On the (Rest of the) Net.

“Christina Aguilera: Always the Second Fiddle.”

I don’t believe in New Years resolutions anymore, namely because I could never realise mine. But I like Rachel Hills’ idea of writing an obituary for the year passed. In this case, her 2008 in review.

HuffPo on the absence of modern technology in modern literature:

“The average fictional character is either so thoroughly disinterested in email, social media, and text messages he never thinks of it, or else hastily mentions electronic communications in the past tense. Sure, characters in fiction may own smart phones, but few have the urge to compulsively play with the device while waiting to meet a friend or catch a flight. This ever-present anachronism has made it so that almost all literary fiction is science fiction, a thought experiment as to what life might be like if we weren’t so absorbed in our iPhones but instead watched and listened to the world around us at a moment’s rest.”

Girl with a Satchel ponders the price of a pretty picture.

“Caring for Your Introvert” is one of the best articles I’ve read all year (and considering it was written in 2003, that’s saying something). Here, an excerpt:

“With their endless appetite for talk and attention, extroverts also dominate social life, so they tend to set expectations. In our extrovertist society, being outgoing is considered normal and therefore desirable, a mark of happiness, confidence, leadership. Extroverts are seen as bighearted, vibrant, warm, empathic. ‘People person’ is a compliment. Introverts are described with words like ‘guarded’, ‘loner’, ‘reserved’, ‘taciturn’, ‘self-contained’, ‘private’—narrow, ungenerous words, words that suggest emotional parsimony and smallness of personality. Female introverts, I suspect, must suffer especially. In certain circles, particularly in the Midwest, a man can still sometimes get away with being what they used to call a strong and silent type; introverted women, lacking that alternative, are even more likely than men to be perceived as timid, withdrawn, haughty.

“The worst of it is that extroverts have no idea of the torment they put us through. Sometimes, as we gasp for air amid the fog of their 98-percent-content-free talk, we wonder if extroverts even bother to listen to themselves. Still, we endure stoically, because the etiquette books—written, no doubt, by extroverts—regard declining to banter as rude and gaps in conversation as awkward. We can only dream that someday, when our condition is more widely understood, when perhaps an Introverts’ Rights movement has blossomed and borne fruit, it will not be impolite to say ‘I’m an introvert. You are a wonderful person and I like you. But now please shush.’”

Furthermore, The Los Angeles Times notes that despite the introverted minority, television doesn’t reflect their existence very well. (Does television reflect anything very well?):

“Watch Seinfeld or Friends or Sex & the City or Community or Men of a Certain Age—the list is endless—and you’ll see people who not only are never ever alone but people whose relationships are basically smooth, painless, uninhibited and deeply, deeply intimate—the kind of friendships we may have had in college but that most of us can only dream about now. How many adults do you know who manage to hang out with their friends every single day for hour after hour?”

On that, Gossip Girl is notorious for misrepresenting reality. While she knows I love her, GG often makes me feel guilty about the clothes I’m not wearing, the sex I’m not having, and the events I’m not going to. Apparently, it’s not true to the books, either.

Check out The Washington City Paper for their musings on masculinity over the past decade, with a special focus on boy bands, metrosexuals, hipsters and guidos, à la Jersey Shore.

Gwyneth Paltrow: You either love her or hate her. I hated her with a passion until I saw her on Glee, in which she came across as carefree, cool and sexy and made her a tiny bit more relatable to the general populus who don’t subscribe to her Goop musings. Mia Freedman writes hilariously on this conundrum, with a focus on a related article from Salon.

Also at MamaMia, “17 Arguments Against Gay MarriageAnd Why They’re Bullocks” is brilliant.

Tangled will be the last fairytale Disney releases in a while.

Can you still be a feminist and dress in a bra top? (Of course you can; stay tuned for more on this next week.) Or espouse archaic notions of heterosexual relations, for that matter?

“The Ongoing, Albeit Amusing, Battle to Save Bristol” on Dancing with the Stars:

“‘This seems like a case of the rich, popular cheerleaders looking like they’ve sucked on a lemon when they learn that the poor girl in school, the one in the home-made clothes and religious family, gets elected Prom Queen.’

“I’ve rarely seen such a clean-cut example of the conservative tendency to say up is down and black is white. Or, more precisely, to bemoan how oppressed white, rich, and highly privileged people are.

“… But Bristol Palin hasn’t really done squat. She is literally famous for having a baby at an inopportune time. And now she continues to get promoted over more talented people than her because she was born into the right family… Bristol Palin is a hero to wingnut America because she’s a great example of rewarding someone for being born into privilege instead of on their merits.

“… I just find it extremely funny that the wingnutteria is backing someone with no talent on a show with no real importance to stick it to liberals who by and large don’t really care, and they’re doing so because they’re intoxicated by privilege and kind of wish they had a monarchy, but they’re pretending that they’re doing it because they want to see the oppressed rise above. I suppose after Dancing with the Stars is done, they should start sticking it to the liberals by defending poor, oppressed Paris Hilton, who is definitely the weird girl with handmade clothes that is picked on by cheerleaders.”

Mel Gibson and the curse of the “Sexiest Man Alive” tag.

On Stieg Larsson and the “disturbing”, “torturous” patriarchy of his Millennium trilogy.

Women are funny, too.

Wanted: Taylor Swift.

For crimes including slut-shaming, kissing and telling, homophobia, “anti”-bullying and self-righteousness.

At least according to this dialogue between Sady Stein and Amanda Hess on Tiger Beatdown:

“I have problems with Taylor Swift, which are, Example A: Slut-shaming, and Example B: The fact that she is posited as an anti-bullying Girl Power achetype when she writes songs that are like ‘go and tell my friends that I’m obsessive and crazy/that’s fine I’ll tell mine that you’re gay.’”

And yes, I did use other parts of this Tiger Beatdown article as inspiration for yesterday’s “Smiling Assassin” post.

Related: Smiling Assassin.

Elsewhere: [Tiger Beatdown] Sexist Beatdown: Revenge of the Smiler Edition.

[The New Gay] If Katy Perry Crapped in a Pizza Box, Would You Eat It?

Smiling Assassin.

 

From “Sexist Beatdown: Revenge of The Smiler Edition” by Sady Stein on Tiger Beatdown:

“In adolescence, no-one is normal. That’s why it’s adolescence, for fuck’s sake. The girl who can pull off ‘normal’ the most convincingly is usually the girl who’s best at lying. And all too often, she is The Smiler. The Smiler is nice. The Smiler is pretty. The Smiler is popular, but not too popular; she’s just normal folks, you know? The Smiler is good in school and her teachers love her, but she’s not the valedictorian. The Smiler is in show choir and is cast in all the theatre productions, and she makes sure of her position by purposefully fucking with people’s heads and making them cry during auditions with ‘helpful advice’ about how nobody likes them and they should leave to make people happy, but she’s smiling. (Actual true story.) The Smiler is a respected youth group leader, a pillar of her community, and she tells the girl who’s been abused by her boyfriend that it wouldn’t have happened if she hadn’t presented herself so provocatively, but she promises that Jesus can make it better, and she’s smiling. (Also actual true story.) Sometimes, the Smiler is so good at what she does that the Smiler is your friend: Talk to the Smiler! Hang out with the Smiler! The Smiler only wants to help! Tell the Smiler your troubles—your many secret troubles that no-one knows about because you’d prefer to keep them private! But surely you can trust the Smiler? Except that two weeks later, everybody somehow knows a distorted Grand Guignol disastrous version of exactly what you told the Smiler, and your life is effectively over until college. (I was home-schooled.)

“… What I feel is that I am hanging out with the youth group leader/glee club star/all-around nice girl who also spreads a rumour about how you went to third base with Derek and are a total skank.”

Sounds a lot like Amanda Bynes’ character in Easy A, don’t you think?

Related: Easy A Review.

Elsewhere: [Tiger Beatdown] Sexist Beatdown: Revenge of The Smiler Edition.

On the (Rest of the) Net.

Just a short one this week, as I haven’t had a lot of time for reading. L

Rabbit White ponders the things she learnt about her own sexuality from the men at Mr. International Rubber:

“It is being put in a sexual situation when you are non-sexual. It’s being introduced to a new world all at once. But it’s not long before I feel comfortable here, basking in male sexuality that is totally not directed at me. I think I finally getting the draw to being a ‘fag hag’or ‘fairy princess’. I get to gawk and join in the lust without fear of being pulled in or anxiety of protecting myself. In the view from here, human sexuality is a celebration and male sexuality is valid and uniquely cool.

“I don’t know how many times I’ve read advice columns where girls write in, worried about their smell or unable to enjoy sex because they are self conscious. Perhaps it’s because girls are taught to please everyone else, putting themselves last, but there just seems to be something in female sexuality that is uncomfortable with receiving pleasure. Look at all the women’s mags, obsessed with ‘how to please a man’.

“But maybe the ‘pig’ concept could lessen fears around receiving pleasure. What if your partner liked you sweaty, smelly, just the way you are right now? And just wanted more and more and more of that.”

Sady Doyle, of Tiger Beatdown (lots of feminist goodness from them this week) discusses “The Fantasy of Girl World”:

“The fantasy of girl world often feels like the feminist imagination taken to its most self-indulgent, hypocritical extremes. We stand for tolerance and egalitarianism, whereas the people who disagree with us are IGNORANT WIFE-BEATING MONSTERS. Women, if left on their own, would eliminate war, poverty, heartbreak and pets that are not cats. But, here’s a question for you: Why shouldn’t it look like this? What’s wrong with a wish-fulfilment fantasy that tells women they could do well with power and without oppression? What’s wrong with girls geeking out over the idea that they’re special?”

Glee’s Rocky Horror episode failed to touch-a, touch-a, touch-a, touch Garland Grey at Tiger Beatdown:

“Early on in the episode Mike volunteers to play Dr. Frank-N-Furter, but a few scenes later he says his parents won’t allow him to play a ‘tranny’. Mercedes takes the role, delivering a show stopping version of ‘Sweet Transvestite’, but the word ‘transsexual’ is replaced by ‘sensational’. For Glee, transpeople are punch lines, not anyone the show needs to fucking think about. While doing Rocky Horror Picture Show, a musical whose entire message is about accepting people’s sexuality and gender.

“Can we just cut out losses and rename this show Chord Overstreet in Tiny Gold Shorts? Clearly, he is fanservice and I don’t even care… However, as much as I appreciated seeing his abs, I didn’t care for the oddly-specific diet regimen he blurts out before showing them or the comically small weights Artie was holding. Artie’s a paraplegic, pushing himself everywhere in his wheelchair, lifting himself in and out of it dozens of times a day, and THAT is the biggest weight he’s lifting? That weight is a clear signal to the audience that Artie doesn’t belong in the locker room and is only there to provide comic relief…”

The four types of Facebook friends, according to Susan Orlean.

The Pervocracy on the “Slut, Deconstructed”:

“I’m 25. I lost my virginity at 15. So 26 partners is only two or three a year. It’s hardly going home with a new guy every night. To break it down further, 6 of those partners were serious romantic relationships, and you can’t call a girl slutty for sleeping with her own boyfriend, right? So now it’s 20 casual partners over 10 years—a raging, wild, man-eating two per year. I’m so cock-crazy I need it every six months, baby…

“Oh, and a woman in ‘my god, you can see her everything’ clothing dancing on tables and flirting with every guy in the bar might be a virgin for all you know about her.”

It’s the wrong time of year here, but there’s not many things I love more than trawling through the gossip magazines in summer, style-stalking the celebrities in Aspen and New York, longing for cool weather again to break out the beanies, woollen cardigans and shearling coats (okay, wrong continent for shearling!).

On the (Rest of the) Net.

How to “cure” a feminist.

Zoe Foster at her absolute best in her ode to “second day spaghetti”. Perhaps she should consider penning a food column in addition to relationship and beauty advice?

Overthinking It on the differences, but more so, similarities, of “California Gurls and California Girls”. One choice titbit: “The popsicle melting part means that California girls are sufficiently attractive that, under the right circumstances, they will cause men to ejaculate. Just in case Katy Perry didn’t make it obvious enough with her coy and artful wordplay, ‘popsicle’ means penis.”

More on Katy Perry and how she’s now claiming to be a gay icon. If you think back to her first song, before the success of “I Kissed a Girl” (“which panders to my least favourite cliché ever, that of the straight girls who make out at frat parties to turn on frat boys”), entitled “Ur So Gay”, it was insinuating that being gay “was the ultimate, be-all, end-all putdown to someone that treated her wrong.”

Matriarchy in Glee.

Also at Overthinking It, the likeability of male characters versus female characters is discussed. Hint: female characters aren’t likeable, even if the male characters they’re being compared to are sociopaths.

Jezebel on owning your sluthood:

“… Sluthood isn’t an action, it’s a state of mind.

“I’m telling you this because my sluthood saved me. Sluthood gave me the time and space to nurse a shattered heart. It gave me a place where I could exist in pieces, some of me craving touch, some of me still too tender to even expose to the light. Sluthood healed the part of me that felt my body and my desires were grotesque after two years in a libido-mismatched partnership. Now I felt hot, wanted, powerful. My desire and enthusiasm was an asset, not an unintended weapon.”

You go, girl!

Lifehacker offers up the “Top 10 Tips for Better Writing”.

Hugo Schwyzer on “The Problem With Being ‘Sexy But Not Sexual’”.

“The Televised Guide to Teen Girl Friendships”, featuring My So-Called Life, Full House and Popular.

Jezebel explains our (but not my) interest in the royal wedding by way of Disney:

“For me, an American pop-culture junkie, Prince William and Kate Middleton’s engagement means one thing: She gets to be a Princess. And seriously, some part of me, formed when I was three or four, believes that this means she will be dressed by birds, wear clothes sewn by tiny mice, and have woodland creatures as friends. Oh, sure, there’s a handsome Prince, but more important are the jewels! And the singing! And the castles! And the woodland creatures.”

Apparently positive people live longer. Good news for me, then!

“Do All of Us Need ‘The One’?” at The Ch!cktionary.

A rant on the annoyance of ignorance:

“… In our infoculture, it takes work not to expose yourself to interesting ideas, facts, news and points of view… the average person online spends seventy seconds a day reading online news. Ouch.”

New York, I Love Hate You:

“New York, I won’t miss your fierce morning halitosis exhaled from your subway grates along Third Avenue.

“I won’t miss you drooling on me from your high-rise air-conditioners in the burning heights of summer.

“I won’t miss how… to me you always smelled like Camel Lights, and warming urine, and the No. 14 busa perfume I never could quite embrace.

“New York, I’ll never forget how dating you made me so poor that when I wanted to read I had to unscrew a bulb from the bedroom and carry it to the living room.”

Let Them Eat Cupcakes.

 

Not to be confused with “Let Them Eat Cake… And Wear Headbands”, which I wrote earlier this week, this excerpt comes from Jeremiah’s Vanishing New York’s “King Kong & Cupcakes” by Jeremiah Moss:

“Cupcakes are just a symbol for the shiny Bloomberg-ized, Carrie Bradshaw-defined boutique city New York is turning into. I grey up during the 1970s, when the old New York‘King Kong’s New York’ if you likewas still very much in evidence, and would be well into the ’90s. Like you, I’ve watched, often in horror, and particularly over the last decade, as the city has been transformed into something nearly unrecognisable and sadly lacking in character.

“I certainly have nothing against the cupcakes themselves. Shortly after I handed this cartoon in, I tried a Magnolia cupcake for the first time. It was good. I suppose I could have written ‘Twas Marc Jacobs killed the beast’, but cupcakes was funnier, and it won’t get me sued.

“… But to answer your question about how New York being overrun with cupcake shops, and the (designer) baggage that goes along with them, can kill a 25-foot-tall ape, it is in much the same way that ‘beauty’ did him inby breaking his heart.

“Is that too corny? OK, then he slipped on a goddamn cupcake.”

Related: Let Them Eat Cake… And Wear Headbands.

Elsewhere: [Jeremiah’s Vanishing New York] King Kong & Cupcakes.

On the (Rest of the) Net.

“Benevolent” teen sexism versus “hostile” teen sexism at Psychology Today via Jezebel.

Also from Jezebel, “Facebook Tells You When You Will Break Up” via a handy little graph. I wonder how the graph would change to reflect Australian dating norms andmost interestinglyseasons.

The always hilarious Mia Freedman muses on “First World Problems”.

Gawker’s take on Gossip Girl’s “Juliet Doesn’t Live Here Anymore”, or more importantly, Chuck and Blair’s sex life:

“So, Blair and Chuck are totally mashing genitals against each other for pleasure, and everyone is throwing up all over the place because of it. Because it’s so gross. ‘Hey Blair, let me put my penis inside you behind those bushes.’ THROWUP. ‘Hey Chuck, why don’t you stimulate my vagina with your mouth some more.’ RETCH. ‘Oh my gosh, let’s pant and wheeze and sweat here in this limo because we just rubbed our genitalia together to the point of climax.’… IT’S GROSS, is what I’m saying… But they’re doing it anyway and that was a plot point. Absolutely nothing changed or developed in their fucking…”

Since when did Gossip Girl need a plot point, anyway? It’s a guilty pleasure and that’s the beauty of it.

This 2009 New Yorker article is suspiciously similar to a Law & Order: SVU episode from season 11. But it is a brilliantly haunting read about fire investigation, wrongful incarceration, execution and justice.

Defamer addresses Vanity Fair’s penchant for posthumous covers.

Ideologically Impure responds to Stephen Fry’s assertion that women don’t like/want/have sex as much as gay men:

“Because, Mr. Fry, do you know what happens to women who openly state they enjoy sex, who act in an overtly sexual manner, who admit to casual sex?

If they get raped, their rapist walks free.

“Because a woman saying she enjoys sex is obviously always up for it. And a woman who’s had casual sex in the past must not be fussy about who she fucks. And a woman who flirts is just ‘sending the wrong signals’ and completely gives up her right to say ‘no’.”

The allure of the Kindle, by Maggie Alderson.

The original “In Defence of Slut-O-Ween” and, in the same vein, The Stranger wishes us a (belated) “Happy Heteroween”.

Annabelle DeSisto, the girl who shut down the Situation on Jersey Shore, tells her side of the story on Best Week Ever:

“… He kept asking me if I wanted to change clothes, like to get into something more comfortable like pyjamas. And I was like ‘No’, and he was like ‘But you seem really uncomfortable in that dress, let’s just get you into pyjamas.’ I’m like, ‘Does everything you own have a rhinestone bulldog or dragon or Ed Hardy logo on it?’ And he’s like, ’Yeah, of course!’ And I was like, ‘Then I’m not changing clothes.’”

Sounds like a quintessential douchebag to me!

In defence of Kanye West:

“Part of Kanye’s curse is that after everyone chills out a little, we all realise he was just saying what everyone was thinking, and we were unfair to leap all over him…”

“What is Vampire Sex?” Effing hot, that’s what!

Shameless Wildfox plug: “13 ‘Mature’ Things to Do While Wearing Wildfox This Halloween”. I did just one of these things this Halloween. Can you guess which?

If you missed Zoe Foster’s “All Women Really Want is a Cup Of Fu*king Tea” relationship advice in Cosmo a few months ago, here it is again on her blog, via MamaMia.

Mick Foley pens his thoughts on Linda McMahon:

“… The concerns expressed in regard to WWE are valid onessubstance abuse problems, content issues, the troubling trend of pro-wrestlers dying way too young. But if Linda McMahon is going to be held personally accountable for every negative aspect of her family business, shouldn’t she be given personal credit for every positive aspect as well? Like the 5,000 wishes to children facing life threatening conditions WWE has granted over the last twenty five years, through ‘Make-a-Wish’ and other wish granting organisations? Or the ‘Tribute to the Troops’ tour that WWE has embarked on every year since 2003; spreading holiday cheer to service-members far from home, in remote bases in Afghanistan, Iraq and Kuwait.”

When things are looking glum, take a look at this mantra from Gala Darling. Things aren’t that bad.

Good-Time Girls.

 

From “Party & Punishment”, published in The New York Times Magazine, 22nd October, by Virginia Heffernan.

“Right after 9/11, Muslim regimes were depicted as tyrannical in part because they demonised Western fun-loving culture in the name of a misogynistic ideology. Slowly but surely we’ve been doing the same thing with our most visible good-time girls, making villains of women who are dangerous almost exclusively to themselves. We point cameras into their darkened cars and literally up their skirts to find cellulite or evidence of immodesty that wouldn’t exist without the cameras. When they start drinking and doing drugs, just as many celebrities before them have done, we become incensed, agitating for them to go to jail.”

Heffernan’s contention rings true when it comes to Lindsay Lohan, who has been to jail four times (two in quick succession in recent months), rehab on five (or is that six?) occasions, and demonised in the media countless more. But do we demand the same of drug-addled famous men who are a danger to others, ie Charlie Sheen? For what he’s done to the women in his life, not to mention himself, perhaps it is time for Sheen to see the inside of a prison cell. Or at the very least, be taken off the show on which he earns the highest salary on television until he gets his shit together.

Related: Poor Little Rich Girl: Lindsay Lohan in Who.

Why Are Famous Men Forgiven for Their Wrongdoings, While Women Are Vilified for Much Less?

Bad Boys, Whatcha Gonna Do? Host a Seven Family Show.

Lindsay Lohan: Marilyn, Eat Your Heart Out.

Ex-Factor: Matthew Newton.

Elsewhere: [The New York Times Magazine] Party & Punishment.

On the (Rest of the) Net.

Millennials Magazine profiles the beauty of the to-do list, Daniel D’Addario gets nostalgic for Daria Morgendorffer, while Katie Baker wishes she was an orphan:

“Orphans are adored by their peers, but tormented by evil guardians, stay cool under pressure and abuse, and rarely fail to win true familial love and affection in the end.”

Also at Millennials Mag, the awesomeness of The O.C. was that “it was just fucking dramatic”:

“Kirsten’s an alcoholic. Marissa almost dies in an alley in Tijuana. Luke’s dad turns out to be gay. Luke and Julie Cooper hook up, grossly. Seth, who’s supposed to be this huge nerd, nabs the most popular girl in school. Summer gets into Brown, which is actually kind of realistic considering her money, but that’s another story. Obviously some lesbian stuff happens. Marissa shoots Trey. Marissa dies. Ryan and Taylor go into a parallel universe while in a coma. And yet everyone keeps on being rich and impossibly well dressed and extremely easy on the eyes.”

“The 9 Most Racist Disney Characters.”

Continuing with the “Why Don’t You Love Me?” theme, Tiger Beatdown discusses the cultural relevance of Beyonce’s anthem, in relation to buying access to a stripper’s body via a $10 lap dance:

“I was able to buy access to this woman’s body and (very convincing) pretend affections for less than I would spend picking up a couple of last-minute things at the grocery store. It was worth almost nothing. Less than an oil change. Less than someone cutting my hair. Less than getting a decent tailor to hem a pair of pants. Less than a bouquet of roses.

“And that’s the day that I realized we were all the victims of a sick joke. A despicable charade where so much is demanded of women, so much compliance and poking and prodding, so much effort to make ourselves beautiful and radiant and perfect, so much forcing of square pegs into round holes, just so we could meet it all, do it all, get close to the apex of perfection and still be worth nothing. We would be left with alienation from our own bodies, our bodies that we squeezed into stilettos and shaved and waxed and whittled into tiny silhouettes at the gym, always striving for more perfect, thinner, prettier, more alluring. Working so hard to satisfy the cultural imperative toward female perfection—how could we have time for our own desires except to be desired?

“Latoya Peterson writes about the video that ‘Once again, Beyoncé’s lyrics define her positive attributes in the context of why she should be desirable to some fool that doesn’t appreciate her. The video, however, is a lot more interesting since, with Beyoncé playing the role of “B.B. Homemaker”, it is openly mocking a lot of the ideals and tenets of womanhood’. I’d go much further than that. I’d say that the song and the video together form a radical critique of femininity, full stop. Because this is what femininity is about: making yourself appealing to men by adhering as closely possible to cultural ideals of perfect womanhood. Her lyric is not ‘when I am so damn easy to love’, but ‘when I make me so damn easy to love’. It’s effort, it’s a construct, it is something she does and not something that she is. It is performative.”

“Man up” seems to be a fairly frequently used phrase in my vernacular, and The New York Times ponders its true meaning:

“But man up isn’t just being used to package machismo as a commodity. Its spectrum of meanings runs from ‘Don’t be a sissy; toughen up’ all the way to ‘Do the right thing; be a mensch,’ to use the Yiddishism for an honourable or upright person. The Man Up Campaign, for instance, is a new global initiative that engages youth to stop gender-based violence: ‘Our call to action challenges each of us to “man up” and declare that violence against women and girls must end,’ its mission statement reads.”

Now that is something we can all certainly man up stand up for.

The top ten reasons why anyone follows anyone who’s anyone on Twitter.

Uplift Magazine on those Crystal Renn food photos.

In defence of books:

“Many books are screwy, a great many are dull, some are irredeemable, and there are way too many of them, probably, in the world. I hate all the fetishistic twaddle about books promoted by the chain stores and the book clubs, which make books seem as cozy and unthreatening as teacups, instead of the often disputatious and sometimes frightening things they are. I recognize that we now have many ways to convey, store, and reproduce the sorts of matter that formerly were monopolized by books. I like to think that I’m no bookworm, egghead, four-eyed paleface library rat. I often engage in activities that have no reference to the printed words. I realize that books are not the entire world, even if they sometimes seem to contain it. But I need the stupid things.”

The perils of HalloSlut-o-Ween, at Rabbit White.

Meet Me at Mike’s Pip Lincolne writes about what makes a successful blog.

More on the Glee/GQ photo shoot scandal, this time from NPR and the girls at Go Fug Yourself.

Did Rosie the Riveter Wear Hotpants?

 

From Tiger Beatdown:

“… It is true: Beyonce does in fact dress as the iconic proto-feminist industrial worker when she has a particularly tough mechanical project to attend to. And she is, in fact, wearing hot pants! However… for those who take issue with the accuracy of her costume, remember: We only ever saw Rosie the Riveter from the waist up. We don’t know what kind of pants she was wearing. Rosie the Riveter may not have worn pants at all.

If this is true, I’m totes going as her for Halloween next year. And no, it’s not too early to start planning my outfit! We can do it!

Related: The Witching Hour: Halloween/My Birthday at Witches in Britches Cabaret.

Elsewhere: [Tiger Beatdown] Why Don’t You Love Beyonce? An Inquiry.

[Jezebel] The Many Incarnations of Rosie the Riveter.