12 Trends of 2012.

Girls (Who Run the World).

girls

So misogyny may be running wild in the real world, but on TV, girls are calling the shots. We’ve had a bevvy of shows with “girl/s” both in the title and the storylines this year, with 2 Broke Girls and New Girl carrying their success over from 2011. While a lot of the subject matter is problematic, both shows have women carrying the comedy. Which brings us to just plain Girls, which is the brainchild of actor, writer and director Lena Dunham. Girls is not without its problems, either, but its portrayal of young urban women is almost faultless. Rounding out the representation of leading ladies in 2012 we have Don’t Trust the Bitch in Apartment 23, Homeland, Revenge, The Mindy Project, Are You There, Chelsea?, Smash, GCB (farewell!), Scandal, Nurse JackieVeep, Emily Owens, M.D., Whitney, The Good Wife and Hart of Dixie.

“Call Me Maybe”.

Until “Gangnam Style” came along, the YouTube Zeitgeist was dominated by one runaway success: Carly Rae Jepsen’s “Call Me Maybe”. Justin Bieber’s protégé came out of nowhere with the catchiest song of the year, which was subsequently covered by the guys from Harvard’s baseball team, Barack Obama and the Cookie Monster! Talk about diversity!

2012: Apocalypse Now.

seaside heights rollercoaster

2012 was the year of the apocalypse, with the 21st of December long determined by the Mayans (or Mayan conspiracy theorists) as the day the world ends. You know, until the 7th of December tried to steal its thunder as the apparent recalculated date. Apart from the natural disasters, warfare and massacres, the 21st passed without a nuclear bombing, ice age or attitudinal shift, putting rest to the apocalypse panic. Until the next rapture, anyway…

Shit ___ Say.

It started with a sexist albeit funny YouTube video of a guy in a wig quoting “Shit Girls [Apparently] Say”, which snowballed into “Shit White Girls Say to Black Girls”, “Shit New Yorkers Say”, “Shit Christians Say to Jews” and “Shit Nobody Says”. Cue offence.

Snow White.

snow white kristen stewart

Snow White was everywhere this year: Mirror Mirror, Snow White & the Hunstman, Once Upon a Time… Note: overexposure isn’t necessarily a good thing. In fact, I hated Mirror Mirror and Once Upon a Time, and Snow White & the Huntsman was such a snooze-fest I can barely remember what happened (not including Kristen Stewart’s affair with director Rupert Sanders).

50 Shades of Grey.

fifty-shades-of-grey

On the one hand, E.L. James’ 50 Shades of Grey has singlehandedly revived the flailing publishing industry, so that’s a good thing. But on the other, it has falsely lulled its legions of (mostly female) fans into a state of apparent sexual empowerment: it’s a book about sex targeted towards women, so that means we’re empowered and we don’t need feminism anymore, right?

Oh, how wrong you Anastasia and Christian fans are…

“Gangnam Style”.

The Macarena of the 21st century, Psy’s horse dance took the world by storm, being performed in conjunction with Mel B on The X Factor, with Hugh Jackman in his Wolverine gloves, on Glee and at many a wedding, 21st birthday and Christmas party.

Misogyny.

Misogyny has long been the focus of feminists, but the word and its meaning really reached fever pitch this year.

After Julia Gillard’s scathing Question Time takedown of Tony Abbott and his sexist ways, people everywhere were quick to voice their opinion on her courage and/or hypocrisy. At one end of the spectrum, it could be said that Gillard finally had enough of the insidious sexist bullshit so many women in the workforce face on a daily basis and decided to say something about it, while at the other, many argued that the Labor party were crying sexism in a bid to smooth over the Peter Slipper slip up.

Julia Baird wrote last month in Sunday Life:

“Her electric speech on misogyny in parliament went beyond the sordid political context to firmly press a button on the chest of any woman who has been patronised, sidelined, dismissed or abused. It crackled across oceans, and, astonishingly, her standing went up in the polls, defying political wisdom that no woman would benefit from publicly slamming sexism.”

Whatever the motivation behind the speech, it went viral, with Twitter blowing up, The New Yorker writing that U.S. politicians could take a page out of Gillard’s book when it comes to their legislative hatred of all things female , laypeople bringing “misogyny” into their everyday lexicon, and Macquarie Dictionary using the momentum to broaden the word’s definition.

Kony.

The viral doco that had millions of people rushing to plaster their neighbourhood in “Kony 2012” posters on 20th of April to little effect (the campaign’s goal was to catch Joseph Kony by years end) illustrated our obsession with social media, armchair activism and supporting the “cool” charities, not the thousands of worthy charities out there who could actually use donations to help their cause, not to produce YouTube videos and work the press circuit.

I’m Not a Feminist, But…

623f33dd5b56b295355e315cadf9d8a0

While Tony Abbott is clamouring to call himself a feminist to gain electoral favour despite the abovementioned misogyny saga, it seems famous women can’t declare their anti-feminism fast enough.

First we had new mother and Yahoo! CEO Marissa Mayer jumping at the chance to shun feminism despite the fact that without it she wouldn’t be where she is today. My favourite anti-feminist campaigner Taylor Swift said she doesn’t think of herself as a feminist because she “was raised by parents who brought me up to think if you work as hard as guys, you can go far in life.” Um, Tay? That’s what feminism is, love.

Then there’s Katy Perry, who won’t let the whipped cream-spurting bra fool you: “I am not a feminist, but I do believe in the strength of women.” Right then.

Garnering less attention, but just as relevantly, was Carla Bruni-Sarkozy asserting that feminism is a thing only past generations need concern themselves with, while in an interview with MamaMia last week, Deborah Hutton also denounced her feminism.

Cronulla.

the-shire

The cronies from Sutherland Shire were all over our boxes, primarily on Channel Ten, this year. There was the widely panned Being Lara Bingle, the even worse Shire, and the quintessential Aussie drama set in the ’70s, Puberty Blues.

While these shows assisted in shedding a different light on the suburb now synonymous with race riots, it’s not necessarily a positive one, with The Shire being cancelled and Being Lara Bingle hanging in the balance.

White Girls in Native American Headdresses.

original

This one really reared its racist head towards the end of the year, right around the festivities of Halloween and Thanksgiving.We had No Doubt “Looking Hot Racist” and Karlie Kloss donning a headdress for the Victoria’s Secret fashion show, in addition to the cultural appropriation of VS’s “Go East” lingerie line, Gala Darling’s headdress furore and Chris Brown dressed as a Middle Eastern terrorist for Halloween.

You’d think we were heading into 1953, not 2013.

Related: Posts Tagged “New Girl”.

2 Broke Girls Aren’t So Broke That They’d Turn to Sex Work.

Posts Tagged “Girls”.

Posts Tagged “Smash”.

Feminism, Barbeque & Good Christian Bitches.

Mirror Mirror Review.

Was Kristen Stewart’s Public Apology Really Necessary?

50 Shades of Grey by E.L. James Review.

Hating Kony is Cool.

Taylor Swift: The Perfect Victim.

Whipped Cream Feminism: The Underlying Message in Katy Perry’s “California Gurls” Video.

The Dire Shire.

Shaming Lara Bingle.

Is Gwen Stefani Racist?

The Puberty Blues Give Way to Feminism.

Elsewhere: [Jezebel] Why We Need to Keep Talking About the White Girls on Girls.

[io9] Why is Everybody Obsessed with Snow White Right Now?

[The Age] What Women Want.

[The New Yorker] Ladylike: Julia Gillard’s Misogyny Speech.

[Jezebel] Does it Matter if Marissa Mayer Doesn’t Think She’s a Feminist?

[Jezebel] Katy Perry, Billboard’s Woman of the Year, is “Not a Feminist”.

[MamaMia] Meet the Women at Our Dinner Table: Deborah Hutton.

[Daily Life] Carla Bruni’s Vogue Interview has Rough Landing.

[Racialicious] Nothing Says Native American Heritage Month Like White Girls in Headdresses.

[Racialicious] Victoria’s Secret Does it Again: When Racism Meets Fashion.

[Jezebel] Karlie Kloss as a Half-Naked “Indian” & Other Absurdities from the Victoria’s Secret Fashion Show.

[xoJane] Fear & Loathing in the Comments Section… And Some Clarity.

[HuffPo] Chris Brown Halloween Costume: Singer Tweets Picture of Himself Dressed Up as Terrorist for Rihanna’s Party.

Images via Collider, Fox News Latino, io9, November Grey, ABC, Now Public, Ten.

On the (Rest of the) Net.

The iconic photograph of “The Kissing Sailor” may actually be an image of sexual assault. [Crates & Ribbons]

Let’s put more nudity on Page 3, not ban it:

“… I say the answer is more nudity in newspapers, not less. Put more boobs on Page 3, and add some cocks too. Show people of every size, shape, colour, gender and sexuality; let them speak in their own voice, and celebrate them all. That, rather than self-censorship of adult-oriented content, would be a progressive tabloid revolution worth fighting for.” [New Statesman]

While I don’t agree with most of her sentiments, Clem Bastow makes some interesting points about the inclusion of men in feminism. This was also a topic that came up during the abovementioned “who’s-a-feminist” debate with my friends. [Daily Life]

Let’s stop debating the “culture wars”: people deserve rights. The end. [Jezebel]

Julia Gillard’s Question Time smackdown against Tony Abbott and the liberal party’s sexism and misogyny primarily against her gets the New Yorker treatment. In a nutshell, maybe Obama could take a page out of her book?

Michelle Smith’s Wheeler Centre Lunchbox/Soapbox address on girls in culture, both now and in the Victorian era. Wait, they’re not the same thing?!

I’ve been embroiled in a “I-don’t-believe-in-feminism-I-believe-in-equality” debate this week but, as Ben Pobjie rightly points out, when it comes to Kate Ellis being talked over and shouted down on Q&A, it’s about human decency, not feminism. [MamaMia]

Jill Meagher and safety on the streets from a disability point of view. [ABC Ramp Up]

The case against condom use in porn. [Jezebel]

In defence of Mean Girls‘ Janis Ian. [Rookie]

Brave isn’t “Just Another Princess Movie”. [The New Inquiry]

Image via Tumblr.

Event: Melbourne Writers Festival — In Conversation with Germaine Greer.

Germaine Greer is an Aussie feminist icon who’s kind of passed me by. After the whole “Julia Gillard has a fat arse” debacle earlier in the year, I officially declared her irrelevant to a friend when the opportunity to buy a book of hers came up.

Nonetheless, I attended her talk at the Melbourne Writers Festival, hosted by Germaine’s new bestie Benjamin Law, whom she met at that infamous episode of Q&A, in the hopes that she would address some of those issues in more depth.

I wasn’t wrong, but instead of Greer herself admitting she was, she dug a deeper hole for herself, both at the session and on 60 Minutes the week prior, where she was interviewed in relation to Samantha Brick’s months-ago comments that women find her threatening because she’s beautiful and she enjoys being a “trophy-wife” to her chauvinistic French husband.

Sometimes I just wish public figures would admit it when they’ve said the wrong thing, instead of trying to justify or cover it up (Todd Akin, I’m looking at you). Where Germaine could have taken the opportunity to own up to speaking out of turn about Julia Gillard’s appearance, a snarky phenomenon that most women—and, indeed, most feminists—succumb to at some stage or another, and use it to start a dialogue about how we treat female politicians based on their looks and not their policies, she just said “women have fat asses” and “a woman is not her jacket”. Greer’s a smart woman, no doubt, but I think she needs to think more before she speaks, as her comments on cosmetic surgery, genital mutilation and the morning after pill on Q&A will attest.

However, Germaine did make some good points about her past, present, our ecological future, and “what turned her into a feminist” (a question I was asked at the work watercooler a few weeks ago when I revealed I write about gender studies and feminism. That co-worker is so misogynistic he now avoids me. One less woman-hater I have to make nice with on a daily basis: score!), citing her work on the 1974 university porn magazine she helped create, Screw. After concluding that the name “screw” was too “sadistic” and implied that a woman was “ruined” after she’d been “screwed”, they changed the name to Suck, which connotes a more female-friendly vibe.

Germaine talked about her willingness to get her gear off for the magazine in an effort to portray women differently in porn magazines. She was offered money to pose for Playboy and she insisted her pose be standing with her body away from the camera, bent over, and looking at the photographer through her legs, her vagina and anus on show. They rejected the image, obviously, which turned up in Suck, an alternate copy of which someone in the audience had brought along!

She also had some interesting things about our definition of consent and SlutWalk to say and, to my surprise, they weren’t out of step with current feminist notions of the two. She championed women who take their rapists to court and show their faces to the public to lend support to the wider anti-slut-shaming movement.

Those who still follow Greer’s work know that she now leans towards writing about Australian culture and the environment as opposed to being the authority on all things feminism (see abovementioned irrelevance), and she concluded with a conversation with an audience member, who probed her in overtime about recognising the similarities between feminism and vegan-/vegetarianism. Indeed, feminism these days is about human rights, and most people I know who are for feminism are for human rights, animal rights and practice vegetarianism. I, myself, am a budding ecotarian.

These days, Germaine Greer is someone to be hated, feared or admired, as Law contended in his introduction of the great Australian thinker. While these women don’t necessarily practice feminist acts or even call themselves feminists, Madonna and Lady Gaga are two iconic females Greer mentioned during her sermon. They’re also two icons who polarise almost as much as Greer. I don’t think she’s that different to them, really… They’re all outspoken, brash females who have undoubtedly contributed so much to the plight of women, and culture as a whole, some more recently than others.

Related: Should Meat Be Off the Menu?

Images via TheVine, Flickr.

On the (Rest of the) Net.

 

Check out Amy Mebberson’s series of Disney “Pocket Princesses”. Ever so on-point. [My Junk Drawer]

I never had a problem with the Lingerie Football League… until now. Did you know they have “accidental nudity” clauses in their contracts, meaning they can’t wear anything under their uniforms to prevent wardrobe malfunctions? Did you know the League refuses to unionise the players or give them health insurance? Did you know they don’t get paid because the League is classified as amateur and therefore they have to pay to play?! [Fit & Feminist]

Catherine Deveny on the new changes to domestic violence laws.

The make-up free celebrity TwitPic as marketing tool. [Daily Life]

Germaine Greer really threw herself under the bus with those Julia Gillard-jacket comments: she’s now writing about ugg boots. [The Age]

One blogger attempts to see how gross she can act on an online dating site before men will stop trying to get in her pants. [Jezebel]

Now this is compassion! The Christian abortion doctor who was formerly anti-abortion tells why he now performs late-term abortions for women in need. [Jezebel]

The orgasm and 18th century vibrators as tools against hysteria. [Jezebel]

Image via My Junk Drawer.

On the (Rest of the) Net.

 

In response to the cavalier and glorifying New York Times profile on rapey photographer du jour, Terry Richardson, a model he allegedly sexually harassed, Jamie Peck, writes on the fashion industry turning a blind eye to her allegations because Richardson gives good images. [New York Times, Jezebel]

The multifaceted nature of identity. [Feminaust]

Jessica Simpson naked and pregnant on the cover of Elle is all well and good, but what does it say about non-white, -straight and -abled women who also happen to be pregnant?  [Womanist Musings]

A journey from vegetarianism to veganism to ecotarianism. This is something I’m struggling with myself at the moment, as I love the taste of (some) meat and don’t think I could ever be vegetarian or vegan, but I care about the way my animal products and byproducts are obtained. I went to a debate at the Wheeler Centre on Tuesday night on this topic, so I’ll have more to come on this for you next week. [Wheeler Centre]

You can be a feminist and still wear high heels and lipstick. [Gala Darling]

Germaine Greer and Julia Gillard’s arse. [MamaMia]

An open letter to Rihanna about Chris Brown. [Billboard]

In defence of the Spice Girls as feminists:

“We were wrong about the Spice Girls. We were wrong about whether they ‘killed feminism’ by not representing our favorite kind. We were wrong about their not having a message. We were wrong about their not being unique. We were scared that the Spice Girls would make feminism too mainstream and commercial. Well, good news: feminism is totally unpopular now, hurray!” [Rookie Mag]

Image via The Gloss.

TV: Top 11 TV Moments of 2011.

Paper Giants.

One of the best shows this year. Unfortunately, it only ran over two nights.

http://www.youtube.com/watch?v=ftchdNDF_kQ

The Kennedys.

Wow. Just wow. I loved this miniseries that was cancelled by the History Channel in the U.S. because it allegedly portrayed the Kennedy family in too negative a light. Luckily, it was picked up by the ABC here. I am now officially in love with Greg Kinnear.

Go Back to Where You Came From.

Apart from Sarah Ferguson’s Four Corners expose on the meat industry (below), SBS’s Go Back to Where You Came From was the most groundbreaking television this year. Unfortunately, I don’t think it changed anyone’s minds about the plight of refugees in this country, because those who already empathise with asylum seekers were the show’s target audience, and those who think refugees should go back to where they came from snubbed the show.

Sookie & Eric Finally Get Together on True Blood.

While I’m more of a Sookie and Bill fan, and an Alcide-in-general fan, Eric’s turn as sensitive Sookie-lover in True Blood’s fourth season was a must-watch. But thankfully, the Nordic vampire is back to his old, heartless self.

Charlotte King’s Rape in Private Practice.

Private Practice is an oft-shunned show, in favour of its Seattle counterpart, Grey’s Anatomy, but season four dealt with abortion and rape particularly sensitively and realistically.

Four Corners’ Expose on the Meat Market.

This was probably one of the most talked about news stories in Australia, if one of the most poorly rated episodes of Four Corners. Not because people didn’t care, but because it was so hard to watch. It’s perhaps too soon to tell, but I think we are seeing a chance in meat practices in Australia because of this story.

The Slap.

I found one of ABC’s most anticipated shows of the year to be a spectacular letdown. I’d had Christos Tsiolkas’ novel on my reading list since it was released, however I missed out on reading it before the show premiered in October. Perhaps if I had read the book first I would feel differently about the show, but I found it to be stereotypical and tokenistic, and a massive disappointment from the screen version I had hyped up in my mind. Fail.

http://www.youtube.com/watch?v=SaDpBhzckv8

MamaMia Gets Its Own TV Show.

Probably not many TV watchers outside of the insular community of MamaMia and Sky News would have known about Mia Freedman’s lifestyle website making the switch to TV. I don’t have pay TV but, luckily, the shows are available to watch on the MamaMia website, YouTube and Facebook, where the panelists talk about all manner of things, like sex, mental illness, celebrity, porn, religion, parenthood and more.

Angry Boys.

I hadn’t watched any of Chris Lilley’s stuff before Angry Boys and, while a lot who had thought the show was a bit of a letdown, I really enjoyed it.

http://www.youtube.com/watch?v=iE7W8DzlGqQ

Housos.

Another one that was a bit hit-and-miss, I’d anticipated the show all year. While some moments were gold, others were just supremely unfunny.

At Home With Julia.

Finally, the cherry on top of a parody-tastic television year. I really enjoyed Amanda Bishop’s portrayal of Julia Gillard, but I still found the fact that there was a show about a sitting prime minister pretty offensive.

Any TV moments I missed here that you thought defined 2011?

Related: Paper Giants: The Birth of Cleo Review.

My Response: Go Back to Where You Came From.

Private Practice: Pro-Choice?

The Slap & Men Who Cheat.

At Home with Julia: Funny or Disrespectful?

On the (Rest of the) Net.

Julia Gillard is anti-marriage, period:

“After reading all of Gillard’s statements on this issue and after speaking to those who have talked to her about it, I am convinced she doesn’t believe in marriage at all, for anyone.” [ABC Unleashed]

The “Born This Way” versus choice debate continues:

“But I think the most serious problem with this argument is that it reinforces the idea that we need an excuse to be queer. As a result, using this line subtly supports the idea that being queer requires excusing in some way. Don’t use it. Don’t allow straight people to generate an understanding of queer sexuality that sounds like: ‘Well, of course Bob wouldn’t wish to be queer, but he was born this way. I guess we better give him equal rights—poor Bob, he just can’t help it. We shouldn’t punish him for something he didn’t choose!’

“Meanwhile the real reason that you shouldn’t punish Bob for queerness is because there’s nothing wrong with it!” [Social Justice League]

If you’re unfamiliar with the personhood debate, or just unclear on what it all means, this article by Jill Filipovic is a must-read. [Guardian]

Here’s another great article on Personhood and what it means for abortion laws:

“… As the Personhood message penetrates, then society will understand why women need to be punished just as surely as they understand why there can be no exceptions for rape/incest [bolded text mine].” [Salon]

Why Kyle Sandilands is a dickhead. [The Punch]

“Rethinking the Strong Female Character.” [Canonball]

Kelly Osbourne repents for her past “tranny” wrongs. [HuffPo]

And Warren Beatty and Annette Benning’s transgender son thinks Chaz Bono is a misogynist. [Super-Mattachine]

“27 & Unmarried? In China, You’re One of the ‘Leftover Women’.” Gah, only three years left for me! [Jezebel, Ms. Magazine]

What White Ribbon Day means for men. [MamaMia]

The double standards of talking about what goes on down there. [Owning Pink]

Knowing all the evils facing women in our society, would you want to bring a baby girl into the world? [Jezebel]

My, what lovely lady lumps Kristen Wiig has. All the better to be named GQ’s “Bro of the Year” with, my dear. [Jezebel]

“Eve as Literary Hero”. [Imagine Today]

Ms. Piggy as feminist and Kermit as douchefrog. [Jezebel]

Meshel Laurie on the Matthew Newton saga. [MamaMia]

On being single. [Girls Are Made from Pepsi]

Gah! “Pro-Life Feminism is the Future”. [Washington Post]

Images via Jezebel, Lara Croft Tomb Raider Costume Resource.

On the (Rest of the) Net.

 

 

How much is that doggy in the window?

Toddlers & Tiaras dog with its “pageant mom”.

New York City’s M23 bus.

We are the 99%!

Gala Darling and Jezebel have some fab pics up from the Tompkins Square Park Halloween dog parade. Squee!

Still with Halloween, how can we de-gender and -sexualise children’s costumes? [Miss Representation]

And for those of us who’ve moved on from childhood, some more “sexy” costume alternatives. My costume for this year is in there (albeit with the slut-factor turned up), and I was inspired for next year’s costume, too. [Jezebel]

Rihanna as the scapegoat for raunch culture:

“… For real, quality disapproval, it has to be Rihanna. We love to disapprove of her. We love to disapprove of her cute, pert bottom; we love to disapprove of her luscious breasts and smooth skin, barely covered by those disgustingly small leather thongs she likes to wear, the hussy. Look at her sexualising our children. Look at her, sexualising away in those horrifyingly sexualised sexy pants. We disapprove of those, too…

“I’m not saying that there aren’t big, big problems with the kind of raunch culture that has made Rihanna rich. What I am saying is that perhaps, just perhaps, the best way to address those problems might not be to applaud a religious fundamentalist for telling a young woman to cover herself up in his presence.” [New Statesman]

Sesame Street’s new character: the “food-insecure” Lily, whose family can’t always afford to put food on the table. [Think Progress]

A tale of two protests: SlutWalk and Occupy Wall Street. [Rabbit Write]

Speaking of the Occupy protests, it’s all about how hot its women are, apparently. [Jezebel]

Girl-on-girl friendships: passive-aggressive undermining or a true sisterhood? Kate Carraway goes with the former. [Vice]

From poignant porn insights a few weeks ago back to this: Bettina Arndt on how Julia Gillard is bucking the system when it comes to traditional relationships and whether she’s setting a good example. Who cares? [Sydney Morning Herald]

A new collector’s edition Barbie, complete with pink hair and tattoos, has a certain Gala Darling quality to her, wouldn’t you say? But while parents are lamenting the bad influence of the doll, they could only hope their children turn to Gala Darling as a role model, with her “radical self-love” message and what not. [Jezebel]

Weight VS. health. [Jezebel]

Why is there such an absence of female sports—and female sporting role models—in the media? [MamaMia]

Porn, what is it good for? Girl with a Satchel weighs in on the great porn debate.

Images via Jezebel, Celebuzz, FanPop.

On the (Rest of the) Net.

 

Oh, the horror! The least sexy “sexy” Halloween costumes. [Jezebel]

Beyonce and beauty. [Girl with a Satchel]

How to make love like a feminist. [Feminaust]

More on the Zooey Deschanel-femininity-feminism debate:

“Where are the sitcoms written by and starring women of color, lesbian and bisexual women, women whose bodies don’t fit into sample-size clothing? Where are the scripts about women who hate movies like Dirty Dancing, who attack every problem with unflagging rationality, who don’t really enjoy baking cupcakes or sewing clothes? These women are no worse or better than the kind of woman Deschanel epitomizes—but they exist, and Hollywood would be a far more interesting place if it began representing them, too.” [HuffPo]

How to be “a man”:

“I heard a woman shout, ‘Be a man!’ and I briefly wondered why it wasn’t acceptable to slap that bitch, thinking: What the fuck does she know about it? How can any woman ever tell me how to be man, when her father wasn’t there even when he was in the room, or his spine was removed vertebrae by vertebrae with the soft touch of her mother’s pointy claws? Her shout makes me realize that someone didn’t do his job, which makes us all suffer, so she calls us something she doesn’t understand and we don’t know how to be.” [The Good Men Project]

Jersey Shore’s Snooki, that punch, and male-on-female violence. [Jezebel]

In defence of J.Lo. [Jezebel]

There’s no such thing as the straight, white male underclass. [MamaMia]

You’d have to be pretty dumb as an Australian, no matter your age, to risk a “Bali high” after the Shapelle Corby/Bali nine media circuses. [Adelaide Now]

The tragic life of sex-bomb Anna Nicole Smith:

“Sex occupied an odd purpose in her life: She seemed often to give it for reasons that had little to do with her personal pleasure, and when she had it she typically demanded it take place in the dark. She wrote in her diary, ‘I hate for men to want sex all the time. I hate sex anyway.’” [New York Magazine]

Gender, politics and weight. [Washington Post]

Plastic surgery as spiritual healing. [Washington Post]

Some more on Julia Gillard and sexism. [Slate]

“Six Myths About Sex & Gender, Busted.” [Jezebel]

How to be a woman in the U.S. [Jezebel]

Images via Jezebel, New York Magazine.

TV: At Home With Julia—Funny or Disrespectful?

 

After watching last Wednesday night’s third episode with my hard-to-please comedy-wise housemate who hadn’t seen the previous installments, it certainly wasn’t funny.

I did enjoy the first two episodes though and, as Mia Freedman mentioned on MamaMia TV a couple of weeks ago, it did make the Prime Minister seem more “human” and relatable, if that’s even possible coming from a scripted, comedic version of Julia Gillard.

But why is a comedy show that mocks her living arrangements with her de facto partner Tim Mathieson, amongst other things, being made about a prime minister in office? Would this shit fly if John Howard—or even Kevin Rudd—had a show made about them whilst in office?

Sure, there were comics of Howard with his bushy eyebrows and his morning walk, and Rove had a weekly segment about K.Rudd and Wayne Swan’s prime ministerial faux pas, which came to be my favourite part of the show. But they dealt with their public lives, not their personal ones, which seems to be all the public can focus on since Gillard ousted Rudd.

Gillard has been disrespected in the past because of her gender. She is constantly referred to as “Julia” instead of the courteous “Prime Minister”, was berated by Alan Jones for being a few minutes late on his talkback radio program (which, incidentally, was the same day she was also called “Ju-liar” by the shock jock), and cops it in the press for the way her hair is styled and how she dresses.

On that, there is a heavy influence on At Home with Julia about Tim’s “house-husband” status and how he’s a sad hairdresser who just wants to marry the independent Julia. While I’m not sure the show seeks to contribute to the status quo, but rather critique it, I do have a problem with the fact that in this society, an unmarried couple is an unhappy one.

Despite my problem with the fact that there is a comedy show about a sitting prime minister, it is an accurate and (mostly) funny satire of Gillard’s time in office. I voted for her, and regret doing so because of the way she’s blundered the carbon tax and the asylum seeker issue. I hope At Home with Julia seeks to delve more into these issues, instead of portraying sex—an act the show asserted it would never do—under the Australian flag in the Prime Minister’s office. As Anthony Sharwood wrote on The Punch:

“Yet somehow, it was deemed OK to make sexual jokes about an incumbent prime minister in her late 40s, whose love life has never had the tabloid quality of, say, Bob Hawke’s. Even if you dislike Labor and Gillard, the nookie scenes were cringeworthy and savagely inappropriate.”

What do you think? Much ado about nothing, or wildly inappropriate and disrespectful?

Related: Not Quite Out of the Woods: The State of Australian Politics.

Elsewhere: [The Punch] Why is the ABC Screening This Crap?

[MamaMia] At Home with Julia: Love or Loathe?

Image via News.com.au.