TV: Glee Season 2 Final in Pictures.

 

In last night’s Glee final, New Directions make it to New York! (New York! I love New York!)

They eat designer sandwiches on the steps of some landmark that escapes me at the present moment, reminiscent of Blair, Jenny et al. having lunch on the steps in Gossip Girl.

From here, they sing a mash-up of “I Love New York” and “New York, New York” in Central Park while Santana gets her flirt on with a cop.

Finn is inspired by the group’s songwriting efforts (that they’ve come to the Big Apple with nary a song to sing at Nationals only days before the competition speaks volumes about the laissez-faire attitude of both the New Directions and their leader, Mr. Shuester), and asks Rachel out on a date now that he and Quinn are toast. He takes her to Sardi’s, where they run into Patti LuPone, who Rachel accosts, telling Patty she’s one of her idols. Patty tells Rachel to never give up (or something), and that Finn is cute. Sage advice there!

Meanwhile, the other man in Rachel’s life (no, not Jesse St. James Douche), Kurt, wakes Rachel up to go have Breakfast at Tiffany’s, followed by a Wicked duet at the musical’s home theatre, the Gershwin, of “For Good”, harkening back to their season one sing-off of “Defying Gravity”. It was a teary rendition for me!

Mr. Shue also has his Broadway moment, singing a song from April Rhodes’ musical, CrossRhodes, which can conveniently be found on Matthew Morrison’s debut album! He later chooses to shun his New York dreams in favour of staying on at McKinley.

Cut to Nationals, where the New Directions perform their two hastily composed original songs, “Pretending” and “Light Up the World”. During the former, Rachel and Finn share an impromptu kiss in the heat of the moment, which the whole club berates and blames them for losing the competition.

Oh, Sunshine also makes an appearance. No doubt to segue into a cameo or recurring role in season three.

Back in Lima, Kurt and Blaine are having coffee when they encounter Mercedes and Sam, who claim they “ran into each other in the parking lot”. When they think Kurt and Blaine are out of ear- and eyeshot, they hold hands whilst waiting to be served. New couple alert!

In the hallway of McKinley High, Will and Emma marvel at the banner erected to congratulate them on their twelfth placing in the competition, and Mr. Shue presents the class with a trophy for their (dismal) efforts. Until next year’s Nationals…

Related: Glee Gets Down on Friday at the Prom.

The Underlying Message in Glee’s “Born This Way” Episode.

The Underlying Message in Glee’s “Original Song” Episode.

Gwyneth Paltrow Addresses Tabloid Culture & Her Haters.

Glee “Sexy” Review.

The Underlying Message in Glee’s “Blame it on the Alcohol” Episode.

How to Make a Woman Fall in Love With You, Glee Style.

Glee “Silly Love Songs” Review.

The Underlying Message in Glee’s “Furt” Episode.

The (Belated) Underlying Message in Glee’s “Never Been Kissed” Episode.

The Underlying Message in Glee’s “The Rocky Horror Glee Show” Episode.

The Underlying Message in Glee’s “Duets” Episode.

The Underlying Message in Glee’s “Grilled Cheesus” Episode.

The Underlying Message in Glee’s “Britney/Brittany” Episode.

Elsewhere: [Jezebel] Glee: Can’t Make it There, Can’t Make it Anywhere.

Images via MegaVideo.

TV: The Problem with Serena van der Woodsen.

 

She’s got the clothes, the hair, and she’s mighty fine to look at. But that’s about all Gossip Girl’s Serena van der Woodsen boils down to.

I really liked Serena in season one of the show. I could relate to her because everyone thought she was this spoiled, vapid princess, but she showed her true self to her first love Dan Humphrey.

By the end of season two, she’d stopped evolving, though, and it turns out she was just a spoiled, vapid princess, intent on upstaging Blair Waldorf at every opportunity, stringing a multitude of guys along, and having her antics and dirty laundry on the cover of all the tabloids.

Like in the Cecily von Ziegesar (she made an appearance in last night’s final, telling Serena she’d “read a lot about her”) novels of the same name, Serena is the central protagonist of Gossip Girl. But unlike the books, the show has run with Blair and Chuck Bass in the driver’s seat; characters who have grown, changed and become more likeable as a result. Serena, along with her male counterpart Nate Archibald, followed closely by Dan, has remained a stagnant shell of a human being, like the kinds you overhear on the tram and thank God you don’t know them or, worse, aren’t like them.

There have been many a fan disappointed in and perturbed by Serena’s lack of development. Why has she languished in and regressed to the mindset of a highschooler, albeit with better clothes, more freedom and a more active sex life? Is she just “coasting on cuteness”? Most of her storylines seem to revolve around her busting her bust out in an evening gown or standing around looking bored and Amazonian-like. Just because she looks the way she does, doesn’t mean she shouldn’t be as well written as Gossip Girl’s other characters. In real life, how many of this type of woman do you know? Personally, I don’t associate myself with people with no personalities, who’ll turn on their besties for a taste of the spotlight, and who have no opinions save for what outfit they’re going to wear that day, so I don’t know anyone with the personality of a napkin Serena van der Woodsen.

But, let’s face it, Gossip Girl isn’t exactly a realistic interpretation of life. 20-year-olds don’t flit around the city unemployed, never wearing the same outfit twice, depending on Mummy and Daddy’s trust funds. And if they do, then that’s a reality I’m glad I’m not a part of.

This unreality and lack of character development makes the audience not care about Serena’s storylines. Personally, I loved the Juliet/Ben/Serena storyline, but it was because of the mystery surrounding who Juliet and Ben actually were and what their connection to Serena was, not because of Serena. And the latest development in the character’s tumultuous yet über-boring life leads me to make comparisons to the actress who portrays her, Blake Lively’s, life.

I remember when Gossip Girl first came out, Lively said in an interview that she was very low-key, didn’t like to go out to events and preferred to stay home and work on her Martha Stewart skills.

Flashforward four years and Lively’s oft-papped lifestyle is far from the one she naively spoke about. She’s Karl Lagerfeld and Anna Wintour’s muse, flitting from one European country to the next to attend fashion shows and sun herself on yachts. Not to mention her latest nude photo scandal.

While her acting’s not anything to write home about, Lively still has much more to offer than naked pics and Chanel ads. I just hope that it isn’t a case of life imitating art when it comes to Blake Lively and Serena van der Woodsen.

Related: The Beautiful & Damned: Serena Settles for Second Best.

Who Speculates About Domestic Violence in the Affleck/Garner Household.

Picture Perfect.

So Misunderstood.

Breaking the Mould.

Elsewhere: [Jezebel] Is Kate Hudson Coasting on Cuteness?

Images via Gossip Girl Fashion, Link Random, Fashion Under 100.

TV: The Beautiful & Damned—Serena Settles for Second Best.

 

Blake Lively’s had no problem keeping herself in the news since Gossip Girl finished for the year.

She’s allegedly dating Leonardo DiCaprio, her apparent naked body is all over the tabloids, and her biggest movie to date, The Green Lantern with Ryan Reynolds, is pending release.

She met DiCaprio through Baz Luhrmann, who’s directing the Titanic star in his adaptation of F. Scott Fitzgerald’s The Great Gatsby, a movie for which Lively was in the running to play Daisy Buchanan, a role that went to English rose Carey Mulligan.

In the season final of Gossip Girl Lively’s character, Serena van der Woodsen, is told by her former high school headmistress that she’s disappointed Serena didn’t leave New York City to go to college, and find her identity away from the pull of the city. This prompts her to finally make a choice between Dan and Nate, which was one of the cliffhangers of last season’s final.

Serena ends up choosing herself, which is commendable for a character who can never be alone and always needs the spotlight on her. But it seems like choosing herself is her second third best option, as both Dan and Nate have moved on from Serena.

Much like Serena’s apparent screenwriting job for the latest movie adaptation of The Beautiful & Damned in the final is second choice to Lively’s Great Gatsby aspirations.

As Fitzgerald writes in his most famous work:

“… All the time something within her was crying for a decision. She wanted her life shaped now, immediately…”

Maybe Lively isn’t such a bad choice to play Daisy after all…

Related: Gossip Girl Season 4 Final.

Who Speculates About Domestic Violence in the Affleck/Garner Household.

Pretty But Dumb: Serena’s Tertiary Education Predicament.

Surfing the Third Wave: Second Wave VS. Third Wave Feminism on Gossip Girl.

Images via MegaVideo.

TV: Gossip Girl Season 4 Final.

Last week’s episode, where Russell Thorpe lured Blair to the roof of Chuck’s hotel in a payback attempt at Chuck, was a better storyline than the finale’s with Chuck saving Blair, them sleeping together, Blair trying to tell her prince of Monaco fiancé that she can’t be with him because she still loves Chuck, and Chuck butting in to tell Louis that he and Blair have his blessing, as he realises Blair’s a better person with Louis.

Or Charlie faking a psychotic break, attempting to jump from the top floor window of the GG brat pack’s former “stomping ground” in Serena’s cotillion dress, being talked down by Serena, who says it’s not as easy being her as people think, Georgina accosting Charlie, whom she believes isn’t really on medication for a psychological disorder, and giving Charlie her phone number to use if she’s ever back in the city. Turns out Georgina was right, and Charlie is actually revealed to be Ivy, who posed as Serena’s cousin to extort money from her trust fund, at the request of Lily’s sister, Carol.

Or Vanessa stumbling across Dan’s manuscript, which she thinks is the best exposé “on the Upper East Side since Bonfire of the Vanities”. When Dan tells her to leave his stuff alone and get out of his life, I’m not sure he meant for Vanessa to steal the manuscript, pitch it to a publishing house, and hightail it to Barcelona.

Or Darota cleaning Blair and Serena’s adjoining bathroom, in which a positive pregnancy test has been discarded.

Now the latter three story arcs are intriguing, I’ll give them that, but the writers did a piss-poor job in making the audience actually care about them. The Charlie thing was really hard to follow, and the fact that her character is almost as infuriating as Vanessa’s doesn’t lend itself to viewer satisfaction.

It’s pretty easy to see that Charlie/Ivy’s going to return to the Upper East Side to wreak havoc with fellow bad girl Georgina. Blair’s the one who’s pregnant, probably to Chuck. And so their relationship is dragged on for another season. Dan will flail around while Vanessa milks him for all he’s worth and Serena will give up her potential screenwriting job (more on that later) on the West Coast to return to the city where she left her heart. Or something.

Related: The Devil Works at W: Gossip Girl “Damien Darko” Review.

Come Together Right Now… Over Gossip Girl: “Gaslit” Review.

Let Them Eat Cake… And Wear Headbands.

Gossip Girl Proves There’s No Such Thing as Wonder Woman.

Sexual Healing: Gossip Girl Takes a Page Out of John Irving’s Book.

Pretty But Dumb: Serena’s Tertiary Education Predicament.

Surfing the Third Wave: Second Wave VS. Third Wave Feminism on Gossip Girl.

The Last Tango… For the Season: Gossip Girl Season 3 Final.

Images via MegaVideo.

TV: “Seattle Grace Mercy Death”—Grey’s Anatomy “Song Beneath the Song” Review.

 

It’s kind of hard to take the potential death of Callie and her unborn baby seriously when everyone’s singing, and in most cases, not well.

I wasn’t sure if I was delighted or perturbed by the announcement of a musical episode of Grey’s, and wondered how it would all go down.

(Un)luckily I didn’t have to wonder too long, as my friend Sallie spoiled it for me when we were discussing the show a couple of weeks ago. I was still catching up from re-watching all the seasons, and she asked me where I was up to in the latest season: “Callie’s accident?” No, but thanks! And when I accidentally looked up from my book in the final moments of last week’s episode before Desperate Housewives came on to find Callie and Arizona driving and talking, I put three and three together and figured there would be a car accident which would result in Callie’s supernatural musical experience, and voilà, you’ve got “Song Beneath the Song”. It’s like Glee meets Supernatural meets E.R. And not in a good way.

Some of the renditions, especially at the beginning of the episode, are cringeworthy, but Callie—played by Tony Award-winning actress, Sara Ramirez—and Owen (Kevin McKidd) put in performances that push the episode into watchable territory.

Grey’s Anatomy is known for its heartrending storylines and strong acting, and apart from the horrendous soundtrack, this episode is a good one: it’s touch and go with Callie’s survival and the life of her unborn baby, which Addison flies in to tend to when Lucy tanks it. (That doesn’t lessen her appeal to Alex, though!) Mark’s a mess, and tells Arizona she’s “nothing” in the parentage equation, and later apologises. Lexie comforts Mark, but still chooses Jackson. And Meredith breaks down over her desire to have a baby, when it happened so easily for Callie. And Owen’s singing ability just makes him hotter!

The one effective aspect I think the singing brought to the table was it acting as a metaphor for the mile-a-minute emotions everyone tending to Callie’s case was feeling. Sometimes the singing became very overwhelming, what with everything else going on in the scenes. But in the end, I think it worked to the shows advantage.

Now, let’s just sweep it under the rug and pretend it never happened.

Related: Top 10 Grey’s Anatomy Moments.

The Underlying Message in Grey’s Anatomy’s “Superfreak” Episode.

Gun Shot Wound to the Head: Grey’s Anatomy Season Final.

Images via MegaVideo.

What We Talk About When We Talk About Islam.

From the transcript of SBS Insight’s “Fear of Islam” episode, which aired back in November of last year:

“… Every single thing that has been said about Muslims, that they are un-American, that they are foreign, that they are exotic has been said in this country about Jews in the 20th century, was said about Catholics in this country, in the latter part of the 19th century, so it’s a common occurrence in the United States…

“If we want to make sense of this mess and stop pushing Muslims into the arms of the extremist, we need to make meaningful distinctions between the religion of Islam that a billion Muslims follow and see as a guidance of peaceful righteous moral life and the puritanical Islam of a minority which so captures the media’s attention…

“… It’s kind of convenient to simply pick an choose whatever violent bits and pieces one finds in the Koran and ignore the equally important verses that talk about compassion and peace…

“… You have Today Tonight and A Current Affair which essentially on a fortnightly basis is Muslim bash [sic]. When you get that perception of Muslims, for a lot of mainstream people their understanding of Islam is established through a ridiculous documentary focused on extremism or A Current Affair Muslim bashing, so we need to understand where we are getting our knowledge of Muslims…”

Elsewhere: [SBS] Insight: Fear of Islam Transcript.

Image via Quran Reading.

TV: Glee Gets Down on Friday at the Prom.

 

So Rebecca Black has officially permeated the zeitgeist, with “Friday” being performed by Puck, Artie and Sam at McKinley High’s junior prom on last night’s episode of Glee.

And despite Quinn’s monotonous efforts to be crowned prom queen, along with Finn as her king, she lost out to “queen” Kurt.

Kurt’s date Blaine told Kurt of what happened to him at his last prom (he and another gay friend were set on by the school homophobes and gang bashed) and that he wasn’t 100% comfortable with attending, but he went for Kurt anyway.

Kurt’s dad, Burt, was concerned that Kurt’s “royal wedding-inspired” tux, which he handmade himself, wasn’t appropriate and that Kurt shouldn’t draw any extra attention to himself and Blaine.

Kurt thinks, despite Santana and Karofsky escorting him to and from classes as part of their Bully Whips anti-bullying squad, that McKinley is really coming around to the idea of gay acceptance, because he hasn’t been physically or verbally abused since returning from Dalton Academy.

Hatred builds up inside if we can’t let it out, and it seems that the kids at McKinley let it out sneakily and quietly, by “secret ballot” for prom queen.

But you know Kurt: he sucked it up and went out there in front of the school to tell them… “Kate Middleton, eat your heart out.” Okay, I was expecting something a little more inspirational than that, considering the “gay prom” issue is one that’s rampant in the U.S., and also here, as a recent episode of SBS’s Insight will attest.

But I suppose we have Chris Colfer’s Golden Globes speech to comfort us.

And, as is Glee’s trademark, the controversy was wrapped up nicely into one 42-minute episode and McKinley’s homophobia will live to fight another day.

Until then, let’s get down on “Friday”!

Related: The Underlying Message in Glee’s “Born This Way” Episode.

The Underlying Message in Glee’s “Original Song” Episode.

Gwyneth Paltrow Addresses Tabloid Culture & Her Haters.

Glee “Sexy” Review.

The Underlying Message in Glee’s “Blame it on the Alcohol” Episode.

How to Make a Woman Fall in Love With You, Glee Style.

Glee “Silly Love Songs” Review.

The Underlying Message in Glee’s “Furt” Episode.

The (Belated) Underlying Message in Glee’s “Never Been Kissed” Episode.

The Underlying Message in Glee’s “The Rocky Horror Glee Show” Episode.

The Underlying Message in Glee’s “Duets” Episode.

The Underlying Message in Glee’s “Grilled Cheesus” Episode.

The Underlying Message in Glee’s “Britney/Brittany” Episode.

Elsewhere: [SBS] Gay in School: SBS Insight.

Images via Showbiz Nest, I Am Thea 07, Maurissa Weiner.

TV: The Underlying Message in Glee’s “Born This Way” Episode.

 

The underlying message this week is that there is none: acceptance—of Rachel’s Jewish nose, Quinn’s chubby-checker past and Tina’s “Orient descent”—was right there on the surface for all to see.

This is Glee’s second Lady Gaga-themed episode, the first of which was very Gaga-centric, however this week’s effort kicked last seasons’ butt!

The storyline began with Rachel getting hit in the face by Finn during a dance number, and her doctor recommending she get a nose job to fix her deviated septum, like big-nosed babes, Jennifer Aniston and Ashlee Simpson, before her.

She decides to take angel-faced Quinn along to the appointment, using her nose as an example of what she wants the new and improved Rachel to look like.

This is followed up by a tear-jerking rendition of “Unpretty” by TLC by unlikely soul-sisters Rachel and Quinn.

You might remember a few episodes back (although it’s been so long since a new episode has aired, both on Ten and in the U.S., that you could be forgiven for not remembering) when Quinn morphed from struggling with her social standing after giving birth last season to prom-queen obsessed, “I’m relatively sane for a girl”-espousing zombie.

I didn’t buy it then, and I’m glad we get a more in-depth look at her life now.

Lauren Zizes decides to run for prom queen, with Puck by her side as her king. Most of the non-size-two students at McKinley are ecstatic to see someone who looks like them running for prom queen, which should have given Lauren the heads up that her plan to take down Quinn wouldn’t work: she unearths Quinn’s past as Lucy Fabray, before she transferred to McKinley in eighth grade.

Lucy was overweight, uncool, and bullied constantly at her old school, until she joined ballet, gymnastics and cheerleading, lost weight and asked her parents for a nose job, at which point they began to call her by her middle name, Quinn.

Lauren plasters posters of Quinn as Lucy all over the school, which inadvertently sees Quinn’s approval rating go up 40% because her student body realises she’s not just a vapid beautiful person, but someone with problems and a past, just like them.

But not all of the glee club’s members are accepting that they were “born this way” out in the open.

Santana manages to convince Dave Karofsky to help her get Kurt back to McKinley, or else she’ll tell everyone he’s gay. In turn, her “Macbethian” and “Latina Eve Harrington” ways, she believes, will help her become prom queen.

Eventually, word gets back to Kurt about what’s really going on, and he agrees to return to McKinley on the condition that Karofsky be schooled in acceptance of gays and lesbians, even if he doesn’t come out.

Santana could do well to adopt this school of thought, as she is still in the closet and still in pain that Brittany can’t be with her. Brittany makes Santana a “Lebanese” t-shirt for her to wear in this week’s performance (it was meant to say “lesbian”, but it’s a nice tie in to the “Born This Way” lyrics!)

Of course all the storylines are neatly wrapped up into a special 90 minute package, as is Glee’s style. Emma even manages to address her crippling OCD and goes to therapy.

But I think the most interesting “underlying message” of the episode was Santana’s view at the three-minute mark on changing things you’re not happy with.

As much as, on the one hand, our society preaches self-love and acceptance, what of all the beauty products, foods and exercise regimes that are spruiked to us on a daily basis via all mediums?

I don’t want to turn this into a rant on body image and the affect advertisements, magazines, TV, movies etc. have on it, but Santana does raise a good point: if changing things about you, like Rachel’s nose, Tina’s eye colour, or Sam’s “guppy lips”, makes you feel better about yourself, then so be it.

I got a tattoo a couple of weeks ago because I didn’t like the way the back of my neck looked without one; does that make me “hate myself”? Hell no! Anyone who knows me will tell you that I am confident in who I am, both on the inside and the outside. (Those who don’t just think I’m an arrogant bitch!)

But I think that if you are happy with yourself in general in most aspects of your life and can engage in “active critical thought” about the things you aren’t, what’s a little hairdo change here or gym membership there?

Or—dare I say it?—a nose job?

Related: The Underlying Message in Glee’s “Original Song” Episode.

Gwyneth Paltrow Addresses Tabloid Culture & Her Haters.

Glee “Sexy” Review.

The Underlying Message in Glee’s “Blame it on the Alcohol” Episode.

How to Make a Woman Fall in Love With You, Glee Style.

Glee “Silly Love Songs” Review.

The Underlying Message in Glee’s “Furt” Episode.

The (Belated) Underlying Message in Glee’s “Never Been Kissed” Episode.

The Underlying Message in Glee’s “The Rocky Horror Glee Show” Episode.

The Underlying Message in Glee’s “Duets” Episode.

The Underlying Message in Glee’s “Grilled Cheesus” Episode.

The Underlying Message in Glee’s “Britney/Brittany” Episode.

Is There Really a Beauty Myth?

Images via Megavideo.

TV: Gwyneth Paltrow Addresses Tabloid Culture & Her Haters.

 

Normally—bar her inaugural appearance as Holly Holiday on Glee—I can’t stand Gwyneth Paltrow, but on last night’s Glee, she made some valid points.

When addressing the glee club’s hecklers, she admits that “we live in a culture that bombards us with images of these people who are richer than us, and happier than us and have more interesting sex than us”. Perhaps she could have factored in a Goop reference, instead of talking inappropriately about sex to 15-year-olds? Like, “… People who drink more free range, organic goats milk chai lattes with fair trade cinnamon than us.” Or, “… People who own more $53 fly swatters than us.”

She takes aim particularly at the “internet haters”, which take the form of Becky, as an Entertainment Weekly chat-room member, Azimio, as a NCIS blogger, and Jacob, as a Tweeter who helped take down Mubarak.

Jacob says, “The internet has allowed us to be brutally cruel without suffering any consequences”, to which Gwyneth responds with a knowing smile.

As Jezebel notes,

“Online commenters definitely mock celebrities because they’re totally jealous, not because stars often say condescending things that are simultaneously obnoxious and rife for parody.”

Related: The Big Issue Review, 1–14 March, 2011.

Elsewhere: [Jezebel] Gwyneth Addresses the Internet Haters on Glee.

[New York Magazine] Reasons to Love New York 2010: Because We Love Gwyneth Just the Way She Is.

Magazines: Reality TV & Tabloids Take the Place of Soap Operas.

From “Cancelled: All My Children & One Life to Live” by James Poniewozik in Time’s Most Influential People issue:

“Soap operas, after all, are about immersion in the details and drama of a set of people’s lives. But they’re no longer alone in that. The Real Housewives shows, for instance, indirectly compete for the same mind space, offering a similar kind of serial storytelling, personal intrigue and shadenfreude—as do the offscreen narratives of the likes of Kate Gosselin and the Kardashians. For too many viewers, soaps are now just an alternative, which is why one of TV’s oldest formats is running out of lives to live.”

Images via Gamayca, Reality TV Magazine, Zimbio.