TV: Gossip Girl Season 4 Final.

Last week’s episode, where Russell Thorpe lured Blair to the roof of Chuck’s hotel in a payback attempt at Chuck, was a better storyline than the finale’s with Chuck saving Blair, them sleeping together, Blair trying to tell her prince of Monaco fiancé that she can’t be with him because she still loves Chuck, and Chuck butting in to tell Louis that he and Blair have his blessing, as he realises Blair’s a better person with Louis.

Or Charlie faking a psychotic break, attempting to jump from the top floor window of the GG brat pack’s former “stomping ground” in Serena’s cotillion dress, being talked down by Serena, who says it’s not as easy being her as people think, Georgina accosting Charlie, whom she believes isn’t really on medication for a psychological disorder, and giving Charlie her phone number to use if she’s ever back in the city. Turns out Georgina was right, and Charlie is actually revealed to be Ivy, who posed as Serena’s cousin to extort money from her trust fund, at the request of Lily’s sister, Carol.

Or Vanessa stumbling across Dan’s manuscript, which she thinks is the best exposé “on the Upper East Side since Bonfire of the Vanities”. When Dan tells her to leave his stuff alone and get out of his life, I’m not sure he meant for Vanessa to steal the manuscript, pitch it to a publishing house, and hightail it to Barcelona.

Or Darota cleaning Blair and Serena’s adjoining bathroom, in which a positive pregnancy test has been discarded.

Now the latter three story arcs are intriguing, I’ll give them that, but the writers did a piss-poor job in making the audience actually care about them. The Charlie thing was really hard to follow, and the fact that her character is almost as infuriating as Vanessa’s doesn’t lend itself to viewer satisfaction.

It’s pretty easy to see that Charlie/Ivy’s going to return to the Upper East Side to wreak havoc with fellow bad girl Georgina. Blair’s the one who’s pregnant, probably to Chuck. And so their relationship is dragged on for another season. Dan will flail around while Vanessa milks him for all he’s worth and Serena will give up her potential screenwriting job (more on that later) on the West Coast to return to the city where she left her heart. Or something.

Related: The Devil Works at W: Gossip Girl “Damien Darko” Review.

Come Together Right Now… Over Gossip Girl: “Gaslit” Review.

Let Them Eat Cake… And Wear Headbands.

Gossip Girl Proves There’s No Such Thing as Wonder Woman.

Sexual Healing: Gossip Girl Takes a Page Out of John Irving’s Book.

Pretty But Dumb: Serena’s Tertiary Education Predicament.

Surfing the Third Wave: Second Wave VS. Third Wave Feminism on Gossip Girl.

The Last Tango… For the Season: Gossip Girl Season 3 Final.

Images via MegaVideo.

On the (Rest of the) Net.

 

These iconic images, taken by photographer Lennart Nilsson for Life magazine in 1965, and later used for pro-life propaganda materials, have actually been taken of aborted embryos, not living fetuses in the womb:

“Although claiming to show the living fetus, Nilsson actually photographed abortus material obtained from women who terminated their pregnancies under the liberal Swedish law. Working with dead embryos allowed Nilsson to experiment with lighting, background and positions, such as placing the thumb into the fetus’ mouth.”

“Does Carrying Condoms Make You Easy?” Will.I.Am seems to think so.

Erica Bartle on maintaining the balance between “frothy and bubbly and frivolous” and her passion for writing about her faith and God on Girl with a Satchel, which she understands can sometimes be “like receiving a knock on the door from a Jehovah’s Witness  (or a pamphlet in the postbox)” for some. (Okay, I’ll admit it: I’m one of them.) Food for “critical thought”.

Should the government be pouring money into funding to fight domestic violence against women and children, when there are also men who are victims of domestic violence out there?

Girl crush porn in Mia Freedman’s new weekly post, “A Week in the Life” on MamaMia.

The importance of “good, old-fashioned” sub-editing.

How to be a Playboy Club Bunny, circa 1968.

Love, domestic violence and Gossip Girl.

On Hillary Clinton being photoshopped out of the situation room photo in Hasidic newspaper Der Tzitung:

“The religious paper never publishes pictures of women, as they could be considered ‘sexually suggestive.’ Apparently the presence of a woman, any woman, being all womanly and sexy all over the United States’ counterterrorism efforts was too much for the editors of Der Tzitung to handle…

Der Tzitung edited Hillary Clinton out of the photo, thereby changing history. To my mind, this act of censorship is actually a violation of the Jewish legal principle of g’neivat da’at (deceit).”

Would you rather be blind or obese? According to an Arizona State University study, 1 in 6 women would choose the former…

Images via The Hairpin, Sociological Images.

TV: The Devil Works at W—Gossip Girl “Damien Darko” Review.

 

With Blair well on her path to becoming a magazine power woman, she nabs an internship at W. It just so happens that her frenemie Dan has been hooked up by Lily for an internship at the same magazine. Hijinx ensue.

The feel of the episode is very The Devil Wears Prada, and editor Stefano Tonchi’s assistant, Epperly Lawrence, brings this up when Blair fantasises over the fashion closet:

“I saw that movie too, but this is real life, not some Hollywood chick flick, where a girl with a scrunchie gets a makeover and triumphs in the end.”

But back to Dan VS. Blair, which includes a Chanel No. 5-spiked coffee, a dangerously close stapler incident, and culminates in Dan sabotaging Blair’s attempt to save the day by inviting her own author to W’s launch party for their blog. Phew! The softening of Blair’s heart is evident in the fact that she didn’t try to scheme Dan out of accompanying his own author to the event, and the hardening of Dan’s means that perhaps he’s spending too much time with the Queen of the Upper East Side.

The two end up getting fired from the magazine, but Dan takes pity on Blair, who won the internship on her own, without any help from her meddling mother, and calls Epperly to tell her the stunt (a full on brawl between Dan and Blair!) at the party was all his fault and she should hire Blair back, despite it being “easier to get a guy paroled than it is to get an internship in this town,” a reference to Ben’s release from prison.

On a side note, I do love Blair’s pink short ensemble, but it’s the middle of winter! Put some clothes on, girl!

Related: Come Together Right Now… Over Gossip Girl: “Gaslit” Review.

Gossip Girl Proves There’s No Such Thing As Wonder Woman.

Sexual Healing: Gossip Girl Takes a Page Out of John Irving’s Book.

Pretty But Dumb: Serena’s Tertiary Education Predicament.

Surfing the Third Wave: Second Wave VS. Third Wave Feminism on Gossip Girl.

The Last Tango… For the Season. Gossip Girl Season 3 Final.

Images via OVFile.

TV: Come Together Right Now… Over Gossip Girl—“Gaslit” Review.

 

Gossip Girl’s Thanksgiving episodes are always ones to remember.

Season one hosted the first instalment without a voiceover from Gossip Girl herself, Kristen Bell. And last year’s episode dealt with the fallout from Dan, Vanessa and Hilary Duff’s threesome and Lily’s whereabouts the past summer.

However, this year’s holiday chapter fell short of expectations, with it’s surrounding episodes being much juicier. Last week, the vixen Juliet drugged Serena and turned all her friends against her, while Juliet’s beef with the Manhattan socialite is finally revealed.

But “Gaslit” did serve two main purposes, both of which are very promising:

1. Vanessa comes undone and her involvement in Operation Takedown Serena comes out, forcing her out of the city. Ding dong, Vanessa’s dead!

and

2. Blair and Dan join forced to find out what Juliet really wants with Serena. Whilst the two have never been shy about their hatred for one another, as winter passes, perhaps a new-found “appreciation” for each other will blossom along with spring…

xoxo

Related: Let Them Eat Cake… And Wear Headbands.

Gossip Girl Proves There’s No Such Thing As Wonder Woman.

Sexual Healing: Gossip Girl Takes a Page Out of John Irving’s Book.

Pretty But Dumb: Serena’s Tertiary Education Predicament.

Surfing the Third Wave: Second Wave VS. Third Wave Feminism on Gossip Girl.

The Last Tango… For the Season. Gossip Girl Season 3 Final.

Sookie as Feminist? Hear Her Roar.

Ever since I started watching True Blood, I’ve had a hard time believing Sookie Stackhouse as a feminist icon. Sure, she kicks a lot of butt, sometimes seeking danger out herself (taking down the Rattrays when they milk blood from Bill in the car park of Merlottes), is in charge of her sexuality, if that means staying a virgin until the right man comes along, and doesn’t take shit from anybody. But… she’s just so damn annoying!

So is Glee’s Rachel Berry and most of the Gossip Girl cast, and they could be seen as icons of feminism for the texting set. However, instead of whining to her teacher, withholding sex from her boyfriend or plotting revenge against her nemeses, Sookie is just the opposite. She may be blonde, virginal and innocent in every sense, but she is also very much like Buffy Summers, who was created with bucking the horror movie victim stereotype in mind.

As one commenter on True Blood’s Nest points out, “Sookie is brave to the point of being stupid at times…”. While this can be an admirable quality sometimes, it does contribute to her annoyingness.

Speaking of characters who act before they speak, Tara Thornton comes to mind.

True Blood is all about juxtaposing discrimination against the blacks and the gays against the discrimination of vampires. The book True Blood & Philosophy, which I reviewed last week, mentions that Sookie and Tara were both raised—for the most part—by Sookie’s grandmother, yet Sookie is “admired, protected and coeveted by every heterosexual male main character and loved by a sweet, nurturing grandmother” while “Tara is blunt, sarcastic, morose, love-starved and goes home each night to an alcoholic mother” and gets caught up in Maryann’s spiral of lies and magic. Racist stereotypes or social criticism?

And while we’re on Maryann, she seems to embody “certain stereotypes of late-1970s feminism”, both in the clothes she wears (floaty, feminine and ethereal maxi dresses) and the hedonistic, maenadic lifestyle she espouses. Given her obsession with taking down Sam, using Eggs as her partner in crime and erecting the meat-statue in Sookie’s yard (not to mention her “hunter’s soufflé”!), she really embodies the “feminist as man-eater” ideal.

While these are good examples of other, non-blonde/innocent/virginal heroines in True Blood (and while we’re at it, let’s not forget Pam, Lorena and Sophie-Ann), I would also like to examine Sookie in relation to the men of Bon Tempts. Let’s look at True Blood’s Nest again:

“… Bill and various other hot men are always rescuing Sookie from certain death, or so it seems. But remember y’all, it was her that tried to find the town serial killer, not the useless cops. It was her that killed Rene the Killer with a shovel to the neck while the menfolk bumbled around the graveyard uselessly. It was her that decided to go to Dallas in order to get Lafayette out of Eric’s icky dungeon, AND she wanted money and a driveway as part of the deal. Once again the menfolk spluttered and marvelled at her bravery and sauciness, and lusted after her even more for it. She is the mistress of her own kick ass destiny while Bill, Sam and even Eric can only follow in her wake, hoping to be of some use.”

The original title for this post was “What is it With Sookie”, and seriously, what is it with Sookie?! By the end of season three, we have found out that Sookie’s appeal to the “menfolk” may be because of her fairy heritage, not because of her physical attributes or personality traits.

This is unfortunate for Bill, because it is plain to see that he does love Sookie for who she is, not what she can do for him. But I will say that the fairy blood storyline is an intriguing one; did Sookie’s blood allow Bill to crawl, albeit with his flesh charring with each movement he made, to her rescue in the graveyard at the end of season one? Is that also why Eric wants her?

But when you take away their supernatural abilities, Bill and Sookie’s relationship is one with issues that I’m sure a lot of modern day couples face: Bill has old-fashioned sensibilities in wanting to protect his lover, while Sookie struggles with the concept of maintaining “independence in sexual relationships”, which second- and third-wave feminism have told us we must do. Nothing illustrates this conflict (and metaphorical backlash?) than the second episode of season two, when Sookie storms out of Bill’s car after a fight about said independence and protection only to be attacked by a mythical creature for her efforts!

Elsewhere: [True Blood’s Nest] Fangirls Speak Out: Sookie—Feminist Icon?

[Racialicious] True Blood. Tired Stereotypes.

[Feminist Frequency] Beyond True Blood’s Sensationalism.

Related: True Blood & Philosophy by George A. Dunn & Rebecca Housel Review.

Has Feminism Failed?

Top 10 TV Moments of the Year.

Gossip Girl Proves There’s No Such Thing as Wonder Woman.

Surfing the Third Wave: Second Wave VS. Third Wave Feminism on Gossip Girl.

On the (Rest of the) Net.

 

The perils of pants-less ladies.

Does Gossip Girl care about women in politics?

Bryce Corbett in defence of Nicole Kidman:

“… it seems to me that Nicole Kidman is engaged in what must be a most dissatisfying unrequited love affair with her homeland. She flies to Australia to pimp her country on Oprah. She makes a film with Baz Luhrmann which (whatever you may have thought of the final product) was a massive shot in the arm for the local film industry and a two-hour love-song to her country of birth. She fronts up to G’Day USA every year to flog the myriad wonders of Down Under. And following the Victorian bushfires, she donated half-a-million dollars of her own money to the Red Cross relief fund. What a cow.”

“Sexual Assault & the Super Bowl.”

Anna Chong, a designer from the London College of Fashion, has re-imagined Lady Gaga’s most popular get-ups into Barbie-sized outfits. But she’s not the first to do it

“Why is Captain America Ruling Our Screens & Not Wonder Woman?”

Seinfeld’s Elaine Benes as modern-day hipster fashion icon.

The New York Times profiles “nice-guy blogger” Jared Eng on his “cheery, quotidian, Britney-goes-to-Starbucks” blog, JustJared.com.

Also at The New York Times, The Catcher in the Rye’s Holden Caulfield is un-relatable.

Jacob Lambert on “The Paper-Reader’s Dilemma”:

“No longer are books being pitted against pixels; pointing out that paper isn’t reflective either seems very 2007.  The war is now between tablets, as if the book never existed at all.”

Yet more dispelling of the Nicole Kidman vitriol, this time in a vintage (2008) article on Girl with a Satchel.

In the same vein of “17 Arguments Against Gay Marriage & Why They’re Bollocks” and “10 Things You Need to Understand About Asylum Seekers”, comes John Birmingham’s defence of Sandra Reynolds, via MamaMia.

I’d been searching for this article for awhile to reference in a few Lady Gaga musings, and finally came across it again last week and re-read it in the bath. Bliss. A fine example of quality journalism.

Reblogged from Fuck Yeah, Gender Studies, Rachel Hills runs a post on the question of “Who Sexualises Children?”:

“God, it doesn’t even make sense—HOW can a child be sex vixen? When I look at a child, I see a child. Regardless of costume. Dressed like Mary Poppins or dressed like Britney Spears, a kid is a kid! If you see something sexual, the problem is with you.”

I haven’t been shy about my hatred of Charlie Sheen (I know hate is a strong word, but honestly, he is a despicable human being), especially when he gets a free pass because he happens to be the star of TV’s most successful show, while Lindsay Lohan’s career is in ruins. Jezebel reiterates this:

“In recent years no stars (with the possible exception of the oddly lovable Celebrity Rehab cast members) have had their problems with addiction more publicized than Charlie and Lindsay. However, the way these stars are treated by the media and the public is vastly different, mainly due to the double standard for female celebrities.

“The scorn for Lindsay is particularly strange because compared to Charlie, she’s only hurting herself. Let’s review some of Lindsay’s biggest tabloid scandals: Two DUI arrests, four stays in rehab, missing numerous court hearings, going to jail for failing a drug test, battling bulimia, battling her father, and breaking up with her girlfriend. As for Charlie, he’s been in and out of rehab for years, he “accidentally” shot fiancee Kelly Preston in the arm, he was named as a frequent visitor to brothels owned by Heidi Fleiss, he’s dated numerous porn stars, he ODed on cocaine, allegedly shoved Denise Richards and verbally abused her during their marriage, and was arrested for domestic violence against Brooke Mueller, but avoided jail time due to a plea deal. Lindsay has never been married and has no children. Charlie has been married three times and has five kids, four of whom are under the age of 10.”

TV: Top 10 TV Moments of the Year.

 

1. OMGSW: Derek Gets Shot on Grey’s Anatomy.

I spent the season six final of Grey’s bawling my eyes out as Reed Adamson and Charles Percy died, Derek, Alex and Owen get shot, and Meredith loses her baby. One of the best season finals I’ve ever seen.

2. Another Day, Another Gun Shot Wound: Chuck Gets Shot on Gossip Girl.

While season three’s finale wasn’t the best I’ve ever seen, it certainly set the ball rolling for an epic season four thus far (see below).

Chuck issued Blair an ultimatum; Dan was revealed to be the father of Georgina’s baby; Chuck raped Jenny; Jenny went to boarding school; Blair took Chuck up on his ultimatum; Blair found out Chuck slept with Jenny; Serena and Blair went to Paris; Chuck got shot in Prague.

3. Katy Perry’s Chest is Too Ample for Sesame Street.

Sure, Katy’s dress was a little revealing to be prancing around the street named Sesame, but wasn’t it the responsibility of the show’s costume designers to put her in something a little more child-friendly?

4. Airy Fairy: Sookie is a Fairy on True Blood.

What the?! Aside from lots of Eric action and the introduction of hot werewolf Alcide, season three was a confusing exercise in vampirism, culminating in the revelation that Sookie is a fairy, the idea being that her blood is so irresistible to Bill, Eric et al. because it helps them walk amongst the living. (More on Sookie’s allure to come.)

5. The ANTM Debacle.

Well… at least it got Aussie Top Model into the international (entertainment) news. It probably boosted sales for Harper’s Bazaar, with the two finalists on the cover.

6. It’s “Britney/Brittany”, Bitch! Britney Spears on Glee.

In what was probably one of the most anticipated TV moments of 2010, Britney Spears appeared for (literally) a moment on Glee.

7. What Once Was LOST, Now is Found: LOST Finale.

The last ever episode of LOST seemed to ask more questions that it answered, but ultimately was a bit of a letdown.

8. Romeo Serena & Juliet: Serena’s Stalker Saga on Gossip Girl.

GG has always been a guilty pleasure of mine since it debuted in 2007, but it hasn’t always had the greatest of storylines. This season, however, has been one of my favourites, with the mystery surrounding Juliet’s entry into Serena’s life getting stronger each episode. The story arc was resolved in the U.S.’s most recent episodes, but instead of spoiling it for Aussie viewers (which The Scarlett Woman has been known to do *blush*), I’ll wait til it airs here to catch you up on the saga.

9. Sexual Double Standards on Jersey Shore.

Speaking of guilty pleasures, Jersey Shore is the epitome of “guilty” if ever there was one!

Violence, racism, sexism and sun damage run rampant in the show, which seems to have gotten even worse in its second season.

Femme fatale Angelina Pivarnick is vilified for sleeping with two guys in one week, when the men of the house have a rotisserie of women for every night of the week. The resentment of Angelina for being a “single girl” and “enjoying herself”, which she constantly made reference to, comes to a head with a cat fight, a “dirty pad” found on the bathroom floor, and Angelina exiting the house for the second time in as many seasons.

10. The Hills’ Curtains Draw to a Close… But Not Before Lifting Them on Reality TV.

Living vicariously through The Hills’ girls hedonistic Hollywood lifestyles is something I’m really going to miss in 2011.

I suppose there’s always Heidi Montag’s tabloid transgressions and Lauren’s new reality show to indulge in…

Related: Gun Shot Wound to the Head: Grey’s Anatomy Season Final.

The Last Tango… For the Season: Gossip Girl Season 3 Finale.

The Underlying Messages of Glee’s “Britney/Brittany” Episode.

It’s All About Britney, Bitch!

Glee Against the Music.

What Once Was LOST, Now is Found?: Lost Finale.

Surfing the Third Wave: Second Wave VS. Third Wave Feminism on Gossip Girl.

The Hills Finale: All Good Things Must Come to an End.

Poor Little Rich Girl: Who Cover Girl Heidi Montag.

Elsewhere: [Jezebel] Jersey Shore: If Men Can Wax Their Eyebrows, Why Can’t Women Sleep Around?

On the (Rest of the) Net.

“Christina Aguilera: Always the Second Fiddle.”

I don’t believe in New Years resolutions anymore, namely because I could never realise mine. But I like Rachel Hills’ idea of writing an obituary for the year passed. In this case, her 2008 in review.

HuffPo on the absence of modern technology in modern literature:

“The average fictional character is either so thoroughly disinterested in email, social media, and text messages he never thinks of it, or else hastily mentions electronic communications in the past tense. Sure, characters in fiction may own smart phones, but few have the urge to compulsively play with the device while waiting to meet a friend or catch a flight. This ever-present anachronism has made it so that almost all literary fiction is science fiction, a thought experiment as to what life might be like if we weren’t so absorbed in our iPhones but instead watched and listened to the world around us at a moment’s rest.”

Girl with a Satchel ponders the price of a pretty picture.

“Caring for Your Introvert” is one of the best articles I’ve read all year (and considering it was written in 2003, that’s saying something). Here, an excerpt:

“With their endless appetite for talk and attention, extroverts also dominate social life, so they tend to set expectations. In our extrovertist society, being outgoing is considered normal and therefore desirable, a mark of happiness, confidence, leadership. Extroverts are seen as bighearted, vibrant, warm, empathic. ‘People person’ is a compliment. Introverts are described with words like ‘guarded’, ‘loner’, ‘reserved’, ‘taciturn’, ‘self-contained’, ‘private’—narrow, ungenerous words, words that suggest emotional parsimony and smallness of personality. Female introverts, I suspect, must suffer especially. In certain circles, particularly in the Midwest, a man can still sometimes get away with being what they used to call a strong and silent type; introverted women, lacking that alternative, are even more likely than men to be perceived as timid, withdrawn, haughty.

“The worst of it is that extroverts have no idea of the torment they put us through. Sometimes, as we gasp for air amid the fog of their 98-percent-content-free talk, we wonder if extroverts even bother to listen to themselves. Still, we endure stoically, because the etiquette books—written, no doubt, by extroverts—regard declining to banter as rude and gaps in conversation as awkward. We can only dream that someday, when our condition is more widely understood, when perhaps an Introverts’ Rights movement has blossomed and borne fruit, it will not be impolite to say ‘I’m an introvert. You are a wonderful person and I like you. But now please shush.’”

Furthermore, The Los Angeles Times notes that despite the introverted minority, television doesn’t reflect their existence very well. (Does television reflect anything very well?):

“Watch Seinfeld or Friends or Sex & the City or Community or Men of a Certain Age—the list is endless—and you’ll see people who not only are never ever alone but people whose relationships are basically smooth, painless, uninhibited and deeply, deeply intimate—the kind of friendships we may have had in college but that most of us can only dream about now. How many adults do you know who manage to hang out with their friends every single day for hour after hour?”

On that, Gossip Girl is notorious for misrepresenting reality. While she knows I love her, GG often makes me feel guilty about the clothes I’m not wearing, the sex I’m not having, and the events I’m not going to. Apparently, it’s not true to the books, either.

Check out The Washington City Paper for their musings on masculinity over the past decade, with a special focus on boy bands, metrosexuals, hipsters and guidos, à la Jersey Shore.

Gwyneth Paltrow: You either love her or hate her. I hated her with a passion until I saw her on Glee, in which she came across as carefree, cool and sexy and made her a tiny bit more relatable to the general populus who don’t subscribe to her Goop musings. Mia Freedman writes hilariously on this conundrum, with a focus on a related article from Salon.

Also at MamaMia, “17 Arguments Against Gay MarriageAnd Why They’re Bullocks” is brilliant.

Tangled will be the last fairytale Disney releases in a while.

Can you still be a feminist and dress in a bra top? (Of course you can; stay tuned for more on this next week.) Or espouse archaic notions of heterosexual relations, for that matter?

“The Ongoing, Albeit Amusing, Battle to Save Bristol” on Dancing with the Stars:

“‘This seems like a case of the rich, popular cheerleaders looking like they’ve sucked on a lemon when they learn that the poor girl in school, the one in the home-made clothes and religious family, gets elected Prom Queen.’

“I’ve rarely seen such a clean-cut example of the conservative tendency to say up is down and black is white. Or, more precisely, to bemoan how oppressed white, rich, and highly privileged people are.

“… But Bristol Palin hasn’t really done squat. She is literally famous for having a baby at an inopportune time. And now she continues to get promoted over more talented people than her because she was born into the right family… Bristol Palin is a hero to wingnut America because she’s a great example of rewarding someone for being born into privilege instead of on their merits.

“… I just find it extremely funny that the wingnutteria is backing someone with no talent on a show with no real importance to stick it to liberals who by and large don’t really care, and they’re doing so because they’re intoxicated by privilege and kind of wish they had a monarchy, but they’re pretending that they’re doing it because they want to see the oppressed rise above. I suppose after Dancing with the Stars is done, they should start sticking it to the liberals by defending poor, oppressed Paris Hilton, who is definitely the weird girl with handmade clothes that is picked on by cheerleaders.”

Mel Gibson and the curse of the “Sexiest Man Alive” tag.

On Stieg Larsson and the “disturbing”, “torturous” patriarchy of his Millennium trilogy.

Women are funny, too.

TV: Let Them Eat Cake… And Wear Headbands.

 

It has been a Gossip Girl-heavy week here on The Scarlett Woman, and today is no exception.

Blair Waldorf is known for her Upper East Side opulence and her stop-at-nothing mindset to becomeand staythe Queen B. But now she’s more concerned with being taken seriously as an academic Columbia student and an “empowered” woman.

And who was more empowered than Marie Antoinette, one of Blair’s idols, whom she adorns her bedroom with images of? While some view her as a decadent, frivolous vixen, others (including me) see her as the ultimate emblem of grace, class and power. Kind of like a latter-day Joan of Arc, but with bigger hair. Plus, she has the same birthday as me.

Both misunderstood in some respects, the vision of Marie Antoinette as everything that was wrong with the French monarchy persists to this day, as does the common perception of Blair as one-dimensionally vindictive and conniving. That’s why she and Chuck make such a good couple!

However, anyone who’s done their research or is committed to the guilty pleasure that is Gossip Girl, will know that this is not entirely true. Accounts of the Queen’s true persona by those close to her say that she was generous, kind and courageous. While the first two adjectives aren’t usually applied to Blair, fragments of her nature underneath all the hating, haute couture and headbands show that she’d do anything for her closest friends, family and lovers.

Marie Antoinette is even alleged to have carried on a sordid affair with Count Axel Fersen, similar to her Gossip Girl counterpart’s on-again-off-again trysts with Chuck Bass.

While the character of Blair Waldorf has been compared to such female fictional greats as Scarlett O’Hara (who also has a penchant for the Queen) and Holly Golightly, who both have certain Antoinetteisms, Blair is one of the only characters who is modelled so closely on the French queen. This is evident most recently in the episodes “Juliet Doesn’t Live Here Anymore” and “The Witches of Bushwick”, in which Blair tries to distract herself from Chuck with macaroons, Marie’s dessert of choice, and decides she can’t be with him until she makes something of herself first.

If Blair does follow in the footsteps of Marie Antoinette, this surely won’t be a problem for her. Who remembers her husband, anyway?

Related: Gossip Girl Proves There’s No Such Thing as Wonder Woman.

Sexual Healing: Gossip Girl Takes a Page Out of John Irving’s Book.

Women in Fiction: My Favourite Fictional Females.

Women in Fiction: Are Our Favourite Fictional Females Actually Strong, or Stereotypes?

TV: Gossip Girl Proves There’s No Such Thing as Wonder Woman.

 

The crux of third-wave feminism seems to be the “Wonder Woman” effect, which asks the question, “can women really have it all?”

Last week’s Gossip Girl somewhat addressed this issue, with Blair and Chuck finally succumbing to their undeniable love and giving their relationship another shot. Their only reservations are that Chuck’s hotel, The Empire, will suffer if he banishes his bad boy image by getting back together with Blair, while positive opportunities for Blair, like taking over from Nate’s mother, Anne, as the face of the Girls Inc. foundation, will be jeopardised by the negative reputation of her boyfriend.

While this prophecy turns out to be untrue for Chuck, with his business manager telling him his new-found image might work out for The Empire after all if Blair agrees to attend events as “Chuck Bass’s girlfriend”, Blair is told by Anne that the man in her life might not be a reflection of her, but she will always be a reflection of him.

When Chuck says, “We really can have it all”, Blair tells him she wants to be “Secretary of State, except with better hair” not “Hillary Clinton in the White House ”.

Chuck reasons that they can be like “Brad and Angelina” and “take turns on top” (with two strong characters like Blair and Chuck, I’m sure this is a contentious issue in their relationship!), but Blair says she has to be Blair Waldorf and do something with her life, before she can be “Chuck Bass’s girlfriend”.

While I beg to differ (as long as both partners in a relationship are supportive of one another, they can be successful in their own rights), this dilemma does echo those of powerful women today. As Blair says to Anne, “Should empowered women get to have relationships, too?” A common argument, though, seems to be that powerful women were too busy with their careers that they “forgot” to get married and have a baby.

I’m sure marriage and a baby is the furthest thing from Blair’s mind right now (however, Chuck was set to propose to her last season), but I hope the writers use this development as the catalyst to set Blair on her merry way into the land of success, and potentially reunite her and Chuck at the end of the season. Until then, XOXO.

Related: Has Feminism Failed?

Surfing the Third Wave: Second Wave VS. Third Wave Feminism on Gossip Girl.

Pretty But Dumb: Serena’s Tertiary Education Predicament.

Women in Fiction: Are Our Favourite Fictional Females Actually Strong, or Stereotypes?

Sexual Healing: Gossip Girl Takes a Page Out of John Irving’s Book.

The Last Tango… For The Season. Gossip Girl Season Three Finale.