Manic Pixie Dream Bitch.

 

From “The Pinup of Williamsburg” by Jada Yuan in New York Magazine, via Jezebel:

(500) Days Of Summer… told almost entirely through Tom’s perspective, was ‘actually very misunderstood,’ [Deschanel] says. ‘I can’t tell you how many guys, and girls, are like, “You did him wrong!” What, she’s a bitch because she didn’t want to date that guy? So? Are we bitches because we have our own opinions? If that makes me a bitch, or that makes women bitches, then maybe we’re all bitches.’”

Elsewhere: [New York Magazine] The Pinup of Williamsburg.

[Jezebel] Zooey Deschanel: “Maybe We’re All Biches”.

[Musings of an Inappropriate Woman] Elizabethtown, Garden State & the Alternative Flat Fantasy Female.

Image via Robray Burn.

On the (Rest of the) Net.

 

Attack of the cupcakes!:

“… Badassery and toughness aren’t mutually exclusive with cupcakes. A woman can go home from her power-suit-wearing corporate job and unwind in front of Cute Overload. A ‘supermom’ can enjoy a vintage cocktail—and even wear a vintage apron, if she wants to—without becoming squishy and ineffective…” [Feministe, HuffPo]

Gloria Steinem’s not the feminist hero we think she is, according to Suzanne Venker. [National Review Online]

The Catholic Church respects women more than feminism? Laughable. [National Catholic Register]

Erica Bartle writes on the perils of being a Christian in a sometimes-misunderstanding world. I don’t think what she’s experiencing is a uniquely “Christian” thing. (More on that next week.) I abhor organised religion, but I still feel “hyper-sensitive”, as she puts it, to the small-minded bigots around me. I think it comes down to what kind of person you are, regardless of religion and faith, which aren’t mutually exclusive.

I think you can still keep your “awesomeness”, “pride” and “talents” and fight like Mike Tyson (minus the ear-biting and sexual assault). Those are the things that make us good people, in my opinion. [Girl with a Satchel]

Gala Darling on how “to be the person in the photo, instead of the person looking at it.”

The Help from a porcupine and bumblebee’s point of view. You’ll get it from mine next week. [Jezebel]

In the wake of recent assertions that Hillary Clinton might have made a better president than Barack Obama, I came across this 2008 article pitting the “Madonna” against the “whore”; “the hard-ass” against “the lightweight”; “the battle-ax” against “the bubblehead”; “the serious, pursed-lipped shrew” against “the silly, ineffectual girl”; “the bitch” against  “the ditz”, and why the Clinton/Sarah Palin debate was a futile one. [New York Magazine, The New York Times]

It’s all about the discontent of young Asian women, and how they want to look more Western. [Gender Across Borders, Sydney Morning Herald, SBS Insight]

To the inconsiderate douches who use the word “rape” as a joke. Brilliant. [Lipstick Feminists]

“The Deficient Single Woman.” [Zero at the Bone]

Discrepancies in the way college men and women dress are lauded as anti-feminist by Lisa Belkin, while Amanda Marcotte contends the sight of a woman dancing in her underwear on Halloween doesn’t mean she’s a) not a feminist, b) going to insight yearnings of violent assault in all men who lay eyes on her, and c) dumb:

“Men are perfectly capable of being turned on by a woman dancing in her underwear while never forgetting that said woman has a family that loves her, a mind of her own, and ambitions that are equal to his.  We don’t allow men’s sexuality to dehumanise them in our eyes.  If a young man spends his weekends partying and flirting with women, and spends his time in the classroom pulling down As, we don’t see that as a contradiction. The belief that female sexual expression is uniquely dehumanising is a double standard, no matter how much you dress it up in feminist language.” [The New York Times, Slate]

Somewhat in response to Caitlin Moran’s How to Be a Woman (I’m eagerly awaiting my copy in the mail), Jason Sperber tells us “How to Be a Man”. [The Good Men Project]

Baby Beyonce is inciting debate about motherhood, race, and “doing it the right way”. [Jezebel]

Gay marriage is a human rights violation of children to be brought up by a female mother and a male father. Hmm… [The Australian]

“Professor Feminism” and the “Chronicles of Mansplaining”:

“I’m pretty confident that Professor Feminism is not Professor Understands Sarcasm, either, so I’ll spell it out: The point of listening to women and feminists is to listen to women and feminists. Because if you listen to them, you might start to understand certain basic points, such as: Women do not automatically have to accept you as an expert, particularly not when the subject under discussion (sexism!) is something you’ve never experienced first-hand. Women do not have to make you ‘comfortable’ and ‘welcome’ in every single conversation. Women do not automatically have to grant you a space in their discussions, on their blogs, or in their lives. Women do not have to permit you to enter their political movements, their self-created spaces, their personal space, their bodies, or anything else that belongs to them; you, as a man, are not entitled to women’s attention, praise, affection, respect, or company, just because you want it. And when a woman says ‘no,’ you respect that this particular woman said ‘no,’ and you stop. You don’t make excuses, you don’t explain why you should be able to get what you want, you don’t throw a tantrum, you don’t call that woman names: You just stop what you are doing. Because she said ‘no.’” [Tiger Beatdown]

See here for another example.

What Adele… and Lil Wayne… can teach us about love. [This Single Life]

“I Thought Success Meant Wearing a Suit.” So did I. I used to fantasise about working on Southbank, wearing suits (I had a penchant for an imaginary hot pink one!) and carrying my files in a suitcase-on-wheels. My how the tables have turned. In my day job, I wear a uniform that I try to spice up every now and then with biker boots and studded flats, and for my unpaid blogging duties, it’s usually trackies or pyjamas. This morning it’s raining, so I’ve invested in some extra insulation with my dressing gown. What do you were that indicates “success”. (In no way am I equating my mundane daily grind with success. I loath my paid job. Just doing it to pay the bills.) [MamaMia]

The facts and fictions of television’s crime dramas. [Jezebel]

Apparently, “Confronting Men About Sexism Makes Them Nicer,” and from my experience, I believe it. [Jezebel]

Sarah Wilson contemplates stopping for optimism. What am I optimistic about when I have to stop? The last two bouts of gastro I had I used to lie in bed and catch up on box sets between running to the bathroom. I don’t have an excuse for doing this every other day!

Images via YouTube, Jezebel, BuzzFeed. Bump Shack.

TV: Private Practice—Pro-Choice?

 

I’ve recently finished watching the latest series of Private Practice, the final of which aired here just over a month ago. The season dealt with the brutal rape of Dr. Charlotte King, about which you can read here and here, as well as the abortion debate that is raging across the world, but particularly in the U.S., with the rise of the über-conservative Tea Party, and 2012 presidential hopeful Michele Bachmann.

The second last episode of the season was said “abortion episode”. A woman named Patty came to see Dr. Addison Montgomery with pain, cramping and nausea after getting an abortion a month or two prior. When Addison does an ultrasound, she regrettably informs her patient that she’s still pregnant: the abortion didn’t take.

Patty’s foetus is now at 19 weeks, which would make the pregnancy in its second trimester, at which time an abortion is dubbed a “partial-birth abortion” by pro-lifers, as Dr. Naomi Bennett points out. Addison chides her for using political terminology, and that an abortion at 19 weeks is still perfectly legal, reiterating Patty’s right to choose, especially since she already made her decision the first time around several weeks ago.

Television and the media have a responsibility to present both sides of the story on such a contentious issue, even if they don’t live up to this most of the time. That’s why, when a show like Private Practice represents the abortion debate in such a refreshingly honest manner, it can be seen as revolutionary. (And it’s not the first time, either.) Not as revolutionary as Maude’s title character choosing to abort her unwanted pregnancy back in 1972, before the groundbreaking Roe VS. Wade decision, as this article points out, but still.

Naomi is a character I’ve never been a big fan of. She overreacts to everything (granted, overreaction may be warranted when your 16-year-old daughter gets pregnant and your best friend starts dating your ex-husband) and has a self-righteous, holier-than-thou attitude to most things, and her interference with Patty is no exception.

She uses her granddaughter Olivia to potentially guilt Patty into going ahead with her pregnancy, completely ignoring that Patty is single, after her deadbeat boyfriend took off when she told him she was pregnant, works two jobs, is poor, and is on her feet eight hours a day.

I had a real problem with this. Doctors should not push their personal beliefs on patients. If I were to fall pregnant tomorrow, I would be hitting up my nearest abortion clinic in a second, expecting to be given the care I’ve chosen, not to be lectured or threatened. As Addison says:

“… Even after you make the most difficult and personal decision that there is, it’s still not safe. Because you have some fanatic who claims to value life who can walk into an abortion clinic and blow it up.”

She continues:

“Why can’t Patty get what she needs, a safe and legal abortion without judgement?  Why does she have to go through this?  Why do I have to go through this?  I hate what I am about to do but I support Patty’s right to choose.  It is not enough to just have an opinion because in a nation of over 300 million people there are only 1700 abortion providers.  And I am one of them.”

The statistics are grim.

But, while trying to express the “pro-life” argument as well, Private Practice manages to remain pro-choice, which is no mean feat in the wake of reproductive rights being ripped from women across the world, and another PP, Planned Parenthood, being defunded en masse.

Related: Grey’s Anatomy Final Asks “When Does Life Begin?”

Cristina Yang as Feminist.

Elsewhere: [New York Magazine] Emily Nussbaum on the Rape Episode of Private Practice.

[E! Online] The Morning After: Let’s Talk About Private Practice.

[Feminist in the City] Private Practice Tackles Abortion.

[Televisual] The Changing Economics of the TV Abortion.

[Fuck Yeah Choice] Just Keep Swimming: Abortion on Private Practice’s “God Bless the Child”.

[Dakota Women] And the Abortion Portrayal Award Goes to… Private Practice?

Images via Kate Walsh Fan.

On the (Rest of the) Net.

The disturbing, tragic life of Hustler’s Larry Flynt.

Dubai isn’t the pink-buildinged, “Middle-Eastern Shangri-La” of materialistic Sex & the City movies it’s made out to be.

“All Work, (Almost) No Pay” for the Washington Redskins Cheerleaders. Fascinating stuff.

The cult of Oprah.

The case for women to serve in combat roles in the armed forces.

Hypocrisy and “male narcissism” in “political sex scandals”.

Got a problem with SlutWalk? Finally, some solutions to make it better.

Also, for all you anti-SlutWalkers out there, This is What Slut-Shaming Looks Like”:

“1. Was I suppose to just take it in stride that random pervs found out where my little sister went to high school and speculated about whether she, too, would become a ‘whore’? An anonymous asshole emailed her last fall asking her that. Don’t tell me that’s normal criticism.

“2. What about the manufactured ‘scandal’ that Internet vigilantes began in hopes of getting my boyfriend kicked out of his Ph.D program? They decided to email the entire sociology faculty list. I was a junior at the time in the same department. Do you have any idea how incredibly difficult it is to force yourself to graduate when your professors have all read about how you’re supposedly being ‘raped’ on a regular basis? That is not criticism.

“3. Is trying to get me fired also normal? In 2009, when I was working for an education non-profit during my time off from Harvard, someone wrote a fake article about how my employer was so embarrassed to have hired a ‘porn blogger’. There were made-up quotes from ‘company reps’. They disseminated it online, not realizing that I actually told my boss about my blog during my initial interview. (He emailed me the article and totally had my back. It was one of the most touching things I’ve ever experienced from an employer, no joke.)”

I originally blew off Roseanne Barr’s New York Magazine take on sexism in Hollywood. But I read it this week and couldn’t recommend it enough. Great writing.

The Smurfette principle:

“Little girls learn to split their consciousness, filtering their dreams and ambitions through boy characters while admiring the clothes of the princess. The more privileged and daring can dream of becoming exceptional women in a man’s world—Smurfettes. The others are being taught to accept the more usual fate, which is to be a passenger car drawn through life by a masculine train engine. Boys, who are rarely confronted with stories in which males play only minor roles, learn a simpler lesson: girls just don’t matter much.”

This article on the sexual misconduct of AFL players from 2008 is just as pertinent today.

“In Defence of Prudes.”

“Women are pieces of art, men aren’t”?

What is the average Australian’s yearly income?

Sarah Ayoub-Christie writes her final post for Wordsmith Lane.

Why Psychology Today hates women.

How the celeb sex tape ruined America (NSFW).

He’s Just Not That Into You… He’s Into Porn.

From “He’s Just Not That Into Anyone” by Davy Rothbart in New York Magazine’s porn issue:

“There is no glory in trying to make love to men who only know how to fuck—man after man after man after man raised on porn.”

Related: The Internet is For Porn.

Elsewhere: [New York Magazine] He’s Just Not That Into Anyone.

On the (Rest of the) Net.

 

The perils of pants-less ladies.

Does Gossip Girl care about women in politics?

Bryce Corbett in defence of Nicole Kidman:

“… it seems to me that Nicole Kidman is engaged in what must be a most dissatisfying unrequited love affair with her homeland. She flies to Australia to pimp her country on Oprah. She makes a film with Baz Luhrmann which (whatever you may have thought of the final product) was a massive shot in the arm for the local film industry and a two-hour love-song to her country of birth. She fronts up to G’Day USA every year to flog the myriad wonders of Down Under. And following the Victorian bushfires, she donated half-a-million dollars of her own money to the Red Cross relief fund. What a cow.”

“Sexual Assault & the Super Bowl.”

Anna Chong, a designer from the London College of Fashion, has re-imagined Lady Gaga’s most popular get-ups into Barbie-sized outfits. But she’s not the first to do it

“Why is Captain America Ruling Our Screens & Not Wonder Woman?”

Seinfeld’s Elaine Benes as modern-day hipster fashion icon.

The New York Times profiles “nice-guy blogger” Jared Eng on his “cheery, quotidian, Britney-goes-to-Starbucks” blog, JustJared.com.

Also at The New York Times, The Catcher in the Rye’s Holden Caulfield is un-relatable.

Jacob Lambert on “The Paper-Reader’s Dilemma”:

“No longer are books being pitted against pixels; pointing out that paper isn’t reflective either seems very 2007.  The war is now between tablets, as if the book never existed at all.”

Yet more dispelling of the Nicole Kidman vitriol, this time in a vintage (2008) article on Girl with a Satchel.

In the same vein of “17 Arguments Against Gay Marriage & Why They’re Bollocks” and “10 Things You Need to Understand About Asylum Seekers”, comes John Birmingham’s defence of Sandra Reynolds, via MamaMia.

I’d been searching for this article for awhile to reference in a few Lady Gaga musings, and finally came across it again last week and re-read it in the bath. Bliss. A fine example of quality journalism.

Reblogged from Fuck Yeah, Gender Studies, Rachel Hills runs a post on the question of “Who Sexualises Children?”:

“God, it doesn’t even make sense—HOW can a child be sex vixen? When I look at a child, I see a child. Regardless of costume. Dressed like Mary Poppins or dressed like Britney Spears, a kid is a kid! If you see something sexual, the problem is with you.”

I haven’t been shy about my hatred of Charlie Sheen (I know hate is a strong word, but honestly, he is a despicable human being), especially when he gets a free pass because he happens to be the star of TV’s most successful show, while Lindsay Lohan’s career is in ruins. Jezebel reiterates this:

“In recent years no stars (with the possible exception of the oddly lovable Celebrity Rehab cast members) have had their problems with addiction more publicized than Charlie and Lindsay. However, the way these stars are treated by the media and the public is vastly different, mainly due to the double standard for female celebrities.

“The scorn for Lindsay is particularly strange because compared to Charlie, she’s only hurting herself. Let’s review some of Lindsay’s biggest tabloid scandals: Two DUI arrests, four stays in rehab, missing numerous court hearings, going to jail for failing a drug test, battling bulimia, battling her father, and breaking up with her girlfriend. As for Charlie, he’s been in and out of rehab for years, he “accidentally” shot fiancee Kelly Preston in the arm, he was named as a frequent visitor to brothels owned by Heidi Fleiss, he’s dated numerous porn stars, he ODed on cocaine, allegedly shoved Denise Richards and verbally abused her during their marriage, and was arrested for domestic violence against Brooke Mueller, but avoided jail time due to a plea deal. Lindsay has never been married and has no children. Charlie has been married three times and has five kids, four of whom are under the age of 10.”

Lindsay Lohan: Marilyn, Eat Your Heart Out.

In an academic article by Melissa Hardie, published in The Australian Humanities Review and entitled “The Closet Remediated: Inside Lindsay Lohan”, Lohan’s obsession with the tragic Marilyn Monroe is dissected, noting a certain depth that both actresses shared, but is not necessarily visible to the naked eye. And speaking of naked, the article focuses heavily on Lohan’s rendition of Monroe’s final photo shoot, in which they both get naked with scarves and faux flowers. Hardie writes:

“Bert Stern, the photographer of the Monroe session, took the photos of Lindsay impersonating Monroe, and in the article that accompanies the photo shoot Amanda Fortini writes:

“‘Stern, who shot the photos on film rather than digitally, told me he was interested in Lohan because he suspected “she had a lot more depth to her” than one might assume from “those teenage movies”…’

“Fortini writes of the original pictures of Monroe that ‘Stern excavated and preserved the poignant humanity of the real womanbeautiful, but also fragile, needy, flawedfrom the monumental sex symbol’, and Stern’s comments about Lohan employ similar metaphors, where the nude celebrity portrait becomes ironically… the opportunity to decipher depth. Reinforcing Stern’s interest in Monroe’s visible depththat she might be ‘more’ than her imageis Fortini’s discussion of Lohan’s fascination with Monroe. For Fortini, Lohan’s interest in Monroe

“took root a decade ago with multiple viewings of Niagara during the London filming of The Parent Trap. She has even purchased an apartment where Marilyn once lived. ‘If you saw my house… I have a lot of Marilyn stuff,’ she told me, including a huge painting of Monroe.

“‘It’s eerie,’ Lohan said of the painting, a Christmas gift, ‘because it’s this picture of her, and it’s kind of cartoony, and there’s a big bottle of pills next to her, and they’ve fallen over.’

“Lohan’s fetishistic collection of Monroe’s ‘stuff’ suggests her desire to see beyond, or at least compensate for, deathly (‘cartoony’) images of her celebrated subjectivity. Fortini describes Lohan’s work on the shoot as a form of ‘strict mimesis: scarves, nudity, and all’.”

Related: Poor Little Rich GirlLindsay Lohan in Who.

All Eyes on Marilyn.

Marilyn Misfit.

Elsewhere: [Australian Humanities Review] The Closet Remediated: Inside Lindsay Lohan.

On the (Rest of the) Net.

Taking inspiration from Gala Darling: These stunning pictures make me nostalgic for summer days at the fairground… oh, that’s right, I never spent summer days at the fairground. And certainly not in a playsuit with balloons. Via The Cherry Blossom Girl.

Jezebel really has it in for Facebook, doesn’t she? My favourite anti-FB post from the site this week is “When it Comes to Women’s Issues, Facebook Still Hasn’t Figured Out How to Play Fair”.

I absolutely LOVED Through a New Lens‘s post on “How Your Audience is Like the Mogwai”! While I’m certainly not a Gremlins fan, Joey Strawn draws some good points from the film and how they relate to blog audiences. Will be keeping his thoughts in mind.

More Gala goodness; it’s an oldie but a goodie. Gala counts down her “Top 5 Fictional Female Style Icons”. I have to confess, I’ve never seen The L Word or Henry & June, so I’ll have to take her word for it. However, I am totes down with Cher Horowitz, Blair Waldorf and Carrie Bradshaw as 3, 2 and 1, respectively.

Following in the vein of her workaholism posts, Rachel Hills uses Zen Habits’ assertion “that, instead of scheduling our days and weeks and months with small tasks that eventually lead us to whatever place we’re trying to get to, we should just go with wherever our will takes us on any given day.” Like going to bed at 8 o’clock on a Monday night, sleeping through til 8 o’clock the following morning, doing a spot of blogging, and watching 90210 for the rest of the day? Definitely worth a look.

Also at Musings of an Inappropriate Woman, Hills looks at the Kyle & Jackie O rape scandal, as well as the Matthew Johns group sex scandal (which continues to get my goat), and the issue of “grey rape”.

In other GG news, this circa-season one post perfectly encapsulates the addiction to the show its audience faces. Admitting it is the first step, right? More on this post here.

Styleite lists “6 Things Elle Magazine is Doing Right”, three being their heavy online and television presences, and their intelligence section, which I couldn’t agree with more. Half the reason (okay, more than half) I continually buy Elle is because of their great articles and book reviews, and their book blog Lit Life is on my blogroll.. “Think Vogue meets Vanity Fair“.

Still with magazines on reality TV, The New York Times profiled Teen Vogue, which you may remember from (other than the newsstand/agency) The Hills.

Postcards to Alphaville “is a project dedicated to film characters featured in guest-made illustrations”. Below, my favourites.

Finally, try an enlightening personality test this weekend, with the Myers-Briggs test. I got an INFJ result, which means I’m Introverted and expend energy in social situations; iNtuitive and focus on the bigger picture and the possibilities; prefer Feeling to thinking and give more weight to emotions than logic; and I’m Judgemental and like to have my plans made well in advance. Oh, how accurate!

The Beautiful, Bigmouthed Backlash Against Katherine Heigl & Megan Fox.

 

Recently, there has been a bit of a backlash against Megan Fox, whothe consensus seems to beshould keep her mouth shut and be grateful for her break in Transformers. Much the same could be said about Katherine Heigl, who left Grey’s Anatomy amidst a storm of controversy earlier this year, when she complained about 17 hour days, which were allegedly scheduled around her movie filming and new mum timetable.

New York magazine went as far to give a “definitive… analysis” on both women, and whether their stock in Hollywood amounts to “buy, sell or hold.”

While Heigl managed to escape with a “hold” verdict, due to her ability to “get a project green-lit just by signing on” (the other four actresses in this category are Julia Roberts, Reese Witherspoon, Sandra Bullock and Angelina Jolie, out of which “Heigl is the only one who will work in a young romantic comedy”), Fox’s future is cloudy (“sell”).

I actually like both ladies, who also happen to be two of the most beautiful women on the planet. But apparently being beautiful and outspoken do not a feminist heroine make.

New York notes that some see Heigl as “refreshingly outspoken”. Others? “A headstrong, self-immolating, gaffe-spewing, headache-inducing diva freak.” Or, perhaps, she’s both?

She has stood up for her co-star T.R. Knight after fellow Grey’s Anatomy doc Isiah Washington dissed him with homophobic slurs. She also called her big-break film Knocked Up sexist, which I wholeheartedly agree with. Then there was the whole withdrawing-her-name-from-Emmy-contention debacle, due to insufficient storylines for her character, Izzie Stevens, on the show. Finally came her David Letterman rant about working seventeen hour days, and that the Grey’s producers should be “embarrassed”.

Some of these things perhaps weren’t the smartest, nor correct, things to say in the public arena, at the risk of coming off as a “diva freak”, but who the freak cares?! It takes a pretty gutsy woman to speak up about those kinds of things, as a lot of people would want to in any workplace; it just so happens that when Heigl does it, the world hears it.

Speaking of smart, Fox isn’t really known for espousing intelligent quid pro quos, but she is arguably Hollywood savvy, as “Fox’s appeal is all about simultaneously exaggerating her sexuality and then downplaying it as just Hollywood silliness.”

The exaggeration? Writhing around in denim cut-offs on a motorcycle in Transformers 2, girl-on-girl makeout sessions with Amanda Seyfried in Jennifer’s Body and lingerie ads, which is what she’s known for.

A recent Jezebel article asserts that “people really, really hate Megan Fox” (apparently, there’s a Tumblr hate-blog, “the description of which reads, ‘Fuck you, Megan Fox. No, really. Keep your trap shut’”) purely for the fact that she’s outspoken. (I’m a goner, then!)

When she criticised Transformers director Michael Bay for being a sexist “jerk”, he laughed it off, and this exchange of words carried on for the good part of a year, until she was let go from the franchise in May.

But in dismissing her from Transformers 3 and casting Victoria’s Secret model Rosie Huntington-Whiteley as her replacement (who’s “most notable acting role was as “Woman in Underpants” in Michael Bay’s own Victoria’s Secret commercial”), this should give Fox “a sense of how she’s viewed”, by Bay, at least.

This is further reiterated by the fact that Bay allegedly made her wash is car in her bikini in place of an audition (casting couch, much?), to which Jezebel says:

“Which she should apparently be really, really grateful for, since whenever people talk about her, they like to throw in the ‘don’t bite the hand that feeds you’ admonishment. To which I say, what if that hand is also trying to grab your ass?

(Perhaps she’s asking for it then, because of the way she looks? But that’s material for a whole different blog post.)

Unfortunately, though I think she’s awesome and has much more to offer, I see Fox going the way of so many sex-pots who are no longer relevant: Tara Reid, Carmen Electra, Denise Richards.

So it seems you can’t win either way. Either shut up, sit tight and look pretty. God forbid you speak your mind, as you run the risk of being labelled an outspoken, ungrateful harpy worthy of your own hate brigade.

Elsewhere: [Vulture] The Definitive Vulture Analysis of Divisive Rom-Com Queen Katherine Heigl.

[Vulture] What is Professional Provocateur Megan Fox’ Valuation in Hollywood?

[Jezebel] Women Who Want Attention.

[Musings of an Inappropriate Woman] Guest Post: Video, Consent & Kendra Wilkinson.