“You know, with all the horrible crap I’ve been through in my life, now I get to add that,” Santana responds to Finn’s efforts to show her New Directions and the Troubletones are there for her by staging a week of lady-on-lady music.
Watching Santana be forced out of the closet was pretty uncomfortable for all those involved on either side of the screen, no matter how many Katy Perry songs were there to ease the pain.
Naya Rivera portrayed Santana’s grief, sadness and discomfort perfectly, as both glee clubs essentially patronised her into coming out. Sure, as Finn points out, she’s going to be outed by Sue’s Congressional opponent’s campaign video anyway, but watching someone be coerced into doing something they really don’t want and aren’t ready to do was painful to watch.
But, in the spirit of the episode’s title, midway through the episode Santana and her glee club comrades told a douchey rugby captain who claimed he could “straighten her out” where to go. The rushed exchange between Josh Coleman and glee girls really summed up the issues surrounding being gay in America:
“Easy girls, I’m just trying to make her normal.”
“She is normal.”
“It’s not a choice, idiot, but even if it were you’d be our last choice.”
“Oh, I get it. You’re all a bunch of lesbos.”
“So what if we are? You don’t stand a chance either way.”
Also interestingly, when the girls sing “I Kissed a Girl”, they engage in the very girl-on-girl-for-guys performance that genuinely non-straight women are trying to tackle. Whilst I did enjoy the rendition, it reminded me of the high-school experimentation my peer group engaged in at the appeal of and for the opposite sex. Sure, there’s nothing inherently wrong with that, I guess, but it undoes all the work of gay and bisexual women to be seen as having legitimate sexual orientations that don’t revolve around how the patriarchy wants them to perform their sexuality.
Indeed, it undid all the work Glee was trying to do in this episode.
Image via VideoBB.