Tag Archives: Daily Life
On the (Rest of the) Net.
PETA get more anti-women with each ad campaign. [Daily Life]
On favouring the internet over books. I’m a rapacious reader; if I don’t get at least an hour’s reading time in each day, I will slowly start to go insane. Some of my friends tease me ’cause it can take me up to a month or six weeks to finish a book (the most recent was Stephen King’s Under the Dome, and what a waste of two months that was!), but that’s not taking into account the copious amounts of other reading I do. On a good day, I’ll devour every article on TheVine, Daily Life, MamaMia and Jezebel, and fit in some before-bed book reading. On the weekends I can get through The Age‘s lifestyle sections, long-form articles I can’t commit to throughout the week and magazines that have been languishing on my bedside table for weeks, on top of all the rest. I read probably millions of words a week. I don’t think there’s any harm in some of those words being from the internet. These days, reading is about so much more than books. Just so long as I can get a chapter or two in every night or on the bus, I’ll take my reading where I can get it. [Daily Life]
Reading letters to Ms. magazine’s editors from the 1980s. [The New Yorker]
The rise of the Trojan Horse TV show. [Film School Rejects]
I review Monash Uni Student Theatre’s production of Columbine. [TheatrePress]
Anna Gunn, the actress who plays Skyler White on Breaking Bad, weighs in on the vitriol directed at her character. [NYTimes]
Can you perform a gay anthem if you’re straight? [Jezebel]
The privileged male sexuality of “Blurred Lines”. [Collapse Board]
In defence of the make-up-free selfie. I like MamaMia‘s Body Positive campaign, but I think it’s just the concept of the selfie I’m a bit iffy about. I’m all for taking a photo of myself after exercise or of a body part that I’m self-conscious about, but I just can’t get behind selfies (so to speak). Maybe it’s also an insecurity about my face without makeup. Apart from my legs, my bare face is the body part I most struggle with. I love the structure of my face, and I think my eyes are my best feature, but I’m still sporting the scars from years of late-adolescence/early-adulthood acne which means I’m not ready to upload a make-up-free pic of myself for all the interwebs to see. Plus, I think selfies are kind of narcissistic—there’s a difference between a light-hearted holiday or dancefloor snap with friends and a duckface bathroom pic which just screams “validate me!” What do you think of the whole selfie phenomenon in general?
Some slighted feminists sick of receiving dick pics have decided to make them into an art exhibition. And that’s where the issue of consent comes in. [Daily Life]
On the (Rest of the) Net.
The slave narrative of Orange is the New Black. [The Nation]
Still with Orange is the New Black, literature on the show. [Bitch Magazine]
SlutWalk Melbourne is next weekend, and last year’s speaker, Emily Maguire, talks about why she supports the movement. [SlutWalk Melbourne]
I reviewed Patricia Cornelius’ Savages for TheatrePress. Head on over and check it out, and then get to fortyfive downstairs quick smart!
50 not-so-obvious feminist pop cultural items. [Flavorwire]
Why do we treat the male contraceptive pill differently to the female pill? [Aeon Magazine]
Tony Abbott’s sexism is more than just a “gaffe”. [AusVotes2013]
Mark Ruffalo is pro-choice. [Stop Patriarchy]
What the Harriet Tubman “sex tape” means for black feminism. [Ms. Magazine]
Are politicians the new Ryan Gosling? [Daily Life]
And in the wake of last week’s “sex appeal”-gate, Cleo rates Canberra’s sexiest and unsexiest men. A step towards equality or should everyone just shut the eff up about it? [MamaMia]
Fuck “strong female characters”. [New Statesman]
On the (Rest of the) Net.
Short and sweet this week.
Rape as a plot device. I’m reading Stephen King’s Under the Dome at the moment, in preparation to delve into the series which Clementine Ford cites in her article, and let me tell you, it is rife with unnecessary and gratuitous rape and violence against women. Even the characters’ inner monologues reek of misogyny. It should be interesting to see if the TV show is as heavily drenched in it as the print version. Judging by Ford’s article, it is. [Daily Life]
The racial politics of Beyonce’s hair. [Daily Beast]
Lady Gaga and cultural appropriation. [Jezebel]
Why do we care so much about other people’s sex lives, or lack thereof? [Jezebel]
On the (Rest of the) Net.
Melissa Fabello makes some good points in her video about not wasting time on in-fighting about who’s a good feminist and who’s not, but you know me; I really think more people should proud to call themselves feminists and that not all supposedly feminist acts are created equal.
Speaking of, it’s no secret I’m Taylor Swift’s number one hater but over at One Week One Band the dissection of all things Swift is truly eye-opening if a bit fawning. I still think she’s a dolt with some seriously detrimental views about gender and sex, but it’s nice to look at her music from a different point of view for a change.
Anthony Weiner’s mistress, Sydney Leathers (what a name!) gives her top sexting advice. And it’s mind-numbingly mundane. [xoJane]
A call to arms for Twitter to do something about their complacency for rape threats and gender-based hatred from a woman who’s been there; the woman who was faced with a torrent of vitriolic abuse from Tyler, the Creator and his fans. [Daily Life]
Rachel Hills on Hugo Scwhyzer’s retirement from the online femisphere. [Musings of an Inappropriate Woman]
Bisexuality on The O.C. [Bitch]
Why are all TV serial killers’ victims women? [The Guardian]
Well, the 12th Doctor Who wasn’t a woman or a person of colour, as has recently been speculated, but is Peter Capaldi’s age progressive in itself? [TheVine]
Then again, maybe not. [Jezebel]
The sexual politics of Grindr. [The Guardian]
On the (Rest of the) Net.
A really thought-provoking piece about the evolution of cooking. Meal preparation is the bane of my existence; I’d rather clean than cook. I find it so boring and time-consuming that if I was to come into a large chunk of money, I would seriously consider hiring a personal chef. Recently, I even privately mused about just ordering takeaway every night, but that isn’t necessarily in line with my ethical philosophies, not to mention health. [Daily Life]
Hugo Schwyzer has quit feminism. While a lot of feminists will be rejoicing at this fact, I actually like Hugo and will be sad to see his brand of male feminism disappear from the feminist interwebs. At least for now… [The Cut]
Twitter misogynists are finally getting their comeuppance. [Daily Life]
Camilla Peffer writes about the inherent sexism of Australia’s Next Top Model. [TheVine]
An interesting response to “I want to date you because you’re awesome”: “I want you to date me because I’m awesome”. [Pandagon]
“The Rape Joke”: a poem about being raped. *trigger warning* [The Awl]
The difference between the Melbourne murders of Jill Meagher and Tracy Connelly? Meagher was “the perfect victim” worthy of mourning while Connelly was just a prostitute. [The King’s Tribune]
But Wendy Squires posits that Meagher and Connelly were more similar than we think: they were both victims of predators who want to hurt women, regardless of their occupation. [The Age]
And it turns out the anonymous sex worker in Squires’ piece, above, was Tracy Connelly. [MamaMia]
Sex & the City‘s Samantha vs. Cougartown. [New York Magazine]
On the (Rest of the) Net.
Where does Glee go next after the tragic death of Cory Monteith over the weekend? [Vulture]
Furthermore, Monteith as Finn Hudson embodied the fear of failure and being stuck in a small town with little to no prospects. Drawing on his real-life experiences, perhaps? [The Atlantic]
Got daddy issues? The ultimate TV father/lovers. [Daily Life]
I went to a Lady Gaga variety fundraising night and wrote about it for TheatrePress.
Is news bad for us? It is if it comes from The Daily Mail. [Daily Life]
Homosexuality in hip hop. [The Guardian]
Pacific Rim—the latest in a depressingly long line of films—fails the Bechdel test, hard. [Vulture]
The Pixar Theory: why Brave, Toy Story, Monsters Inc. et al are all linked together as part of the same story as opposed to different ones. The mind boggles. [Jon Negroni]
The underlying religious messages in Man of Steel. [EW Pop Watch]
Oh, goody! I’ve always wanted a system to chart how slutty I am. Gives a whole new meaning to the “slut barometre” Alyx Gorman discussed on TheVine a few weeks ago. [Slut Formula]
Why paedophiles Peter Truong and Mark Newton give same-sex parents a bad name. [ABC The Drum]
On the (Rest of the) Net.
“Single Ladies”, “Blurred Lines”, “Tunnel Vision”… The evolution of the threefold female body in modern pop videos. [TheVine]
Why are there no Asian rom-com leads? [Daily Life]
In case you missed it, my Paper Giants 2: Magazine Wars review is featured in the 62nd Down Under Feminists Carnival. [Hoyden About Town]
Sex and gender in horror movies. [Bitch]
My sister was always the O.C.-obsessed one, so the show was always on on Tuesday nights in our house, but I could never really get into it. (In fact, the only season I really liked was the final one, after the death of the bland Marissa Cooper.) But here are ten little-known facts about one of my generation’s most-loved shows. [TheVine]
The Canyons director Paul Schrader compares Lindsay Lohan to Marilyn Monroe. [Film Comment]
On the (Rest of the) Net.
Robin Thicke’s “Blurred Lines”: “ironic objectification” or just plain degradation? Apparently, because Thicke and collaborator Pharrell Williams are “happily married”, it makes it okay for them to derive pleasure from degrading women (Thicke’s words). While there are certainly much worse images and acts of misogyny out there, “Blurred Lines” is lyrically and visually blatantly upholding rape culture: “I know you want it, but you’re a good girl…” Does the fact that it was directed by a woman who instructed the basically—and uncomfortably—naked models and the fully clothed male artists in the clip supposedly love women make it a tongue in cheek exercise in pushing boundaries or raise some more problematic issues considering it’s this country’s number one song? What’s the point in even making such a NSFW video if it can’t even be shown on MTV and YouTube (semi-SFW video above)? [Jezebel]
Dear Julia Gillard,
Thank you for being the first female Prime Minister,
Sincerely,
Mia Freedman. [MamaMia]
The rise and rise of feminist parodies. [Daily Life]
What are the differences between women who receive abortions and those who are denied them and proceed with unwanted pregnancies? [NYTimes]
Screw the “armchair commentators”; you know what your feminism is. [The Guardian]
Julia Gillard urges us to vote for Julia Gillard in spite of the sexist attacks against her (obviously written prior to Wednesday’s ousting). Kind of like that comment about her jackets, Germaine…? [The Hoopla]
Is Miley Cyrus’ latest black culture-inspired gimmick akin to a minstrel show? [Jezebel]
This week in inappropriate fashion spreads: hoarder chic. [Jezebel]
Ranking Stephen King’s 62 books. [Vulture]
On the (Rest of the) Net.
Victorians were more progressive about breastfeeding than we are! Although, it was linked to femininity, class and bonding with the child, stigmas that still exist around breastfeeding (or NOT breastfeeding) today. [Sociological Images]
Do ladymags publish serious journalism? Follow the #WomenAtLength hashtag on Twitter to find some examples of longer, “serious” pieces written by women. [Jezebel]
What Adrian Bayley’s crimes can teach us about prevention, rehabilitation and incarceration. [New Matilda]
Everyday Sexism has made a doco about shouting back at street and sexual harassment. The accompanying article by Clem Bastow is equally as hard hitting. Check them both out, because no one should be made to feel like they brought harassment on themselves, they’re overreacting, or dread at the prospect of leaving the house because they might experience it. [Daily Life]
The manic pixie dream girls of superhero movies. [Think Progress]
Someone actually wants my opinion on the week that was in sexism and misogyny particularly in politics, but across other spectrums as well. Kudos to Corey Hague on editing me to sound like I actually know what I’m talking about! [ABC Central Victoria]
Meanwhile, Mia Freedman thinks it was a good week for women: at least we’re talking about sexism and there have been consequences for it. [MamaMia]
Famous women writers before their suicides. What do you think: artistic or glorifying suicide and sexualising violence? I find some of them, like the Sylvia Plath and Virginia Woolf portraits, visually appealing because they’re inoffensive to the eye and create tension and anticipation, but I can’t stomach the Dorothy Parker nor Sanmao ones. Vice may be known for their provocativity (is that even a word?!), but I think this photoshoot is in the same vein as Terry Richardson and Dolce & Gabanna’s rapey aesthetics – which I quite like despite myself – where stopping the sexualisation of violence against women should trump artistic expression. [Jezebel, as the photoshoot on Vice’s website has been removed]
It was Father’s Day in the U.S. over the weekend, and to celebrate, The Hairpin has collated fiction’s worst fathers. As someone with a deadbeat dad myself, I can empathise.
Fashion, feminism and femininity: mutually exclusive? Hell no! The other day when discussing feminism with a mansplaining misogynist who told me I only make him more confused about feminism because of the way I look, a friend interjected that I might just be the most feminine person she knows. And the most feminist, might I add?! [Daily Life]
Kim Kardashian may be a fame-whore, but she’s a person, too, and she deserves some semblance of basic decency. [TheVine]
Is the only reason we watch True Blood anymore for the sex? [The Daily Beast]
If we can’t have the real deal, Feminist Taylor Swift is the next best thing. [Twitter]
Image via Sociological Images.



