Yet Another Way in Which Madonna & Lady Gaga Are Alike.

 

From “Madonna: Finally, a Real Feminist” by Camille Paglia, in an article from 1990 in the New York Times:

“Madonna has a far profounder vision of sex than do the feminists. She sees both the animality and the artifice. Changing her costume style and hair colour virtually every month, Madonna embodies the eternal values of beauty and pleasure. Feminism says, ‘No more masks.’ Madonna says we are nothing but masks.”

Paglia is notoriously anti-Gaga, perhaps fearing that Mother Monster may be stealing the waning spotlight from Her Madgesty.

It’s funny that this was written 21 years ago, because it could very well have been written only recently, in relation to Gaga: “she sees both the animality and artifice” of sex. She changes “her costume style and hair colour” one better than Madonna; every day, it seems. And Gaga, as I have written, exists as something of a mask, while espousing the importance of being yourself.

So it’s not just the novelty bras and “Express Yourself” tune in “Born This Way”…

Related: Gaga Ooo La La?

Elsewhere: [The New York Times] Madonna: Finally, a Real Feminist.

[The Sunday Times] Lady Gaga & the Death of Sex.

Image via Gale Chester Whittington.

Gaga Ooo La La?

Lady Gaga is awesome; there’s no doubt about that.

She’s fearless in her fashion, her music is guaranteed to get me on the dancefloor, she works tirelessly for gay rights, and recently wowed Sydney (Melbourne next, please!).

But imagine what it’s like to be her for a second.

She’s crafted such an image that it is now impossible for her to make a coffee run, work out, go shopping, or even relax, without portraying her Gaga image. What about Stefani?

While it’d be amazing to meet the people that Gaga does, travel the world like Gaga does, and “use your popularity for a good cause”, as Cher Horowitz puts it in Clueless, like Gaga does, I wouldn’t want to sacrifice who I am underneath it all.

Though, in interviews, Gaga has claimed that her be-sequinned, meat-dress-wearing, friend of Elton John alter ego is who she is underneath it all. That she was “Born this Way”.

But it must be so tiring to always have the Gaga switch on. To be in full makeup, garish costumes, and setting pianos on fire. Evidently it is, if her collapsing on stage is anything to go by.

Personally, if I was a celebrity, I would want to be either a mediocre one who can go about their business getting papped at the supermarket every once in a while, a Cate Blanchette-esque one, who is as good at their craft as Gaga is, but manages to fly under the radar (except for that whole “Carbon Cate” shemozzle), or even one like Kim Kardashian who, like Gaga, probably doesn’t get a whole lot of genuine downtime, where she can spend a day in bed with no makeup on watching cheesy movies without the reality TV cameras and just be the real Kim, but who has crafted a whole career around her personality and her family.

I have to wonder, is there a price to being Lady Gaga? Ten, twenty, thirty years from now, will she still be around like Madonna, Stevie Nicks or Cyndi Lauper? Or will the sheer intensity she operates at now burn her out within five?

I love Lady Gaga, and I genuinely hope she’ll be around for another fifty years, but I certainly don’t envy her.

Related: Vo-Gaga.

The Underlying Message in Glee’s “Born This Way” Episode.

Lady Gaga’s “Telephone” & 21st Century “Noise”.

Katy P. VS. Lady G.

Image via News.com.au.

On the (Rest of the) Net: Jumbo Edition.

I didn’t realise I did so much reading this week, but the links below have proved me wrong. But it’s not even a drop in the ocean of the reading I still have left… Alas.

“… At what point along the line did we all decide that… what you weigh is the sum total of who you are?” [MamaMia]

11 ways to avoid being sexually assaulted. Remember, ladies: the onus is on you:

“Your default consent is ‘Yes’ until you say ‘No’. Not being able to say ‘No’, or not being able to remember if you said ‘No’, count as ‘Yes’. Saying ‘No’ also means ‘Yes’.” [Jezebel]

“Do Movie Characters Exist in a World Without Movie Stars?” [Sam Downing]

“Carbon Sunday”, as it has come to be known, “was a good day for Julia Gillard. It was the first good day she has had for a long time. She was strong, decisive and she was doing something really important. She looked like her old self. She was sure of what she was doing…. [That day] she really look[ed] like the Prime Minister because she ha[d] actually done something.” [MamaMia]

In other Prime Minister-related news, if you missed the profile on Gillard in The Weekend Australian a few weeks ago, here’s Sam Dusevic’s take on “Ju-Liar” “Gill-Hard Left’s” first year:

“I think she’s done nothing in her first year to foreclose on her ability in the next year to show authority which she inherently has the capability of showing,” Greens senator Bob Brown has said.

That was, until Sunday!

In praise of sleep. [Girl with a Satchel]

The shock jock. [Sydney Morning Herald]

Rachel Rabbit White on SlutWalk:

“Quiet Riot Girl (feminist blogger)… says ‘So some feminists believe all and any unsolicited /unwanted attention of women by men is “harassment”. Men have to wait to be asked/told to pay a woman any attention at all? Basically the Slutwalks are slutshaming hetero men.’

“How are men supposed to hit on women in public, talk to them or even ogle them? Because surely, ladies, we aren’t saying when we go out in a hot outfit we don’t want to be seen, or talked to by anyone.”

Confessions of a Cosmopolitan sex fact-checker. [Slate]

On the News of the World closure:

“It appears modern man fears media more than God.” [Girl with a Satchel]

To shave your pubes for cervical cancer, or not to shave your pubes for cervical cancer? That is the question that MamaMia and Jezebel are asking.

In defence of friendships with girls. [Persephone Magazine]

Do tradies get the short end of the street when it comes to cat-calling women on the street? [Bitch Magazine]

There’s more to Katie Price aka Jordan than meets the eye. [MamaMia]

“Period etiquette.” [Jezebel]

“The Myth of the Perfect Smile.” [Jezebel]

Is Blake Lively America’s frenemy? Is she the Rose Byrne in Bridesmaids to our national Kristen Wiig? … If she wants to broaden her appeal, she should try holding a kitten next time,” instead of more nude pics. [Grantland]

What is feminism? [The Ch!cktionary]

You know how some people get really depressed in winter? My mum is one of them. Well, it has been revealed that some people get really depressed in summer. I’m one of them. [Jezebel]

The “War of Words” we face when we put ourselves out there. [The Australian]

What do Lady Gaga and late night comedienne Chelsea Handler have in common? [Jezebel]

“Rolling in the Deep” dates. How listening to Adele could get you more dates. [Jezebel]

The “undermining of feminist sensibilities” in Stephenie Meyer’s Twilight. [Bitch Magazine]

“The Mental Burden of a Lower-Class Background.” [Jezebel]

What fascinates us so much about “The Murderous Side of Motherhood”?:

“But in some way, doesn’t the fact that a child is a mother’s ‘own flesh and blood’ mean that a primal part of us, as humans, understands the act of killing a child? Because if a child is made of your own flesh, then it is a part of you. An extension of yourself. Under your control. Operating under your agency, existing because you created it, and therefore yours to govern, manipulate, command, discipline, punish—and destroy.” [Jezebel]

“Celebrity Culture Makes Young Women Dumb.” [Jezebel]

Do plus-sized models encourage obesity? Velvet d’Amour, a plus-sized model herself, sets the record straight. [Frockwriter]

In the same vein, why are plus-sized models fetishised? [Jezebel]

Images via Jezebel, Kiss Me on the Lips, Frockwriter.

On the (Rest of the) Net.

 

Is pop music turning into porn? [MamaMia]

Sex, lies, and DSK. [Musings of an Inappropriate Woman]

Is Lady Gaga “a feminist icon, or just a slightly offbeat sex object?”:

“In some ways, Gaga’s entire persona seems to question what’s expected of women. It’s there in the internal contradiction of her name: ‘Lady’ with its suggestions of gentility, sweetness, high breeding; ‘Gaga’ with its intimations of infantility, madness, antic spirit. She has often been compared with a drag queen and, in many ways, this seems apt. Part of the brilliance and beauty of drag, of course, is that it can potentially expose sex roles—most often femininity—as a performance. A drag queen in enormous false eyelashes, teetering heels, a tight dress, heavy makeup, a voluminous wig, talon-like nails, is mimicking a woman, while underlining that what’s expected of women is in no way natural. With her increasingly bizarre getups, Gaga does the same.” [Queerty]

In defence of young adult fiction. [Girls Are Made From Pepsi]

The underlying lesbianism in the BFF relationship. [Girls Are Made From Pepsi]

One night with Quentin Tarantino. Fascinating, if not 100% verified. [Gawker]

Would you ever go through with labiaplasty? [MamaMia]

Michele Bachmann: “the candidate Sarah Palin was supposed to be.” Scary! [Rolling Stone]

16 & Pregnant as public service announcement. [Slate]

In celebration of gay marriage being approved in New York, check this little ditty out above. [Dear Blank Please Blank]

Images via Loopy Comments, Girls Are Made from Pepsi, Dear Blank Please Blank.

On the (Rest of the) Net.

(No images this week as I’ve maxed out my broadband limit watching Grey’s Anatomy online!)

Style blog as “unapologetic narcissism”?

“Here is a beautiful slender girl who is constantly posting photos of herself wearing somewhat predicable outfits… Does she really have amazing style or is it just simply the case of a pretty girl wearing denim shorts and a knitted jumper?… How long can this low-on-substance form of blogging survive?’

“I am not your sex-crazy nympho dreamgirl!” at The Good Men Project, via Jezebel:

“… Surely he’d prefer the sexy, fake, plastic dreamgirl shell?

“[This]… image includes a lot of behavioural stuff: the way you squirm, the way you moan, being Super Excited about everything the guy wants to do, and Always Being Up for It—whatever ‘It’ is. When people think about ‘good in bed’, for a woman, that’s often what they think.

“This image also includes being young and thin and cisgendered of course, and that can be problematic.”

“Rihanna Shoots Her Rapist in Her New Video”, “Man Down”.

And here’s Fox News’ take on the video:

“ ‘Man Down’ is an inexcusable, shock-only, shoot-and-kill theme song. In my thirty years of viewing BET [Black Entertainment Television], I have never witnessed such a cold, calculated execution of murder in primetime.

“… She sings that she killed a man when she ‘lost her cool’ because ‘he was playing her for a fool’. This garbage from the same woman who publicly bragged to Rolling Stone recently that she likes to be spanked and tied up… Rihanna gets to have it both ways—accuse Chris Brown of domestic violence and be violent herself—because she’s a woman.”

What does Lady Gaga really have left to say?

The racism and “ugly women” involved in the Arnold Schwarzenegger scandal.

Beyonce: running the world or copying the cat?

The “endangered” and “reclusive” “North American Obeast”.

The World According to Paris [Hilton]: Same Shit, Different Show.”

Special needs kids as prom king and queen. Yay!

How many handbags do you need?

Rebecca Sparrow on Carbon Cate’s fallout:

“So who are these celebs to be loaning their support to such causes? Who are they not to be? Fame’s sidekick is a bloody big, unrelenting spotlight. With the trappings of fame comes a responsibility, I believe, to shine that light on causes you believe in. And while anonymous donations and clandestine charity work are noble—public giving, supporting and encouraging can—literally—save lives. Make a difference. Raise awareness.

“And frankly, I’d rather see [George] Clooney pimping his fame for Darfur than, say, Nespresso.”

Body Image: Brown Eyed Girl.

A few weeks ago, just after I’d watched the “Born This Way” episode of Glee, I served two Asian girls at work.

It was hard to see their eyes properly, as they had a lot of eye makeup on and their fringes were tickling their lashes, but I was pretty sure they had blue—or Elizabeth Taylor violet—contacts in.

It reminded me of Tina Cohen-Chang’s “Brown Eyes” t-shirt from the New Directions’ performance of Lady Gaga’s “Born This Way”, as part of the 90-minute after-school special on acceptance. In the episode, Tina hates her brown eyes, so takes to wearing blue contact lenses to appear less “Asian”. (Can you really blame her, when her only real characteristic on the show is her Asianess? And her boyfriend, Mike Chang’s, Asianess. For that matter, there are other Asian surnames than just Chang, Ryan Murphy!)

I wasn’t sure if this was an actual phenomenon outside of the pop culture world, but given the propensity of Western, Barbie-esque images to infiltrate other cultures, especially Asian ones, it doesn’t surprise me that blue eyes are all the rage.

As a brown-haired, brown-eyed girl myself, I love my features. But as a child, having both a mother and sister with blonde hair and blue eyes, I did feel like a bit of a black brown sheep until the age of about 10 or 11.

Apparently, even Paris Hilton wears blue contacts to mask her naturally brown peepers.

What do you think? Would you wear coloured contacts to change the shade of your eyes? And have you ever seen any Asian girls wearing obvious contact lenses?

Related: The Underlying Message in Glee’s “Born This Way” Episode.

Image via The Daily Mail.

TV: The Underlying Message in Glee’s “Born This Way” Episode.

 

The underlying message this week is that there is none: acceptance—of Rachel’s Jewish nose, Quinn’s chubby-checker past and Tina’s “Orient descent”—was right there on the surface for all to see.

This is Glee’s second Lady Gaga-themed episode, the first of which was very Gaga-centric, however this week’s effort kicked last seasons’ butt!

The storyline began with Rachel getting hit in the face by Finn during a dance number, and her doctor recommending she get a nose job to fix her deviated septum, like big-nosed babes, Jennifer Aniston and Ashlee Simpson, before her.

She decides to take angel-faced Quinn along to the appointment, using her nose as an example of what she wants the new and improved Rachel to look like.

This is followed up by a tear-jerking rendition of “Unpretty” by TLC by unlikely soul-sisters Rachel and Quinn.

You might remember a few episodes back (although it’s been so long since a new episode has aired, both on Ten and in the U.S., that you could be forgiven for not remembering) when Quinn morphed from struggling with her social standing after giving birth last season to prom-queen obsessed, “I’m relatively sane for a girl”-espousing zombie.

I didn’t buy it then, and I’m glad we get a more in-depth look at her life now.

Lauren Zizes decides to run for prom queen, with Puck by her side as her king. Most of the non-size-two students at McKinley are ecstatic to see someone who looks like them running for prom queen, which should have given Lauren the heads up that her plan to take down Quinn wouldn’t work: she unearths Quinn’s past as Lucy Fabray, before she transferred to McKinley in eighth grade.

Lucy was overweight, uncool, and bullied constantly at her old school, until she joined ballet, gymnastics and cheerleading, lost weight and asked her parents for a nose job, at which point they began to call her by her middle name, Quinn.

Lauren plasters posters of Quinn as Lucy all over the school, which inadvertently sees Quinn’s approval rating go up 40% because her student body realises she’s not just a vapid beautiful person, but someone with problems and a past, just like them.

But not all of the glee club’s members are accepting that they were “born this way” out in the open.

Santana manages to convince Dave Karofsky to help her get Kurt back to McKinley, or else she’ll tell everyone he’s gay. In turn, her “Macbethian” and “Latina Eve Harrington” ways, she believes, will help her become prom queen.

Eventually, word gets back to Kurt about what’s really going on, and he agrees to return to McKinley on the condition that Karofsky be schooled in acceptance of gays and lesbians, even if he doesn’t come out.

Santana could do well to adopt this school of thought, as she is still in the closet and still in pain that Brittany can’t be with her. Brittany makes Santana a “Lebanese” t-shirt for her to wear in this week’s performance (it was meant to say “lesbian”, but it’s a nice tie in to the “Born This Way” lyrics!)

Of course all the storylines are neatly wrapped up into a special 90 minute package, as is Glee’s style. Emma even manages to address her crippling OCD and goes to therapy.

But I think the most interesting “underlying message” of the episode was Santana’s view at the three-minute mark on changing things you’re not happy with.

As much as, on the one hand, our society preaches self-love and acceptance, what of all the beauty products, foods and exercise regimes that are spruiked to us on a daily basis via all mediums?

I don’t want to turn this into a rant on body image and the affect advertisements, magazines, TV, movies etc. have on it, but Santana does raise a good point: if changing things about you, like Rachel’s nose, Tina’s eye colour, or Sam’s “guppy lips”, makes you feel better about yourself, then so be it.

I got a tattoo a couple of weeks ago because I didn’t like the way the back of my neck looked without one; does that make me “hate myself”? Hell no! Anyone who knows me will tell you that I am confident in who I am, both on the inside and the outside. (Those who don’t just think I’m an arrogant bitch!)

But I think that if you are happy with yourself in general in most aspects of your life and can engage in “active critical thought” about the things you aren’t, what’s a little hairdo change here or gym membership there?

Or—dare I say it?—a nose job?

Related: The Underlying Message in Glee’s “Original Song” Episode.

Gwyneth Paltrow Addresses Tabloid Culture & Her Haters.

Glee “Sexy” Review.

The Underlying Message in Glee’s “Blame it on the Alcohol” Episode.

How to Make a Woman Fall in Love With You, Glee Style.

Glee “Silly Love Songs” Review.

The Underlying Message in Glee’s “Furt” Episode.

The (Belated) Underlying Message in Glee’s “Never Been Kissed” Episode.

The Underlying Message in Glee’s “The Rocky Horror Glee Show” Episode.

The Underlying Message in Glee’s “Duets” Episode.

The Underlying Message in Glee’s “Grilled Cheesus” Episode.

The Underlying Message in Glee’s “Britney/Brittany” Episode.

Is There Really a Beauty Myth?

Images via Megavideo.

Magazines: The “Evil” Woman.

 

From “Women Behaving Badly” by Gabriella Coslovich in The Saturday Age’s “Life & Style” supplement, 30th April, 2011:

“The classic bad girl of popular culture is the femme fatale, a cunning criminal with a vixen-like beauty, usually pouty, platinum-haired, buxom and arch—from her stiletto heels to her finely plucked and penciled eyebrows…

“Meanwhile… there remain lingering assumptions about the way a woman should behave. One need only look at Prime Minister Julia Gillard, whose childlessness is often used to demean her, most recently by former Labour leader Mark Latham, who viciously accused her of lacking empathy and love (because having children has clearly given Latham copious quantities of both).

“In short, women whose ambitions waver from the ‘norm’, who have the temerity, say, to become prime minister, without having fulfilled their ‘God-given’ role of procreation, are still treated with suspicion. Audacity, it seems, is fine, to a point, especially if it adheres to the stereotype of woman as fashion-loving sex-object: Lady Gaga and her outlandish garb, Madonna and her extreme muscles. But try bucking convention in perhaps more profound ways—wanting to run the country, or fight for it—and female nonconformity suddenly becomes threatening. Which is why bold and rule breaking women are still worth celebrating.”

Images via Art Geelong, Yunch Time, unknown.

Magazines: Vo-Gaga.

Lady Gaga claims to be a misfit; the mother monster of the birth of a new race of misfits, according to “Born This Way”. So why is she on the cover of Vogue?:

“‘I want for people in the universe, my fans and otherwise, to essentially use me as an escape… I am the jester to the kingdom. I am the route out. I am the excuse to explore your identity. To be exactly who you are and to feel unafraid. To not judge yourself, to not hate yourself. Because, as funny as it is that I am on the cover of Vogue—and no one is laughing harder than I am—I was the girl in school who was most likely to walk down the hallway and get called a slut or a bitch or ugly or big nose or nerd or dyke. “Why are you in the chorus?”’ (She’s more Glee than Gary Glitter in some ways.)”

Or , “why did you wear a meat dress?”, for that matter.

“‘Ugh, the meat dress’… she rolls her eyes. ‘People just want to figure it out or explain it. The truth is, the mystery and the magic is my art. That is what I am good at. You are fascinated with precisely the thing that you are trying to analyze and undo.’”

Related: Who’s the Copycat Now, Katy Perry?

Image via Fabulous Buzz.

On the (Rest of the) Net.

 

Rebecca Black is subversifying the pop world.

“Yet here the discerning viewer notes that something is wrong. Because it is a simply matter of fact that in this car all the good seats have already been taken. For Rebecca Black (her name here would seem to evoke Rosa Parks, a mirroring that will only gain in significance) there is no actual choice, only the illusion of choice.

“The viewer knows that she’ll take the only seat that’s offered to her…”

The Awl even goes so far as to say Black’s relationship with the rapper in her “Friday” clip might be Lolita-esque, and that the video is a commentary on “a crypto sex scene from which we return to the suburban house party”. Creepy.

What it feels like for a (tween star) girl.

I hate answering the phone. When I lived at home, I would never answer the landline when it rang. Now that I fend for myself and can only afford one phone, I only answer numbers I recognise. So does Pamela Paul, via MamaMia.

Extremely racist anti-abortion billboards aimed at African Americans.

Lucy Ormonde asks if it’s acceptable for women to make the first move. My answer: hell yes! Otherwise I would never get any action!

“Words That Are Transphobic & Why.”

The Sartorialist’s “sturdy” shitstorm.

It’s okay to be “fat”, just as long as it’s in the right places, ie. bum, hips and boobs, allowing for a small waist, à la Kim Kardashian and Christina Hendricks.

After reading this review, I can’t wait to see Sucker Punch: a “Burlesque meets Inception” amalgamation of “bustiers, fishnets and glitter instead of asylum uniforms” where Vanessa Hudgens, Abbie Cornish et al’s characters reside in the film. These are just some “of the many clues that we are not actually inside the mind of a young girl, but inside Zach Snyder’s spank bank!”

Perhaps it could have been titled something else, but “How to Be Skinny” has some good points.

Kate Walsh is not a loser!:

“She’s certainly not a loser, based on her many accomplishments. Having a baby doesn’t instantly turn you into a winner. If you feel like a loser for not having a baby, that is your personal truth, but it is not The Truth. And! The fact that so many media outlets picked up this one sentence segment—from a long cover story with quotes about divorce, high heels and Lady Gaga—shows that we, the public are the real losers, for placing so much importance on how a woman uses her uterus.”

“5 Seconds of Every #1 Song From 1993–2011.”

“What Celebrity Culture Means:” Asking completely unqualified famous teenage boys their opinions on abortion and rape:

“‘Thanks for joining us tonight Mr. Bieber. What are your views on climate change? How do you feel about Iraq? And what do you think of the criticism levied against the parents of the Columbine shooters?’”

Going Gaga for breast milk.

On catastrophes and guilt.

Is gay marriage really the hallmark of society’s downfall? Not according to this fab pie chart.

Charlie Sheen, Mel Gibson, John Galliano et al: our obsession with celebs behaving badly.

Sarah Ayoub-Christie likens the freelance market to war, via Lois Lane, on The New Adventures of Superman. I’m inclined to agree!

“Jackie O & the Twisted Politics of Being a Bad Mother” at MamaMia.

Jezebel has also picked up the story.

Where’s the (nerd) love?

Today’s celebrity perfumers could take a lesson from the late Liz Taylor in personal branding.

90% of Facebook users take note: “Ten Words You Need to Stop Misspelling.”

The fashion life cycle of the meat dress.

Images via Democratic Underground, Graph Jam, Feministing, The Awl.