still have men drooling at their feet. (I’m paraphrasing here, but this is basically the gist of what I interpreted Cunningham to mean). There’ll be more on this to come throughout the week. In the meantime, what do you think?

*Updated 05/09/11: It was actually Alan Jones, at the Rally of No Confidence in Canberra, who lead the crowd in a verbal barraging of journalist Jacqueline Maley after she asked him if he had been paid to speak. I have added the link to this information below.

Related: Has Feminism Failed?

“Who the Bloody Hell Are We?”: The Sentimental Bloke at the Wheeler Centre.

Witch Trial: Burning at the Stake on Charmed.

Bridesmaids Review.

Cowboys VS. Aliens & Indians… Does it Really Matter? They’re All the Same Anyway, According to the New Movie.

Rachel Berry as Feminist.

Ain’t Nothin’ Gonna Break My Slutty Stride.

Melbourne Writers’ Festival: Never, Ever, Again—Why Australian Abortion Law Needs Reform by Caroline de Costa Book Launch.

Surfing the Third Wave: Second-Wave VS. Third-Wave Feminism on Gossip Girl.

Elsewhere: [ABC’s The Drum] A Prize of One’s Own: The Case for an Aussie Orange.

[Feminaust] Welcome to Monday August 29 2011.

[Sydney Morning Herald] The Fee, Me & Alan Jones: How Question of Money Turned Crowd Nasty.

Image via Melbourne Writers’ Festival.