On the (Rest of the) Net.

scandal olivia pop abortion

The disparities between TV and real life abortions. [WaPo]

Pushing back against manspreading. [Medium]

Did Frida Kahlo identify as a disabled artist? [Disability Horizons]

Portraying black gay men on TV. [Fusion]

Actually, bed rest isn’t good for you… so why are pregnant women still prescribed it? [Harper’s]

Hillary Clinton is the best candidate for the job of president:

“If you want to blame her for all of Bill Clinton’s bad decisions, which many Sanders partisans do, then you can’t do that without admitting that she did in fact play a major role in policy; if you want to trivialise her as ‘just a First Lady,’ then you can’t use any part of Bill’s administration against her. Pick your poison, but they’re mutually exclusive options. ” [Sady Doyle]

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Deconstructing Heathers‘ fashion. [Fusion]

The NFL responds more harshly to dog fighting than it does to violence against women. [Broadly]

Can concussions cause rape? [Broadly]

So, wrestling for sex is a thing. [Vocativ]

The prats and pitfalls of the fanboy celebrity profile. [Jezebel]

Boy bands are one of the only safe spaces in which girls can explore their sexualities. [Dame Magazine]

ICYMI: I republished my Calling Spots story on race and gender in wrestling.

Images via Complex, Chat Cheri.

On the (Rest of the) Net.

My friend Laura Money—who’s written for this blog here—writes about friendship in the Olsen twins classic, It Takes Two. [Bitch Flicks]

What Grey’s Anatomy‘s Meredith Grey and Olivia Pope of Scandal can teach us about relationships and love. [Bitch Magazine]

To cut or not to cut: the circumcision debate. [Aeon]

“Are you a feminist?” has become the question du jour to ask female celebrities. [Daily Life]

We’ve heard this before, but the AFL has a woman problem. [Daily Life]

The NFL also has a woman problem, and ESPN is enabling them through their lucrative broadcasting deal. [Esquire]

Outlander, women, sex and TV. [HuffPo]

On the (Rest of the) Net.

Language matters: Why we need to acknowledge that the Hunt family were “murdered” by the man they loved and trusted, not that the five “deaths” of the family were a “horrible tragedy”. [MamaMia]

Baltimore Ravens fans might not “believe in domestic violence” but they still wore Ray Rice jerseys to the team’s home game last week. [CBS New York]

The history of booty-eating (SFW). [Gawker]

The problem with our Jack the Ripper obsession. [New Republic]

Cosmopolitan and politics aren’t mutually exclusive. [Cosmopolitan]

Why did we forget about the anniversary of September 11 this year? [Daily Dot]

The women of Taylor Swift’s music. [Slate]

Dating within your class on Tinder. [Buzzfeed]

And online dating within your race. [Daily Life]

An ode to celebrity workout videos. [Rookie]

On the (Rest of the) Net.

A women in refrigerators supercut.

What relevance should a sex workers’ occupation have to her sexual assault? Nothing, but unfortunately it’s everything. [Daily Life]

Dzenana Vucic follows my train of thought about the public outrage against Jennifer Lawrence’s violation of privacy VS. previous nude celebrity leaks. [Junkee]

The second- VS. third-wave feminism of Marge and Lisa Simpson. [Bitch Magazine]

Janet Mock on Beyoncé and her feminist awakening. [Janet Mock]

Why is a woman’s decision to undergo sterilisation to continue having a child-free life met with skepticism and derision? [Daily Life]

The cognitive dissonance of Joan Rivers’ life and death. [Buzzfeed]

In the wake of Ray Rice’s dumping from the NFL and the Baltimore Ravens for beating his then-fiance, a refresher course on all the famous men we’ve forgiven for their abuse because they do stuff we like. [Dame Magazine]

“You made me hit you in the face. Now everyone is going to know.” (*trigger warning*) [Guernica]

The trajectory of calling women bitches. [Vice]

Kim Kardashian has figured out a way to make bank for doing “women’s work”. [Brooklyn Magazine]

TMZ: pioneers of social justice in sport? [Slate]

The Brittany Murphy Story and the rise of the celebsploitation movie. [Daily Dot]

Men on Chapel Street.

Even though I live quite close to Chapel Street in Melbourne, I try to avoid going there as it is not my scene at all.

The other night I ventured as far down as I’ve been in years, to Lucky Coq, on High Street, for drinks with a friend.

The outing reminded me of the last time I’d been that far down, which was back in 2008 for a uni project. Odd, I know, but stay with me.

One of my final units was a media subject entitled Men & Masculinities. I was hesitant to take on the course, but it was my final year and I’d already done all the good ones. Aside from my inept teacher, the unit was really fun, and some of the topics I studied have influenced me to this day.

The reason my study group and I trekked to Chapel Street was to examine the different types of masculinities we observed there. With the National Institute of Circus Arts and the multitude of gyms and boutiques located there, I was expecting to see a lot of buff, fashionable men concerned with their appearance. In short, I expected to see the “metrosexual” in his natural habitat.

After a bit of rummaging through my hard drive, and a quick Google search, I managed to find the articlean interview with Professor of English, Sociology & Women’s Studies at the University of California, Toby Miller, by Jenny Burton and Jinna Tayby which I used to establish some theories about men on Chapel Street.

Keep in mind that these observations were collected two years ago, and I have tried to keep my notes as close to the originals as possible (present day annotations in italics). A lot of the subject matter discussed then has entered our current vernacular; or at least, the vernacular of this here blog, and the ones I frequently read.

Metrosexuality.

“… The phenomenon of the new man, which tends to annex beauty to the wider theoretical works of fashion, with grooming making fleeting, untheorised appearances.”

That’s not so true anymore, as fashion and grooming are becoming as equally important to men who want to look good and take pride in their appearance. Even something as simple as shaving is classed as grooming, and most men we observed on Chapel Street were clean shaven, or at least were doing something different with their facial hair (such as “designer stubble” and goatees instead of a full beard). [Had it been November when the study was done, perhaps I would have seen some mo’s out there?]

“Is the metrosexual a middle- rather than working-class phenomenon?”

I think typically the metrosexual is viewed as upper- to middle-class, and we certainly did see men of these demographics whom you could call metrosexual. However, the working class (tradies, construction workers) could also be seen as metrosexual, because even though they were engaged in manual labour and had “hard” bodies [muscly; evidence of working out], they were still well-groomed and took pride in their appearance.

“Taking pleasure in one’s body, nurturing it, caring for it, protecting it from the elements and so on kind of loosens those old bonds of conventional masculinity, which forbade these behaviours for men and made them taboo.”

The theory here is that men taking pleasure in their bodies and wanting to look physically attractive, for example by going to the gym, is taboo. Do the men we see going to the gym look ashamed of, thereby succumbing to the taboo, or proud of, their hard or soft bodies? (Hard bodies at the gym; soft bodies in certain subcultures like emo, punk, grunge etc.) I wasn’t expecting to see men ashamed of their bodies, especially in a trendy, affluent place like Chapel Street. However, older, out of shape men were a bit more self-conscious than their younger, better-looking counterparts because they tended to look at the ground when they were walking and didn’t make eye contact as much as the more confident men.

“Given all the effort women make to look okay, it seems only fair that men should have to go through something approximating to that level.”

As we expected, there weren’t really any significantly out of shape, badly-groomed or badly-dressed people on Chapel Street. The women took great pride in their appearance, both in their body shapes as well as how they dressed and groomed themselves. This was echoed in the male population, who all were well-dressed, mostly in shape, and well-groomed. In that respect, it could be seen that men are taking a leaf out of the females species’ book.

“… I think it’s [metro sexuality] pretty peculiar to Australia.”

The typical Australian man is seen as a “blokey bloke” in footy shorts and a bluey, doing manual labour and playing sport recreationally. The younger generation of Australian men are challenging this stereotype by being well-dressed, well-groomed and having more unconventional jobs (according to the stereotype) like consulting, fashion, etc. There wasn’t a typical “blokey bloke” that I saw on Chapel Street; even the construction workers, who have the most “Australian” occupation, weren’t physically reflective of the stereotype. In terms of metrosexuality being unique to Australia, it’s true in that a lot of younger men are taking care of themselves, but false in the way that Australia isn’t the only country that has metrosexuals: the US does with Queer Eye for the Straight Guy and the abundance of men in the media who take pride in their appearance and endorse beauty and fashion products, like George Clooney endorsing watches, and Matthew Fox from Lost is the face of a new L’Oreal beauty range for men. I’m not so sure about the UK, because on one hand you’ve got really metrosexual men like Hugh Grant and Jude Law, but on the other there are quite scruffy men like Rhys Ifans, who was engaged to Sienna Miller, and the downright disgusting, like Pete Doherty.

Queer Eye for the Straight Guy.

“… One way to analyse Queer Eye [for the Straight Guy] is as a professionalisation of queerness; a form of management consultancy for conventional masculinity.”

This can be seen in some of the shops on Chapel Street (and Church Street). We saw gyms and health food stores selling protein shakes, etc. in clusters, as well as a beauty salon specifically for men on Church Street.

“… Queer Eye for the Straight Guy is actually about re-asserting, re-solidifying very conventional masculinity.”

Because it separates the “queer” guys, who are fashionable, neat, well groomed, from the “straight” guys, who are messy, unkempt, in need of “styling” by the “queer” guys. Men on Chapel Street challenged this idea. You could speculate about which men were straight and which men were gay, but the stereotypically “straight” ones weren’t messy or “blokey”. There were a lot of business men who needed to look tidy and well-groomed for their jobs, but there were also construction workers whom you would think were typically very masculine and therefore untidy, but even they were taking pride in their appearance, both in terms of their physically hard bodies as well as their grooming.

Sport.

“… While it’s still about toughness, sport is equally about beauty, with the NFL now marketing its players as sex symbols.”

While there weren’t really any “sports” men on Chapel Street (apart from the circus/dance performers), the masculinities we observed were as much about being physically attractive to attract a mate as they were about looking tough and hard-bodied.

Eating Disorders.

“… Clearly there are big problems with eating disorders and performance enhancing drugs amongst men… These are partly narcissistic, psychological worries to do with an image to the outside world in general… Male beauty consciousness is primarily a marketing creation… Do men use toiletries and cosmetics because advertising tells them to?”

There were a lot of advertisements on Chapel Street that would support this notion, specifically the ad in the window of a gym/health food store that promotes an unachievable body type for most men. There weren’t as many hard bodies as we expected to see, however the ones that we did see in no way reflected the extreme ideal that that specific advertisement promoted. The men who worked in fashion stores on Chapel Street succumbed to the ideal that that specific store promoted.

“… Eating disorders, insecurity about looks and image, men now being oppressed by the ‘beauty trap’ and so on, but for me this doesn’t allow for the possibility that this may also be a good thing for individual men and conventional masculinity, allowing men to indulge in some self nurture.”

The men on Chapel Street who were well-groomed obviously took pride in their appearance, and weren’t ashamed of the fact that they looked after themselves. The majority of men looked healthy, which therefore supports the claim that male grooming and “metrosexuality” (men taking care of themselves) is a good thing.

Related: The Underlying Message in Glee’s “The Rocky Horror Glee Show” Episode.

Elsewhere: [Media Culture] Metrosexuality: What’s Happening to Masculinity?

[MamaMia] Male Models: Inside Their Straaaange World.

Movie Review: The Expendables.

 

When I first expressed interest in seeing The Expendables, those who don’t know me well wondered why. But those who do know me well, know that I’m not as traditionally feminine as I appear to be.

My dirty little secret is… I love wrestling. I haven’t watched it in about six months, because my body corporate doesn’t allow cable in my apartment building. But I’ve been devoted to World Wrestling Entertainment for almost ten years now, and anyone who is remotely familiar with the product will know the name “Stone Cold Steve Austin”. And anyone remotely familiar with the action-hero line-up for The Expendables, will know that “Austin” is one of the names that appears alongside “Stallone”, “Lundgren” and “Schwarzenegger” on its poster.

While there is a storyline per se (The Expendables, a group of elite mercenaries, are commissioned to overthrow a Latin American dictator, General Garza, on the island Vilena in the Gulf of Mexico. Whilst there, writer and director Sylvester Stallone’s character, Barney Ross, meets their contact Sandra, who turns out to be Garza’s daughter, and makes it his own personal mission to rescue her from the tyranny of her father and her country, and in turn, open his mind and heart. Gag me.), it’s so badly written that I didn’t even know that Jason Statham’s (my new action hero crush, BTW) character’s name was Christmas until a friend mentioned it to me days later!

But the reason movie-goers flock to a film like this (as opposed to Eat, Pray, Love, which opened the same weekend as The Expendables) isn’t for its storyline. My fellow patrons at the cinema were a primarily male audience, obviously into action films, weaponry, fight scenes and professional wrestling. Jet Li, UFC fighter Randy Couture, former NFL player Terry Crews (who is one of my favourite comedy/action actors, and was relegated to cheap one liners and blowing stuff up in favour of more screen time for surgery-damaged, pillow-faced and drawn-on-facial-haired Stallone) and Austin got the best pops from the audience, especially when those actors were utilised for their talents, with Li taking on Dolph Lundgren’s character Gunnar Jensen in an entertaining fight scene, Crews throwing an explosive as if it were a football, and Couture and Austin pulling out their street fighting skills/wrestling mat moves (Figure Four leglock, anyone?) in the final scenes.

I definitely know my wrestling trivia, but as far as action films go, The Longest Yard (another Austin/Crews collaborationgo figure), The Fast & the Furious and The Scorpion King are about as far as my knowledge extends. So I asked my friend and fellow Expendables-watcher, Eddie, to point out his top five throwbacks to the great action films of the ’80s and ’90s, which this film is meant to emulate.

1) At the start of The Expendables, they are taking down The Pirates. Pirates of the Caribbean is one of the past decade’s most successful action film franchises, in which the leads are played by pretty boys Johnny Depp and Orlando Bloom; a far cry from the rough and tumble action heroes of Stallone and Schwarzenegger’s era.

2) “The Stormtrooper Effect”: Garza’s henchmen have their faces painted as they go into battle with The Expendables. This is known as the Stormtrooper effect, where the enemy’s face is obscured so as to help the audience deal with them being killed off by our incomparable heroes.

3) The Expendables all wear different hats (Li’s character Yin Yang in a baseball cap, Couture’s Toll Road in a bucket hat, Ross and Christmas in black military-style berets) so that the members of the audience with a lower IQ can tell them apart during the fight scenes. And let’s face it; with a movie like this, the majority of its audience tend to lean that way.

4) As the team is descending on Vilena for the final showdown, Ross switches their plane’s controls to autopilot, and from there on in, the rest of the film travels on autopilot also. That’s funny; I thought the whole film was travelling on autopilot.

5) In the closest scene to character development, Mickey Rourke’s character Tool divulges to Ross his inner torment about not saving a woman when he had the chance to, and encourages Ross to go back for Sandra. Similarly, when Christmas discovers his ex-girlfriend has been beaten by her new boyfriend, Christmas ambushes said new boyfriend and his friends on the basketball court, bringing the beaten ex along for the ride. The whole movie, disguised by boys club banter and blowing stuff up, is about a man’s desire to save a woman. It’s most guys’ dream to be the knight in shining armour, as Stallone and Statham are here, and come to the rescue. Sure, this is a dated and highly sexist ideal posits that it’s a biological truth ingrained in most men.

Certainly in the man who wrote and directed The Expendables, wouldn’t you think?