The Metatext of Hannah Montana.

 

From “Battle of the Bands: Fictional Musicians VS. Their Real-Life Counterparts” by Emily Temple on Flavorwire:

“… How meta is this whole [Hannah Montana] story? Miley Cyrus plays Miley Stewart who is secretly also Hannah Montana who the real Miley Cyrus basically becomes in real life, before she becomes Britney Spears? This is not new territory of course, but it just re-blew our minds.”

By the looks of the accompanying photo of Miley pole dancing, it looks like she already has become Britney. “Gimme More”, anyone?

Elsewhere: [Flavorwire] Battle of the Bands: Fictional Musicians VS. Their Real-Life Counterparts.

Image via Hip Hop Blog.

On the (Rest of the) Net.

 

“The Evolution of April O’Neil.”

Both MamaMia & Melinda Tankard-Reist have run stories on footballers behaving badly, after the  New Zealand Warriors rugby team drafted Shaun Metcalf, who spent 18 months in jail for rallying a couple of his teammates to help him kick his pregnant teen girlfriend to cause her to miscarriage. Tankard-Reist writes:

“One of Metcalf’s key defenders and outspoken advocates is Celia Lashlie… [says]:

‘We can all get caught up in the emotional image of young men booting a young woman in the stomach to cause her to abort her baby, but these were two young people … she got pregnant, he was way out of his depth, and he did a really cruel and dumb thing.

‘He was caught in the moment, and what he did was the equivalent of a young man putting a noose around his neck because his girlfriend tossed him out. He has to be allowed to move forward and put his life together, and I think the ability of the NRL and the Warriors to take this young man in and help him do that is role modelling and something they should get credit for’…

“Oh no, we wouldn’t want to get caught up in an image of young footballers playing football with the pregnant womb of a 15-year old girl now would we?

“‘The equivalent of putting the noose around his neck’? No, it was the equivalent of putting a noose around her neck—and the neck of her child. Laslie paints the act as some kind of self-punishment. But he wasn’t assaulted. He wasn’t trying to protect the child he was carrying. It wasn’t he who might lose his life.”

“Glorified pimp” Kris Jenner VS. the “strong of character” Khloe Kardashian on her new reality show, Khloe & Lamar.

Katy Perry and Britney Spears celebrate a pop apocalypse in their new singles on Girl with a Satchel.

Also at GWAS, Erica Bartle writes in response to Mia Freedman’s take on the relevance and influence of magazines, and what that means for women.

This makes me even more upset that my body corporate won’t allow Foxtel installation: MamaMia has their own TV show on SkyNews, Tuesday nights at 8pm. Congrats to the MamaMia team; they really are showing that the blogosphere is the new media frontier.

How to make the real-life Barbie doll.

Is this what 43 looks like?

Rebecca Black’s “Friday” is more popular on—wait for it…—Fridays! Who knew?!

Hugo Schwyzer on perfection, “good guys” and respect in relationships:

“… Many young women conclude that happiness is something that you only get when you get to your goal weight. And even more troublingly, when it comes to relationships, lots of straight girls think that if their own bodies aren’t perfect, they have no right to expect too much from guys.”

Apparently, leading a sedentary, office-bound life can lead to heart disease and other health problems. Not good news for bloggers…!

Do Spanx make the world a better place?:

“… My world is a better place when I can fucking breathe. My world is a better place when someone is not trying to convince me that making myself into a human sausage will make the world a better place.”

Vintage STD-warning posters. Oh, the misogyny!

“The Public Health Problem No One Wants to Talk About”: Stillbirth.

“Stop Being ‘Shocked’ by ‘Isms’” of the rac- and sex- persuasions. And trans- and homophobia while we’re at it.

Sexualised violence is the new black.

The real-life The Wrestler: the tragic life-story of Chris Kanyon.

The perils of the unfinished book.

How to raise boys well.

Images via Jezebel, MamaMia.

Magazine Review: ZINm, Issue Six.

 

With issue six released a couple of weeks ago, independent zine, ZINm, by Melbournian Marc Bonnici, is really hitting its stride.

The “Teen, Pop, Gossip, Trash” issue takes a page out of Famous’s book mag, with a snarky, funny and pop-culturally heavy tone.

On the “From the Editor” page (p. 5), Bonnici ponders the first world problems of “Britney VS. Katy: product placement in their new music videos” and “what colour scarf shall I wear to go check the mail…?”

The issues features a spread of Selena Gomez’s ever-changing hairdo (p. 6), how to correctly apply make-up (p. 9), Kellan Lutz’s obsession with exercise and long sports socks (p. 10–11), a “dear Christina Aguilera/Metro trains/couples walking in the city” letter in regular feature “Burn Book” (p. 18), and a Dolly Doctor-esque sexual advice column entitled “Doctor Chorizo” (p. 21).

Melissa George, Ryan Reynolds and Emma Roberts also make appearances.

It’s a good thing this issue comes with a “may contain possibly false information” disclaimer, ’cause the truly riotous celeb scandals in this issue couldn’t possibly be true!

The newsstand glossies should take heed: goodness knows a lot of their material is based on possibly false info!

Related: George Michael Paper Dolls in Independent Zine ZINm.

Independent Zine ZINm Preview.

First World Problems.

Elsewhere: [Marc Bonnici] Homepage.

“Oh My God, That Britney’s Shameless”—Britney Spears VS. Beyonce.

 

From an excerpt of “Pride from Behind” by Shabiki Crane in “Feminism for Real: Deconstructing the Academic Industrial Complex of Feminism” by Latoya Peterson on Racialicious:

“… When white women like Britney Spears presented themselves in a sexual manner it was because they were asserting their sexuality; however when black women, like Beyonce did, they were simply being puppets and degrading themselves…

“Feminism dictates that women deserve to be equal to men; but the truth is it’s telling us that some women are more deserving than others.”

I disagree.

With Britney’s breakdown in 2007/8, the star’s mental health issues have come to light, leading most to make the assumption that Spears is more of a puppet, writhing—naked—to the beat of her management’s drum, while Beyonce—to me—is more of a woman in charge.

She’s one of the richest females in the business (granted, so is Spears), but she backs it up with talent, the courage of her convictions, and a keen eye for what the public want to see.

I agree with Crane’s latter assertion, that feminism works for some women, not all, but she’s watching a different media Circus if she thinks Beyonce comes across as the “puppet” in this equation.

What do you think?

Related: Feminist-Bot.

Britney Spears: Not That Innocent.

Like a Virgin, Take 2.

Did Rosie the Riveter Wear Hotpants?

Elsewhere: [Racialicious] Feminism for Real: Deconstructing the Academic Industrial Complex of Feminism.

[MamaMia] Is This Officially a Comeback?

Images via Fanpop, Supercrunked.

On the (Rest of the) Net.

 

Megan Fox’s body politics:

“… You have a picture of said body—made even thinner through creative posing—that’s used to sell underwear. In other words, she is paid to be thin. Period. All the talk about her abs and her weight-training regimen don’t have anything to do with the reality: Her body is her business. Literally. It’s her business, not ours, whether she’s healthy—that’s between Ms. Fox and her doctor. And it’s her business—an integral part of her financial strategy—to be thin.”

This is a superb, graphic and thought-provoking piece of writing on waxing, vaginoplasty and the ubiquity of female lady-parts. Semi-NSFW, but I recommend reading it at any cost:

“… while we can look over with horror at a tribe of women who claim that if their five-year-old happened to bleed excessively after having her clitoris cut off, that she must have been a witch, here in our own backyard, we give it some fancy name like vaginoplasty and somehow it’s less archaic? Goodness, we’re so civilized.”

Bern Morley on song lyrics and what we let our children listen to. Good stuff.

The double standards of cheating. FYI, I don’t agree with them.

Sachar Mathias divulges her favourite black dolls. Does this make-shift Michael Jackson Ken count? It is circa late ’90s/early ’00s—his face mask, baby-dangling period—so maybe not…

Anti-Semitism in the fashion house of Christian Dior goes further back than just John Galliano’s comments.

James Franco was a jerk to Kristina Wong. I think he’s a jerk in general.

CNN recently published an article asking if “whites are racially oppressed?” That’s like saying there needs to be an international men’s day if there’s a women’s one. Seriously, someone tried to argue that to me last week!

Charlie Sheen and “The Disposable Woman”.

Thanks for the shoutout, Beauty Redefined.

Celebrities behaving badly: who’s responsible?:

“But is it the responsibility of the media to be the moral gatekeepers of what we should and shouldn’t know about? Is it their responsibility to diagnose supposed ‘mental illness’ and on that basis, stop reporting on certain stories?

“… If drug addled celebrities on the front pages didn’t sell, they wouldn’t be there. So is the problem us? Just who is egging on who[m] here?”

Alissa Warren is a bit unsure if Waity Kaity is the royal for her.

Rick Morton on Pauline Hanson’s political return.

Images via Jezebel, Carlen Altman.

TV: Glee “Sexy” Review.

 

Never before have I been so offended by Glee. They’ve gone wrong a lot in the past season and a half: “Duets”, where everyone but the token gay Kurt got to sing with a partner; Mercedes’ eating disorder cured by Quinn giving her a granola bar; and the Justin Bieber episode in general, which I actually liked, but several of my friends voiced their concern over it. But this episode was so ignorant in addressing the theme of sex amongst the New Directions members that it made me want to hurl.

Firstly, Gwyneth Paltrow’s return as Holly Holiday was unnecessary, but obviously they’re going to milk the character for all she’s worth. She was derogatory, snarky and just plain annoying; worlds away from her first appearance on the show.

Holly insults guidance counselor Emma for still being a virgin four months after her marriage to Carl the dentist, when clearly the girl has intimacy and bodily fluids issues, amongst many others. Plus, she’s still in love with Will Shuester, which Holly takes pleasure in rubbing in her face by hooking up with him.

She heads up the celibacy club, which she makes a mockery of, even more so than Santana’s recent membership.

When Emma leads Carl, Puck, Quinn and Rachel in a rendition of “Afternoon Delight”, Holly Gleefully points out that an afternoon delight is a romp in the PM, not a dessert as Emma thinks it is.

She leads the kids in a leather-clad performance of “Do You Wanna Touch Me”, which completely undermines Mr. Shue’s previous efforts to protect the kids from singing songs by such risqué artists as Britney Spears. But, you know, this is Glee, where the storyline takes a back seat to big names and bigger songs.

But the most offensive part of the show was Holly and Will massacring one of my favourite Prince songs, “Kiss”.

The only redeeming quality of the episode was Santana’s heartfelt, yet obviously tormented, declaration of love for Brittany, who turned her down in favour of Artie.

Related: The Underlying Message in Glee’s “Blame it on the Alcohol” Episode.

How to Make a Woman Fall in Love With You, Glee Style.

Glee “Silly Love Songs” Review.

The Underlying Message in Glee’s “Furt” Episode.

The (Belated) Underlying Message in Glee’s “Never Been Kissed” Episode.

The Underlying Message in Glee’s “The Rocky Horror Glee Show” Episode.

The Underlying Message in Glee’s “Duets” Episode.

The Underlying Message in Glee’s “Grilled Cheesus” Episode.

The Underlying Message in Glee’s “Britney/Brittany” Episode.

Images via YouTube.

On the (Rest of the) Net.

 

How to be a Victoria’s Secret Angel:

“Holding tight to a mission statement that stands first and foremost to ‘empower women,’ and a slogan stating the brand is one to ‘Inspire, Empower and Indulge,’ the company ‘helps customers to feel sexy, bold and powerful.’

“Where once sexualized representations of women in the media presented them as passive, mute objects of an assumed male gaze, today women are presented as active, desiring sexual subjects who choose to present themselves in an objectified manner because it suits their ‘liberated’ interests to do so.

“Not only are women objectified as they have been, but through sexual subjectification, they must also now understand their own objectification as pleasurable and self-chosen.”

Why Britney Spears is the everywoman pop star of our generation.

Unfortunately for John Galliano, “Rehab Does Not Cure Anti-Semitism”.

Also, Gawker wonders “How the Hell is Anti-Semitism Having a ‘Moment’?”

Owen Wilson managed to escape the tabloid microscope of Hollywood after his 2007 suicide attempt, unlike so many other stars who’ve fallen of the mental health wagon (the aforementioned Britney, Lindsay Lohan and flavour of the moment, Charlie Sheen):

“…it is Wilson who seems to have gotten the hall pass. He has never explained what happened to him that anguished Sunday in August…

“It’s a fascinating instance of a celebrity hiding in plain sight—and getting away with it—that stands virtually alone in Hollywood’s PR playbook.

“What’s the statute of limitations on personal issues in Hollywood?”

Baby bullying in the Bonds Baby Search competition. Seriously?! Baby bullying?!

What would it be like to sleep with a women’s magazine?:

“Vogue: You’re really flattered. They’re probably the hottest person you’ve ever slept with. Neither of you gets off.”

US political commentator Rush Limbaugh feels that Michelle Obama doesn’t have the right body type to be an advocate for beating childhood obesity:

“I’m trying to say that our First Lady does not project the image of women that you might see on the cover of the Sports Illustrated Swimsuit Issue, or of a woman Alex Rodriguez might date every six months or what have you. I mean, women are under constant pressure to look lithe, and Michelle My Belle is out there saying if you eat the roots and tree bark and the berries and all this cardboard stuff you will live longer, be healthier and you won’t be obese. Okay, fine, show us.”

Racist, sexist and sizeist on so many levels.

On that, “Beauty is Not a Spectrum” at Eat The Damn Cake.

The secret lives of sex store workers.

“Charlie Sheen’s ‘Porn Family’, Explained.”

Images via Squa.re, Everyday Facts.

 

The Underlying Message in Madonna’s “Like a Prayer” Video.

About a month ago, I posted a quick revision of a presentation I did at uni on Madonna’s most controversial videos. In it, I wished to go into further detail on “Madonna’s influence on the music video and religion in pop culture”. Here I attempt to do so.

Another pop culture icon who’s had a big influence on modern religion is Oprah, who pushes her brand of “pick and mix religion” to her millions of followers. Funnily enough, Shmoop comes to a similar conclusion about the “Like a Prayer” video:

“The blending of Italian American and African American traditions and cultures should also be considered a postmodern choice. It resists interpretation. Where a critic might try to understand the video as an endorsement of Catholicism, the blending of Catholicism with the African Methodist Episcopal choir Madonna meets in her dream prevents such a simple interpretation. The video is neither here nor there on particular religions, only communicating the power of some force of faith to empower her.”

But when the video was released in 1989, that was the least of its critics’ problems. Perhaps it was the rape scene at the beginning, the depicition of a “black Christ”, who was in actuality the black Saint Martin de Porres, to critique racism, or—my pick—the burning crosses in the field behind Madonna, who prances around in black negligee. It could have been any combination of these factors that made Pepsi back out of its $5 million deal with the star in the aftermath of the video’s release.

Granted, the film clip was made more than twenty years ago, and it was groundbreaking for its time. However, fast-forward to 2011, and what we’ve seen since then makes “Like a Prayer” seem positively tame.

Madonna herself has been responsible for some of these, like her clip the following year for “Justify My Love”, her Sex book or, on the tamer side of things, kissing Britney Spears and Christina Aguilera onstage at the MTV Video Music Awards in 2003, which seems to be an enduring image of ranch culture in this day and age.

But you don’t go about these things without thinking of them seriously, and that’s why Madonna’s legacy has persisted all these years. She knew exactly what she was doing in that clip, and all other clips that followed. The fact that at the end of the song the events of the clip are revealed to be a performance indicates that “we all play a part in this little scenario”. What part, exactly?

While religious groups trying to get the video banned could be interpreted as the Church being unwilling to accept square pegs that don’t fit into round holes, Pepsi backing out of their deal with the star is an example of big conglomerates being scared to buck the system and take a risk less they lose customers.

Someone who isn’t afraid to buck the system and is accepting of all walks of life (except, perhaps, those whose body parts were used in the assembling of her meat dress) is Lady Gaga, who is a huge Madonna fan, if some of her recent videos are anything to go by. Last year I blogged about Gaga’s film clip for “Alejandro” and how it emulated “Like a Prayer” and other Madonna videos almost to a tee.

While we would like to think that we have grown as a society and have become more accepting of different people in the twenty years since “Like a Prayer” was banned, “Alejandro”’s critical reception from religious and parenting groups may indicate otherwise…

Related: More Madonna.

Katy P. VS. Lady G.

Madonna (and Her Brand of “Feminism”) On the Rocks.

Elsewhere: [Shmoop] Like a Prayer Meaning.

Images via YouTube.

Lea Michele Just Can’t Win.

 

From “Righteous Moms Just Can’t Let Lea Michele Be Sexy” by Margaret Hartmann on Jezebel:

“Yes, some children will probably see the cover while walking past a newsstand, but it’s doubtful that this issue alone will lead to the crushing realization that sex sells. The GQ cover was tasteless and the Cosmo cover may appear a bit desperate, but it isn’t as if Lea’s doing Playboy. Ten years ago, parents were losing it because Britney Spears delivered sexed-up performances, seemingly with no regard for the little girls who idolized her. Britney summed it up well (and ridiculously) with her song ‘Not A Girl, Not Yet A Woman.’ In American pop culture, this dichotomy is nothing new, Lea Michele is just our current scapegoat.”

Related: Disturbing Behaviour: Terry Richardson Does Glee.

Elsewhere: [Jezebel] Righteous Moms Just Can’t Let Lea Michele Be Sexy.

Images via Reality by Rach, Twenty2.OnSugar.

On the (Rest of the) Net.

 

The perils of pants-less ladies.

Does Gossip Girl care about women in politics?

Bryce Corbett in defence of Nicole Kidman:

“… it seems to me that Nicole Kidman is engaged in what must be a most dissatisfying unrequited love affair with her homeland. She flies to Australia to pimp her country on Oprah. She makes a film with Baz Luhrmann which (whatever you may have thought of the final product) was a massive shot in the arm for the local film industry and a two-hour love-song to her country of birth. She fronts up to G’Day USA every year to flog the myriad wonders of Down Under. And following the Victorian bushfires, she donated half-a-million dollars of her own money to the Red Cross relief fund. What a cow.”

“Sexual Assault & the Super Bowl.”

Anna Chong, a designer from the London College of Fashion, has re-imagined Lady Gaga’s most popular get-ups into Barbie-sized outfits. But she’s not the first to do it

“Why is Captain America Ruling Our Screens & Not Wonder Woman?”

Seinfeld’s Elaine Benes as modern-day hipster fashion icon.

The New York Times profiles “nice-guy blogger” Jared Eng on his “cheery, quotidian, Britney-goes-to-Starbucks” blog, JustJared.com.

Also at The New York Times, The Catcher in the Rye’s Holden Caulfield is un-relatable.

Jacob Lambert on “The Paper-Reader’s Dilemma”:

“No longer are books being pitted against pixels; pointing out that paper isn’t reflective either seems very 2007.  The war is now between tablets, as if the book never existed at all.”

Yet more dispelling of the Nicole Kidman vitriol, this time in a vintage (2008) article on Girl with a Satchel.

In the same vein of “17 Arguments Against Gay Marriage & Why They’re Bollocks” and “10 Things You Need to Understand About Asylum Seekers”, comes John Birmingham’s defence of Sandra Reynolds, via MamaMia.

I’d been searching for this article for awhile to reference in a few Lady Gaga musings, and finally came across it again last week and re-read it in the bath. Bliss. A fine example of quality journalism.

Reblogged from Fuck Yeah, Gender Studies, Rachel Hills runs a post on the question of “Who Sexualises Children?”:

“God, it doesn’t even make sense—HOW can a child be sex vixen? When I look at a child, I see a child. Regardless of costume. Dressed like Mary Poppins or dressed like Britney Spears, a kid is a kid! If you see something sexual, the problem is with you.”

I haven’t been shy about my hatred of Charlie Sheen (I know hate is a strong word, but honestly, he is a despicable human being), especially when he gets a free pass because he happens to be the star of TV’s most successful show, while Lindsay Lohan’s career is in ruins. Jezebel reiterates this:

“In recent years no stars (with the possible exception of the oddly lovable Celebrity Rehab cast members) have had their problems with addiction more publicized than Charlie and Lindsay. However, the way these stars are treated by the media and the public is vastly different, mainly due to the double standard for female celebrities.

“The scorn for Lindsay is particularly strange because compared to Charlie, she’s only hurting herself. Let’s review some of Lindsay’s biggest tabloid scandals: Two DUI arrests, four stays in rehab, missing numerous court hearings, going to jail for failing a drug test, battling bulimia, battling her father, and breaking up with her girlfriend. As for Charlie, he’s been in and out of rehab for years, he “accidentally” shot fiancee Kelly Preston in the arm, he was named as a frequent visitor to brothels owned by Heidi Fleiss, he’s dated numerous porn stars, he ODed on cocaine, allegedly shoved Denise Richards and verbally abused her during their marriage, and was arrested for domestic violence against Brooke Mueller, but avoided jail time due to a plea deal. Lindsay has never been married and has no children. Charlie has been married three times and has five kids, four of whom are under the age of 10.”